Showing posts with label recording equipment. Show all posts
Showing posts with label recording equipment. Show all posts

4/22/2012

THD Electronics HP8 Hot Plate Power Attenuator, 2 Ohm Review

THD Electronics HP8 Hot Plate Power Attenuator, 2 Ohm
Average Reviews:

(More customer reviews)
This product does wonders for a tube guitar amplifier. It permits great amp sound at reduced sound amplitude.

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The THD Hot Plate Attenuator is a power attenuator and noise reducer that lets you attain the incredible sound of your amp running at high output and full distortion but at recording, small club, and neighbor-friendly volumes. It also makes a perfect dummy load.A power attenuator is simply a device placed between the speaker output and the speaker cabinet. It acts like a huge master volume control and permits the amp to be turned up most or all the way while absorbing most of the power generated by the amplifier and turning this power into heat. It passes a small part of the power to the speaker.Designed for use strictly with vacuum tube guitar amplifiers, each version of the Hot Plate is optimized for a specific impedance. These inductive loads are frequency-compensated, which means you get the best possible sound for that impedance speaker and amplifier combination. Plus the Hot Plate is no simple power attenuator. It offers many capabilities that make it a great addition to any tone-hungry player\'s arsenal.Built-in Noise ReductionThe THD Hot Plate is the only attenuator on the market with built-in noise reduction to reduce the hiss and hum between notes. Its passive, single-ended noise-reduction system provides approximately 10dB of broadband noise reduction without gating or pumping and without affecting the tone of the amp. A by-product of the noise reduction circuit is that it generates light via a front-mounted bulb as you play. The harder you play, the brighter it glows.Tone ControlsThe Hot Plate is also the only attenuator offering a Bright switch and a Deep switch for tailoring your sound. The Bright switch gives you 2 different high-frequency levels so you can compensate for an overly bright or dull speaker cabinet. The Deep switch offers 2 distinct bass settings to help you fill out the bottom end or reduce the bass in a cabinet with too much low end.Adjustable Line OutTHD Hot Plates also feature a Line Out, which is adjustable by its own volume cont

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4/19/2012

Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter Review

Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter
Average Reviews:

(More customer reviews)
this was my first mixer, in my DJ'ing Business. i use this thing ALL THE TIME! ive had it for over a year, and have nothing to complain about. great item! no problems!
so worth it!


Click Here to see more reviews about: Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter

The PRO MIXER DJX700 is a professional 5-channel DJ mixer with great features for club-worn veterans and starry-eyed newbies alike.

Five-Channel DJ Mixer The DJX700 features four dual input stereo channels, and 1 ULN microphone channel with "on air" switch. A dedicated effects loop is ideal for connection of external devices (sampler, reverb processor etc.), and the adjustable crossfader curve lets you adjust for all mixing styles.
Three-Band Kill EQ Dial it in with a three-band kill EQ (-32 dB) and precise level meters with peak hold function on each channel.
ULTRAGLIDE Faders The faders are the heart and soul of every mixer. With their 500,000 cycles life expectancy, Behringer's high-grade 45-mm ULTRAGLIDE faders outperform standard faders more than twenty-fold. VCA (Voltage Controlled Amplifier) technology goes hand in hand with our faders--audio signal does not run directly through them; instead, the faders only provide a control voltage to the VCAs. The advantage: practically no audio noise caused by mechanical wear.
Built-In Digital Effects Your crowd will be astounded by the 47 breathtaking digital effect presets in 24-bit quality: delay, reverb, flanger, filter, panner, ultrabass, exciter, Vinylizer, voice changer and more. Your audience will be astounded, but they'll never have to know your secret.
Track-Matching Tools Matching tracks is an art in itself. It takes countless nights of practice before you can truly say you have it under your belt. With the intelligent BPM counter, Behringer take a lot of the guesswork out. Features like SYNC LOCK and BEAT ASSIST help you seamlessly align two tracks without having to rely solely on your ears.
Surround Function Behringer also gives you the awesome XPQ 3D surround function. It widens the stereo image and adds life and transparency to your sound--it's a great way to put a unique finishing touch to your sound and make it feel bigger and wider.
Low-Noise Preamps You work either with CDs or vinyl--sometimes both--and they all induce their own noise into the mix. The last thing you want is to pile even more mixer-originated noise on top of that. That's why all of Behringer's DJ mixers incorporate the improved ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, minimal noise and ultra-transparent sound.
What's in the Box Behringer DJX700 DJ Mixer, Power Supply, User's Manual

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4/14/2012

Seismic Audio - Pedal Board Case ATA 26" Storage Rack Review

Seismic Audio - Pedal Board Case ATA 26 Storage Rack
Average Reviews:

(More customer reviews)
I don't play guitar and therefore, don't have any guitar pedals. However I purchased this case from Seismic with another idea in mind. I had been shopping around for a while for a good hard case to protect my mixer board. I spent countless hours staring at cases costing hundreds of dollars and way to small to even think of fitting my board. Then I found the pedal board cases from Seismic and realized that it would be the perfect size. Once i got my case I realized just how sturdy it was built. Very well put together and solid. I added my own brackets (simply made from some scrap wood) and some foam to tightly fit and protect my mixer. After a year of use, the case still looks practically brand new and my mixer is very well protected. I highly recomend this case for anyone looking for a solid case to protect anything.

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Pedal board cases for all your pro audio needs. Order 24 inch pedal board cases today and get free shipping. We will ship same day if you order by 2:30 CST.

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4/13/2012

Numark NS7 DJ Turntable Controller with Serato ITCH Software Review

Numark NS7 DJ Turntable Controller with Serato ITCH Software
Average Reviews:

(More customer reviews)
Coming from a turntable and vinyl background, I was and still am excited about this product. I purchased it and have been very content. The unit is about 35lbs. and VERY solid. I have to get use to scratching on it compared to turntables. The platter should have been made 9" but I'm taking it in stride. All crossfaders have a quality feel, no static and the scratch curves feel as good or better than my Rane TTM57sl.
My only complaint is that Numark did not future-proof this unit with effect buttons. I find the software (Serato iTch) and mixing is (CURRENTLY) a little more boring than Serato Scratchlive and my 57 mixer. Serato is supposedly working on effects and making iTch's software closer in features to Scratchlive.
I purchased the Numark case with the unit and REALLY love doing mobile gigs now. No more individual TT cases and mixer cases. No more RCA and ground wires and at least 15 minutes less setup time. I'm saving close to 70 lbs. in travel weight too. One bit of advice is to be wary of using PCs with this unit. I have a Unibody Macbook Pro 2.66Ghz but struggled making a Core2-Duo 2.2Ghz 4GB ram PC work "glitch-free" with the NS7 and iTch. It had quirky behavior while tracks were playing, random stops and various audio dropouts. Many PCs will (by default) have IRQ sharing which can hose up USB connectivity (the main source of NS7 communication to your laptop) if there are conflicts.
In troubleshooting, I had to insure bluetooth, anti-virus, firewalls, NIC cards, screen savers, wireless Network cards, on-board video and all sorts of services were disabled on the PC (a TOTAL administrative nightmare!) and still ended up having to run the latency at 5ms or greater for decent performance. My mic had major echo delay with this setting so enough was enough.
I purchased the MBPro and have not had a SINGLE glitch since. My latency is at 1ms AND I can run apps in the background while DJ'ing without problems. I highly recommend the NS7 (with adequately powered MAC) for any mobile DJ.

Click Here to see more reviews about: Numark NS7 DJ Turntable Controller with Serato ITCH Software

Designed in collaboration with Serato, the Numark NS7 DJ Turntable Controller combines an all-metal chassis with adjustable torque, motorized, aluminum-turntable platters, vinyl, and a professional audio interface to deliver a complete performance solution that will satisfy even the most hardcore turntablist.
It offers a full complement of premium faders, knobs, buttons and the new Strip Search virtual-needle-drop control, which integrates seamlessly with the included Serato ITCH software. The NS7 delivers hands-on control of every aspect of Serato ITCH and sends data to the software more than ten times faster than standard MIDI resolution. And because it was designed for ITCH, NS7 setup time is the bare minimum--no tweaking, no mapping; just plug and perform.
The NS7's dual decks flank the mixer section. Its recognizable, professional appearance is supported by clean design in matte and glossy black. The entire unit is housed in a heavy-gauge, industrial-strength metal casing that is ready for the torture of travel.
Key Features
High-resolution controller built for Serato ITCH and compatible with Scratch LIVE libraries
Direct-drive, motorized turntable platters with classic and modern feel settings
Includes Serato ITCH DJ software, fully pre-mapped
Audiophile-grade audio circuitry with mic and line inputs, system and cue outs
Extensive loop, cue, and track-access controls
Strip Search (patent pending) virtual-needle-drop control
Controls most MIDI applications without requiring a mouse or keyboard
Rugged, all-metal construction
High quality, replaceable, customizable CP-PRO crossfader and D-TYPE line faders
Support for Whitelabel.net files in ITCH
Mix using either 33 RPM or 45 RPM speeds

Perfect Feel The NS7 has two seven-inch, motorized, high-torque aluminum turntable platters, and the turntable controls feature modern and classic settings that alter the feel to model the feel you prefer. Seven-inch, legit vinyl records with 45 RPM adapters sit on real slipmats--no simulation.
Solid, rugged, rubberized buttons and knobs compliment a high precision, replaceable CP-PRO crossfader and D-TYPE line faders for an unquestionably high-quality feel. The CP-PRO digital-VCA crossfader has a solid feel that is smooth and rigid. Like the crossfader, the D-TYPE digital-VCA line faders are replaceable. The crossfader offers contour adjust and reverse adjustment, enabling you to customize its operation.
System Simplicity Forget the mouse and the keyboard. The NS7 renders ITCH software perfectly simple to operate, with its click knob and large, backlit buttons navigating though your music library. You'll spend less time looking at the screen and more time enjoying performing thanks to the visual feedback you get from NS7's more-than 100 LEDs and more-than 100 hands-on controls.
A single USB cable between NS7 and your Mac or PC is all you need to send audio and data back and forth. The NS7 has onboard audio outputs so it's the only piece of gear you need to connect to the PA system or powered speakers. It outputs 24-bit, 44.1 kHz digital audio to the sound system on XLRs and RCAs. The front panel contains mic input, RCA line input, and both 1/4" and 1/8" headphone outputs with volume control.
The NS7 comes with an integrated laptop stand that supplies safe, secure mounting for your laptop. You can use an ultra-small space because NS7 elevates your laptop off the table.
Precision Control The NS7 sends control information over USB at more than ten times the standard MIDI rate. This innovative communication technique yields extremely high-precision, low-latency control.
There's nothing like dropping the needle on a record for quickly locating a point in the track, and with Strip Search--the unique virtual-needle-drop touch strip--you can locate a point instantly within the track using the on-screen waveform
Five hot-cue-assign buttons on each deck digitally mark your cues on the track. These marker points are recallable in ITCH and Scratch LIVE, and you can load Scratch LIVE cue points in ITCH.
Each deck offers an extensive Serato-style loop section, and you can choose between manual and auto-loop functions and an automatic BPM analyzer further assists loop makers. Creating automatic smart loops of any measure length is a breeze, and you can mutilate and modify to heart's content with a variety of controls such as Doubling, Halving, Shift, and manual controls.
Audio Quality The NS7 contains a host of professional audio connectors and a multichannel, 24-bit USB digital-audio interface. The high-definition post-mix analog audio output features a minimized circuit path with containing only one audiophile-grade bipolar capacitor. This optimized design maximizes phase coherence, ensuring that audio is tight and punchy.
Serato ITCH Software IF you use Scratch LIVE, you'll become quickly familiar with Serato ITCH. Because ITCH doesn't require a timecode interface, your system can be as simple as, say, NS7 and your computer. Since ITCH makes timecode a thing of the past, you won't need to worry about needles skipping or vinyl wearing out. You can load your Scratch LIVE crates, loops, presets, and cue points seamlessly in ITCH. The NS7 also works with most other MIDI DJ software and supports iTunes.
ITCH handles audio processing and mixing including channel fading, EQ, crossfading and track trim are processed for outstanding control and management of your tracks, ease of recording your set, clip-proof gain management, and BPM calculation using the power of your computer's processor.
The History function in ITCH keeps a comprehensive record of every track played and exports sessions from your history to 'txt', 'csv', or 'm3u'. ITCH also has a Loop Roll function that provides a looping effect where the playhead jumps back to normal time when you release the loop. Built-in key support ensures that ITCH reads key tags from MP3 files and displays them in the 'key' column in your library.

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4/07/2012

DENON DN-HC4500 DJ Mixer USB Controller Review

DENON DN-HC4500 DJ Mixer USB Controller
Average Reviews:

(More customer reviews)
Grate tool, very accurate cue points It works VERY WELL with serato in a MacBook Pro platform. The best money invested in the las 5 years. Grate for mobil and very practical in Club setting. Love it!!!!

Click Here to see more reviews about: DENON DN-HC4500 DJ Mixer USB Controller

The Denon DNHC4500 is their first USB MIDI/Audio interface designed exclusively for computer performance club and mobile DJs worldwide. Ever since the needle hit vinyl, DJ's have been setting the standard for what's hot. Denon comes from that same philosophy and passion, leading the way and creating the path for DJ evolution. The feature-packed, professional, PC/MAC compatible DNHC4500 controller combines unmatched hardware performance with internal high quality audio processing offering low latency ASIO/OSX Core Audio support. The DNHC4500 does more than talk MIDI, it offers the exclusive flexibility to control Denon's optional BU4500 dual CD/MP3 player for simultaneous 4-player configuration. The controller is bundled and complimented with an LE trial version of PCDJ's revolutionary new software, Reflex, that offers an array of amazing forward thinking features. Denon DN-HC4500 Features Includes LE Trial Version of Reflex by PCDJ Internal 24-Bit Processing & USB Audio BU4500 Drive Support Multi Functional Touch Sensitive Jog Disc Vibrant Tube Display w/ 2-line Character Text Support Highly Responsive Soft Rubber Buttons, Switches & Knobs High Speed USB 2 Interface Among the DN-HC4500's other advanced features is a Multi Functional Touch Sensitive Jog Disc constructed with an ultra high-resolution pulse and touch sensor to accurately reproduce the most subtle or swift scratching movements made by the human hand. The Jog Disc can also be mapped to perform other vital functions too such as, pitch bending, scanning, file searching and dry/wet control for effects. In addition, a Vibrant Tube Display with 2-line Character Text Support offers two lines of character information, letting DJs quickly navigate through files, crates, folders and confirms without having to look up at their monitor. A visual 32-position Marker Point indicator foll

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4/05/2012

PYLE-PRO PWMA330 - 300 Watt VHF Wireless Battery Powered PA System W/Echo Review

PYLE-PRO PWMA330 - 300 Watt VHF Wireless Battery Powered PA System W/Echo
Average Reviews:

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This unit has great voice projection. It is inexpensive so your microphone is not of good qulaity. It is great that you do not need a transmitter for the mic to work. Overall voice projection is good when it does work. Your range is limited for the wireless mic to pick your voice up. As a portabel PA I would recommmend it but you should go out and get a better microphone.

Click Here to see more reviews about: PYLE-PRO PWMA330 - 300 Watt VHF Wireless Battery Powered PA System W/Echo

Unit Powered By Internal Rechargeable Battery Pack One VHF Wireless Mic With FCC Certificate 2 Mic, 1 Guitar And 1 Audio ¼'' Input One 6.35mm Male To 3.5mm Stereo Female Adaptor Echo, Bass And Treble Controls RF, Rechargeable, Low Batt And Power LED Indicator Handheld Wireless Mic With 3 Position Power Switch & LED Operation Range: 100ft 8'' Full Range Speaker150W RMS, 300W Peak Power Unit Battery Life: Approx. 5 Hours Mic Battery Life: Approx. 45 Hours Ported Enclosure For Increased Bass Response Telescoping Handle & Caster Wheels Operating Frequency: 169-216mhz 110/220 Voltage Switchable Dimension: 14.6''L x 10.6''W x 9.3''H Weight: 24.3 LBS

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4/04/2012

Hercules DJ Control Steel Review

Hercules DJ Control Steel
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(More customer reviews)
I love my Hercules RMX, but as my shows are getting bigger I'm starting to produce some of my music and using more effects so I switched to the Steel. I love this mixer as I can program up to 12 effects and works great as a video mixer without paying the $6 grand for the pioneer. If I get that big, maybe I will cough up the money for the pioneer, for now this is under $250 and works great. I may one day get an effects controller to plug into my denon, for now this is the best of both worlds.

Click Here to see more reviews about: Hercules DJ Control Steel

The portable, USB-powered Hercules DJ Control Steel offers dual mixing decks on a steel surface that's specifically designed for professional DJs who already have an audio interface, but need a reliable advanced digital mixer that offers a multitude of functions. This two-tone black and silver surfaced controller features a removable, customizable steel center plate, solid metal casing for perfect portability and solid, sensitive controls with plenty of space for precise mixing. The DJ Control Steel offers MIDI control capability, and it comes bundled with Virtual DJ 5 for PC and Mac.


Key Features
Dual mixing decks on a steel surface
Dual-deck DJ controller with equalizer and volume controls
Track reading controls (jog wheels, effects, pitch etc.)
Track mixing controls (cross-fader, volume faders, kill etc.)
Ample space under the DJ's fingers allows precise mixing
Ideal for mobile DJing, the device connects to and is supplied through the computer's USB port (whether PC or Mac, laptop or desktop)
Supplied with a carry bag, the controller can be carried over the shoulder.
2 decks, 6 sliders, 13 rotary knobs and 46 push buttons
Controls allow for easy mixing and offer access to advanced features
VirtualDJ DJC 5 version for PC & Mac, featuring a dedicated skin
Compatible with all DJing software programs using MIDI instructions
Runs on Windows XP, Vista and 7 (32- and 64-bit versions) and on (Mac OS 10.4, 10.5, 10.6)
For use with all digital music formats: MP3, AIFF, WAV, WMA, OGG, Audio CD formats and iTunes Library. iTunes playlists are now directly accessible in VDJ 5 DJC edition.
Dimensions: 13 x 9.7 x 2.6 inches

Controls 2 Jog Wheels
Enhanced precision (over 3 times DJ Console Mk1 & Mk2\'s jog wheels precision).
Adjustable resistance.
6 Faders
3 volume faders
2 pitch faders
1 cross fader
13 Rotary Knobs
6 equalizer knobs
2 gain knobs
2 effects knobs
2 preview knobs
1 balance knob
46 Push-Buttons
15 effects buttons
6 kill (EQ) buttons
6 read/cue buttons
4 pitch bend buttons
4 menu buttons
4 fast forward/fast rewind buttons
2 track loading buttons
2 preview buttons
2 synch buttons
1 scratch mode button


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3/30/2012

Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I. Review

Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I.
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This preamp is cleanish warm and can be nice and warm when stacked on tracks...Its a pro preamp and never think its not, The DI is very handy and can actualy be used for stereo recording with the preamp and di input.(input another preamp out to DI input to the optional a-d out)outs are now stereo...
Two recordings at the same time is a big deal if you have the a-d card, it has 2 xlr outs or the a/d card stereo outs with preamp and another input....again these preamps are used on professional recordings the isa 110's which this is a single version....
This unit does not include the a-d digital card, they run around $399 but are pro quality as well, not at all like Focusrite's cheaper pres a/d or the Behringer's a-d mess....

Click Here to see more reviews about: Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I.

Focusrite is dedicated to bringing you the tools you need to enhance the way you work. Our products are made with pride and principle by engineers who themselves are musicians and understand the part our products play in your process. The ‘ISA One\' microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. The pre-amp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.\'d guitar signal with a mic\'d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.ISA One also features an insert point, for extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia. Independent input metering for both channels is provided by a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up. ISA One\'s headphone output features a dedicated volume control to deliver an external stereo cue mix fed to the headphones via two TRS jack inputs on the rear of the unit. At Focusrite our focus on quality is all-consuming. All of our products are easy to use, logically designed, and give years of class-leading, top-notch performance.

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3/29/2012

Akai MPC 500 MIDI Production System Sampler Review

Akai MPC 500 MIDI Production System Sampler
Average Reviews:

(More customer reviews)
This is a great product especialy for those wanting to make some hip hop or techno or whatever. Everything came in the box; mpc, ac adapter, manual, quick start, cf card, and latest version (1.31). The manual is great I have learned much in just a couple of days, though im still learning but its great. great price for what it is capable of.

Click Here to see more reviews about: Akai MPC 500 MIDI Production System Sampler

Sample and create music wherever inspiration strikes with the portable Akai MPC500 all-in-one Music Production Center. Whether you travel around the globe or across town, the MPC500 is the ultimate answer to your mobile production needs. It weight just under 3 pounds--a perfect fit for your backpack, messenger bag, or briefcase--and it can be powered for up to 4.5 hours on 6 AA batteries
The MPC500 combines a 48-Track MIDI Sequencer and a 32-voice Stereo Digital Sampler, with 12 velocity and pressure sensitive rubber pads. It comes standard with 16 MB of on-board memory and can be expanded up to 128 MB of RAM. When connected to a Mac or PC via its built-in USB port, you can simply drag and drop data between the computer and the MPC500's CF card.
Key Features
Battery powered (6 AAs) or wall powered (AC adapter included)
Pattern-based 48-track sequencer with 16 MIDI channels
32-voice drum/phrase sampler with up to 128 MB RAM
Velocity and pressure-sensitive pads for responsive, accurate programming
12-level function places one sound on all pads with progressive level or tuning per pad
Compact Flash drive and USB port (Mass Storage Class)
Support for standard WAV files and MIDI sequences
Analog I/O, headphone output, MIDI I/O
Sounds included to get started quickly
Four-way sample layering and velocity switching per pad
Low-pass filter with resonance per voice
On-board effects: two stereo effects and a master effect

Specifications
Storage: Compact Flash: Type-II, support up to 2 GB card
Memory: 16 MB installed (Can be expanded to 128 MB with EXM-128)
Analog Input/Output:
(2) Balanced 1/4-inch Inputs
(2) Unbalanced 1/4-inch Outputs
(1) Headphone Output

MIDI Input/Output:
(1) MIDI Input [5-pin DIN]
(1) MIDI Output [5-pin DIN]

Other Input/Output:
(1) USB [Slave only]

Levels:
Analog Input = +10dBu
Analog Output = +5dBu

Sampler Resolution: 16bit/44.1kHz
Sampler Recording Time:
136 seconds [16 MB/MONO]
24 minutes 28 seconds [128 MB/MONO]

Sequencer Details:
100,000 notes resolving at 96ppq
99 Sequences with total 64 tracks per seq
20 Songs with total 250 steps per song
24 "Active (loaded)" Programs max

Pad Details:
12 (velocity and pressure sensitive)
4 Pad Banks [A, B, C, D]

Power Options:
12V DC 500mA pin-negative power adapter (included)
(6) AA batteries [lasts about 4.5hrs continuous use w/backlight ON]

Dimensions: 10.5 x 1.73 x 6.89 inches (WxHxD)
Weight (net): 2.93 pounds
Data Compatibility:
MPC1000 -- SEQ, WAV, PGM
MPC2000/2000XL -- SEQ (saved as MID file only), WAV, SND, PGM (Most parameters of PGM file can be loaded.)
MPC2500 -- SEQ, WAV, PGM
MPC4000 -- SEQ (saved as MID file only), WAV, AKP (DRUM program only...No Keygroups. Only note assign and tune are loaded.)
MPC3000 -- SND (THRU Computer)
Z4/Z8 -- WAV, PGM (DRUM program only. Only note assign and tune are loaded.)
S5000/6000 -- WAV only (THRU Computer)
S1000/3000 -- No compatibility



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3/27/2012

Korg MiniKP Dynamic Effects/Sampler Review

Korg MiniKP Dynamic Effects/Sampler
Average Reviews:

(More customer reviews)
This is practically a Kaoss Pad at a fraction of the price. a very interesting and useful tool for adding real time special FX to any type of music. Though intended mostly for the DJ or electronic musician this can be very creative and useful any more conventional type of music! you get 100 effects and two memory locations to store your favorite Fxs and settings.
a BPM control button that sets the right tempo for the music you are interacting with, very simple to use with spectacular effects at a very reasonable price. For the complete music at your fingertips experience the mini Kaoss pad can also be combined with the Kaossillator finger synth!!!

Click Here to see more reviews about: Korg MiniKP Dynamic Effects/Sampler

Since it first appeared, the KAOSS PAD series has been enormously popular with artists around the world for its intuitive touch-pad interface and its revolutionary effect programs. And now, the series is joined by its smallest member, the miniKP. While providing the same interface in which multiple parameters of the effect program are controlled by a single fingertip, the miniKP brings the advantages of battery operation and mobility, making it an ideal choice for DJ club performances, home studio applications, as well as outdoor live events or for use with a portable audio player. Wherever you are, the mini-KP brings new possibilities to any music scene. The miniKP is lightweight yet offers tons of features like auto-BPM and Tap Tempo functionality, FX hold, FX depth selection, FX Release and more ? all derived from its big brother, the KP3.

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3/24/2012

THD Electronics HP8 Hot Plate Power Attenuator, 2.7 Ohm Review

THD Electronics HP8 Hot Plate Power Attenuator, 2.7 Ohm
Average Reviews:

(More customer reviews)
This product does wonders for a tube guitar amplifier. It permits great amp sound at reduced sound amplitude.

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The THD Hot Plate Attenuator is a power attenuator and noise reducer that lets you attain the incredible sound of your amp running at high output and full distortion but at recording, small club, and neighbor-friendly volumes. It also makes a perfect dummy load.A power attenuator is simply a device placed between the speaker output and the speaker cabinet. It acts like a huge master volume control and permits the amp to be turned up most or all the way while absorbing most of the power generated by the amplifier and turning this power into heat. It passes a small part of the power to the speaker.Designed for use strictly with vacuum tube guitar amplifiers, each version of the Hot Plate is optimized for a specific impedance. These inductive loads are frequency-compensated, which means you get the best possible sound for that impedance speaker and amplifier combination. Plus the Hot Plate is no simple power attenuator. It offers many capabilities that make it a great addition to any tone-hungry player\'s arsenal.Built-in Noise ReductionThe THD Hot Plate is the only attenuator on the market with built-in noise reduction to reduce the hiss and hum between notes. Its passive, single-ended noise-reduction system provides approximately 10dB of broadband noise reduction without gating or pumping and without affecting the tone of the amp. A by-product of the noise reduction circuit is that it generates light via a front-mounted bulb as you play. The harder you play, the brighter it glows.Tone ControlsThe Hot Plate is also the only attenuator offering a Bright switch and a Deep switch for tailoring your sound. The Bright switch gives you 2 different high-frequency levels so you can compensate for an overly bright or dull speaker cabinet. The Deep switch offers 2 distinct bass settings to help you fill out the bottom end or reduce the bass in a cabinet with too much low end.Adjustable Line OutTHD Hot Plates also feature a Line Out, which is adjustable by its own volume cont

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3/16/2012

Tascam DP01FX 8 Track with Effects Digital Multitrack Recorder Review

Tascam DP01FX 8 Track with Effects Digital Multitrack Recorder
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My first multitrack recorder was a Fostex cassette based recorder back in the early 90's. I loved it - used it nearly daily to work out arrangements or learn new songs. When it finally quit working, I was a little heartbroken.
At that time, someone had turned me on to PC multitracking software - which was a suitable solution, until I started upgrading. I found that certain programs wouldn't work with certain operating systems, conflicts with various attached devices would cause recording errors. I felt like I spent more time troubleshooting my system than actually recording.
After much research, I settled on this unit. As a solo artist this is an excellent machine - I mostly record acoustic arrangements, with some electric guitar and drums. Although I've used this for a week, I couldn't be happier with the results...far superior to my old cassette unit, and much easier to use than software. The sound is much better than I hoped for...and the menus are easy to navigate.
The guitar effects are OK, but not great. I don't expect I'd use them at all...the sound I get when I mic my amp is far better. The vocal and drum effects, on the other hand are more useful. Overall, I expect I should be able to make very high quality demos.
You can only record two tracks at a time, but as a solo artist, that's not such a big deal. For bigger arrangements, such as with my band, I have a 14 channel Mackie mixer that I run into the unit that allows me greater flexibility.
The unit is easy to learn how to use, and the user's guide is written so that my 11 year old can figure it out. I had no trouble recording, mixing and mastering...following the instructions in the guide, I was able to successfully transfer the final mixdown of my music to the computer without any hangups.
Overall, I'm very satisfied with this unit.


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Twenty-five years after the introduction of the first Portastudio, the new DP-01FX 8-track Digital Portastudio makes hard disk recording affordable and simple enough for all musicians. Continuing TASCAM's "Capture Your Art" campaign of making recording approachable to all musicians, the DP-01FX features the one-knob-per-function design that has made TASCAM cassette Portastudios the choice of thousands of musicians. It shatters the confusing page-shift-menu interface popular with most other digital recorders. And at a price under $500, multitrack recording to hard disk has never been more affordable.The DP-01FX has two mic inputs on 1/4" TRS or XLR jacks for dual mono or stereo recording. Phantom power is provided for connecting professional condenser microphones. Its eight tracks record at uncompressed CD quality to an internal 40GB hard drive, and a stereo master track is available for recording a mix. Each channel has a 45mm volume fader, plus dedicated controls for pan, effects send, high EQ and low EQ. An LCD display shows meters, editing settings and locate points. The DP-01FX has a USB 2.0 jack for file backup and transferring mixes to a computer. There are analog RCA line outputs, a headphone out and S/PDIF line output. The DP-01FX also has a multieffects processor for adding effects to an instrument during recording and a reverb processor for adding effects during a mix. 8-track recording at uncompressed CD quality into a built-in 40GB hard drive2-tra...

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3/14/2012

Korg Kaossilator Pro Tabletop Synthesizer Review

Korg Kaossilator Pro Tabletop Synthesizer
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Like another reviewer here at Amazon, I also got the original kaossilator a couple of years ago and started to spend a lot of time with it. I was reading an article named "Make Music Now" on a magazine related to electronic and computer music when I first learned about the kaossilator. I'm not a musician and, for many reasons, I never allowed myself to learn music. I always had a passion for music, specially with lots of synths like Tangerine Dream, Mike Oldfield, Airsculpture, RedShift, FSOL, Vangelis, Synergy, Passport, Jean-Luc Ponty, etc, etc. I have always been a passive listener, until now.When the new kaossilator pro came out I went right away to the youtube website to watch all those people showing their experiences and amazing creativity about this new musical instrument from Korg. Few months later I got my kaossilator pro.Both devices (Kaossilator and Kaossilator Pro) definitely are not toys. They are a very powerful, dynamic and portable musical instruments. As with every musical instrument they have their pros and cons. If you really want to learn more about these two devices go to the net and watch others about what they are doing with them (for all kinds of music). Those people have been like teachers to me.Making my own music is my new hobby. I have been doing this for a couple of years and my family, relatives, and friends have been pushing me to "release" an album. I have had released only one single with the main purpose to understand the whole production process. It is a very simple and very very inexpensive process to release digital music. I did a promise to myself about learning a little bit of formal music before releasing a complete album.Please do a search for "echoes from kiwi" here at amazon.com. That music was done using an iphone, the original kaossilaor, and the kaossilator pro. Again, the main purpose of "echoes from kiwi" is to demonstrate how easy is to create music using a very small and relatively inexpensive musical instruments and a computer.If you, like me, want to start creating your own music and have lots of fun, the kaossilator pro can be your first musical instrument. I bet you will master it in no time.Thank you for reading my review.
Eduardo Nava.

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The korg kaossilator pro dynamic phrase synthesizer is the supercharged version of the palm-sized kaossilator. the kaossilator pro was reborn as a powerful track-making tool and loaded with live performance power. it creates spontaneous changes that were difficult to produce in the past. not any longer with the korg kaossilator pro dynamic phrase synthesizer.as a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the kaossilator gained a strong and dedicated user base, even among those without any performing experience. today, the kaossilator continues to be enormously popular. retaining these revolutionary features – while adding a wide variety of new ones as well – is the kaossilator pro. with 200 sound programs, a new electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the kaossilator pro is packed with features that make it ideal for both live performance and premium productions. in addition, usb connectivity with your computer and sd card memory storage allow the kaossilator pro to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool.using touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create complex phrases with a single finger. responding instantly to these gestures, the kaossilator pro creates spontaneous changes that were difficult to produce on synthesizers of the past. horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. this makes it easy for anyone to create entirely original sounds and musical phrases.

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3/13/2012

Allen & Heath AH-ZED-14 14-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-14 14-Channel Mixer with USB Interface
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This is a board that you take out of the box, plug the USB in, and you are recording in minutes. The quality is amazing. You will be very happy you spent the extra money, ESPECIALLY for the USB portion. If you own a Mac, it is amazingly simple and trouble free. A great buy at any price for the small home studio.

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The new ZED-14 is a small format, USB-equipped stereo mixer for live and recording. The ZED-14 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It\'ll be equally happy running your gig on stage, recording live or mixing down in your studio at home. The feature-set is incredibly advanced for a mixer at this level – it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you\'d think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. What about the sound quality? Our chief designer, Mike Griffin, has been at the forefront of audio innovation for many years and has developed the designs for our spectacularly successful MixWizard and GL series professional live mixers. Mike is always striving to produce the best possible sound for our mixers, and for ZED has produced the ‘DuoPre\', a mic preamplifier which sounds as sweet as a nut, as pure as the driven snow. The DuoPre combines an optimized line input circuit together with the microphone preamp circuit so that it will not color or distort your sound, will give you lots of headroom, and give you a truly professional feel.

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3/12/2012

Phonic Portable FireWire Unit FIREFLY-302 Review

Phonic Portable FireWire Unit FIREFLY-302
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Is this thing plugged in? I mean, it must be, because all my audio software works perfectly, but there aren't any little pictures or spinning things or eye candy to let me know I've got something hooked up. I guess Phonic are too busy making things that just work right to throw a few dozen latency-bloating apps into my system tray, but couldn't I at least get a useless mixer? Or a control panel whose only purpose is to play noise sequentially through each channel? Or just some light-blue windows like Creative are so fond of tossing around? Oh well, I guess this will have to do.
It works seamlessly with Live and Reason, and even my Windows games patch through the Firefly rather than the on-board once it's plugged in. My only complaint is the absence of a 1/4" mic-in for my unamplified electric guitar, which shouldn't be an issue if I use a 1/4"-to-XLR adapter or just amp the signal going into the line-in port.

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5 x 6 24-bit/192kHz FireWire stream I/O2 x 2 analog operation (RCA)Front-panel microphone in (XLR) with +48V phantom powerHeadphone output with dedicated level controlLow-latency ASIO software direct monitoringPower indicator LEDPowered via FireWire bus or included DC power supplyDual FireWire ports (6- and 4-pin) with bus-powerEasy-to-see accurate LED sig and clip indicators for input and outputMac OSX and Windows XP, Vista and 7 compatibleThe new Phonic Firefly 302 Plus Portable FireWire unit is an easy-to-use, high-quality interface for songwriters to record guitars, keyboards, vocals and more to the computer. Featured are 3 analog (XLR, 1/4" and RCA) inputs and 2 analog outputs, which are streamed to and from the computer in real time through the 24-bit/192kHz FireWire connection. Compatible with the most popular of Digital Audio Workstation software, this compact, bus-powered unit is small enough to go anywhere you want to take your music. Both simple and compact, the Firefly is the most convenient FireWire audio device you will find.

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QSC GX5 Stereo Power Amplifier Review

QSC GX5 Stereo Power Amplifier
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I bought the QSC GX5 stereo amplifier for use in my band's practice studio. We previously used a Mackie mixer/amp setup and we recently bought an Allen & Heath mixer along with the QSC Amp. We've gone from a little noisy system to an absolutely silent (no hiss, no noise) system even when turned all the way up. It's nice! We A/B'd the amps and while the Mackie is rated to have more power, the QSC is clearly punchier and so much cleaner. I can't say enough about how nice this amp is. I've owned Crown, Crest and Yamaha amps as well and none of them were cleaner than this one.
As for durability, it's still new BUT QSC is offering a 6 year warranty for free on this model (until March 09) so I can't imagine they would do this if these amps were a service problem.
Oh and it looks great in my rack. I read somewhere that the amp is noisy when the cooling fans get going. Knowing this, I cranked the amp full and ran a punchy CD through the mixer full blast (no distortion!) and waited while the amp warmed up. After it reached operating temperature, the fan(s) indeed came on but by no means were they "loud." If I had this amp in a recording studio, I would have the amp in a soundproof room or enclosure as I suppose the fan could be audible during very quiet recording sessions. On the other hand, it is reassuring that I know the fans are indeed working, keeping the rails cool. For live sound, it just isn't a real issue.
Now I'm considering getting another QSC for a monitor amp. I heartily recommend this amplifier.


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The QSC GX5 amplifier is ideal for professional entertainers who require maximum performance and portability on a limited budget. QSC designers, headed by Pat Quilter, have optimized output and appearance while reducing raw material cost and weight. It's all here - dramatic styling, easy hookup and adjustments, excellent audio quality and QSC reliability. QSC GX5 Features Power levels matched to the most popular speakers used by entertainers Optimized for maximum real-world headroom into 4 Ohm and 8 Ohm speaker systems Inputs: XLR, 1/4-inch TRS and phono input connectors for compatibility with any source Outputs: Speakon combo accepts, 1/4-inch (TS) plugs or Speakon 2-pole and 4-pole plugs (connects 2 poles only). Binding posts support all other speaker wiring systems. Minimum depth chassis (10.1 inches/257 mm) fits in compact, inexpensive effects racks Lightweight - less than 26 lbs (12.5 kg) Detented gain controls for precise settingand matching of sensitivity GuardRail automatically protects the amplifier and loudspeakers from damage due to temperature rise or overdrive without shutting down the show Front panel LEDs monitor Power, Signaland Clipping Subwoofer/Satellite crossover built-inGX Entertainer GX amplifiers deliver just the right amount of power to the most popular speakers used by entertainers. Most loudspeaker manufacturers recommend an amplifier with power output equal to the speaker's Program (Music) Power rating or two times (2 x) the Continuous (RMS) Power rating. The GX5 supplies maximum possible power to 4 ohm and 8 ohm loads. Owners of popular 4 ohm loudspeakers (dual-woofer, two-way models and many subwoofers) will find the 700 watt (4 ohm) power of the GX5 an ideal match. Technical Notes A true Class B biasing system combines maximum

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3/09/2012

Korg mini-KP Kaoss Pad Dynamic Effect Processor Review

Korg mini-KP Kaoss Pad Dynamic Effect Processor
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Buy the red and black Mini KP to run your sounds THROUGH. If you want the one to make sounds WITH, you buy the yellow "Kaossilator". That's the short of it.
I have both and both are good for different reasons.
The yellow Kaossilator is for making phrases. In otherwords in an electronic synthesizer and phrase machine. It also has a beat maker in it and you can modify, record and layer the sounds any way you'd like. The yellow Kaossilator is pretty much a "One-Man-Band" device! Very powerful and I would not consider it just a toy IMO. People can write entire music albums with that one device.
Now for the Mini KP Kaos Pad.
I Bought this through Amazon for $109 SHIPPED at the time so shop around and you could get lucky. It came the business day after Christmas and I had ordered it a day or two before so the free shipping was amazingly fast and awesome!
The Mini KP is for modifying existing sounds. Yes, it does have a few synthesizer like sounds in it (I believe about 10 or twenty) but the other 80 channels are for running sound "through" to modify those sounds when you press the pad. It won't play any sounds you run through it on the RCA input to output unless you press the pad and let the sounds through. When you move your finger around on the pad the sounds are modified according to that effect parameter, as shown in the manual. (pitch, frequency etc etc etc the list goes on and on)
So you can't really use the MiniKP as a stand alone one man band device like the Kaossilator. It is more along the lines to modify sounds than create them, although it does have a very very small slice of some built in sound effects that are pretty cool on their own like one I relate to sounding like " evil harsh wind" that you control the depth and pitch of. Much unlike the Synth like qualities of the Kaossilator.
As you can see they go hand in hand nicely. I'd even recommend hooking the MiniKP up to a Bliptironic 5000 and using the kaossilator separately and you have some crazy meditative grooves to be made! See my other reviews for the Bliptronic 5000.
I hook all these little instruments up to my 5 channel dj effects mixer and get jiggy with it. I also hook the miniKP up to my bass guitar sometimes for some funk! Have fun with it folks! You know you need them both!

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The Korg MINI KP has been enormously popular with artists around the world for its intuitive touch-pad interface and its revolutionary effect programs.While providing the same interface in which multiple parameters of the effect program are controlled by a single fingertip, the mini-KP brings the advantages of battery operation and mobility, making it an ideal choice for DJ club performances, home studio applications, as well as outdoor live events or for use with a portable audio player. Wherever you are, the mini-KP brings new possibilities to any music scene.The KAOSS PAD series lets you control the effect entirely from the touch-pad in realtime. Different effect parameters are assigned to the X-axis and Y-axis of the touch-pad and can be controlled simultaneously, meaning that you can vary the delay time and the feedback at the same time, or simultaneously change the cutoff and resonance of a filter. This means that complex effect operations that otherwise would require two hands on a conventional knob-based controller can be performed easily and intuitively with just one hand. It\'s also easy to apply complex effects by rubbing or tapping the pad with your fingertip as though you were playing a musical instrument.The mini-KP features the smallest body in the KAOSS PAD series. It can be operated on batteries, and provides a strap attachment hole for easy portability. This means that you can now use the KAOSS PAD series' unique and intuitive one-finger operation with a wide range of instruments or sound sources, in an even greater variety of situations.

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