Showing posts with label accessories. Show all posts
Showing posts with label accessories. Show all posts

4/14/2012

Seismic Audio - Pedal Board Case ATA 26" Storage Rack Review

Seismic Audio - Pedal Board Case ATA 26 Storage Rack
Average Reviews:

(More customer reviews)
I don't play guitar and therefore, don't have any guitar pedals. However I purchased this case from Seismic with another idea in mind. I had been shopping around for a while for a good hard case to protect my mixer board. I spent countless hours staring at cases costing hundreds of dollars and way to small to even think of fitting my board. Then I found the pedal board cases from Seismic and realized that it would be the perfect size. Once i got my case I realized just how sturdy it was built. Very well put together and solid. I added my own brackets (simply made from some scrap wood) and some foam to tightly fit and protect my mixer. After a year of use, the case still looks practically brand new and my mixer is very well protected. I highly recomend this case for anyone looking for a solid case to protect anything.

Click Here to see more reviews about: Seismic Audio - Pedal Board Case ATA 26" Storage Rack

Pedal board cases for all your pro audio needs. Order 24 inch pedal board cases today and get free shipping. We will ship same day if you order by 2:30 CST.

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4/08/2012

Audio Technica Pro Series Cardioid Condenser Lavalier/Instrument Microphone Review

Audio Technica Pro Series Cardioid Condenser Lavalier/Instrument Microphone
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Make sure you're buying the one that includes the battery power pack. I have included an audio sample from the store, which I recorded with my Zoom H4. There was some loud music playing on the speakers, so it'll give you a good idea of how it might sound under such circumstances. The Pro70 battery pack was powering the mic (not Zoom H4's phantom power). I was impressed with the sound of this mic, and the overall quality. It doesn't have the dynamic range of the next model up in the series (the 831b, which I own) but when you switch on the low-cut of the 831b, it and the Pro-70 sound virtually identical. I like this mic, and feel it's a good value for someone looking for a professional XLR mic that has good sound. Again, I find I generall prefer to swich on the "low cut" switch with my 831b anyway, so there's little reason to spend more than this if you're, say, a podcaster or wedding video place looking for excellent audio quality and bang for the buck. By the way, if it sounds a bit overdriven, that's my fault -- not the mic. I had my levels too high.

Click Here to see more reviews about: Audio Technica Pro Series Cardioid Condenser Lavalier/Instrument Microphone

This miniature condenser microphone achieves full-sounding pickup and is known for outstanding consistency and dependable performance. Supplied with both a clothing clip and guitar mount, it provides natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar.

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2/25/2012

Rode Boompole Microphone Boom Arm Review

Rode Boompole Microphone Boom Arm
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Online information about this boompole is inadequate, so I thought I would write a quick first impression review.
I just purchased the Rode Mini Boompole as a handy little boom for run and gun audio. It will mainly be used with my new Tascam DR-100 portable digital recorder and external XLR mics, mostly Rode NT-4 stereo and a Sennheiser MKH 40.
My other pole is a Gitzo, but not carbon fiber. So I am working with cheap gear, not the fancier booms that full time production audio guys use.
The Rode Mini Boompole is made from aluminum tubing. It arrived with evidence of residual manufacturing oil. I wiped it down with no bad effects. I'd characterize build quality as better than a lot of indy filmmaker gear, which features a lot of improvisational engineering - dollies made with skateboard wheels and such. Machine work on locking collets is good looking and everything works well. When you disassemble the pole, as I did in an attempt to load a mic cable internally, the machine work in thread cutting is not as polished. But it is completely acceptable in a $100 item that works very well.
The Rode Mini Boompole appears large enough to feed an XLR connector internally, but this turns out not to be the case. The pole's throat is slightly too small, which appears to be a design oversight. Still, the smallest extension on the mic end of the pole is much larger than my Gitzo, which is barely large enough to thread a permanent cable before the XLR connector is affixed.
The Rode Mini Boompole does have machined channels at both ends where a permanent internal cable could be installed if desired. It also comes with velcro straps used to secure a cable externally, which is what I did when mounting my Rode NT-4 stereo mic.
I like the dense open cell hand grip material covering the entire first section of the pole. The rubber end at the base is a bit under engineered, if someone is going to rest the pole end on the ground during breaks in production. Just a flat disk of rubber less than a quarter inch. I would expect something a little more rugged and robust.
So far, I have only used the boompole in a noisy environment (high school football). Even without a suspension mount on the Rode NT-4 stereo mic, I did not notice any handling noise, even though I was listening and testing a bit. Likewise, using the supplied velcro straps to secure the mic cable externally did not seem to cause problems.
My initial reaction about weight was a bit of concern, but this turned out to be no problem, even with the largish Rode NT-4 mounted using an internal 9-volt battery in lieu of phantom power off the recorder.
In general, I enjoyed using this boompole. My application is fairly casual, no long tiresome booming. For quick sound grabbing, this is a nice addition to my kit at very low cost. I'm happy with the purchase, and would recommend it to others.

Click Here to see more reviews about: Rode Boompole Microphone Boom Arm

Designed for the professional, the Rode Boompole is a high grade professional boom pole for location recording. The boom pole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. The Boompole extends from 33 inches to 10 feet.Machine from high grade aluminium.

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2/09/2012

Stanton Record Cleaner Kit Review

Stanton Record Cleaner Kit
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I still maintain a sizable vinyl collection, drawing from it each week for a radio show (I doubt the majority of stations in the country even bother to keep a working turntable). The old Discwasher, now simply a name sold to Phillips Electronics (RCA, General Electric), impresses me less these days than this Stanton brush. Unlike the corduroy material of the Discwasher, it has a felt-like material that appears to penetrate the grooves and pull out more dust than a stiff corduroy wipe. I don't buy, however, the claims either manufacturer makes about "special formulas." When the bottle of liquid runs out, it's silly to purchase another 25 dollar kit. Simply refill it with a 50/50 mix of water and isopropyl alcohol and expect the same results.

Click Here to see more reviews about: Stanton Record Cleaner Kit

Vinyl cleaner kit that will safely clean vinyl records.

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1/11/2012

Tascam TM ST1 Stereo Microphone Review

Tascam TM ST1 Stereo Microphone
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I just bought the Tascam TM-ST1 for use with my Edirol R-09 generally for recording live rock/alt rock performances (with permission, of course!). While I have not yet used it to record any live performances, I did manage to run some (unscientific) tests using my Stereo's CD player as music source with this external Tascam microphone and I also recorded the exact track with the Edirol using a powered Aiwa CM-30 electret condensor mic and the Edirol R-09 built in stereo mics for comparison.
I recorded the same CD song with each of the three mics and I also recorded with the Tascam mic using both the 90 degree and 120 degree cardiod settings. I've concluded that the Tascam did not produce a very warm sound, sounded "tinny" and seemed to be lacking in it's ability to reproduce a good, deep, bass response. In general I prefered the built in Eridol mics over this which to me defeated the purpose of buying the Tascam mic in the first place. The Edirol R-09 built in mics produced a nicer bass response in the recordings (perhaps a bit too much bass but at least I can adjust the levels when transfering or listening). In general, the TASCAM TM-ST1 120 degree degree mic recording sounded better and much fuller than the 90 degree setting -- however this may not work for me as I prefer a minimal amount of crowd noise from crowds off to the side and behind me(I probably need to consider purchasing a 6-8 foot mic stand). Based on this initial test, I'm afraid that this mic probably will not live up to my expectatons at the going price of $65-$70 and may be better suited for recording discussions.
The mic is attractive and the mic base and lower casing is made of a good, heavy grade of metal -- after you remove the casing to put in your battery you notice that there's not much to this mic. Hopefully I will have an opportunity to test this mic in the setting originally intended and report back with an update.

Click Here to see more reviews about: Tascam TM ST1 Stereo Microphone

The Tascam TM ST1 Stereo Microphone is ideal for anyone looking for a versatile field microphone. The TM ST1 features a stereo pattern switch that allows you to select between 90 and 120 degree pickup to capture more ambience or to reduce background noise. The mid-side design captures a wide stereo field while maintaining a solid center image. The TM-ST1 uses a back-electret condenser design for crisply detailed audio with a long battery life for portable recording. The output cable terminates to a 3.5mm stereo jack, ideal for plugging into a DR-1 recorder. Also included is a microphone clip, table-top stand and windscreen. The microphone is battery-powered and designed to run for hours and hours. AmericanMusical.com is an authorized dealer of Tascam products.

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1/10/2012

Seismic Audio - 15" Bass Guitar Speaker Cabinet 300 Watts RMS 115 Speakers 1x15 Review

Seismic Audio - 15 Bass Guitar Speaker Cabinet 300 Watts RMS 115 Speakers 1x15
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I never thought a cheap (very cheap) cabinet would have the clarity of a high dollar cabinet but I just wanted one to practice through and now I use it in every show I do. I'm running this in conjunction with a 4X10 cabinet pushed by a Reinhardt Bass Head and it sounds great!! Best deal I've made in a long time!

Click Here to see more reviews about: Seismic Audio - 15" Bass Guitar Speaker Cabinet 300 Watts RMS 115 Speakers 1x15


1x15 Bass Guitar Speaker Cabinet

Model #: SA-115
Woofer: One 15" with a 50 ounce magnet and a 2.5" Kapton voice coil
300 Watts RMS, 600 Watts Peak
Impedance: 8 Ohms
Frequency response: 40Hz - 5000Hz
Sensitivity: 96 db
5/8" plywood front panel
Black carpet with black metal corners
Recessed Handle
Full Metal Grill
Terminal cup with two 1/4" inputs
Dual Ports (both in the middle)
HxWxD: 18" x 25" x 14"
Weight: 48 lbs per cabinet
Condition: New
One Year Warranty

This listing is for one 15" bass guitar cabinet. You willreceive one speaker cabinet, pictured and described above.

The SA-115 dual ported 1x15 Bass Guitar Speaker Cabinet provides great low end reinforcement along with great articulation in the mid range. Loaded with one ofourQuake 15" speakers, the SA-115 packs a powerful punch! At 300 Watts RMS, the SA-115 makes for a great smaller rig or pair it up with a 2x10 or 4x10 cab for a powerful full range set up. Great bass speaker cabinets are very hard to find, especially at a decent price. The Seismic Audio brand was designed to make the professional musician, as well as the musician low on cash, sound great!


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12/25/2011

Audio Technica CP8201 Lo Z to Hi Z Impedance Transformer Review

Audio Technica CP8201 Lo Z to Hi Z Impedance Transformer
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I had bought a microphone set and needed a cheap PA system to play it through, but unfortunately they don't come too cheap. So, I bought this to plug into one of my old combo amps and it plays through the amp perfectly.

Click Here to see more reviews about: Audio Technica CP8201 Lo Z to Hi Z Impedance Transformer

Perfect for home studios! This adapter provides low-to-high impedance matching for connecting microphones or other equipment with XLR output to a 1/4 inch input on a mixer, recorder, amplifier, etc. Male 1/4 inch, female XLR. Audio Technica CP8201 Lo Z to Hi Z Impedance Transformer Features Matches low-impedance microphones to high-impedance electronic inputs Permits use of long microphone cables Maintains high frequency response Reduces noise pickup AmericanMusical.com is an authorized dealer of Audio-Technica products.

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10/12/2011

Seismic Audio - 410 Bass Guitar Speaker Cabinet PA DJ 800 Watts 4x10 4 10 Review

Seismic Audio - 410 Bass Guitar Speaker Cabinet PA DJ 800 Watts 4x10 4 10
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these speakers are really powerful i hooked them up right out of the box and it started shaking my friends stuff off his shelves in the bathroom all the bass you can handle.

Click Here to see more reviews about: Seismic Audio - 410 Bass Guitar Speaker Cabinet PA DJ 800 Watts 4x10 4 10


Thisauction is for one 410 bass speaker cabinet.You will receive one 410, pictured anddescribed above.

This 410 has a punchy bass response. It is very clear and has a distinct sound and tone. Get that extra boom, when complimented with a Seismic Audio210 or1x15.


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9/28/2011

G-System Integrated Guitar Effects & Controller Review

G-System Integrated Guitar Effects and Controller
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If you're looking for professional guitar effects, look no further! The TC Electronic G-System provides the best of TC's digital effects and adds ease of use and functionality all in one package.
There's a LOT that this processor can do. Here's how I use it, and that's just one of many ways you can configure your G-System:
I Have the G-System split into the rack and controller. I plug my guitar into the G-System, and use the G-System insert loop for my preamp. then plug the output of the G-System into my power amp. Then, there's only one cable going to the controller from the G-System rack. It's a clean and quick setup for gigs or rehearsal.
As far as the effects that are included, I haven't even begun to tap into all of them, but I have used quite a few. Currently, I'm using the Advanced Chorus, Advanced Flanger, Single Delay, Dynamic Delay, Pitch Shifter and the Boost function. There's a bunch more effects like the basic versions of the Chorus and Flanger, Wah-wah effects, whammy, a compressor, filter, phaser, and each of those effects is super configurable. The G-System also does relay switching. For instance, if you want to change the channel of your amplifier from Clean to Dirty, all it takes is the right cable for the job whether it's a MIDI cable, or a 1/4" plug. There are loops that you can put your favorite distortion boxes into and play with your analog effects also.
For the price, you're getting WAY more than you could by piecing together all sorts of MIDI and rack gear to do the same thing.
This is a superb product and I recommend it for ANY pro or semi-pro guitarist.

Click Here to see more reviews about: G-System Integrated Guitar Effects & Controller

G-System delivers an uncompromised package of effects, loops, amp switching, floor control, and rig integration. Itâs equipped with 2 DSP sections that provide the very highest-quality effects on the market. Choose between a rack and a floor-based setup, decide how the effects are routed, tailor the footswitch layout, and select from more than 25 different onboard effects. And itâs all built into a rock-solid roadworthy case with 18 giant chrome switches. Extras include 3-band EQ, a smooth noise gate, MIDI implementation, and a USB port for software updates.

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9/09/2011

Seismic Audio - 212 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - Vintage 2x12 - Orange Tolex - Wheat Cloth Grill - Front or Rear Loading Options Review

Seismic Audio - 212 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12 Speakerless Cabinet - Vintage 2x12 - Orange Tolex - Wheat Cloth Grill - Front or Rear Loading Options
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The cab came so fast! I ordered it on a Thursday and it was at my door on Saturday. The Cab is solid and much larger than most 2X12 cabs. This gives it a huge audio presence in the room. Comes pre-wired and makes bolting in any speakers an ease. Filled mine with a pair of Jenson Mod-12s and this thing sings. Would recommend for any project and for the price you can't get anything better.

Click Here to see more reviews about: Seismic Audio - 212 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - Vintage 2x12 - Orange Tolex - Wheat Cloth Grill - Front or Rear Loading Options


Premium Plywood Tolex Covered Empty Guitar Cabinet

Model Number: Luke-2x12V
Orange Tolex Cover
Wheat Color Cloth Grill
2x12" Empty Guitar Speaker Cabinet
Guitar Speakers are not included
Birch Plywood
Removable Grill for front speaker loading
Grill pops off and on with ease
Removable back panels for rear speaker loading.
Plenty of wire to hook up the guitar speaker of your choice
Black Metal Handle on each side
Metal flush corners
Dual 1/4" connectors on the back
Light Weight Cabinet
35.3 pounds
LxWxH: 30.25" x 12.25" x 25"
Brand New
One year warranty

Our "Luke Series" Seismic Audio empty guitar cabinets are made of 1/2" Birch plywood on all 6 sides. These cabinets come loaded with everything you need except the speaker. We are very proud of the Luke series cabinets. These each have a wheat grill of various colors and are covered with a clean cut Tolex. The Luke series cabinets can be front loaded, as the front cloth grill is removable and easily reapplied. Some of the Luke series empty guitar cabinets cab be rear loaded as well(see above). Each cabinet comes with a dual 1/4" metal jack plate and plenty of wire to hook up your speaker. Each cabinet is well braced and offers a nice boutique look. We have three different models, an original look, modern look, and vintage look.The cabinet you will receive is described above.


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8/25/2011

Planet Waves XLR Male to 1/4 Inch Female Balanced Adapter Review

Planet Waves XLR Male to 1/4 Inch Female Balanced Adapter
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OK, it's just an adapter basically but it's bigger than it looks from the picture and very sturdy. Does exactly what I bought it for.

Click Here to see more reviews about: Planet Waves XLR Male to 1/4 Inch Female Balanced Adapter

Allows you to convert the male end of any 1/4" cable into an XLR Male end. Many effects processors and home recording units only have XLR inputs, or have limited 1/4" inputs. This adapter overcomes this issue.

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8/20/2011

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule Review

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule
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I bought this mike for use with my minidisc recorders, mainly to record choral concerts at church and in other places. It has a nice stereo directionality and separation choices, but I advise you to watch your record levels or mike sensitivity setting because the sound levels tended to overload on loud passages or with percussive music like piano when used with my recorder's default (high) mike sensitivity setting.
It's very solid and well made. I'd rather have a boxed carrying case instead of the soft pouch provided, but that's a quibble.

Click Here to see more reviews about: Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule

For advanced, amateur and professional use.For instrumental recording.Ideal for Sony MD Walkman and DAT Walkman® Portable Stereos.One-Point Stereo design.Mid/Side (MS) capsules with switchable pickup angle.Rotating Mid capsule.Cannon XLR connector.Oxygen-free copper (OFC) Litz cord.Gold-plated L-shaped stereo miniplug

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Brace Audio DWG-1000X Digital Wireless Guitar System Review

Brace Audio DWG-1000X Digital Wireless Guitar System
Average Reviews:

(More customer reviews)
This is my first review ever I feel this was a great product and well worth passing on.
I got the unit 2 weeks ago and love it. It works just as everyone said it would. Easy to use and sounds great. I play Bass in two church bands as well as run sound. It was great being able to walk to the sound board without taking off my bass. My Sound assistant loves that I can help him and still play.
As a sound guy I have tried to work with other guitar players and their wireless units and found it to be a pain to find just the right channel and Settings. I found that some worked well and other were not worth the box they can in. The ones that worked well cost more than my Bass and did not see the need to go wireless.
This unit is out standing in it is Super easy to use Plug in and go, fits in gig bag easy, batteries for it is cheap (AA's), Very clean sound.
There are just a few draw backs. The clip for the unit looks to be for your belt not a guitar strap. Wife made a pocket for the transmitter on my strap that it slides into. The batteries I am using are not lasting 5hrs it is more like 3hrs but still good for Sunday service.
Some people have talked about latency but I do not have any until I get 50 feet away. Keep in mind I am also 50 feet away from my speakers to. So I would say the distance form the speakers is more the issue.
I would recommend the power adapter for the receiver. I have forgotten to unplug the cable from it several times and killing the batteries.
All in All it is a great product. I have been very happy with it.


Click Here to see more reviews about: Brace Audio DWG-1000X Digital Wireless Guitar System

Awesome way to go wireless! The DWG-1000 system from Brace Audio turns your guitar signal into a crystal-clear digital transmission. You're free to roam the stage and your guitar tone is amazing - it's a can't-beat combination. In fact, the digital technology backed into the Brace Audio DWG-1000 digital wireless guitar system even does away with the hiss, signal loss, crackle, and interference that UHF/VHF systems can contribute. No more worries about cable length, no more worries about lost tone, now you take your sound to the stage - untethered - with the Brace Audio DWG-100.

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7/22/2011

Seismic Audio - 2x12 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - 212 - Orange Tolex - Black Cloth Grill - Front or Rear Loading Options Review

Seismic Audio - 2x12 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12 Speakerless Cabinet - 212 - Orange Tolex - Black Cloth Grill - Front or Rear Loading Options
Average Reviews:

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I recently purchased a Seismic Audio 2-12 Speaker Cabinet to mount a couple of Eminence Legend 12 inch guitar speakers I had laying about. The cabinet was made of birch plywood with an orange tolex finish and a black grill and hardware. The cabinet comes with two jacks associated wiring and spade connections. This allows a number of speaker wiring combinations. I set mine up in parallel, that is two 8 ohm speakers wired + to + and - to - then to the jack for a 4 ohm installation over all. The jacks feel good when you plug into them and the wiring was well done.
The speaker installation was simple. I placed the speakers in the cutouts and centered them. I drilled small pilot holes and screwed in stainless pan head sheet metal screws to hold the speakers in place. If you look closely with the grill installed you can see a little sparkle from the pan heads inside. Make sure you orient the speaker lugs so you can get to them easily; there is an access slot in the back of the cabinet. Less hassle if you ever want to change your wiring around.
I fired this puppy up today and was pleased with its sound. The cabinet is an opened backed and I expected it to be a little lacking in low end thump. I was pleasantly surprised. You can play it clean or as dirty as you like, and it hung in there without coloring the tone. The slight upward rake to the speaker deck is a nice touch that lifts the speaker projection off the floor. What more can you ask?
The fit and finish was very good and the cabinet was solid though a bit lighter in weight than I expected. I am pleased with the purchase and would recommend it to anyone.


Click Here to see more reviews about: Seismic Audio - 2x12 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - 212 - Orange Tolex - Black Cloth Grill - Front or Rear Loading Options


Premium Plywood Tolex Covered Empty Guitar Cabinet

Model Number: Luke-2x12TR
Orange Tolex Cover
Black Color Cloth Grill
2x12" Empty Guitar Speaker Cabinet
Guitar Speakers are not included
Birch Plywood
Removable Grill for front speaker loading
Grill pops off and on with ease
Removable back panel for rear speaker loading
Plenty of wire to hook up the guitar speaker of your choice
Black Metal Handle on each side
Metal flush corners
Dual 1/4" connectors on the back
Light Weight Cabinet
28.6 pounds
LxWxH: 28.5" x 12.25" x 21.75"
Brand New
One year warranty

Our "Luke Series" Seismic Audio empty guitar cabinets are made of 1/2" Birch plywood on all 6 sides. These cabinets come loaded with everything you need except the speaker. We are very proud of the Luke series cabinets. These each have a wheat grill of various colors and are covered with a clean cut Tolex. The Luke series cabinets can be front loaded, as the front cloth grill is removable and easily reapplied. Some of the Luke series empty guitar cabinets cab be rear loaded as well(see above). Each cabinet comes with a dual 1/4" metal jack plate and plenty of wire to hook up your speaker. Each cabinet is well braced and offers a nice boutique look. We have three different models, an original look, modern look, and vintage look.The cabinet you will receive is described above.


Buy NowGet 47% OFF

Click here for more information about Seismic Audio - 2x12 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - 212 - Orange Tolex - Black Cloth Grill - Front or Rear Loading Options

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6/26/2011

CAD GXL2200 Cardioid Condenser Microphone Review

CAD GXL2200 Cardioid Condenser Microphone
Average Reviews:

(More customer reviews)
I like this microphone so much for my home studio podcasting and voice work that this is the second one I've purchased. And for an odd reason - this one is about 4 years later than the first - this seems to sound a wee bit better. Plus it's a sharp-looking silver. Nice.
For the price, if you want a condenser mike - you can't go wrong with this.

Click Here to see more reviews about: CAD GXL2200 Cardioid Condenser Microphone

The condenser microphone consists of a thin conductive membrane stretched very close to a stationary plate. High voltage is applied between the membrane and the plate. As the membrane vibrates, electrons move. These moving electrons are sensed as voltage. This voltage can be strengthened (but not necessarily increased) by silicon. The GXL2200 is inspired cosmetically, mechanically, and electrically by early generations of European masters. Features include (but are not limited to) an internal hi-pass filter. Elastic shock mount and protective pouch are included. P48 (48V) phantom power is required.

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6/23/2011

Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic Review

Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic
Average Reviews:

(More customer reviews)
Let's face it...I'm just a hobby musician. A guy in his mid-30's who has tinkered with music most of his adult life. I've played both as a solo artist and with bands. I've also been fortunate enough to spend time in actual recording studios with true professionals. None of this qualifies me as an expert...but I do have a certain level of familiarity on the subject.
I purchased this mic to supplement my home studio. I was hoping to get a little better sound than my usual stable of dynamic mics provide. I think I got pretty lucky with this purchase - it's my understanding that in this particular price range, you shouldn't expect a whole lot. I mean, it's just a microphone, right?
What I will say is that I was certainly satisfied with my purchase. I've used this microphone in conjunction with a tube preamp on a handful of recordings with great success. I bought this with the intention of using it for vocals, but I've found that I actually prefer it to record my acoustic guitar - this microphone picks up all the sound that I'm looking for from my acoustic - it's the nice, mellow, and full bodied sound that I hear when I'm playing, but that I was never able to capture before. In terms of its originally intended use, I felt is was only a slight improvement over the SM58 that I typically used for vocals - however, I wouldn't put too much stock into my assessment, as vocals are not one of my strengths when it comes to music (let's face it, autotune was created for a reason, right?)
Granted - everyone is going to have different opinions of this product, and I happen to think it works great for those of us on a budget. In terms of value - it is a great product for a fantastic price. I liked this microphone so much, I plan on buying at least one more.



Click Here to see more reviews about: Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic

The price/performance standard in side-address studio condenser microphone technology, Audio Technica's AT2020 studio mic has a low-mass diaphragm that is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high sound pressure levels (SPLs) with ease.
Ideal for project/home-studio applications, the cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. The pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
The AT2020 is intended for use in applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single-channel and CP8506 four-channel phantom power supplies.
Specifications
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20-20,000 Hz
Open Circuit Sensitivity: –37 dB (14.1 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D.
Noise: 20 dB SPL
Dynamic Range (typical): 124 dB, 1 kHz at Max SPL
Signal-To-Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 48V DC, 2 mA typical
Weight: 12.1 ounces
Dimensions: 6.38 inches long, 2.05-inch maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories Includes: Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
Audio-Technica Case Style: R7


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