Showing posts with label home studio. Show all posts
Showing posts with label home studio. Show all posts

4/10/2012

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone
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I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

Click Here to see more reviews about: CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone

Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response:

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4/03/2012

KRK RP5G2 Rokit G2 Limited Edition White Powered Studio Monitor (5 inch, 75 Watts) Review

KRK RP5G2 Rokit G2 Limited Edition White Powered Studio Monitor (5 inch, 75 Watts)
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I have never considered myself to be an audiophile. I love to listen to music on quality gear, but I didn't think I had the genes that allowed me to distinguish a good set of speakers from a great one--Until now. I just got the Limited Edition White RP5G2 studio monitors and I'm in awe. I remember when I got a good quality set of earphones and was surprised that I could hear all sort of detail that was buried in my music. Well my experience is now the same without having to be tethered by the earphone cord.
These monitors put out a surprising amount of bass for their size. In fact, this was one of my concerns when making my purchase. I was seriously considering ordering the more expensive 6-inch RP6G2 model, but the cabinets were too big for my desk's work surface. Also, they weren't available in the cool white finish that these have. I know that seems superficial, but these speakers look as good as they sound.
I was glad I decided to go with the smaller and cheaper RP5G2. The bass sounds tight without being distorted or exaggerated as it does with some subwoofers. In fact, I now agree that subs are better suited for watching movies than for listening to music. I even bought a set of MoPads (Auralex MOPAD Monitor Isolation Pads, Charcoal, 1 pair) to acoustically isolate some of the lower frequencies from my desk. The monitors have a 2mm rubber pad to help, but I could still feel my desk reverberate which I'm sure was coloring my music. With the MoPads, most of the vibration is gone and I'm left with crisp, clear bass. Also, near field studio monitors are, by design, very directional. Using the pads allowed me to angle the speakers up toward my ears so that I get a better sound stage.
I bought the KRKs to use with Mac Pro running Logic Pro. They are connected to the computer's rear audio output using a Hosa stereo mini-plug to dual XLR cable (HOSA STEREO 3.5mm (M) - TWO XLR(M), 2m (6.6 ft.)). If you are considering buying a set of near-field monitors for your home studio, I don't think these units will disappoint you.

Click Here to see more reviews about: KRK RP5G2 Rokit G2 Limited Edition White Powered Studio Monitor (5 inch, 75 Watts)

The KRK RP5G2 Rokit G2 Powered Studio Monitor takes this KRK design to new heights. All of the great stuff that Rokit's have been known for including front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy. KRK RP5G2 Rokit G2 Features Radically curved front plate design virtually eliminates diffraction distortion Waveguide design provides amazing detail and imaging Front-firing port provides low freq extension without boundary coupling New speaker voicing for even more accurate frequency response 1-inch Neodymium soft dome tweeter Glass Aramid Composite Cone Woofer Even More Accurate Than Before KRK engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by KRK's world-class studio monitor engineering team, for clear, low-distortion performance. The Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to their award winning performance. Also available as package KRK RP5G2 PAK2 which includes: mic stands, mics, cables and headphones.

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3/31/2012

Apex Electronics 460 Tube Microphone Review

Apex Electronics 460 Tube Microphone
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I FOUND THE APEX 460 TUBE MIC TO BE COMPARABLE TO MUCH MORE EXPENSIVE STUDIO MICS.
I HAVE ONLY USED IT FOR VOCALS SO FAR AND I WAS VERY IMPRESSED WITH THE SWEAT
SOUND.THE MIC IS VERY QUIET WITH VERY LITTLE OR NO NOISE AT ALL.
THIS MIC IS A KEEPER AND I AM VERY IMPRESSED WITH MINE.

Click Here to see more reviews about: Apex Electronics 460 Tube Microphone

One unique feature of this microphone is the nine different selectable polar patterns easily available from the selector switch on the front panel of the external power supply. Rather than limiting the user to the three popular patterns most commonly available, the APEX460 has three gradient stages between each pattern. This allows the studio engineer or home recordist far more versatility. In vocal applications where an omnidirectional pattern isn't quite 'fat' enough, but cardioid is too narrow, you now have three additional steps to find the right subtle mix between the two standard patterns. There are also three additional steps between cardioid and figure-8 pattern.Improved quality in affordable recording equipment has brought serious power to the home studio enthusiast or small project studio. The microphone is the first, and often most important link in the signal chain. The APEX460 is high performance, yet truly affordable large diaphragm condenser microphone. They are an outstanding choice for the main microphone for any professional studio, home studio, or any of the computer based direct to hard drive recording systems now available.Due to their rugged construction, high SPL handling capability and affordable price, the APEX460 is also an outstanding choice for live sound reinforcement or live recording. They have proven themselves as overhead mics for drum kits, for guitar or bass cabinets where superior sound quality and high sound pressure handling is required, or as the mic of choice for saxophones, flutes, acoustic guitars or acoustic bass where subtlety and clarity is paramount.Vocalists can use the proximity effect to their advantage, adding fullness and more "bottom end" to the voice. Experienced vocalists can easily incorporate it part of their overall microphone technique. Again, experimentation with mic placement during the recording process is the key. The omnidirectional polar pattern does not exhibit this effect.

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3/29/2012

RODE NT1A Cardioid Condenser Microphone Review

RODE NT1A Cardioid Condenser Microphone
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If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

Click Here to see more reviews about: RODE NT1A Cardioid Condenser Microphone

The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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3/28/2012

Shure Beta 52A Instrument and Bass Drum Microphone Review

Shure Beta 52A Instrument and Bass Drum Microphone
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I actually used this Mic while on tour with The Wallflowers. I loved the great low-end response!

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Designed specifically for kick drums and other bass instruments, the Shure Beta 52A high-output dynamic microphone provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. A successor to the popular Beta 52, the 52A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Key Features
Frequency response shaped specifically for kick drums and bass instruments
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal-to-noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability

Specifications
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz): Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL: 174 dB at 1000 Hz (calculated)
Connector: Three-pin professional audio connector (male XLR type)
Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8"-27 thread
Weight: 21.6 ounces


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3/25/2012

Tascam US-1800 USB2.0 Audio/Midi Interface Review

Tascam US-1800 USB2.0 Audio/Midi Interface
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DO NOT BUY THIS ITEM. IT IS NOT THE ITEM LISTED. I orded this item from Woodwind and Brass. My receipt from Amazon indicated that I had ordered the Tascam US-1800 as listed in the title of this sale and described in the description box. I was very disappointed to receive in the mail instead the Tascam GB-10, a small guitar/bass trainer that retails at $199 and sells nearly everywhere for the $149 price. I contacted the seller and received this email in response . . .
Thank you for your recent inquiry. In our system it shows you purchased the Tascam GB-10 Guitar/Bass Trainer/Recorder for 149.00. You may return that item or have an exchange set up for the correct item you wish to purchase. Below I have provided a price quote for the Tascam US-1800 with a 2 year protection warranty. You can reply to this email for return instructions or call us at 800-348-5003. We appreciate you choosing The Woodwind and Brasswind.
Please feel free to contact us if you have any other questions or concerns, or if you are not completely satisfied with the service you have received from us today. We appreciate your feedback.
I replied to this message with my concerns about this misquote and will further report here as to how this inconvenient situation is handled by customer service

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The US-1800 audio interface from TASCAM offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features eight XLR microphone inputs with phantom power and 60dB of clean gain. Six balanced line inputs are also provided, as well as stereo S/PDIF digital and MIDI in and out.Included with the US-1800 is Cubase LE5, the latest workstation software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects.If you want the most inputs into your computer for the minimum amount of cash, TASCAM's US-1800 is the only choice!

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Shure SM57 Microphone Review

Shure SM57 Microphone
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Everyone has heard of this microphone... and anyone who has recorded has purchased one. It's a perfect microphone for instrument recording; however, I've heard notice of a new microphone that is giving it a run for its money! Check out the ES-57 model, it's about 1/3 the price! I'm actually ordering a 3 pack right now to check them out, will review when all set up!

Click Here to see more reviews about: Shure SM57 Microphone

The Shure SM57 is a fixture in the music business. You see it everywhere. In small clubs and 100,000 seat stadiums. This renowned mic is used by legendary performers and the latest up-and-comers.What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world. In fact, you'll probably find it in more studios than any other mic.Not surprising. The unidirectional dynamic SM57 has set the industry standard by defining the way instruments should sound. Which is why it's used by any serious musician or recording professional. Its warm, clean sound along with its carefully contoured presence rise make it ideal for a wide range of instrument miking applications, particularly guitar amplifiers and drums.The SM57 features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise.

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3/23/2012

Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX Review

Allen and Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX
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Great unit once I got A good one that worked right. Perfect size/features for a home recording, and live performance. I do some ripping/remixing for my radio show.
1st & 2nd machine didn't have a working CODEC. A&H knew exactly what was wrong when I called and had repair people lined up in my area to fix it!!!
I sent it back to Amazon 2X before I got a good one.
Amazon was very helpful in getting squared away.
Check all feature on arrival. JM

Click Here to see more reviews about: Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX

Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. The ZED-12FX is a 12 channel mixer with USB interface and onboard EFX. It has 16 essential time-delay effects which add to the already bulging feature set. The mixer is ideal for small groups who don\'t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.

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3/22/2012

Rode NT2000 Vocal Condenser Microphone Review

Rode NT2000 Vocal Condenser Microphone
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Everyone should have a multi-pattern mic around for utility purposes and this is the one I chose after demoing a half-dozen of interest (I had particularly high hopes for the Blue Mics). Aside from one super-expensive, and unnamed mic, the Rode NT2000 was actually my favorite by quite a margin. As I regard this type of mic as a utility piece, I was looking for a mic that was fairly neutral on voice/cardioid and without too heavy a proximity effect, airy and crisp on omni, and had to have an attentuation switch.
The NT2000 has all that, plus a rugged build. I've been very pleased since purchase, having used it for voice, acoustic guitar (could probably use a warmer mic here), cab miking on electric, bagpipes, recording ambience, and percussion. I'm especially pleased with the mic's ability to capture detail in high sound pressure conditions.
The NT2000 has continuously variable patterns, not a fixed selection of patterns. It has a variable pad, not a simple cut type attentuation switch, which really helps in nailing the sound without having to compromise the mic's position. Finally, the high-pass filter is also continuously variable. All go a long way in making this a HIGHLY adaptable mic.
After my demos, I went in to buy one mic, got an offer I couldn't refuse on two, and walked away poorer but happier! You won't be able to equal that price, as it was something of a favor, but the price here is good.
Although I love NT2000's sound and capabilities, I'm not wild about the controls (pattern, etc.). These aren't knobs you grab and turn - they're thin and flat. They have an edge pattern, but I can't turn them reliably by trying to grab the edges. I have to put my thumb on the knob surface and rotate it that way. It works and the knobs won't get accidently moved, but it's not exactly the height of convenience.
Great multipurpose mics.

Click Here to see more reviews about: Rode NT2000 Vocal Condenser Microphone

The World's First Fully Variable Control Microphone! The RØDE NT2000 is the latest brainchild from Australian master microphone designer Peter Freedman. Never before has this much control and versatility been available in a superlative class large capsule recording microphone. You have totally variable polar pattern, filter and pad all located on the body of the microphone! The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity. The NT2000 includes a hard case and a shockmount. Rode NT2000 Features Large 1 inch HF1 gold sputtered capsule Continuously variable polar pattern, from omnidirectional to cardioid to figure 8 controlled on the microphone Continuously variable pad and high-pass filter Ultra low noise, transformerless surface mount circuitry Wide dynamic range High strength welded and heat treated steel mesh head Internal capsule shock mounting 'I could go on to share the thousands of hours that went in to the research and development of this microphone, instead I am prepared to put my reputation on the line. I am saying without fear of contradiction, the NT2000 is the best sounding and most versatile 1' FET studio microphoneon the world market today, regardless of cost.' Peter Freedman, President RØDE Microphones AmericanMusical.com is an authorized dealer of Rode products.

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M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors
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I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


Click Here to see more reviews about: M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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3/20/2012

M-Audio Audio Buddy Budget Microphone Preamp - Preamplifier Review

M-Audio Audio Buddy Budget Microphone Preamp - Preamplifier
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This is a great preamp for the price. Small, rugged, looks good too. It comes with two channels, each one taking either XLR or 1/4" instrument inputs. The XLR is low impedance, the 1/4" is high impedance. Sound output is uncolored and quiet. Signal is strong and clear.
If you have a microphone with a 1/4" plug, switch to an XLR cord instead -- the low impedance on the XLR input means you'll get a much stronger and clearer signal. Plugging in a guitar works well except for noise from the cord and guitar itself which only shows up when using distortion effects via computer software. You can use a noise gate or notch filter between your guitar and the preamp if necessary, then follow up with a software noise gate to remove hiss. This is not necessary for just chorus, flanger, or reverb software effects...then the AudioBuddy is perfect. If you want distortion, just mic your guitar amp...place your mic three or four inches away and set the preamp gain.
Unfortunately, the supplied phantom power is only 41V instead of 48V so it might not work with some condenser microphones. That's why I'm giving it four stars instead of five. I haven't tried any condensers yet to know which ones work with the AudioBuddy and which do not. If you already have an external phantom power supply, then no need to worry.
My setup is a dynamic mic into preamp into 12" powerbook's line-in jack. You can do stereo recording this way with the proper cord, just a 3.5mm stero male to two 1/4" mono male. Recommended microphone would be anything between $60 and $100 such as the Shure SM57/SM58 or the cheaper condensers like Behringer B1 or MXL990 (although I have heard people using these condensers with the Audio Buddy, I haven't tried them yet myself...but will soon).
Overall I am happy with this preamp. It is more reliable than a tube preamp and has less noise as well.

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M Audio Audio Buddy Microphone Preamp; You won't find a better preamp for a price like this! The M Audio Audio Buddy is an extremely quiet, phantom powered dual mic preamp and direct box, designed to accurately interface mics and guitar to line level PC sound cards. If you're looking for a whole lot of preamp on a tight budget, you'll see where the popular Audio Buddy gets its name. Affordability and performance make the Audio Buddy one of the most popular mic preamps in home recording today. You get professional microphone support along with line inputs impedance-matched for ideal performance with electric guitar and bass. Simply put, the Audio Buddy is a workhorse mic preamp that sounds great and won't hurt your budget. M Audio Audio Buddy Features 2 independent XLR, fully balanced inputs 2 alternate, independent 1/4 inch unbalanced inputs Separate gain controls for each of the two preamplifiers Individual signal and clipping LEDs for each of the preamplifiers XLR phantom power can be switched on and off for both of the Mic preamps Phantom power LED indicator Dual purpose independent 1/4 inch balanced TRS outputs Super-small size Extremely quiet preamp With the tremendous proliferation of PC based recording systems there has arisen a new need to interface mics and guitar to line level PC sound cards. Introducing Audio Buddy, the ultra quiet, phantom powered dual mic preamp and direct box. Audio Buddy is the perfect companion piece for any digital audio system. It's the ideal audio gateway for recording the two most significant, non-line level instruments: microphones and electric guitars. AmericanMusical.com is an authorized dealer of M Audio products.

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Whirlwind LowZ Microphone Cable (20 Foot) Review

Whirlwind LowZ Microphone Cable (20 Foot)
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At this price with free shipping I thought these were disposable cables. They are anything but. They may not be for SERIOUS bands/singers , but for our living room jams they are perfect. I just ordered 2 more and if you are hesitating, then stop. Get these before the price goes up, and we all know it will.

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The Whirlwind MC20 Microphone Cable was designed to deliver Whirlwind quality in an economical package. This imported microphone cable is built to Whirlwind's own specifications. AmericanMusical.com is an authorized dealer of Whirlwind products.

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3/13/2012

Allen & Heath AH-ZED-14 14-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-14 14-Channel Mixer with USB Interface
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This is a board that you take out of the box, plug the USB in, and you are recording in minutes. The quality is amazing. You will be very happy you spent the extra money, ESPECIALLY for the USB portion. If you own a Mac, it is amazingly simple and trouble free. A great buy at any price for the small home studio.

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The new ZED-14 is a small format, USB-equipped stereo mixer for live and recording. The ZED-14 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It\'ll be equally happy running your gig on stage, recording live or mixing down in your studio at home. The feature-set is incredibly advanced for a mixer at this level – it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you\'d think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. What about the sound quality? Our chief designer, Mike Griffin, has been at the forefront of audio innovation for many years and has developed the designs for our spectacularly successful MixWizard and GL series professional live mixers. Mike is always striving to produce the best possible sound for our mixers, and for ZED has produced the ‘DuoPre\', a mic preamplifier which sounds as sweet as a nut, as pure as the driven snow. The DuoPre combines an optimized line input circuit together with the microphone preamp circuit so that it will not color or distort your sound, will give you lots of headroom, and give you a truly professional feel.

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3/12/2012

Phonic Portable FireWire Unit FIREFLY-302 Review

Phonic Portable FireWire Unit FIREFLY-302
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Is this thing plugged in? I mean, it must be, because all my audio software works perfectly, but there aren't any little pictures or spinning things or eye candy to let me know I've got something hooked up. I guess Phonic are too busy making things that just work right to throw a few dozen latency-bloating apps into my system tray, but couldn't I at least get a useless mixer? Or a control panel whose only purpose is to play noise sequentially through each channel? Or just some light-blue windows like Creative are so fond of tossing around? Oh well, I guess this will have to do.
It works seamlessly with Live and Reason, and even my Windows games patch through the Firefly rather than the on-board once it's plugged in. My only complaint is the absence of a 1/4" mic-in for my unamplified electric guitar, which shouldn't be an issue if I use a 1/4"-to-XLR adapter or just amp the signal going into the line-in port.

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5 x 6 24-bit/192kHz FireWire stream I/O2 x 2 analog operation (RCA)Front-panel microphone in (XLR) with +48V phantom powerHeadphone output with dedicated level controlLow-latency ASIO software direct monitoringPower indicator LEDPowered via FireWire bus or included DC power supplyDual FireWire ports (6- and 4-pin) with bus-powerEasy-to-see accurate LED sig and clip indicators for input and outputMac OSX and Windows XP, Vista and 7 compatibleThe new Phonic Firefly 302 Plus Portable FireWire unit is an easy-to-use, high-quality interface for songwriters to record guitars, keyboards, vocals and more to the computer. Featured are 3 analog (XLR, 1/4" and RCA) inputs and 2 analog outputs, which are streamed to and from the computer in real time through the 24-bit/192kHz FireWire connection. Compatible with the most popular of Digital Audio Workstation software, this compact, bus-powered unit is small enough to go anywhere you want to take your music. Both simple and compact, the Firefly is the most convenient FireWire audio device you will find.

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3/10/2012

AUDIO TECHNICA AT8314-50 Deluxe Super Cable Microphone Cable Review

AUDIO TECHNICA AT8314-50 Deluxe Super Cable Microphone Cable
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Nice clear signal, easy to coil up, and well made.
A seriously quality cable for the price.

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Audio Technica Premium Balanced Microphone Cable AT8314-50 Cables

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Mackie MR5 MR5 Reference Monitor (Single Speaker) Review

Mackie MR5 MR5 Reference Monitor (Single Speaker)
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FIRST THING FIRST...
Forget speaker set-ups and systems that unnecessarily add treble and bass to the music you're listening to including ones with active equalization that determine on your behalf what you're ears should be perceiving at the moment and eliminating other frequencies that it believes aren't as audible anyway.
How about jumping back into studio monitors that deliver music the way the recording engineers meant it to be heard. Too expensive? Hold on. Not with a Mackie MR5. The price you pay is per piece all right, but don't forget these are powered speakers. And at this price point you get a flat frequency response which means there is no colorization. What is recorded is what you get.
Studio monitors used to be so expensive and out of reach that consumers were bombarded with those other brands that promised to wow your ears with a "perception" of full spectrum audio rather than actually provide your ears with, umm, a full spectrum.
Finally Mackie decided to release lower end audio gear with high end results that appeals to everyone else outside of the audiophile world.APPLICATION...
These speakers are built with 3 types of audio connections.
1. Balanced XLR
2. Balanced TRS (which also can accept unbalanced TS)
3. Unbalanced RCA
Originally intended for near-field monitoring as well as accurate enough for home studio mixing. But knock yourselves out in using these anywhere you see fit. If it's good for mixing, it's great for whatever else.
I used it as my desktop computer speakers. If your computer has a 1/8 stereo output a.k.a. mini-stereo then just purchase a simple (but solidly constructed) 1/8" stereo to RCA cable.HOW DOES IT SOUND...
GREAT! However, you need to re-orient your ears if you've been used to unnecessary and heavy equalized equipment. Take a moment to listen to your favourite CD. One that you are very familiar with from beginning to end. Turn off or flatten the equalizer setting. Take one pass on it and determine if you really to highlight or defeat certain frequencies only because you either have wall to wall carpeting and draperies or bare walls.
You're goal is to listen to music the way it was recorded. If you have unbiased speakers in all frequency range then you will notice nuances in the recording that you never even thought was there. Seriously.WHAT ELSE DO I NEED TO KNOW...
Although this is the smallest of the Mackie studio monitoring speakers, it's still a force to be reckoned with in terms of performance, size and weight. And that's a good thing. It looks, feels and performs like any solid studio monitor. Nothing has been spared. Rather than spend money on marketing, they spend it on actual R&D and build quality.
Frequency response of 60HZ-20KHZ (+-3db) with internal bi-amplification of 55 watts (85 watts peak) for the low frequency and 30 watts (50 watts peak) for the high frequency. And don't be fooled by other speaker manufacture ratings stating 200 watts power which don't mean a thing unless they meant peak power before the internal fuse blows while already clipping at maximum distortion. Did you hear how loud your built-in television speakers can get. To think they are rated from 3 to 6 watts only. So with these truthful power rating, these Mackies are LOUD! Your ears neighbours will come knocking first before you can blow the fuse of these speakers.COMPARED WITH...
The truth is I was perfectly happy with my Blue Sky MediaDesk 2.1 speakers just because I couldn't afford a THX pm3-approved Mackie HR624 at that time. The frequency response was awesome at 35HZ-20KHz. The speakers were fully sealed which provided less distortion and true bass output. I tossed the boxes so I decided to sell them when I moved cross-country than risk damaging perfectly great speakers.
I now moved the Mackie MR5 pair to the living room and disabled the built-in speakers of the television and then obtained a pair of KRK Rokit Powered 6 Generation 2 studio monitors which is equally accurate as the Mackie, but has better frequency response at 48HZ-20KHz (+-1.5db) due to it's 6" low frequency driver.WHAT TO GET...
If you're budget allows for a Mackie, I would get an MR5. A cheaper alternative but still along it's price range is the KRK RP5G2 which also comes with a 5" low frequency driver. But for the same price as the Mackie MR5 is the KRK RP6G2 with better frequency response and a hefty weight and size to boot.
The difference is the porting on the cabinet. Mackie believes in using a rear port, while KRK argues a front port is better as it allows more flexible placement without fear from unnecessary bass response due from the rear ports when placed nearer against the wall.
My recommendation is to listen to both at your nearest studio monitor dealer that stocks both and decide. In the future you can expand to a 2.1 configuration to extend the bass response even lower by purchasing their own respective subwoofer counterparts. As usual, KRK products are better priced so this might affect your decision now the same way it did to me.
If you want a 2.1 configuration right now, then the Blue Sky MediaDesk 2.1 with it's sealed cabinet enclosure all throughout will make sure that the bass you hear is the bass coming from the subwoofer and not from any port which only exists to help extend bass response to a lower frequency.
Either of this you won't go wrong. But please do yourself a favor and get yourself a decent studio monitor than an exorbitantly priced speaker set from a manufacturer that (1) either advertises amplification and frequency response that can be achieved at full clipping power or (2) won't even advertise their specifications at all and then claim their "actual" performance doesn't do justice to the over-equalized supposed sound output.

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Thanks to its sophisticated design, our 5.25-inch MR5 Mackie Reference Monitor delivers superior sound with impeccable clarity?at an unbelievable price.

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2/26/2012

Cakewalk Guitar Tracks 2.0 Review

Cakewalk Guitar Tracks 2.0
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I have to say that I am really impressed with version 2.0 of Guitar Tracks. They completely redesigned the user interface, which looks great, and made it really easy to use. It's a full 8 track recording studio with input and output meters, and audio editing. Each of the tracks can now be mono or stereo and can use any DirectX audio plugin. It comes with Stereo Reverb, Chorus, Flanger, Delay and Parametric EQ plugins. It also has the Drag and Drop Drummer Lite software with a bunch of great drum loops, that intergrates with program. I was up and running in about 5 minutes.

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Guitar Tracks 2.0 is a PC-based multitrack recording program built for guitar players. Designed to be as easy to use as a multitrack cassette recorder or tape deck, this is a great musical sketchpad for guitarists and singers/songwriters. Use it to get ideas down quickly. Controls are logical and clear so you can lay it down and mix it up fast. Features include eight recordable tracks of digital audio, easy punch-ins, looping, locating markers, stereo equalizer, delay, flange, stereo chorus, reverb, and vintage amp simulation. Mix down to stereo WAV files to burn CDs or make MP3s for the Internet. Tune up quickly with a built-in chromatic tuner. Guitar Tracks works with any guitar or microphone.

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