Showing posts with label korg. Show all posts
Showing posts with label korg. Show all posts

4/14/2012

ISP Decimator Noise Reduction Pedal Review

ISP Decimator Noise Reduction Pedal
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Usually these type of pedals don't work well at all. This pedal gets the job done. For extremely high gain try two - one after the guitar - one after the efx pedals. It actually works.

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ISP Technologies presents the latest generation in Noise Reduction technology, the DECIMATORTM NOISE REDUCTION SYSTEM. From the original inventors of HUSHTM noise reduction comes the latest, most advanced, patent pending, state of the art technology in real time noise reduction. The Decimator offers a revolutionary breakthrough in Noise Reduction processing with an unparalleled level of performance. The HUSH system, as well as all other noise reduction systems suffers from one major problem inherent in their design: The system cannot be immediately responsive to very short-term staccato notes. The typical downward expander noise reduction system suffers from a dead zone in the release response characteristic which causes a compromise in tracking both fast decaying notes and long sustained notes. The Decimator design offers a novel approach to tracking the envelope of the input signal called Time Vector Processing. Due to this novel approach in controlling the expander, the Decimator system will instantly respond to short staccato notes and, at the same time, will provide a very slow ripple free control of long sustained notes. This means that the Decimator noise reduction system is the most transparent and highest performance noise reduction system available.

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4/10/2012

Korg X50 61 Key Music Synthesizer Keyboard Review

Korg X50 61 Key Music Synthesizer Keyboard
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I've owned the x50 for a couple of years now and use it in my home studio. First of all is sound quality. The top of the line Korg series is the Triton keyboards, which cost thousands of dollars (depending on the model). This keyboard uses the same engine, so the sounds are quite similar to the top of the line model. In other words, incredible sounds.
So why is it less than a thousand bucks? First of all, it's not as customizable. Make no mistake, you can still tweak every sound, but it's not as easy or as in depth as the Triton series.
Second are the physical stats: 61 VELOCITY SENSITIVE, but NOT weighted keys. This means that you can still play with dynamic control, but there isn't the feedback one might be used to from a piano. The keyboard itself is very well constructed but mainly plastic. It will surprise you in it's lack of heft, but don't confuse that with cheapness. It's solid.
So why use this? The voices are amazing. I use it in my home studio to backup my guitar. For one song I wrote in a flute solo and then brought in a flautist to learn the song so she could play with me live. She commented on how good the flautist was who recorded for me. She didn't even know it was a keyboard.
The strings, piano and organ sections are particularly strong.
It's great for my studio since I'm not a pianist. It's exceedingly portable so it would be great for gigs too. It's really a great deal since you get thousands of dollars worth of voices for less than a thousand.

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The Korg X50 music synthesizer features the HI (Hyper Integrated) sound engine that's used on the world-famous TRITON series. It gives you pro-quality sounds in an ultra-compact body. This keyboard synthesizer delivers unbeatable convenience and enjoyment for live performance or song production. The 64 MB PCM memory contains a wide range of sounds, including piano, strings, guitar, and synth sounds. With 512 sound Programs, as well as 384 ?Combinations? that let you use up to eight Programs together, you can start enjoying a diverse selection of great sounds right away. The effect section lets you simultaneously use four effects (one insert effect, two master effects, and one EQ), and provides a full selection of effect types such as reverb, chorus, and delay. Best of all, the X50 is compatible with Korg?s TR line of music workstations so you can share sounds and songs with Korg users around the world.The X50?s ultra-portable design also allows greater accessibility to musicians on the go without having to sacrifice quality.

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3/27/2012

Korg MiniKP Dynamic Effects/Sampler Review

Korg MiniKP Dynamic Effects/Sampler
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This is practically a Kaoss Pad at a fraction of the price. a very interesting and useful tool for adding real time special FX to any type of music. Though intended mostly for the DJ or electronic musician this can be very creative and useful any more conventional type of music! you get 100 effects and two memory locations to store your favorite Fxs and settings.
a BPM control button that sets the right tempo for the music you are interacting with, very simple to use with spectacular effects at a very reasonable price. For the complete music at your fingertips experience the mini Kaoss pad can also be combined with the Kaossillator finger synth!!!

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Since it first appeared, the KAOSS PAD series has been enormously popular with artists around the world for its intuitive touch-pad interface and its revolutionary effect programs. And now, the series is joined by its smallest member, the miniKP. While providing the same interface in which multiple parameters of the effect program are controlled by a single fingertip, the miniKP brings the advantages of battery operation and mobility, making it an ideal choice for DJ club performances, home studio applications, as well as outdoor live events or for use with a portable audio player. Wherever you are, the mini-KP brings new possibilities to any music scene. The miniKP is lightweight yet offers tons of features like auto-BPM and Tap Tempo functionality, FX hold, FX depth selection, FX Release and more ? all derived from its big brother, the KP3.

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3/14/2012

Korg Kaossilator Pro Tabletop Synthesizer Review

Korg Kaossilator Pro Tabletop Synthesizer
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Like another reviewer here at Amazon, I also got the original kaossilator a couple of years ago and started to spend a lot of time with it. I was reading an article named "Make Music Now" on a magazine related to electronic and computer music when I first learned about the kaossilator. I'm not a musician and, for many reasons, I never allowed myself to learn music. I always had a passion for music, specially with lots of synths like Tangerine Dream, Mike Oldfield, Airsculpture, RedShift, FSOL, Vangelis, Synergy, Passport, Jean-Luc Ponty, etc, etc. I have always been a passive listener, until now.When the new kaossilator pro came out I went right away to the youtube website to watch all those people showing their experiences and amazing creativity about this new musical instrument from Korg. Few months later I got my kaossilator pro.Both devices (Kaossilator and Kaossilator Pro) definitely are not toys. They are a very powerful, dynamic and portable musical instruments. As with every musical instrument they have their pros and cons. If you really want to learn more about these two devices go to the net and watch others about what they are doing with them (for all kinds of music). Those people have been like teachers to me.Making my own music is my new hobby. I have been doing this for a couple of years and my family, relatives, and friends have been pushing me to "release" an album. I have had released only one single with the main purpose to understand the whole production process. It is a very simple and very very inexpensive process to release digital music. I did a promise to myself about learning a little bit of formal music before releasing a complete album.Please do a search for "echoes from kiwi" here at amazon.com. That music was done using an iphone, the original kaossilaor, and the kaossilator pro. Again, the main purpose of "echoes from kiwi" is to demonstrate how easy is to create music using a very small and relatively inexpensive musical instruments and a computer.If you, like me, want to start creating your own music and have lots of fun, the kaossilator pro can be your first musical instrument. I bet you will master it in no time.Thank you for reading my review.
Eduardo Nava.

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The korg kaossilator pro dynamic phrase synthesizer is the supercharged version of the palm-sized kaossilator. the kaossilator pro was reborn as a powerful track-making tool and loaded with live performance power. it creates spontaneous changes that were difficult to produce in the past. not any longer with the korg kaossilator pro dynamic phrase synthesizer.as a trailblazer among the "instrumental gadgets" that allowed anyone to easily create melodies and phrases, the kaossilator gained a strong and dedicated user base, even among those without any performing experience. today, the kaossilator continues to be enormously popular. retaining these revolutionary features – while adding a wide variety of new ones as well – is the kaossilator pro. with 200 sound programs, a new electribe-inspired gate arpeggiator, and four loop recording banks that can even record external audio sources, the kaossilator pro is packed with features that make it ideal for both live performance and premium productions. in addition, usb connectivity with your computer and sd card memory storage allow the kaossilator pro to be used not just for improvised performances, but also as a superbly intuitive, track-making music production tool.using touchpad is highly intuitive – simply rub, stroke, or tap it to instantly create complex phrases with a single finger. responding instantly to these gestures, the kaossilator pro creates spontaneous changes that were difficult to produce on synthesizers of the past. horizontal motions control the pitch, while the vertical axis can control tone parameters such as cutoff, feedback, or modulation depth. this makes it easy for anyone to create entirely original sounds and musical phrases.

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3/02/2012

Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg\'s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg\'s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings – routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. – and you have performance that is unheard of from a synthesizer in this price range!

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11/26/2011

Korg Kaossilator Dynamic Phrase Synthesizer Review

Korg Kaossilator Dynamic Phrase Synthesizer
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Ok, so this thing is kind of a toy, but my oh my, what a toy it is. I'm absolutely in love with. I'm kind of an acoustic musician. I play acoustic guitar (don't even own an electric) and upright bass, and any other box of sound I can get my hands on. Most synths and whatnot never seemed worth my money. I saw this little guy when I went searching for something I could use with special-needs students. I wanted something you could produce sound on without needing to know anything about playing an instrument. The price was right, so I got it, and the kids have loved it. I first thought it was a nice toy for the classroom, but then I started practicing on it myself, and I just couldn't believe how involved you can get with it. Once you unlock the little loop extender (from 8 beats to 16- you can find the trick on Korg's website) you can really get inventive. Anyway, for those thinking about it, whether or not you're experienced in music, it's a whole lot of fun and it can be very expressive. I'm feeling like I'm getting solid enough at it that I'm going to hook it up to a PA and play with a jam band. I'm even trying to scrap some cash together to get the KORG KAOSS Pad Dynamic Effects Processor so I can really get lost. You can hook the yellow guy into the red guy and get a whole new level of groove. Here are my pros and cons that might help you decide if it's for you...
PROS)
1)With the arpeggiator and the 16 beat code, mixed with sound effect parameters, you can find nearly endless amounts of new rythms to work with. If you feel like you hit the end of what you can do on it, you are just on a temporary plateau; more will come.
2) With some fancy rechargable batteries, this thing seems to just go on and on. It's so portable, I have it on me nearly at all times. I look like a geek with my studio headphones on tripping out on a campus bench all by myself, but I'm already married with a kid, so I'm more interested in my groove then looking cool.
3) With a little work, it's practically the easiest drum machine out there. You have some limits on actual drum sounds, but it is just so easy to set a groove, put it down, and pick up another instrument to play along with.
4)It's very versatile and intuitive to use. My students, who are fairly low functioning, have a great time playing along, and even my two year old likes tapping on the trackpad to a beat. It's fun for most folks.
5) The versatility of the programmed scales, ranging from arabic and mixolodeian to ragas and dorian, seem to express any, and I mean any emotion you want it to emit. With some practice, you can seemingly get any hard-to-express scence. It's like painting pastoral scences across the cultures of the world with your index finger. It's like Bob Ross' and Rick Steves' impossible love child singing you to sleep every night. (please, somebody get that joke).
Ok, now the CONS
1) The 100 loops and sounds programmed on here are mostly aggresive dance kind of sounds. I'm a ambient kind of guy, and like I said before, I like my acoustic sounds. They're are hardly any great acoustic sounds on here, and if I could reprogram it a little, I'd put on some Mellotron sounds, like flute and strings, and other more organic stuff. The strings and whatnot on here are pretty cheesy. The piano ain't bad, though, and that gets points.
2) You CANNOT program anything onto it. You got your 100 sounds and that's it. It gives the K it's own signature sound, which is fine because it's cheap and kind of a toy. If I could have uploaded new sounds or samples, I would have peed my pants with excitement. Unfortunately, I sit here continent and limited.
3) This last one is my biggest complaint, and it would have been great if Korg had thought this out. It's a small thing, too Maybe they'll read this, see my genius, and send me a corrected version of their device.
This "small thing" it lacks is the only thing that makes this device a toy for me. Otherwise I would have considered it the neatest gizmo ever. You CANNOT adjust the volume of individual sounds in your loop. Say you lay a fat drum beat and a chunky bass line. You go over to the sound effect pad to add a little hiss or sizzle, or over to the chunky lead synth pads to add a hint of a melody in the background. Often times, there is no putting it in the background. You're stuck with the volume that goes in. The Korg folks boast that you can just keep adding stuff, but I've found after 4 or 5 elements, you get really noisy loops really fast. I would have liked another button that would have let you adjust the master volume of any sound you were adding. The way around this is to use a multitrack recorder and set your loops up into that, but now your portability is gone, not to mention that instantneous groove element. Even if your multitrack is a small one, now you're running wires instead of just your headphones.
Otherwise, I think of this yellow box like the Game Boy invented for music geeks like me. It's really nice, and in the two months I've had it, it's been a nice retreat from my daily grind.
Hope this helps!

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Meet your new musical addiction: the KAOSSILATOR from Korg. Play it alone or add it to your rig for over-the-top, music-making mayhem. The KAOSSILATOR's user-friendly touch-pad lets you create musical and rhythmic phrases using any of its 100 synth programs, such as leads, basses, realistic instrument sounds, playable drums and drum patterns. Each time you add a phrase, KAOSSILATOR stacks it on top of the previous phrases you created. The results are as simple--or complex--as you desire. Choose from the 31 available scales, and play in any key. Lay down your groove with any 50 gate-arpeggiator patterns for even more KAOSS! The portable, travel-friendly KAOSSILATOR runs on batteries or a 4.5v adapter. Use the it as a multi-instrumental musical instrument, sample source, live rig addition, or just a fun way to get your groove on!

100 Playable Synth ProgramsThe KAOSSILATOR offers 100 unique patches for you to play, from nautral instruments to synth basses and leads, including ten drum patterns and 31 musical patterns. Sounds include:
Preset drum/bass grooves with flexible effects
Fat synth lead sounds
Acoustic instruments like trumpet, digeridoo, sitar, and more
Tap-able drum voices
Extra thick and juicy basses
Complete chords with filters and other effects
Space-age sound effects to send your loop beyond the cosmos

Innovative Touch-Pad ControlThis is what defines Korg's entire KAOSS PAD/KAOSSILATOR series, and what made 'em such a hit. You play the KAOSSILATOR by moving your finger around on (or tapping on) the touchpad, thereby controlling the sound. The parameters controlled by the X axis and Y axis depend on the preset (for example, a bass synth might feature pitch along the X axis and filter resonance along the Y axis).
Scale/Key ControlsIt may not have keys, but the Kaossilator can still play a hook. It lets you control a full two octaves of notes just by touching the pad. To make sure you're playing in the same mode as everyone else, you can choose what kind of scale to use, from 31 different options. You can also set the root note, including flats and sharps, so you're always in tune no matter how wacked out you get on the effects.
Adjustable BPM and Gated ArpeggiatorTo get the beat to your desired BPM, you can select a normal MIDI tempo or enter a tap tempo with your finger. The built-in Gate Arpeggiator repeatedly triggers sounds in sync with the tempo. The slider controls either the gate time or gate speed. 50 different gated arpeggiator types are included.
Loop (Phrase) RecordingThe KAOSSILATOR can record and playback phrases and patterns that you play on the touch pad--loop style. During playback, you can play along. You can even add another layer to the loop recording. This process can be repeated, adding several new layers. Recorded phrases can be up to 8 beats (2 bars of 4/4) in length.
Portable KAOSSCreate some chaos anywhere you go. The KAOSSILATOR is eminently portable, weighing in at 5.43 oz without batteries, and with dimensions of 4.17 x 5.08 x 1.14 inches. It's powered with four AA batteries, for up to about five hours of operation. You can also snag an optional AC adapter for plugging it in.
RCA/Headphone OutputsThe KAOSSILATOR features a dual RCA stereo line out, for quick connection to mixers or interfaces, and a mini headphone out, for using on the go.
What's in the BoxOwner's Manual, parameter sheet, four AA "test" batteries

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10/09/2011

Korg KDM-2 True Tone Advanced Digital Metronome Review

Korg KDM-2 True Tone Advanced Digital Metronome
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but it doesn't do much more than the less-expensive Korg MA-30. That said, I like the KDM-2 quite a bit. It's an improvement on the KDM-1 (which I like very much also - it's just a more basic metronome), and similarly designed. The KDM-2 shares these features with the MA-30: tap-in beat; subdivided beats; 12 calibrated tuning notes (you can choose the exact tuning - A=440, 441, etc); mute button. The added KDM-2 features: son clave & rumba beats (3-2, and 2-3); choice of 4 different click sounds; LCD display; LED beat indicator; loud volume (I play trumpet & have no problem hearing the metronome), and tempo selection in standard metronomic increments (60, 63, 66, etc) in addition to +/- 1 beats (60, 61, 62, etc).
You should get the KDM-2 instead of the MA-30 if you need the extra latin beats, the different click sounds (at least one of which should cut through most loud playing, or possibly small ensemble volume) or the LED indicator (the light however doesn't seem as strong as that of the KDM-1). If these extras aren't enough, the MA-30 would be an excellent choice.

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The Korg KDM-2 is an easy-to-use, electric metronome that visually marks the tempo with remarkable accuracy, and delivers a powerful sound like never before.

Improved cylindrical resonator speaker This digital electric metronome delivers even clearer and more powerful sound, and Korg's acclaimed cylindrical speaker has been further enhanced with an improved resonator structure to ensure that it is easily heard. Even loud instruments will not overpower the unmistakable, clear sound of the Korg KDM-2. And with the KDM-2 you have the choice of selecting 3 different PCM sounds (cowbell/agogo/clave) for the beat, so you can choose which sound you want to compliment the instrument you're playing. The volume can also be adjusted to the most appropriate level. Since there's a PHONE jack built in to this electric metronome, you can connect a mini-plug (1/8") earphone, perfect for private practice.
Easy-to-see, large LED The START/STOP switch located on the top panel of the Korg KDM-2 blinks in two colors--red and green--providing for unmistakable visual indication of the tempo. The START/STOP switch is a great feature if you are looking to practice with a silent metronome.
A variety of beats cover even sophisticated rhythms From basic beats to variations like son clave and rumba clave, the KDM-2 contains a total of 19 beat patterns. You can set the tempo in any one of three ways. Full Step mode lets you adjust the tempo over a range of 30 through 252 in steps of one. Pendulum Step mode lets you set the tempo using the preset tempo settings, as on a mechanical metronome. and Tap Tempo lets you set the tempo by pressing the TAP switch at the desired interval.
Use the reference pitches to tune by ear Sound Out mode outputs a reference tone that you can use as a tuning guide. You can listen to any one of the twelve pitches from C4-B4. You can also adjust the A4 frequency (calibration) in a broad range from 410 Hz-480 Hz.
Memory backup function The KDM-2 provides a memory backup function that remembers the specified tempo, beat, calibration, and reference pitch, even when the power off.
Designed for stability and ease of use The large LCD screen on this electric metronome makes it easy to view the settings. An encoder-type TEMPO/CALIB dial and a Step Select switch provide quick and direct access to settings and functions. Featuring an original design that is compact yet stable, the KDM-2 is at home on your desk, your piano, or anywhere else.
Long battery life The KDM-2 is designed for long battery life. The electric metronome will continue marking an accurate tempo for approximately 120 hours of continuous use at a tempo of 120 beats per minute.
Three-Year Warranty Korg digital and electric metronomes purchased from a Korg USA authorized dealer now have a three-year warranty.
What's in the Box KDM2 Metronome, Four AAA Batteries, User's Manual

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9/28/2011

EBS Multi Comp True Dual Band Bass Compressor Pedal Review

EBS Multi Comp True Dual Band Bass Compressor Pedal
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if i were left with my bass in any city this pedal would be my next only choice, it "upgrades" your sound without affecting the original from your bass or amp, order through musiciansfriend or others dealers thought they don't charge you any s&h

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The EBS MultiComp is a high performance, analog compressor pedal, with a choice between solid state, tube simulation and multi-band compression. Make Your Sound Even BetterThe MultiComp can make a good sounding instrument sound even better. Once you\'ve tried it, you\'ll never want to play without it!The 2008 edition uses true bypass techniques. Improvements with the new edition3 dB higher headroomNew analog circuitry with higher dynamics and lower noise.Mechanical True Bypass switching.

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5/16/2011

Korg CA1 Chromatic Tuner Review

Korg CA1 Chromatic Tuner
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The Korg CA-1 is a chromatic tuner which allows you to tune in any key. It features a quarter-inch jack for input and a "+" and "-" key for tuning in another pitch close to what you're in. Say I was in G and wanted to go to G1. Hit the "+" button a couple times, and bam it's now calibrated for that pitch. It comes standard with a small condenser mic built in so you can tune a woodwind instrument, trumpet, acoustic guitar or small squirrel. Whatever you need to tune. Super simple and easy to use, Korg has a reputation for producing the best tuners on the market. Weather it's rackmount tuning you need or the cheap-o $20 CA-1 Korg has you covered. My first one worked until it was lost during a show. I am willing to put money down that it would have worked up until now when I needed to buy another.
To the review that says it's "Tinny" sounding...Dude, that's stupid. It's a tuner. It doesn't have an OUTPUT! You plug in your guitar or bass and tune. You can't say that a tuner has any kind of real sound, since you're not really playing through it. A stomp-box pedal tuner may sound "tinny", but that may only be because it might not be true bypass circuitry used. Anyways, this is a great product and completely mandatory if you play an instrument.

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Korg CA1 Chromatic Tuner--Perfect Pitch Every Time
The Korg CA1 chromatic guitar and bass tuner features an enhanced design with new features based on the best selling Korg CA30 chromatic tuner. High accuracy and superb functionality have made Korg tuners a worldwide favorite. The Korg CA1 tuner packs basic functionality and convenient tuning functions into ultra-compact body with even more features, like a pitch reference tone and marks for pure major thirds and minor thirds.
Small, thin, light and powerful.

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