Showing posts with label mackie. Show all posts
Showing posts with label mackie. Show all posts

4/13/2012

JBL LSR2325P Pair of Bi-amplified Studio Monitors Review

JBL LSR2325P Pair of Bi-amplified Studio Monitors
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Me:
Musician, been recording on 4 track, 8 track, 16 track & 24 track recorders since 1996, i have pro mics (M-Audio Sputnik, AKG D5 & C3000, Rode NT3) and have owned many others, i use a TC-Electronic G-Force and a TC Helicon Harmony G-XT.
How i chose these speakers:
- I took a trained sound engineer friend (who has been recording since 1996 too and who attended a Sound Engineer course at SAE) with me because he is the only person whose ears i trust and because i wanted to be sure i wasn't going to choose the wrong set of speakers.
- I went to all the major studio gear stores in Paris, France, in the Pigalle area where all the music stores are. We listened to many many different speakers, sometimes without prejudice and other times with great hopes because we've been reading about brands like Genelec & Dynaudio & all the newer brands out there just like anyone who trusts the specialized press.
- We checked speakers ranging from 200 to 2000 a pair, more or less: we just tested everything they had that looked interesting, including the latest M-Audio, Yamaha, Alesis, Genele, Dynaudio, Adam, etc., etc., etc., etc.
- We tested the speakers on tracks we both knew very well & some very clean recordings as well as some others.
- We selected tracks for reverb to see if the speakers could render the reverb properly, which is something many speakers simply fail to do.
Results of the search:
- Against all expectancies, all the major contenders turned out to be crap. And i mean absolute garbage. Given that we both had exactly the same criticism about each speakers we listened to, i'm pretty sure we weren't being delusional. Now it is possible that the set-up in the stores were not optimal, and maybe the passive speakers were linked up to a bad amp, but most speakers were active & linked to the source via a professional monitoring system with lots of switches designed specifically for this purpose.
- Genelec flaws: no mids AT ALL, same power as a bad car stereo, no bass.
- Dynaudio BM15 ACTIVE: absolute crap amplification, rubbish.
- ADAM A5: aggressive mids, crap treble, no bass. Absolute GARBAGE.
- Yamaha (new NS-10 style speakers) & M-Audio: average sound, not enjoyable at all.
- Most speakers had a very aggressive sound in the mids or treble, and lacked bass. Even in the very expensive range of speakers, none managed to impress us and virtually all were flawed in some aspect that alone would render them totally useless & unbearable.
- The last store we visited was definitely much more pro (Sound Factory) and had real speakers. They played us some PMC passive speakers linked to a 300 stereo amplifier. We were AMAZED. They were fantastic. Well, these were not the most expensive (around 1000 a pair i think), and by far the best. They aren't used at Abbey Road for nothing then...
We then told the salesman we had already heard his Dynaudio BM15's and said we hated them & didn't want to waste his time with those -- "skip em!", we said -- but he had the passive version. And they were very good. The difference was AMAZING. In other words, manufacturers of speakers know how to make speakers, not amplifiers. So get the passive version of whatever you want, and add your own amplifier, the result will be incredibly better, i assure you.
So far the PMC were the best and the Dynaudio were not bad but not cheap. Just out of curiosity i asked to check out the tiny JBL 2325P's that were a ridiculously cheap 400 and were active...i said to him "i guess the JBL are crap but let's give em a try anyway, just to see"...he replied "no, they're not bad actually".
With my friend we both looked at each other with big eyes, we were very pleasantly surprised...they weren't quite as good as the PMC but they easily beat all the others we'd listened to that day.
I ordered this in the US because i now live in Mexico. I got them here on Amazon for 400$ (470$ or so with shipping), with 2 Samson speaker stands and 2 Wirlwind XLR cables. I just set them up today, on their stands.
I don't have a proper good quality source at the moment, my SACD player is in France, so i tried first via the minijack output of my Toshiba P300 laptop and the sound was harsh & had some very apparent artefacts due to the extremely bad quality of this output (Toshiba should be ashamed, really). I then switched to my Archos 5 mp3/video player and the sound is incomparably better. Not perfect, of course, we're not talking about a proper HQ source here, and remember the connection is a cheap minijack=>RCA cable, nothing like XLR=>XLR.
On bad recordings, or old ones, the sound is not so good, and indeed that's exactly how it should be: these speakers tell you when the source is bad. But switch to Kate Bush's Aerial album (her latest, from 2005 i believe), encoded in high quality by myself, and the bass response is amazing, everything is perfect.
Summary:
- Incredible bass response for 5 inch woofer, simply amazing. And it doesn't sound artificially boosted as on some speakers that just try too hard.
- Very well balanced & detailed mids & treble. Although i do prefer the treble & mids on my previous speakers (B&W DM602 S2 -- Bower & Wilkins make excellent passive speakers, with kevlar woofers & perfect tweeters, but you need to be very careful positioning them to get good bass response). But these JBL 5" woofers provide more oompph in the bass than by much bigger B&W's used to. Quite amazing, really. And it's not muddy bass, it's clean, well controlled, has fast attack and nice round oompph. I can hardly imagine how good the 2328p's must be! They were much more expensive, though, & too big & heavy for my needs.
- Very small in width but deep & quite heavy (7.7kg).
Manufacturer's specs seem accurate upon listening (for once) and outperform by far much bigger & much more expensive speakers:
43Hz-20Khz
55 W LF - 35 W HF (don't let this fool you, these speakers are loud enough to make you deaf for indoor use).
You have a treble +/- switch on the back & the same for bass. These work rather well but don't feel too solid & i wouldn't play around with them too much.
The volume knobs are not smooth but have small 'steps' to them so you can set both speakers to exactly the same setting easily. They have a good feel to them.
You have line balanced ins on XLR & TRS jacks, plus unbalanced line in on RCA/cinch.
The on-off switch on the back is silent & a blue light on the front tells you when the speakers are on.
Overall opinion:
The best active monitors by far in 2009-2010 for this money or size? I'd bet they are, yes.

Click Here to see more reviews about: JBL LSR2325P Pair of Bi-amplified Studio Monitors

The JBL LSR2325P Powered Studio Monitor is a bi-amplified 2-way model with a detented level control that allows fine adjustment of individual speaker levels to balance the speaker in your system. Low Frequency and High Frequency Trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Featured to integrate into professional systems, the LSR2325P includes balanced XLR, balanced 1/4 inch and unbalanced RCA inputs that allow connection to a wide range of playback sources including computer audio workstations, professional mixing consoles, as well as consumer playback systems.

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4/11/2012

Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge Review

Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge
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I recently opened a Professional Music Recording Studio and purchased one of these mixer boards for one of the Main mixers. My Lead Engineer and I were so pleased with the performance and reflexibility of the SX4882 that I purchased another one and also a smaller version of it. Now all of my Studio is Behringer equipped with amps, effects, and All. I wouldn't even think of paying all that extra money for a Mackie when the SX4882 does everything the Mackie does and more, and even Better. Behringer is OUT-Performing all the competition, and once again on the Rise Up!

Click Here to see more reviews about: Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge

Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with XENYX Mic Preamplifiers, British EQs and Integrated Meterbridge

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3/23/2012

Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX Review

Allen and Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX
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Great unit once I got A good one that worked right. Perfect size/features for a home recording, and live performance. I do some ripping/remixing for my radio show.
1st & 2nd machine didn't have a working CODEC. A&H knew exactly what was wrong when I called and had repair people lined up in my area to fix it!!!
I sent it back to Amazon 2X before I got a good one.
Amazon was very helpful in getting squared away.
Check all feature on arrival. JM

Click Here to see more reviews about: Allen & Heath AH-ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX

Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for the new model. Our DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else - this quality and integration is only available from the ZED FX. The ZED-12FX is a 12 channel mixer with USB interface and onboard EFX. It has 16 essential time-delay effects which add to the already bulging feature set. The mixer is ideal for small groups who don\'t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.

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3/13/2012

Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels) Review

Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels)
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Esta mezcladora es un equipo increiblemente genial, logramos superar todas las desventajas que habíamos tenido tiempo atrás. Tiene una consistencia robusta en los componentes, todos los controles demuestran gran calidad. El manual es sencillo e incluso puedo mencionar que aprendí muchas cosas del manual ya que no se limitan a explicar cuestiones técnicas sino más bien se obtienen ejemplos prácticos. El control que me proporciona sobre lo que quiero tener en el monitor/phones es increible. Todo lo que siempre había querído hacer para poder monitorear la mezcla ahora es posible. La calidad de la ecualización es estupenda realmente no es dificil lograr una equalización adecuada en pocos segundos. El compresor/limitador es un recurso importantísimo que va por el mismo precio. El control de las líneas auxiliares es genial.

Click Here to see more reviews about: Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels)

Mackie Onyx 32·4 and Onyx 24·4 mixers build upon the legendary Mackie SR24.4 and SR32.4 consoles - with their flagship Onyx mic preamps, new 4-band Perkins EQ, 100mm faders, a 6x2 matrix and a built-in stereo compressor limiter - all at a price that won't break the bank. These new mixers bring the innovative feature set and unequalled sound quality of Mackie's Onyx Series to the world of mid-format live mixers, effectively filling the gap between the Onyx Small-Format and 8-bus Onyx 80 Large-Format Live Sound Consoles. The Onyx 4-bus Series mid-format consoles incorporate a host of new features like a full complement of Mackie's highly acclaimed, flagship Onyx preamps that combine greater fidelity, increased headroom and unequalled sonic performance with greater radio frequency rejection and wider dynamic range. Additional Onyx 4-Bus features include a fully balanced signal chain for lower noise and wider frequency range, as well as Mackie's exclusive Cal Perkins-designed four-band EQ circuitry, renowned for its highly musical British sound and wider-range control. Both Onyx 4-Bus consoles also feature a 6x2 matrix, 100mm Panasonic faders, and a fully assignable stereo compressor/limiter section built upon the high-quality THAT 4301 chip. This compressor/limiter features independent threshold, ratio and fast/slow attack controls, and can be assigned to the main output mix, Groups 1 and 2, or Groups 3 and 4. Onyx 4-bus Mid-Format Live Sound Console Features Premium Onyx Mic Preamps on all mono channels Four-Band Perkins EQ Six fully assignable Aux Sends with Pre/post switches, mute and AFL solo Smooth, long-throw 100mm Panasonic Faders Analog direct outs per channel Two Dedicated Stereo Inputs 4 segment channel metering Dedicated talkback section 6 x 2 matrix Built in stereo compressor/limiter An All-New Design for Superior Sound A

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3/10/2012

Mackie MR5 MR5 Reference Monitor (Single Speaker) Review

Mackie MR5 MR5 Reference Monitor (Single Speaker)
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FIRST THING FIRST...
Forget speaker set-ups and systems that unnecessarily add treble and bass to the music you're listening to including ones with active equalization that determine on your behalf what you're ears should be perceiving at the moment and eliminating other frequencies that it believes aren't as audible anyway.
How about jumping back into studio monitors that deliver music the way the recording engineers meant it to be heard. Too expensive? Hold on. Not with a Mackie MR5. The price you pay is per piece all right, but don't forget these are powered speakers. And at this price point you get a flat frequency response which means there is no colorization. What is recorded is what you get.
Studio monitors used to be so expensive and out of reach that consumers were bombarded with those other brands that promised to wow your ears with a "perception" of full spectrum audio rather than actually provide your ears with, umm, a full spectrum.
Finally Mackie decided to release lower end audio gear with high end results that appeals to everyone else outside of the audiophile world.APPLICATION...
These speakers are built with 3 types of audio connections.
1. Balanced XLR
2. Balanced TRS (which also can accept unbalanced TS)
3. Unbalanced RCA
Originally intended for near-field monitoring as well as accurate enough for home studio mixing. But knock yourselves out in using these anywhere you see fit. If it's good for mixing, it's great for whatever else.
I used it as my desktop computer speakers. If your computer has a 1/8 stereo output a.k.a. mini-stereo then just purchase a simple (but solidly constructed) 1/8" stereo to RCA cable.HOW DOES IT SOUND...
GREAT! However, you need to re-orient your ears if you've been used to unnecessary and heavy equalized equipment. Take a moment to listen to your favourite CD. One that you are very familiar with from beginning to end. Turn off or flatten the equalizer setting. Take one pass on it and determine if you really to highlight or defeat certain frequencies only because you either have wall to wall carpeting and draperies or bare walls.
You're goal is to listen to music the way it was recorded. If you have unbiased speakers in all frequency range then you will notice nuances in the recording that you never even thought was there. Seriously.WHAT ELSE DO I NEED TO KNOW...
Although this is the smallest of the Mackie studio monitoring speakers, it's still a force to be reckoned with in terms of performance, size and weight. And that's a good thing. It looks, feels and performs like any solid studio monitor. Nothing has been spared. Rather than spend money on marketing, they spend it on actual R&D and build quality.
Frequency response of 60HZ-20KHZ (+-3db) with internal bi-amplification of 55 watts (85 watts peak) for the low frequency and 30 watts (50 watts peak) for the high frequency. And don't be fooled by other speaker manufacture ratings stating 200 watts power which don't mean a thing unless they meant peak power before the internal fuse blows while already clipping at maximum distortion. Did you hear how loud your built-in television speakers can get. To think they are rated from 3 to 6 watts only. So with these truthful power rating, these Mackies are LOUD! Your ears neighbours will come knocking first before you can blow the fuse of these speakers.COMPARED WITH...
The truth is I was perfectly happy with my Blue Sky MediaDesk 2.1 speakers just because I couldn't afford a THX pm3-approved Mackie HR624 at that time. The frequency response was awesome at 35HZ-20KHz. The speakers were fully sealed which provided less distortion and true bass output. I tossed the boxes so I decided to sell them when I moved cross-country than risk damaging perfectly great speakers.
I now moved the Mackie MR5 pair to the living room and disabled the built-in speakers of the television and then obtained a pair of KRK Rokit Powered 6 Generation 2 studio monitors which is equally accurate as the Mackie, but has better frequency response at 48HZ-20KHz (+-1.5db) due to it's 6" low frequency driver.WHAT TO GET...
If you're budget allows for a Mackie, I would get an MR5. A cheaper alternative but still along it's price range is the KRK RP5G2 which also comes with a 5" low frequency driver. But for the same price as the Mackie MR5 is the KRK RP6G2 with better frequency response and a hefty weight and size to boot.
The difference is the porting on the cabinet. Mackie believes in using a rear port, while KRK argues a front port is better as it allows more flexible placement without fear from unnecessary bass response due from the rear ports when placed nearer against the wall.
My recommendation is to listen to both at your nearest studio monitor dealer that stocks both and decide. In the future you can expand to a 2.1 configuration to extend the bass response even lower by purchasing their own respective subwoofer counterparts. As usual, KRK products are better priced so this might affect your decision now the same way it did to me.
If you want a 2.1 configuration right now, then the Blue Sky MediaDesk 2.1 with it's sealed cabinet enclosure all throughout will make sure that the bass you hear is the bass coming from the subwoofer and not from any port which only exists to help extend bass response to a lower frequency.
Either of this you won't go wrong. But please do yourself a favor and get yourself a decent studio monitor than an exorbitantly priced speaker set from a manufacturer that (1) either advertises amplification and frequency response that can be achieved at full clipping power or (2) won't even advertise their specifications at all and then claim their "actual" performance doesn't do justice to the over-equalized supposed sound output.

Click Here to see more reviews about: Mackie MR5 MR5 Reference Monitor (Single Speaker)

Thanks to its sophisticated design, our 5.25-inch MR5 Mackie Reference Monitor delivers superior sound with impeccable clarity?at an unbelievable price.

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2/06/2012

Mackie ProFX8 Professional Compact Mixer Review

Mackie ProFX8 Professional Compact Mixer
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If you intend to record via USB using the ProFX8, beware that USB recording introduces a low-level, high-pitch tone (1kHz + harmonics) on the monitor send, main out, and headphones. You and your audience will hear this buzz during quiet passages and between songs. After receiving mine in February, 2009, I called the support people at Loud Technologies (maker of Mackie) and talked with Tom M. who claimed Loud is aware of this issue and there is no fix. That's a shame because the ProFX8 is otherwise worth 5 Amazon Stars and is noticeably quieter than my Behringer Xenyx mixer.
The ProFX8 is currently out of production while Loud engages another manufacturer - the original manufacturer apparently went out of business. Tom from Loud hinted that the USB-induced noise may be fixed in the next production run, but he admitted it was pure speculation on his part. I'll be interested to hear from other Amazon reviewers who purchase a ProFX from this second production run. Chime in folks!
My ProFX8 arrived with a defective effects unit. Getting Tom to issue the paperwork for the repair was a little dicey because I bought my unit on Ebay (at the time, none were available anywhere else). Apparently, there is a black market for these Chinese-manufactured units, and Loud doesn't want to warranty any they didn't sell to an authorized dealer. Getting a receipt from the Ebay seller was the most uncertain step in this process. When I finally sent the ProFX8 in for repair, I also listed the USB noise issue on the paperwork. When the ProFX8 was returned, the effects unit was fixed and mentioned on the repair ticket, while the USB noise issue was ignored. The repair turnaround was a reasonable two or three weeks using ground shipping.
Some other facts/tips about the ProFX8:
-As soon as you connect the ProFX8 to a computer via the USB cable, you may notice some (other) digital noise in the mixer. Fix this by adding a ground-lift adapter to the end of the power plug of the ProFX8.
-The 1kHz tone does not enter the USB recording itself unless the USB Thru feature is used. The noise is obviously coming from the USB playback path (again, only while recording via USB).
-The USB Thru feature can be used to achieve zero-latency multi-track recordings. This is done by engaging the feature for a second or so before performing a new track and recording a bit of the playback (like a test click). Afterwards, line up the playback audio with the portion that was recorded with the USB Thru.
Update (April 17, 2009):
I sold the ProFX8 via the Mackie forum (and this review) to a professional musician with a decent breadth of mixer experience. He had this to say about my ProFX8:
"The basic reverbs are noticeably better than in most other compact mixers (Behringer, Yamaha) at this price point. Not the equal of Soundcraft, Allen Heath or Dynacord mixers, but still as you commented, it is amazing how much Mackie put in this thing for $200. I'm curious to see how it holds up over time. Hopefully their re-release model will take care of the USB noise issues."


Click Here to see more reviews about: Mackie ProFX8 Professional Compact Mixer

The Mackie ProFX8 USB Mixer offers the most complete and professional feature set in its class. Features like integrated 32-bit RMFX gig-ready effects and 7-band graphic EQ enhance the sound of your shows, with minimal effort. The built-in USB port allows you to stream music from a laptop making DJ sets or intermissions a breeze. Mackie low-noise, high-headroom mic preamps ensure pristine signal from the start and ABS sidecheeks offer additional impact resistance to the already rugged steel chassis.

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1/20/2012

Mackie Big Knob Desktop Studio Monitor System Review

Mackie Big Knob Desktop Studio Monitor System
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I have a home studio and have used the Big Knob for about 2 years now. This is exactly what I was missing in my chain. Very well made, this thing is constructed like a tank and built to last. I can easily switch between my monitors and headphones with the push of one button and you always know where the volume knobs is. The Big Knob can also make things easier if you are using multiple inputs. My computer is hooked up to one input, my guitar to another and electric keyboard to another....and all with a push of a button or two I can easily select which combination I want to hear. Each input has a gain level knob associated with it. Two headphone jacks are included with individual volumes for each. I have not seen anything on the market that quite compares. Presonus has a similar unit, but it does not appear to be made nearly as well or useful despite it's glowing buttons. You can't go wrong with this at all. I bought mine off an auction site, so shop around for a good deal.

Click Here to see more reviews about: Mackie Big Knob Desktop Studio Monitor System

Mackie?s Big Knob lets you easily switch between studio monitors, stereo sources, and even send musicians their own custom headphone mixes, all from your desktop.

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1/15/2012

Mackie RP1604-VLZ RotoPod Bracket Set for 1604-VLZ Pro & VLZ3 Review

Mackie RP1604-VLZ RotoPod Bracket Set for 1604-VLZ Pro and VLZ3
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What can I say? It holds up my mixer in a rack system perfectly. Seems expensive for a piece of metal, but specialized metal is always that way. Mackie makes really great stuff and this doesn't dissapoint.

Click Here to see more reviews about: Mackie RP1604-VLZ RotoPod Bracket Set for 1604-VLZ Pro & VLZ3

The Rotopod allows you to rotate the 1604's input Pod for the most convenient placement. AmericanMusical.com is an authorized dealer of Mackie products.

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12/31/2011

Yamaha EMX5014C 14 Input Stereo Powered Mixer 500 Watt Per Channel Review

Yamaha EMX5014C 14 Input Stereo Powered Mixer 500 Watt Per Channel
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This is my first mixer I have ever owned. At first I wasn't all that sure about what I had bought, but it seemed to work out OK. I have now had it for almost a year and I know it was the right choice. I had managed to find a way to make this thing do anything. I got a condenser mic for a really good price and without realizing it I forgot to check to see if there is phantom power on my board. I was happily surprised to find a nice little button with a label and everything. Works perfect for audio in like a DVD player or anything like that. My friends and I were playing Xbox through a pair of 400w speakers... awesome. This mixer is very lightweight and easy to use. If you have any knowledge of mixers at all then you can use this board. It's very strait forward and has some nice features on it as well. I think it even has a separate power source for a pair of monitors which is really nice. All in all this mixer is probably the best for the money. The only reason I could see myself replacing it for something else is if I needed more power, but even this thing really packs a lot in there, producing a max of 1000w of power.

Click Here to see more reviews about: Yamaha EMX5014C 14 Input Stereo Powered Mixer 500 Watt Per Channel

The EMX5014C is a stereo powered mixer with 14 inputs, built-in digital effects and two 500-watt amplifiers. It is housed in a sturdy, steel chassis that is optionally rack mountable. The mixer section is a 14- input stereo design that has 3 aux sends, 1 for the internal effect and 2 monitor sends, (one fixed pre-fader and the other switchable pre or post fader. Inputs 1-6 have 3-band EQ with sweepable mids. Inputs 7-14 have 3-band EQ with fixed mid frequency. Yamaha has included two exclusives features, the Feedback Channel Locator (FCL) giving instant visual indication of feedback, and 6 channels of easy to use single knob compression are also included to ease operation.The effect send is routed to the built-in DSP that provides 16 high quality effects based on Yamaha\'s popular SPX series effect processors. Assuring the EMX 5014C will grow with you, the two amplifiers can easily be switched to accept the main left and right outputs, allowing 500-watts for main speakers, or allow one of the amplifiers to run main and the other for monitors, or both channels can be used for monitors. The amplifier section uses Yamaha\'s proprietary YSP, or Yamaha Signal Processing circuitry to optimize performance with Yamaha Club Series speakers. The EMX5014C usessmall, quiet fans to keep the amplifiers cool. Numerous output jacks on the front panel allow the EMX5014C the flexibility to grow as needed

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12/12/2011

Mackie MR5 Reference Monitor (Single Speaker) Review

Mackie MR5 Reference Monitor (Single Speaker)
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I'm starting a home recording studio, and wanted good audio monitors.
I did a lot of research before buying my first set of good speakers, and this is what I've come to find as the best speakers for such a good price. I was really surprised at the bass that could go through these 5" speakers, though maybe some people may want more bass than I want, so you may eventually decide on sub woofers.
These can even make bad recordings sound good! My friend and I listened to songs that we recorded long ago on poor equipment, and those old recordings sounded good on these speakers!
If you're new to the audio world (audiophile-want-to-be), these are great speakers for starts.

Click Here to see more reviews about: Mackie MR5 Reference Monitor (Single Speaker)

Created by the same audio gurus who brought you the legendary HR Series, the MR5 Mackie Reference Monitor is the perfect solution for those ready to step up to a monitoring system with truly pro sound. The MR5 delivers everything you need for critical monitoring in your home studio, multimedia or home theatre system. With its Active bi-amplified Class A/B architecture (55W LF / 30W HF), wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity. Thanks to its unbelievable sound—and price—the MR5 monitor stands alone in its class.

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12/04/2011

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker) Review

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)
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This speaker has a very smooth response on and off axis, narrow dispersion, and virtually no diffraction. Bass seems a touch heavy, but easily adjustable on the back of the enclosure. The vertical polar response shows a rather narrow window. Not a big problem if you keep your ear level between the drivers or slightly toward the tweeter side. The tweeter's break up is sort of low at about 15kHz, but it's not really audible. It holds up well at high volumes. Build quality is incredible! That sums this up as far as I'm concerned. I'd get another of it were stolen or destroyed.

Click Here to see more reviews about: Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)

With its smooth sound and design, the 6.7-inch HR824mk2 high-resolution Active studio reference monitor turns your studio?s sweet spot into a full-on sweet zone.

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11/29/2011

Tascam US-800 8 Input USB 2.0 Computer Audio Interface Review

Tascam US-800 8 Input USB 2.0 Computer Audio Interface
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the drivers for this product are just barely compatible with windows 7. the first time i installed the software, i could not record via USB. upon reinstallation, it worked through audacity but would occasionally spike noise while i was recording


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The lightweight US-800 from TASCAM adds great-sounding multichannel recording to your laptop, with eight inputs and four outputs for capturing dynamic soundscapes and performances. Six XLR microphone inputs each have phantom power for attaching your finest condenser microphones, and premium 192kHz/24-bit audio converters record every detail. The US-800 includes S/PDIF digital audio in and out as well as MIDI in and out for linking up to your studio. The rugged, lightweight package is ideal for mobile or desktop recording. For great-sounding multi-mic recording, the US-800 packs an incredible amount of features into an interface you can bring anywhere.

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11/10/2011

Yamaha HS50M 5" Monitor Speaker Review

Yamaha HS50M 5 Monitor Speaker
Average Reviews:

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The Yamaha HS-50M studio monitors are excellent tools to listen to and work with. On audition at Digital Village I compared them to other small studio monitors by having a CD with acoustic guitar music fed through them. The bite and colour of strings through the Yamahas were reproduced very well. That was enough, I bought them.
I have been using these monitors for almost a year now. They have a fine combination of qualities, and are very serious sounding; certianly not for children, or to play about with. They are for solid work, research, and of course, monitoring.
These Yamahas may lack the real lower thunder bass around 20-40Hz, do not let that put you off, for they can still produce the thunder bass frequencies centred above this. My floorboards rattle and move below my feet due to the low frequency energy coming out of these speakers, and you can hear thuds and thumps captured on certain recordings. Thus quite simply, yes, there is enough bass reproduction here to hear. It all depends on the source quality.
The HS-50M's are very clean sounding, and cymbals have got a natural shimmer and ring. Front and back depth is good, and stereo images shift as necessary. Vocals have a realness and closeness as they should. You can hear the woody resonance of certain guitar notes resound through your chest, and the dynamic range and dynamic capability of these speakers are excellent. They also can be amazingly subtle and gentle.
When testing a wide range of music and sound sources they very clearly make it known their origin, be it a live TV studio or compressed artificial recording.
But the overall beauty of these Yamaha's is because they are so transparent, when listening to old favourites they can bring tears to your eyes, as they accurately portray an era, atmosphere, and emotion.
Highly Recommended.

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If Your Mixes Sound Good on These, They Sound Good on Anything. The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too.The HS Series is a two-way, internally powered speaker system designed to provide affordable, high quality reference monitoring for all types of recording and multimedia applications – home studios, computer-based music production, gaming systems, keyboards rigs and personal computer systems. All products are sold and packaged individually, making it easy to build flexible monitor setups and 5.1 systems.HS Series cabinets look as great as they sound. Enclosures are constructed of high-quality MDF material and a multiple layer finish that minimizes resonance. Design elements include a black finish and lighted Yamaha tuning fork logo. White polypropylene woofer cones recall the look of the classic Yamaha NS10M, and include low-damping rubber surrounds and full magnetic shielding.

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11/01/2011

Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects Review

Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects
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I bought this mixer to be used at small clubs and venues when I don't want to carry loads of stuff and for me it is perfect. The preamps, one knob compressors and effects sound really good, the sweepable mids on the EQ's are nice and the board has a very solid feel to it, for the price of this board you get alot of features.

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The MG166CX is a compact mixer with 16 input channels, ten mono and four stereo line inputs, Mono inputs have switchable 80Hz high pass filters, switchable 48V phantom power andcan accept either ¼" or XLR connections, while stereo inputs can accommodate either RCA or ¼" connectors. All inputs have three band EQ, with a sweepable midrange band on mono channels, as well as 3 aux sends, one switchable pre/post. Six channels offer Yamaha\'s exclusive single-knob compression. Lighted channel on/off and phantom power switches are easily seen. Built in high quality digital effects have 16 different reverb and delay presets. Dual 12 segment LED meters allow visual monitoring of the main stereo outputs.

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10/05/2011

Mackie HR824mkii 8-inch2-Way Studio Monitor (Single Speaker) Review

Mackie HR824mkii 8-inch2-Way Studio Monitor (Single Speaker)
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The review's ground rules (i.e. my personal bias):
There are many speakers and amplifiers available for purchase by audiophiles, and many have substantial prices, i.e. above $2000 for each piece so that two speakers plus one amp would cost $6000. Some people simply perceive higher priced product offerings as being more desirable, while other people want to buy what they consider to be "high actual value received for money well spent" products that they find perform just as well as those higher priced products while costing less money. People in this latter group do not want a "high perceived value", but rather a "high actual value". I am in the latter category. I consider the Mackie HR824 to be intended for those who want a "high actual value".
The background:
The Mackie HR824 is a powered and servo-feedback controlled studio monitor. Most engineers will likely understand servo-feedback control. If you do not, you can Google or Bing "servo-feedback control". I have found that cone bass loudspeakers or subwoofers which lack servo-feedback control will not blend with membrane speakers such as the Magnepan Tympani. Likewise one could use a Velodyne 15" servo-sub with non-servo "full-range" cone loudspeakers and discover a similar blending problem. Servo-feedback control simply provides a more detailed as well as a more accurate output from a cone loudspeaker. Of course that servo-feedback controlled cone loudspeaker will by necessity have its own amplifier.

Prices:
The HR824mk2 had crept up from $600 each to $650 each, and now they seem to have crept up to $680 each. I found no reasons for this price creep except that the mk2 "may be" (temporarily?) out of production. Perhaps a "mk3" version is in the wings? I have no idea.
The preliminary details:
Each Mackie HR824/HR824mk2 comes with its own anechoic frequency response calibration graph. I now have SIX individual Mackie HR824/HR824mk2 anechoic frequency response calibration graphs, and all are very smooth with slightly different but gentle output-versus-frequency variations of plus or minus 1 dB. If a speaker has a ragged anechoic frequency response, its response will not be any smoother in your listening room. There are switches on the rear to adjust the speaker's output, for example to compensate for placement in a corner, near a wall, or away from all room surfaces.

The HR824mk2 features a beautiful gloss piano black finish on its very solid wood enclosure. The piano black finish of a new mk2 speaker is covered with a removable clear plastic film. My concern is that dings to the piano black finish would be very visible, and more visible than dings would be on a wood-veneered cabinet, so I left that plastic film on and I simply cleaned it with Black Magic liquid car wax for a pleasing result. I placed the speakers on slightly oversized pieces of black boat trailer bunk fabric. The HR824mk2 is simply a lot sharper looking than the original HR824, and it looks sharp even though it does not have a grill cloth.
The performance details:
"The cast aluminum Zero Edge Baffle(tm) is black anodized AL and is curved and shaped to minimize diffraction resulting in clear imaging." I had really doubted this. Then I found that a centered announcer's or singer's voice reproduced by a pair of HR824mk2's and heard from 20 feet away seemed to come from a 1" diameter circle, while a centered announcer's or singer's voice reproduced by a pair of the original HR824's and heard from 20 feet away seemed to come from a 5" diameter circle. Also the HR824mk2 tweeter seems to be a little finer sounding than the original HR824 tweeter, but both remain smooth and pleasant.

The conclusion:
The HR824 and the HR824mk2 are both neutral and uncolored. I bought our original HR824 speakers as new closeouts for $400 each after the HR824mk2 was announced, and the original HR824 work very well. But in a direct comparison the HR824mk2 offers better aesthetics and does the better job. I am sure that the HR824mk2 and the original HR824 provide very accurate performance that is well beyond the money spent.


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Our HR824mk2 and HR624mk2 high-resolution Active studio reference monitors represent the evolution of revolutionary thinking. Our engineers, joined by audio gurus from EAW, worked hard to conceive of a way to preserve the all-important character of the original HR, while delivering performance—as well as appearance—that\'s better than ever. And even moreso than the original HR824 and HR624, which were designed apart from each other, the HR824mk2 and HR624mk2 are part of the same family, true siblings in design and sound. Sharing the same engineering, they are created to work together, whether in surround systems, or as part of complementary monitoring setups in different sized rooms

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9/30/2011

Mackie Onyx 1620i FireWire Recording Mixer Review

Mackie Onyx 1620i FireWire Recording Mixer
Average Reviews:

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this mixer is amazing. if you have wanted to build a project studio or record your band in your rehearsal space, this is the mixer you need.
the pre's sound great. very quiet (even when jacked).
the eq is really fun to play around with. you can really find the sound you are looking for with a few tweaks.
i'm using Ableton as my recording DAW. it's really snappy and after a few tweaks, very hard to notice any latency.
the Firewire I/O also works with Pro Tools, which is great. the driver is available for purchase on the mackie website.
for this price, you won't find anything even close to the same ball park.


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Compatible with Pro Tools M-Powered 8; Mackie Provides Power Mixing to Your Stage or Studio! The Mackie Onyx 1620i Firewire recording mixer combines the benefits of a powerful computer interface with the tactile, hands-on control of a premium analog mixer. Equipped with eight premium precision engineered studio grade Onyx microphone preamps, the Onyx 1620i is great for live sound reinforcement or studio recording, all in a durable road-worthy package.

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9/24/2011

Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software Review

Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software
Average Reviews:

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I don't have this unit, although I'm strongly considering purchasing it. In Googling and talking to people who have spoken to Mackie customer support, the Mackie Onyx Blackbird runs well if it uses a SIIG FireWire 2-Port PCIe (NN-E20012-S2) and can run poorly or not at all with firewire cards that are not supported. Check with the recommended hardware and other specifications before you purchase this.
The Onyx preamps are the same as in the Satellite, and although I have not used them, several of my recording engineering friends, including some who write for EQ Magazine (which is going to be bundled in with EM Magazine next month) find the preamps to be open sounding and transparent with a lot of headroom. And the rest of the feature set, including ADAT lightpipe I/O (you can connect an Apogee Rosetta 800 or other A/D & D/A converter to it and dramatically increase your I/O), RCA coaxial S/PDIF, and the rest is quite strong for $499. So like I say, I'm strongly considering purchasing this to run with a Mac Pro and Pro Tools 9.
Anyway, I hope this helps people sort this all out.


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Mackie's Onyx Blackbird Premium 16x16 FireWire Recording Interface delivers industry-leading recording quality via eight boutique-quality Onyx preamps and high-end 24-bit/96kHz conversion in a sleek rackmount design. True analog hardware monitoring, in both mono and stereo, provide simple zero-latency recording, while onboard word clock and 8x8 ADAT I/O allow for ultimate expandability. Two front panel Super Channels provide quick access to crucial recording tools and the powerful Blackbird Control DSP Matrix Mixer allows for quick mix creation and routing of any input to any output. Plus, since it works as a standalone 8-channel preamp rack, Blackbird offers a single box solution ready for integration into your studio or digital live setup. Mackie Onyx Blackbird Firewire Audio Interface Features Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range High-headroom design with ultra-low noise and distortion Professional 16x16 24-bit/96kHz recording/playback Flexible FireWire routing 8x8 ADAT I/O for ultimate expandability Onboard word clock I/O for studio and live integration Acclaimed JetPLL jitter elimination technology High-end Cirrus Logic AD/DA converters with 114dB dynamic range (A-weighted) Compatible with most major DAWs Logic SONAR Cubase Ableton Live Final Cut Pro and more Powerful and flexible Super Channels Front panel connectivity for easy access True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording 80Hz low-cut switches

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