Showing posts with label firewire. Show all posts
Showing posts with label firewire. Show all posts

4/08/2012

Edirol FA-66 6 x 6 FireWire Audio Interface Review

Edirol FA-66 6 x 6 FireWire Audio Interface
Average Reviews:

(More customer reviews)
I've been using this product for about a year now and it has some real strengths in terms of audio fidelity and everything being in the one unit. I shared some of the difficulties of the last user initially, using a Dell Inspiron 8600, but was able to resolve them. The FA-66 can be resource fussy - not much extra needs to be going on with the computer before there is skipping. Maxing out the buffer fixes this, but this is devastating in terms of latency. The Windows that ships with Dells is less customisable than plain-vanilla Windows, and does have lots of things running in the background. I eventually identified that the anti-virus software was launching a separate app to check for updates (every 10 minutes!) and that this was causing skipping. Audio programs themselves - despite being resource intensive - don't seem to cause the problem. Once I disabled this app everything was good and I could operate at latencies of about 4ms without any problems.
There are a lot of good external units out there of which this is one. It really comes down to what you want and what software is packaged with the unit. 192KHz is overkill since consumer products like these have too much DAC jitter for this to be relevant. 96KHz is probably pushing it. But for straight-forward home or field recording where you don't want to bother with a mixer or a separate midi box, this is hard to look past. The inclusion of an analogue limiter sets it apart from offerings from M-Audio and the like, it is solidly built and having phantom power is very handy.
November 2007 Update - I've been using this with a MacBook Pro for a year now and its a dream. My recent purchase of Apple Logic Studio completes a really solid set up, exposing me to the harsh reality that any remaining limitations are user-based.

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6 x 6 FireWire Audio Interface

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4/07/2012

Focusrite Saffire LE 6 In/8 Out Version 2 Firewire Audio Interface Review

Focusrite Saffire LE 6 In/8 Out Version 2 Firewire Audio Interface
Average Reviews:

(More customer reviews)
I've had this soundcard (audio interface would be more accurate) for about 2 years, and since that time there have been alot of new USB and some firwire soundcards put on the market. Alot of the newer interfaces are also smaller by comparison but I still think that this as a serious recording interface can't be beat.
I recommend the Saffire LE over the Saffire because the main difference is the Saffire (399) version has sound effects built into the soundcard, and the Saffire LE has the effects bundled as VST plug ins which can be used with any VST compatible program (requires registration though).
I have this soundcard and a Echo MiaMIDI Digital PCI Audio Interface (another workhouse, had over 5 years), and I use this for either laptop recording, or hook it up to my desktop when I want to record straight from an instrument. I've recorded digitally and analog from an MPC 1000 and 2000, and various midi keyboards, also used the mic inputs with a Shure microphone, great quality.
The reason for four stars instead of five? If you use this soundcard with a MINI-firewire plug, like the ones built into most Dell laptops, make sure you have the latest version of the firmware to make up for any latency (delay, audio dropout) coming from using a mini-firewire plug versus a regular Firewire 400 or 800 port. This shouldn't be a problem on Macs or most PCs desktops with FIREWIRE PORTS, but it was a small issue when I first started using it with a Dell laptop, after updating the software the latency issues were greatly improved (basically non-existant). And again this is a FIREWIRE ONLY audio interface, it WON'T WORK WITH USB! Hope this is informative, have fun!

Click Here to see more reviews about: Focusrite Saffire LE 6 In/8 Out Version 2 Firewire Audio Interface

Focusrite Saffire LE is bundled with a host of other software titles and audio samples. Focusrite Saffire LE FireWire Audio Interface ensures the recording musician has¡­. Buy Focusrite Saffire LE FireWire now! Buy Focusrite Saffire LE FireWire now!

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3/13/2012

Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels) Review

Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels)
Average Reviews:

(More customer reviews)
Esta mezcladora es un equipo increiblemente genial, logramos superar todas las desventajas que habíamos tenido tiempo atrás. Tiene una consistencia robusta en los componentes, todos los controles demuestran gran calidad. El manual es sencillo e incluso puedo mencionar que aprendí muchas cosas del manual ya que no se limitan a explicar cuestiones técnicas sino más bien se obtienen ejemplos prácticos. El control que me proporciona sobre lo que quiero tener en el monitor/phones es increible. Todo lo que siempre había querído hacer para poder monitorear la mezcla ahora es posible. La calidad de la ecualización es estupenda realmente no es dificil lograr una equalización adecuada en pocos segundos. El compresor/limitador es un recurso importantísimo que va por el mismo precio. El control de las líneas auxiliares es genial.

Click Here to see more reviews about: Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels)

Mackie Onyx 32·4 and Onyx 24·4 mixers build upon the legendary Mackie SR24.4 and SR32.4 consoles - with their flagship Onyx mic preamps, new 4-band Perkins EQ, 100mm faders, a 6x2 matrix and a built-in stereo compressor limiter - all at a price that won't break the bank. These new mixers bring the innovative feature set and unequalled sound quality of Mackie's Onyx Series to the world of mid-format live mixers, effectively filling the gap between the Onyx Small-Format and 8-bus Onyx 80 Large-Format Live Sound Consoles. The Onyx 4-bus Series mid-format consoles incorporate a host of new features like a full complement of Mackie's highly acclaimed, flagship Onyx preamps that combine greater fidelity, increased headroom and unequalled sonic performance with greater radio frequency rejection and wider dynamic range. Additional Onyx 4-Bus features include a fully balanced signal chain for lower noise and wider frequency range, as well as Mackie's exclusive Cal Perkins-designed four-band EQ circuitry, renowned for its highly musical British sound and wider-range control. Both Onyx 4-Bus consoles also feature a 6x2 matrix, 100mm Panasonic faders, and a fully assignable stereo compressor/limiter section built upon the high-quality THAT 4301 chip. This compressor/limiter features independent threshold, ratio and fast/slow attack controls, and can be assigned to the main output mix, Groups 1 and 2, or Groups 3 and 4. Onyx 4-bus Mid-Format Live Sound Console Features Premium Onyx Mic Preamps on all mono channels Four-Band Perkins EQ Six fully assignable Aux Sends with Pre/post switches, mute and AFL solo Smooth, long-throw 100mm Panasonic Faders Analog direct outs per channel Two Dedicated Stereo Inputs 4 segment channel metering Dedicated talkback section 6 x 2 matrix Built in stereo compressor/limiter An All-New Design for Superior Sound A

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1/26/2012

Behringer FCA202 F-Control Audio Interface Review

Behringer FCA202 F-Control Audio Interface
Average Reviews:

(More customer reviews)
I purchased this device because the hissing and the noise from my iMac makes listening to music on my Sennheiser headphones unbearable. With this device, I can turn up the volume all of the way and, with no audio playing, not hear a single hint of audio hiss. My oscilloscope confirms this.
This device is convenient; it draws all of the power it needs from the 6-pin Firewire connection. I haven't tried the 4-pin FW connection but that will require you to use the included power brick.
One important note:
When using this on OS X - you will NOT have software control of the volume. If you use the TRS audio outputs to connect to a set of studio monitors, you will want to get the Nano Patch or some other in-line audio attenuator.
There is a volume knob on the front of this device, but it is only for the headphone out.

Click Here to see more reviews about: Behringer FCA202 F-Control Audio Interface

This ultra-compact FireWire� audio interface is an ideal companion for laptop musicians and ingeniously complements any studio. Its hot features include: Two �" connector inputs and outputs for connecting synthesizers, mixers and more; high resolution 24-bit A/D and D/A converters offer 96 kHz sampling frequency; volume-controlled headphones for discreetly working on your compositions, even on the road. Reliable Windows XP� and Mac OS� drivers guarantee low latencies. With the ultra-stable metal construction, the FCA202 easily defies the adversities of travel. And its small dimensions make it an ideal solution for laptop recording. Additional features include two 6-pin FireWire� connectors, a security port for Kensington� locks and the possibility to power the FCA202 via FireWire� or a mains adapter, which is included. The hot FCA202 package also comes with the coolest sequencing software for mobile music production: the BEHRINGER Edition of Ableton� Live Lite 4. Kristal and Audacity� are also included and will empower you to face any recording challenge.

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1/10/2012

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-24 24-Channel Mixer with USB Interface
Average Reviews:

(More customer reviews)
An incredible mixer. No drivers needed for the computer. Easy to use. Great for home studio.

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The ZED-24 is a small format, USB-equipped stereo mixer for live and recording. The ZED-24 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It\'ll be equally happy running your gig on stage, recording live or mixing down in your studio at home.The feature-set of the ZED-24 mixer is incredibly advanced for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you\'d think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.

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1/08/2012

PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O Review

PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O
Average Reviews:

(More customer reviews)
I bought the StudioLive about a month ago and have been playing with it since then in preparation for winter concert season. The first thing I did was connect a mic to every input and test the gain, routing, and outputs for every channel. Everything worked flawlessly, sounded great, and was easy to do.
Sound Quality
The sound quality on this is amazing. I've been working with Mackie mixers and the low-end A&H one, and the sound is cleaner (absolutely no audible noise even at very high gain). Some people might be worried that the digital EQ would be harsh, but believe me, this sounds just as "analog" as the analog boards I use, and it's actually more precise and more flexible. The quality of the compressor is also great. I've previously only used kind of low-end compressors, and this blows them out of the water. The tone is not colored at all, and I don't hear any weird digital artifacts. I've also pushed the compressor up to limiting, and it's a very smooth sound, not harsh and fuzzy like most digital limiters I've used.
Ease of Use
I love the simplicity and power of the FAT channel. It's great to be able to set up one channel, copy it to all the others, and tweak from there. Routing is also a piece of cake, and the FX interface is intuitive. Overall I think this is very well designed for use in live situations where adjustments have to be immediate.
Features
This is the only board anywhere near this price range that does everything I want - great, clean preamps and mixing; flexible, powerful, sweet-sounding EQ; excellent dynamics processing on every channel (and even the buses!); crystal-clear A/D for recording, with built-in firewire; recording pre or post FAT channel; analog direct outs on every channel right after the preamp; built-in effects that actually sound good.
I think it would be hard to find a live mixer with better sound than this for anywhere near this price. You might be able to find slightly better compression and FX on outboard gear, but it would cost at least $100/channel, and be a pain to patch together in live settings. Not only that, but patch bays and cables add noise that this mixer doesn't have. Plus, this takes no setup time (turn it on, recall settings, go) and is a lot easier to transport (even though the SKB case for this thing is HUGE!). So really I think this is a huge win.
I'm replacing a 16ch mixer, two 8U racks of outboard gear, 2 insert snakes and 2 patch snakes, and an A/D computer interface (E-MU 1616M) with this one piece of equipment that sounds better, cost less in total, and is 100x easier to setup and use. To me, that says 5 stars any day.

Click Here to see more reviews about: PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O

StudioLive is the most powerful and flexible sixteen-channel digital mixer the world has seen. Loaded with sixteen high headroom Class-A XMAX microphone preamplifiers, built-in 28x18 FireWire recording and playback engine, \'Fat-Channel" processing with 4-band EQ\'s, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback and more, breaking new boundaries for music performance and production

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11/01/2011

Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects Review

Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects
Average Reviews:

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I bought this mixer to be used at small clubs and venues when I don't want to carry loads of stuff and for me it is perfect. The preamps, one knob compressors and effects sound really good, the sweepable mids on the EQ's are nice and the board has a very solid feel to it, for the price of this board you get alot of features.

Click Here to see more reviews about: Yamaha MG166CX 16 Input 6 Bus Rack Mountable Mixer with Digital Effects

The MG166CX is a compact mixer with 16 input channels, ten mono and four stereo line inputs, Mono inputs have switchable 80Hz high pass filters, switchable 48V phantom power andcan accept either ¼" or XLR connections, while stereo inputs can accommodate either RCA or ¼" connectors. All inputs have three band EQ, with a sweepable midrange band on mono channels, as well as 3 aux sends, one switchable pre/post. Six channels offer Yamaha\'s exclusive single-knob compression. Lighted channel on/off and phantom power switches are easily seen. Built in high quality digital effects have 16 different reverb and delay presets. Dual 12 segment LED meters allow visual monitoring of the main stereo outputs.

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8/19/2011

Mackie Onyx 820i FireWire Recording Mixer Review

Mackie Onyx 820i FireWire Recording Mixer
Average Reviews:

(More customer reviews)
After an existing audio interface went bad, I ordered the Mackie Onyx 820i as a replacement (not from Amazon), setting out to love the thing. I did at first, but after noticing some limitations, I am exchanging it for a different setup. My biggest gripe is the low output to the DAW. At detent, the highest level captured in a waveform was -22dB. At full gain (firewire send is pre-fader, so gain is only option for adjusting level unless you route everything - and I do mean everything - through a preamp) I was capturing -16dB, regardless of instrument (this introduced a lot of noise when recording guitar). A follow up call to the vendor from which I purchased it revealed that other customers had noted the same characteristic. Some would argue that this is just fine when recording in 24-bit, but I'd prefer to make that adjustment on my own rather than having hardware make the decision for me. Gripe #2 - no control panel. The only setting you can adjust outside of the DAW software is buffer size.
Maybe this thing needs someone smarter than me at the wheel, but all the same, I'm going with a different interface.

Click Here to see more reviews about: Mackie Onyx 820i FireWire Recording Mixer


The feature-packed and performance-optimizing Onyx 820i is the most compact and desk-friendly version of the Onyx-i Series. With eight channels, three Onyx mic preamps, two aux sends, talkback, flexible control room routing and a variety of Perkins EQ configurations, there is plenty of analog goodness to go around. Plus, FireWire I/O lets you route all channels, auxes and the master L/R to nearly any DAW for recording and return a stereo signal to the control room or into a channel for mix integration. The 820i packs a big punch in a very small package.

DAW-Friendly Doesn't Even Begin to Cover It Mackie-designed gear is more often than not the result of customer interaction and suggestion. After all, we are making gear for you. For years, our customers have been asking for the freedom to work with any DAW they choose. So when we designed the Onyx-i series, we took this suggestion to heart. We are very proud that Onyx-i mixers are more DAW-friendly than any other interface ever. Onyx-i mixers are qualified by Mackie for use with all major DAWs, including Pro Tools M-Powered 8* Logic, SONAR, Cubase, and more. Now, dedicated Mackie customers can enjoy using their Mackie mixer with the world's most popular DAW. And Pro Tools M-Powered 8 users now have a variety of new--and different--tools to use with their favorite DAW. It's a win-win situation.

*Pro Tools M-Powered 8 users will need to purchase the Mackie Universal driver upgrade available at Mackie.com.

Deep FireWire Integration The Onyx-i Series features deeper FireWire integration than any other mixer out there and offers immensely powerful routing capabilities:

Wet or Dry?--Every channel on the mixer can be routed pre or post EQ to the computer, allowing you to choose whether to implement "EQ to tape" or not.
Studio Quality Effects--All aux sends are routable to the computer, allowing you to utilize your computer as a powerful FX engine by implementing your favorite plug-ins in a live scenario.
Preserve Your Mix--Master L/R is routable to the computer for recording your analog mix. Burn and sell CDs of the mix at the end of the gig!
Mix Integration--Stereo return from the computer can be routed to either the control room for instant monitoring or to a stereo channel for mix integration.
Latency-Free Overdubs--Having a "real" mixer has its benefits. Latency-free overdubs are simple since you are using an analog mixer. No more wasted time dealing with the complicated "DSP" mixers commonly used on standalone interfaces.

The flexibility offered by the 820i allows you to work faster and more intuitively than ever before. Imagine a world where your recording sessions run smoothly, every single time. Dream of a live sound mix that is both archived for history and simultaneously recorded multi-track for later mixing. No need to dream, the 820i is here.

Premium Analog Mixer When it comes to the high pressure environment of a recording session or live performance, you simply cannot beat the stability and reliability of an analog mixer. With features honed over 20 years of design by some of the legends in the industry, the Onyx-i Series mixers are simply the best sounding full-featured analog mixing boards available to the modern sound engineer.

The 820i has a plethora of analog features that are sure to please. First off, there are three Onyx mic preamps which have been proven as some of the best boutique quality preamps available today. That is, without having to re-mortgage your house in order to pay for all the inputs you need. Then there\'s the Perkins EQ, which offers highly musical Q filter without sacrificing the precise control that Mackie EQs are known for. Two mono mic/line channels feature 3-band Perkins EQ with a sweepable mid, the stereo line channels have 3-band EQ and (talk about flexibility) a unique hybrid channel features 4-band Perkins EQ. So, regardless of the type of signal you need to input, there is sure to be a channel with the right EQ for the application. Other analog tools include two aux sends with pre/post fader assignment, allowing for monitor mixes, effects loops or additional headphone mixes. There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section with a built-in mic that lets you easily communicate with band members while on stage or recording. With all these proven, great-sounding analog features, it is easier than ever to create a memorable mix.

Smacks of Quality The Onyx 820i offers a tremendous collection of professional analog features and extremely deep DAW integration, but it is so much more than that. The sleek, modern design might even tempt you build a museum quality display for your engineer friends to admire. Plus, since it\'s a Mackie, you can be sure that it is "built like a tank" and will survive years of abuse.

Any audio company can cram a bunch of inferior components into a chassis and, believe us, a lot of them do. This is never the case with a Mackie mixer. Everything about the Onyx-i Series smacks of quality, because only the most quality, high-end components are used throughout the entire signal path. At the front end, you have the pristine signal boost offered by the Onyx mic preamps, which will likely get routed through the legendary Perkins EQ. The signal then passes through a series of sealed rotary knobs, which keep dust and grime out of the potentiometer. Then your mix hits the summing bus, which has been custom-designed to offer the highest possible headroom while preserving the sonic quality offered by the aforementioned components. Maybe you assigned the signal to stream across the FireWire outputs. If so, they had the pleasure of passing through the high-quality Cirrus analog-to-digital converter on their way to your computer. Or maybe you were overdubbing and streamed your backing tracks from your DAW and integrated them into the mix. In that case, you can thank the ridiculously high-end AKM digital-to-analog converter for the immaculate quality of the playback. These converters are extremely high-quality and easily rival the most esoteric (and expensive) interfaces out there today. From start to finish, no matter how you use it, the 820i offers the quality demanded by industry professionals.

Software Requirements:For PC
Microsoft Windows 7 32 / 64, Vista 32 / 64 RTM, or XP SP 2
Pentium 4, Celeron or Athlon XP processor
512 MB RAM
For Mac
Mac OS X 10.4.11 – 10.6.2
G4 processor
512 MB RAM



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8/10/2011

PreSonus FireStudio Project 10x10 FireWire Recording Interface Review

PreSonus FireStudio Project 10x10 FireWire Recording Interface
Average Reviews:

(More customer reviews)
I purchased the Firestudio Project a year ago and have been thrilled with its performance.
The external LEDs are a huge plus for setting your levels, and the eight XLR/quarter-inch inputs are very convenient. You also have phantom power available for all inputs.
The latency with this unit is minimal with a PC running Vista in a stripped down form as recommended by one of the major music retailer web sites.
Cubase LE is fairly simple to use, and it's easy to export your individual tracks for use in other DAWs like ProTools, if you intend to mix in a studio. Another note regarding Cubase: out of the box the program defaults to 16-bit recording, and you will definitely want to change the bit depth to 24-bit, particularly if recording in a noisy home studio environment. The noise floor, especially on vocal recordings with high gain on a condenser mic, is considerably higher with 16-bit. So, make sure you have a computer that is beefy enough to handle 24-bit because it does use more system resources.
The FireStudio also comes packaged with some nice VST plug-ins including instruments by Halion, some of which are pretty passable like the Jazz Piano.
When researching interfaces, my biggest concern was compatibility with hardware, as I had read some horror stories about interfaces not working with FireWire drivers correctly on certain PCs or Macs. This one worked perfectly out of the box with a store-bought HP desktop, so my experience was great in that regard.
My only complaint is that this unit was supposed to come with the Presonus EyeQ software - a multi-band EQ and spectrum analyzer, which was pictured on the box, but not in the box. I've read that others got left out of the EyeQ party as well, and I have e-mailed tech support but not yet gotten a response after one week.

Click Here to see more reviews about: PreSonus FireStudio Project 10x10 FireWire Recording Interface


The FireStudio Project a complete 24-bit/96K professional recording system combining eight Class A XMAX microphone preamplifiers, 24-bit/96k sample rate conversion, and a zero-latency matrix router mixer.

The FireStudio Project is bundled with PreSonus Studio One Artist, our groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.

Great for professional studio recording, live sound recording, performance, podcasting and more, the FireStudio Project is designed for flexibility and ultra-high sonic performance. Whether you need to record a live drum set, mic a guitar amp, or a complete band, the FireStudio Project is ready and more than able. With the new FireControl Mixer/Router you can send up to five individual mixes to different musicians during recording so that every band member can have a custom headphone mix.

The FireStudio Project can be daisy-chained with one or more FireStudio Projects or FireStudio Tubes to expand your number of recording inputs. Two and three units daisy-chained in any combination has been tested at PreSonus, however, the total number of units that can be daisy-chained depends on your computer\'s processor speed, amount of RAM and computer configuration.

The FireStudio Project is the next-generation of the award-winning FP10/FirePod with the following improvements:

Improved analog to digital converters (114dB dynamic range)
Improved syncronization with JetPLL™ (jitter elimination technology)
FireControl Mixer/Router to send up to five separate zero-latency stereo mixes to musicians during recording
Three-segment LED input metering on all analog channels
Internal IEC-based power supply
PreSonus Studio One Artist bundle with Native Effects plug-ins and third-party instruments, loops, and applications.

8 XMAX Class A PreamplifiersThe FireStudio Project includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. Many other companies offering recording interfaces add the cheapest possible microphone preamplifier as an afterthought to the interface. PreSonus knows that the preamplifier is a key component in the sonic quality of a recording. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. A cheap "off the shelf op-amp" type mic preamp that is found in most interfaces translates into thin, noisy and harsh results.
All XMAX preamplifiers are built with the same three elements:

High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.

Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.

Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.

Digital Converters and JetPLL SyncThe FireStudio Project touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL™ jitter reduction technology. JetPLL™ incorporates noise shaping to virtually remove all audio band jitter. JetPLL™ ensures the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. JetPLL™ delivers ultra-fast locking to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL™ ensures near perfect clock performance when networking audio devices, thus creating the most stable and robust synchronization to the computer.
Universal ControlAll members of the FireStudio family of interfaces, including the StudioLive 16.4.2 mixer, come bundled with Universal Control software. Universal Control is a powerful, flexible, and easy to use control-panel application that allows you to daisy-chain to up to 4 FireStudio-family devices for a maximum of up to 52 inputs and outputs.
Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface\'s Device window.

The Device window provides level and routing controls for each FireStudio-series interface\'s internal mixer, enabling you to set up zero-latency monitor mixes. Input and output metering have been optimized for ultra-fast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain.

Studio OneArtist—Plus Gigabytes of Creative ResourcesThe FireStudio Project is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.
Compare Studio One Artistand bundled extras to what comes with competing mobile interfaces:

All-meat, no-bloat, music-creation software with anintuitive, practical, single-window interface
Unlimited tracks, insert effects, sends, virtualinstruments, buses, and effects channels
Powerful drag-and-drop functionality
Content browser with convenient sort options and previewplayer
Full-featured, flexible automation
Powerful real-time auto/manual time-stretching andresampling engine
Control Link™ (advanced MIDImapping made easy)
Twenty 32-bit Native Sound™ plug-ins, including reverbs, ampmodeling, and EQ
Four new virtual instruments, including a sampler and ananalog-type subtractive synth
Ability to control the software mixer in any FireStudio-series interface to create zero-latency cue mixes.
Gigabytes of third-party resources, including Native Instruments™ Kore™ Player with custom SoundPack (150 instruments), Native Instruments™ Guitar Rig LE, Toontrack™ EZDrummer Lite, and over 1.4 GB of loops!

Computer system requirements:Below are the minimum computer-system requirements for your FireStudio Project.
Windows
Windows 7, Vista, XP (32-bit and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.5.2 or later (32-bit and 64-bit)
PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended


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