Showing posts with label great sound. Show all posts
Showing posts with label great sound. Show all posts

4/13/2012

JBL LSR2325P Pair of Bi-amplified Studio Monitors Review

JBL LSR2325P Pair of Bi-amplified Studio Monitors
Average Reviews:

(More customer reviews)
Me:
Musician, been recording on 4 track, 8 track, 16 track & 24 track recorders since 1996, i have pro mics (M-Audio Sputnik, AKG D5 & C3000, Rode NT3) and have owned many others, i use a TC-Electronic G-Force and a TC Helicon Harmony G-XT.
How i chose these speakers:
- I took a trained sound engineer friend (who has been recording since 1996 too and who attended a Sound Engineer course at SAE) with me because he is the only person whose ears i trust and because i wanted to be sure i wasn't going to choose the wrong set of speakers.
- I went to all the major studio gear stores in Paris, France, in the Pigalle area where all the music stores are. We listened to many many different speakers, sometimes without prejudice and other times with great hopes because we've been reading about brands like Genelec & Dynaudio & all the newer brands out there just like anyone who trusts the specialized press.
- We checked speakers ranging from 200 to 2000 a pair, more or less: we just tested everything they had that looked interesting, including the latest M-Audio, Yamaha, Alesis, Genele, Dynaudio, Adam, etc., etc., etc., etc.
- We tested the speakers on tracks we both knew very well & some very clean recordings as well as some others.
- We selected tracks for reverb to see if the speakers could render the reverb properly, which is something many speakers simply fail to do.
Results of the search:
- Against all expectancies, all the major contenders turned out to be crap. And i mean absolute garbage. Given that we both had exactly the same criticism about each speakers we listened to, i'm pretty sure we weren't being delusional. Now it is possible that the set-up in the stores were not optimal, and maybe the passive speakers were linked up to a bad amp, but most speakers were active & linked to the source via a professional monitoring system with lots of switches designed specifically for this purpose.
- Genelec flaws: no mids AT ALL, same power as a bad car stereo, no bass.
- Dynaudio BM15 ACTIVE: absolute crap amplification, rubbish.
- ADAM A5: aggressive mids, crap treble, no bass. Absolute GARBAGE.
- Yamaha (new NS-10 style speakers) & M-Audio: average sound, not enjoyable at all.
- Most speakers had a very aggressive sound in the mids or treble, and lacked bass. Even in the very expensive range of speakers, none managed to impress us and virtually all were flawed in some aspect that alone would render them totally useless & unbearable.
- The last store we visited was definitely much more pro (Sound Factory) and had real speakers. They played us some PMC passive speakers linked to a 300 stereo amplifier. We were AMAZED. They were fantastic. Well, these were not the most expensive (around 1000 a pair i think), and by far the best. They aren't used at Abbey Road for nothing then...
We then told the salesman we had already heard his Dynaudio BM15's and said we hated them & didn't want to waste his time with those -- "skip em!", we said -- but he had the passive version. And they were very good. The difference was AMAZING. In other words, manufacturers of speakers know how to make speakers, not amplifiers. So get the passive version of whatever you want, and add your own amplifier, the result will be incredibly better, i assure you.
So far the PMC were the best and the Dynaudio were not bad but not cheap. Just out of curiosity i asked to check out the tiny JBL 2325P's that were a ridiculously cheap 400 and were active...i said to him "i guess the JBL are crap but let's give em a try anyway, just to see"...he replied "no, they're not bad actually".
With my friend we both looked at each other with big eyes, we were very pleasantly surprised...they weren't quite as good as the PMC but they easily beat all the others we'd listened to that day.
I ordered this in the US because i now live in Mexico. I got them here on Amazon for 400$ (470$ or so with shipping), with 2 Samson speaker stands and 2 Wirlwind XLR cables. I just set them up today, on their stands.
I don't have a proper good quality source at the moment, my SACD player is in France, so i tried first via the minijack output of my Toshiba P300 laptop and the sound was harsh & had some very apparent artefacts due to the extremely bad quality of this output (Toshiba should be ashamed, really). I then switched to my Archos 5 mp3/video player and the sound is incomparably better. Not perfect, of course, we're not talking about a proper HQ source here, and remember the connection is a cheap minijack=>RCA cable, nothing like XLR=>XLR.
On bad recordings, or old ones, the sound is not so good, and indeed that's exactly how it should be: these speakers tell you when the source is bad. But switch to Kate Bush's Aerial album (her latest, from 2005 i believe), encoded in high quality by myself, and the bass response is amazing, everything is perfect.
Summary:
- Incredible bass response for 5 inch woofer, simply amazing. And it doesn't sound artificially boosted as on some speakers that just try too hard.
- Very well balanced & detailed mids & treble. Although i do prefer the treble & mids on my previous speakers (B&W DM602 S2 -- Bower & Wilkins make excellent passive speakers, with kevlar woofers & perfect tweeters, but you need to be very careful positioning them to get good bass response). But these JBL 5" woofers provide more oompph in the bass than by much bigger B&W's used to. Quite amazing, really. And it's not muddy bass, it's clean, well controlled, has fast attack and nice round oompph. I can hardly imagine how good the 2328p's must be! They were much more expensive, though, & too big & heavy for my needs.
- Very small in width but deep & quite heavy (7.7kg).
Manufacturer's specs seem accurate upon listening (for once) and outperform by far much bigger & much more expensive speakers:
43Hz-20Khz
55 W LF - 35 W HF (don't let this fool you, these speakers are loud enough to make you deaf for indoor use).
You have a treble +/- switch on the back & the same for bass. These work rather well but don't feel too solid & i wouldn't play around with them too much.
The volume knobs are not smooth but have small 'steps' to them so you can set both speakers to exactly the same setting easily. They have a good feel to them.
You have line balanced ins on XLR & TRS jacks, plus unbalanced line in on RCA/cinch.
The on-off switch on the back is silent & a blue light on the front tells you when the speakers are on.
Overall opinion:
The best active monitors by far in 2009-2010 for this money or size? I'd bet they are, yes.

Click Here to see more reviews about: JBL LSR2325P Pair of Bi-amplified Studio Monitors

The JBL LSR2325P Powered Studio Monitor is a bi-amplified 2-way model with a detented level control that allows fine adjustment of individual speaker levels to balance the speaker in your system. Low Frequency and High Frequency Trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Featured to integrate into professional systems, the LSR2325P includes balanced XLR, balanced 1/4 inch and unbalanced RCA inputs that allow connection to a wide range of playback sources including computer audio workstations, professional mixing consoles, as well as consumer playback systems.

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2/11/2012

M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors
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I compared these with the M-Audio AV40. I decided on these. They sound great. They're very clean and as other reviewers noted, a little directional. They are monitors. The cones are open and exposed, so I can't recommend them around small children. Their construction is solid with precise fit and finish. I really like them. There are a couple things you need to know about these before you decide to purchase them.
First, they don't come with cables. They accept standard XLR (3 pin) male plugs or standard 1/4 inch patch chord for the clean, balanced, installation needed in a recording studio. I purchased my cables from a local guitar shop (Guitar Player). Adorama sells special XLR stereo sets with a 3.5mm stereo pin for computers. That's a better set up than the two individual XLR cables and Y-adapter I picked up (less connections). This site (Amazon) lists them as "HOSA STEREO 3.5mm (M) - TWO XLR(M), 3m (9.9 ft.)". They also offer a 6 footer. If my cable set up gets noisy, I'll order one for myself.
Second, the speakers are a bit larger than your typical computer speakers, but not unwieldy. While I was at the Guitar Player, they had the BX8a speakers on display. They were a bit bigger, and also sounded very nice (hard to listen to them over the constant cacophony of disjointed, (bad) guitar and drum players).
The final consideration is that each speaker requires its own power outlet. Keep in mind that they are 70 watt, so make sure you shut them off when you're not using them (unless you like burning 140 watts for nothing :-) ). If you can accommodate the power outlet and cable requirements, these are well worth it.

Click Here to see more reviews about: M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world rely on M-Audio Studiophile reference monitors for exceptional sonic accuracy. The Studiophile BX5a Deluxe monitors update the bestsellers with new waveguides and enhanced driver integration for a cohesive and refined sound. The 5-inch low-frequency driver cones are crafted from Kevlar, an extremely resilient material. Curved cone design coupled with high-temperature voice coils and damped rubber surrounds deliver excellent fidelity and durability. The 1-inch waveguide-loaded, high-frequency drivers are made of magnetically shielded silk domes for a crisp top end that's gentle on the ears. 70-watt bi-amped power and expertly tuned crossovers round out a first-rate pair of reference monitors with a footprint small enough to fit just about anywhere.

Deluxe Edition The Studiophile BX5a Deluxe monitors update the best-selling M-Audio BX5a system with a variety of enhancements. The updated waveguide delivers excellent imaging. A new low-frequency transducer provides well-defined bass. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Drivers M-Audio's Studiophile BX5a Deluxe monitors employ Kevlar for low-frequency driver construction. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and also insure that the cone reaches its optimal excursion for accurate reproduction.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that's inherent in the poorly crafted metallic materials commonly found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The BX5a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance--right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetically Shielded for Desktop Use Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile BX5a Deluxe monitors are magnetically shielded so all of your electronic equipment can coexist on your desktop without interference.
What's in the Box Two BX5a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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2/09/2012

Fender(R) 235-0500-000 G-DEC(R) 30 Guitar Amp Review

Fender(R) 235-0500-000 G-DEC(R) 30 Guitar Amp
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This is a handy and useful amplifier for learning, teaching and for small gigs. Cannot really compare this to a $2000 amplifier, but for the price paid, can't beat the value and sound tone quality. The onboard accompaniment are handy while practicing especially for timing practice. There are numerous effects like echo, delay, reverb, distortion, flanger and tremolo, which can be adjusted easily and quickly. The resulting guitar tones are great, with several amplifier emulation like the jangle of British amps, the clean tones of Marshalls, and more. The onboard chromatic tuner is very handy. Build quality is excellent, with the knobs and buttons feeling solid and have firm tactile action. The dual inputs make it easy for connecting an external drum machine for advanced practicing, or to connect a second guitar for jamming or teaching. The firmware is user updateable via a computer MIDI interface and software updates and tone customization can be done using that interface. Overall, I am happy with this purchase and this unit is an essential part of my daily practice now.

Click Here to see more reviews about: Fender(R) 235-0500-000 G-DEC(R) 30 Guitar Amp

Guitar practice is often a lonely affair. Fender's G-DEC (Guitar Digital Entertainment System) is a combo amplifier that has a menu of special effects to help create a band that surround and accompany you as you pick and strum away.Internal synthesizer with MIDI interface allows playing with MIDI song files via computer.Every general MIDI instrument from Piano to Percussion is inside.MIDI song files can be loaded from computer and stored onboard.Easy-to-use automatic guitar tunerCD or MP3 devices can be hooked up with the G-DEC for play along capabilityInternal 28 second Phrase Sampler can sample the incoming guitar signal to create loops, or song snippets from CD/MP3 may be captured for careful studyPhrase Sampler can do sound on sound overdubsFuture software upgrades can be loaded via MIDIOptional footswitch allows start-stop of backing tracks and phrase samples, program selection, or tuner selectLeft and Right line outputs have speaker-emulated response for stage or recording use

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1/23/2012

JBL Control 29AV1 Indoor Outdoor Speaker (8 inch, 300 watts, Black) Review

JBL Control 29AV1 Indoor Outdoor Speaker (8 inch, 300 watts, Black)
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Before you purchase this speaker, you need to realize it's intended application. Unless you've seen this speaker in action, and prefer the sound, you'll probably be able to get "better sounding" consumer speakers for the same price. However, you won't find one that's as robust as this. These are used in many theme parks and commercial applications throughout the world.
The Control 29 is probably the brainchild of JBL Pro's extended speaker lineup from the original Control Contractor line, which originally only included the Control 23, 25, and 28. Along with the SB-210 and the Control 30, these are designed differently from the original line. Unlike it's bigger and smaller siblings, this speaker has underwent two revisions (29AV and 29AV-1). Though it uses an 8" driver, the same size found in the Control 28, the frequency range and overall output is much higher than you'll expect. It also has more suspension options, which include points throughout the speaker, though the Invisiball mount is still included. It also included a more durable grille design than the Control 23, 25, and 28. Accessories are also included with this "premium" speaker, such as a weather resistant cover for the terminals that normally cost around $30 with the small Control speakers. Overall, if you're looking for a weather resistant speaker that's capable of high output, I suggest you take a good look at this speaker. If you need more power, consider looking at the Control 30. If you're looking for less, but still want a good sound, look at the Control 28.

Click Here to see more reviews about: JBL Control 29AV1 Indoor Outdoor Speaker (8 inch, 300 watts, Black)

JBL Control 29AV1 Compact Speaker; Professional installed audio for your home or business. Control 29AV1 from JBL has upgraded voicing for evenly flat, high fidelity performance. With an extended bandwidth and well controlled defined coverage you don't get with standard compact loudspeakers. Its high-frequency horn is adjustable allowing it to be used either vertically or horizontally. Ensuring excellent sound characteristics throughout its listening area these pro speakers are designed to maintain consistent coverage. Magnetically shielded, the Control 29AV1 can be placed as close as 9 inches away from video monitors without the need to worry about visual distortion or damage resulting from prolonged exposure. With its top-quality line distribution transformer, this speaker can be run off of either 70V or 100V distributed speaker lines and its 8 ohm impedance allows multiple loudspeakers to be connected to a single line. JBL Control 29AV1 Features Extended bandwidth, extremely smooth frequency response 110 x 85 degree HF coverage, rotatable horn 110 W transformer for 70 V or 100 V lines, with 8 W thru SonicGuard overload protection 8 inch (200 mm) Kevlar cone woofer 1 inch (25 mm) titanium diaphragm compression driver InvisiBall mounting hardware included (also ten 6 mm suspension points) Sealed input panel cover and screw-down input terminals Convenient InvisiBall mounting method is not only easy to install, it has an adjustable aim and can be a very successful theft deterrent. InvisiBall rotates both horizontally (up to 41 degrees off-axis) and vertically (up to 36 degrees). For maximum protection against weather, the Control 29AV1 sports a Kevlar woofer cone with a butyl rubber surround and a rear loaded driver basket to protect from varying degrees of direct exposure. Titanium compression driver, thermoset

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