Behringer Truth B1030a High-Resolution, Active 2-Way Reference Studio Monitor (Single Speaker) Review

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(More customer reviews)The sound quality of this speaker is great. It has a very wide and consistent dispersion until it starts beaming at 8kHz. I didn't find this troublesome at all, in fact I rather enjoyed it. It's a detailed sound with a surprising amount of bass for being so small and the enclosure is shaped to minimize diffraction. Too bad it looks like they borrowed heavily from Mackie's cheaper line of monitors' enclosure. On the example I got to listen to and measure, I thought the tweeter amp has an intermittent distortion that was very frequent when the treble boost was engaged, but it turns out it is just really good at revealing the source content. That's exactly what a monitor should do. It truly sounds good and outstanding for this price. I haven't compared it to the Mackie it emulates, but I would definitely like to hear it prior to purchase. The vertical polar window is impressively broad as well. I can't see where you could go wrong with this monitor for the price.

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When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! Thats why we designed the new B1030A Reference Monitor to speak nothing but the TRUTH. Oh, it still sounds great hooked up to your stereo or your video surround system, but it was really built with the studio in mind &##151; where every note you play or sing is &##147;under the microscope.&##148;Ask any recording engineer and they will tell you that listening to a recording on just a single set of monitors doesnt always paint an accurate picture of the mix. Since people listen to music at home, in their cars, on MP3 players, etc., it is critical your final mix be heard on as many sizes and types of speakers as possible. Thats the reason we created these smaller B1030A monitors, plus they make ideal rear channel speakers for surround sound applications.For the past two years our Research and Development team has been on a mission to create the perfect studio monitor. Our acoustic engineers decided to start there and see just how far they could push the envelope. They tried a variety of transducers and enclosure designs, along with existing and emerging technologies. When all the dust settled, they chose to deploy an ultra-high resolution 1 dome tweeter and a long-throw 5.25 Kevlar-coned woofer in the B1030A.

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JBL LSR2325P Pair of Bi-amplified Studio Monitors Review

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(More customer reviews)Me:
Musician, been recording on 4 track, 8 track, 16 track & 24 track recorders since 1996, i have pro mics (M-Audio Sputnik, AKG D5 & C3000, Rode NT3) and have owned many others, i use a TC-Electronic G-Force and a TC Helicon Harmony G-XT.
How i chose these speakers:
- I took a trained sound engineer friend (who has been recording since 1996 too and who attended a Sound Engineer course at SAE) with me because he is the only person whose ears i trust and because i wanted to be sure i wasn't going to choose the wrong set of speakers.
- I went to all the major studio gear stores in Paris, France, in the Pigalle area where all the music stores are. We listened to many many different speakers, sometimes without prejudice and other times with great hopes because we've been reading about brands like Genelec & Dynaudio & all the newer brands out there just like anyone who trusts the specialized press.
- We checked speakers ranging from 200 to 2000 a pair, more or less: we just tested everything they had that looked interesting, including the latest M-Audio, Yamaha, Alesis, Genele, Dynaudio, Adam, etc., etc., etc., etc.
- We tested the speakers on tracks we both knew very well & some very clean recordings as well as some others.
- We selected tracks for reverb to see if the speakers could render the reverb properly, which is something many speakers simply fail to do.
Results of the search:
- Against all expectancies, all the major contenders turned out to be crap. And i mean absolute garbage. Given that we both had exactly the same criticism about each speakers we listened to, i'm pretty sure we weren't being delusional. Now it is possible that the set-up in the stores were not optimal, and maybe the passive speakers were linked up to a bad amp, but most speakers were active & linked to the source via a professional monitoring system with lots of switches designed specifically for this purpose.
- Genelec flaws: no mids AT ALL, same power as a bad car stereo, no bass.
- Dynaudio BM15 ACTIVE: absolute crap amplification, rubbish.
- ADAM A5: aggressive mids, crap treble, no bass. Absolute GARBAGE.
- Yamaha (new NS-10 style speakers) & M-Audio: average sound, not enjoyable at all.
- Most speakers had a very aggressive sound in the mids or treble, and lacked bass. Even in the very expensive range of speakers, none managed to impress us and virtually all were flawed in some aspect that alone would render them totally useless & unbearable.
- The last store we visited was definitely much more pro (Sound Factory) and had real speakers. They played us some PMC passive speakers linked to a 300 stereo amplifier. We were AMAZED. They were fantastic. Well, these were not the most expensive (around 1000 a pair i think), and by far the best. They aren't used at Abbey Road for nothing then...
We then told the salesman we had already heard his Dynaudio BM15's and said we hated them & didn't want to waste his time with those -- "skip em!", we said -- but he had the passive version. And they were very good. The difference was AMAZING. In other words, manufacturers of speakers know how to make speakers, not amplifiers. So get the passive version of whatever you want, and add your own amplifier, the result will be incredibly better, i assure you.
So far the PMC were the best and the Dynaudio were not bad but not cheap. Just out of curiosity i asked to check out the tiny JBL 2325P's that were a ridiculously cheap 400 and were active...i said to him "i guess the JBL are crap but let's give em a try anyway, just to see"...he replied "no, they're not bad actually".
With my friend we both looked at each other with big eyes, we were very pleasantly surprised...they weren't quite as good as the PMC but they easily beat all the others we'd listened to that day.
I ordered this in the US because i now live in Mexico. I got them here on Amazon for 400$ (470$ or so with shipping), with 2 Samson speaker stands and 2 Wirlwind XLR cables. I just set them up today, on their stands.
I don't have a proper good quality source at the moment, my SACD player is in France, so i tried first via the minijack output of my Toshiba P300 laptop and the sound was harsh & had some very apparent artefacts due to the extremely bad quality of this output (Toshiba should be ashamed, really). I then switched to my Archos 5 mp3/video player and the sound is incomparably better. Not perfect, of course, we're not talking about a proper HQ source here, and remember the connection is a cheap minijack=>RCA cable, nothing like XLR=>XLR.
On bad recordings, or old ones, the sound is not so good, and indeed that's exactly how it should be: these speakers tell you when the source is bad. But switch to Kate Bush's Aerial album (her latest, from 2005 i believe), encoded in high quality by myself, and the bass response is amazing, everything is perfect.
Summary:
- Incredible bass response for 5 inch woofer, simply amazing. And it doesn't sound artificially boosted as on some speakers that just try too hard.
- Very well balanced & detailed mids & treble. Although i do prefer the treble & mids on my previous speakers (B&W DM602 S2 -- Bower & Wilkins make excellent passive speakers, with kevlar woofers & perfect tweeters, but you need to be very careful positioning them to get good bass response). But these JBL 5" woofers provide more oompph in the bass than by much bigger B&W's used to. Quite amazing, really. And it's not muddy bass, it's clean, well controlled, has fast attack and nice round oompph. I can hardly imagine how good the 2328p's must be! They were much more expensive, though, & too big & heavy for my needs.
- Very small in width but deep & quite heavy (7.7kg).
Manufacturer's specs seem accurate upon listening (for once) and outperform by far much bigger & much more expensive speakers:
43Hz-20Khz
55 W LF - 35 W HF (don't let this fool you, these speakers are loud enough to make you deaf for indoor use).
You have a treble +/- switch on the back & the same for bass. These work rather well but don't feel too solid & i wouldn't play around with them too much.
The volume knobs are not smooth but have small 'steps' to them so you can set both speakers to exactly the same setting easily. They have a good feel to them.
You have line balanced ins on XLR & TRS jacks, plus unbalanced line in on RCA/cinch.
The on-off switch on the back is silent & a blue light on the front tells you when the speakers are on.
Overall opinion:
The best active monitors by far in 2009-2010 for this money or size? I'd bet they are, yes.

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The JBL LSR2325P Powered Studio Monitor is a bi-amplified 2-way model with a detented level control that allows fine adjustment of individual speaker levels to balance the speaker in your system. Low Frequency and High Frequency Trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Featured to integrate into professional systems, the LSR2325P includes balanced XLR, balanced 1/4 inch and unbalanced RCA inputs that allow connection to a wide range of playback sources including computer audio workstations, professional mixing consoles, as well as consumer playback systems.

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Yamaha HW10W 10" Powered Studio Monitor Review

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(More customer reviews)speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

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The HS10W powered subwoofer complements the HS speakers and easily handles today's bass-enhanced music or the most dramatic surround effects. The HS10W woofer uses a bass reflex design cabinet that maintains high efficiency and low distortion. The HS Series has been designed to provide exceptional clarity and flat response, so if your mix sounds good here, it will sound good everywhere in 2:1 (Stereo) or 5:1. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects.

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KRK RP5G2 Rokit G2 Limited Edition White Powered Studio Monitor (5 inch, 75 Watts) Review

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(More customer reviews)I have never considered myself to be an audiophile. I love to listen to music on quality gear, but I didn't think I had the genes that allowed me to distinguish a good set of speakers from a great one--Until now. I just got the Limited Edition White RP5G2 studio monitors and I'm in awe. I remember when I got a good quality set of earphones and was surprised that I could hear all sort of detail that was buried in my music. Well my experience is now the same without having to be tethered by the earphone cord.
These monitors put out a surprising amount of bass for their size. In fact, this was one of my concerns when making my purchase. I was seriously considering ordering the more expensive 6-inch RP6G2 model, but the cabinets were too big for my desk's work surface. Also, they weren't available in the cool white finish that these have. I know that seems superficial, but these speakers look as good as they sound.
I was glad I decided to go with the smaller and cheaper RP5G2. The bass sounds tight without being distorted or exaggerated as it does with some subwoofers. In fact, I now agree that subs are better suited for watching movies than for listening to music. I even bought a set of MoPads (Auralex MOPAD Monitor Isolation Pads, Charcoal, 1 pair) to acoustically isolate some of the lower frequencies from my desk. The monitors have a 2mm rubber pad to help, but I could still feel my desk reverberate which I'm sure was coloring my music. With the MoPads, most of the vibration is gone and I'm left with crisp, clear bass. Also, near field studio monitors are, by design, very directional. Using the pads allowed me to angle the speakers up toward my ears so that I get a better sound stage.
I bought the KRKs to use with Mac Pro running Logic Pro. They are connected to the computer's rear audio output using a Hosa stereo mini-plug to dual XLR cable (HOSA STEREO 3.5mm (M) - TWO XLR(M), 2m (6.6 ft.)). If you are considering buying a set of near-field monitors for your home studio, I don't think these units will disappoint you.

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The KRK RP5G2 Rokit G2 Powered Studio Monitor takes this KRK design to new heights. All of the great stuff that Rokit's have been known for including front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy. KRK RP5G2 Rokit G2 Features Radically curved front plate design virtually eliminates diffraction distortion Waveguide design provides amazing detail and imaging Front-firing port provides low freq extension without boundary coupling New speaker voicing for even more accurate frequency response 1-inch Neodymium soft dome tweeter Glass Aramid Composite Cone Woofer Even More Accurate Than Before KRK engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by KRK's world-class studio monitor engineering team, for clear, low-distortion performance. The Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to their award winning performance. Also available as package KRK RP5G2 PAK2 which includes: mic stands, mics, cables and headphones.

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M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

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(More customer reviews)I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


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Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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JBL CONTROL 1 PRO High Performance 150-Watt Miniature Studio Monitor Speaker, Black, Sold as Pair Review

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(More customer reviews)I have owned three sets of Control 1s over the years. Always liked them and have several times bought other speakers and brought home, only to decide after comparing head to head, that the Control 1's are superior. I highly recommend them because the sound is great, they are indestructible, and shielded, so you can place anywhere (next to your amp, TV, or a PC Display).
First pair were stolen (thieves stole only the Control 1s! they had good taste!), so I bought new pair of the Control 1 eXtremes, the more consumer oriented version. Loved them and have had for a couple years. Recently bought another pair of Control 1's, this time the Pros. Most people won't tell much difference between either version, especially at low-mid level listening volumes. The basic differences are that the Pro's are 4 ohms. They will play louder than the eXtremes. The Pro's also have protection against overload. Bottom line is that if you want something that can occasionally jam very loud, the Pros are a bit better choice but the eXtremes will work just as well for most people and are a better choice if you plan on using them as a surround speaker (because they are 8 ohms and will match your others speakers better, load wise).
But overall, either version of the Control 1's are a great choice. Choose Pro's if you want to jam them as a single stereo pair, choose the eXtremes if you want 8 ohm speaker compatibility.

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Next Generation JBL High PerformanceBlack 150W Miniature Multi Purpose Speaker, Wall Mounts Included and an 80Hz to 20KHz range.Packed in Pairs.

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Mackie MR5 MR5 Reference Monitor (Single Speaker) Review

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(More customer reviews)FIRST THING FIRST...
Forget speaker set-ups and systems that unnecessarily add treble and bass to the music you're listening to including ones with active equalization that determine on your behalf what you're ears should be perceiving at the moment and eliminating other frequencies that it believes aren't as audible anyway.
How about jumping back into studio monitors that deliver music the way the recording engineers meant it to be heard. Too expensive? Hold on. Not with a Mackie MR5. The price you pay is per piece all right, but don't forget these are powered speakers. And at this price point you get a flat frequency response which means there is no colorization. What is recorded is what you get.
Studio monitors used to be so expensive and out of reach that consumers were bombarded with those other brands that promised to wow your ears with a "perception" of full spectrum audio rather than actually provide your ears with, umm, a full spectrum.
Finally Mackie decided to release lower end audio gear with high end results that appeals to everyone else outside of the audiophile world.APPLICATION...
These speakers are built with 3 types of audio connections.
1. Balanced XLR
2. Balanced TRS (which also can accept unbalanced TS)
3. Unbalanced RCA
Originally intended for near-field monitoring as well as accurate enough for home studio mixing. But knock yourselves out in using these anywhere you see fit. If it's good for mixing, it's great for whatever else.
I used it as my desktop computer speakers. If your computer has a 1/8 stereo output a.k.a. mini-stereo then just purchase a simple (but solidly constructed) 1/8" stereo to RCA cable.HOW DOES IT SOUND...
GREAT! However, you need to re-orient your ears if you've been used to unnecessary and heavy equalized equipment. Take a moment to listen to your favourite CD. One that you are very familiar with from beginning to end. Turn off or flatten the equalizer setting. Take one pass on it and determine if you really to highlight or defeat certain frequencies only because you either have wall to wall carpeting and draperies or bare walls.
You're goal is to listen to music the way it was recorded. If you have unbiased speakers in all frequency range then you will notice nuances in the recording that you never even thought was there. Seriously.WHAT ELSE DO I NEED TO KNOW...
Although this is the smallest of the Mackie studio monitoring speakers, it's still a force to be reckoned with in terms of performance, size and weight. And that's a good thing. It looks, feels and performs like any solid studio monitor. Nothing has been spared. Rather than spend money on marketing, they spend it on actual R&D and build quality.
Frequency response of 60HZ-20KHZ (+-3db) with internal bi-amplification of 55 watts (85 watts peak) for the low frequency and 30 watts (50 watts peak) for the high frequency. And don't be fooled by other speaker manufacture ratings stating 200 watts power which don't mean a thing unless they meant peak power before the internal fuse blows while already clipping at maximum distortion. Did you hear how loud your built-in television speakers can get. To think they are rated from 3 to 6 watts only. So with these truthful power rating, these Mackies are LOUD! Your ears neighbours will come knocking first before you can blow the fuse of these speakers.COMPARED WITH...
The truth is I was perfectly happy with my Blue Sky MediaDesk 2.1 speakers just because I couldn't afford a THX pm3-approved Mackie HR624 at that time. The frequency response was awesome at 35HZ-20KHz. The speakers were fully sealed which provided less distortion and true bass output. I tossed the boxes so I decided to sell them when I moved cross-country than risk damaging perfectly great speakers.
I now moved the Mackie MR5 pair to the living room and disabled the built-in speakers of the television and then obtained a pair of KRK Rokit Powered 6 Generation 2 studio monitors which is equally accurate as the Mackie, but has better frequency response at 48HZ-20KHz (+-1.5db) due to it's 6" low frequency driver.WHAT TO GET...
If you're budget allows for a Mackie, I would get an MR5. A cheaper alternative but still along it's price range is the KRK RP5G2 which also comes with a 5" low frequency driver. But for the same price as the Mackie MR5 is the KRK RP6G2 with better frequency response and a hefty weight and size to boot.
The difference is the porting on the cabinet. Mackie believes in using a rear port, while KRK argues a front port is better as it allows more flexible placement without fear from unnecessary bass response due from the rear ports when placed nearer against the wall.
My recommendation is to listen to both at your nearest studio monitor dealer that stocks both and decide. In the future you can expand to a 2.1 configuration to extend the bass response even lower by purchasing their own respective subwoofer counterparts. As usual, KRK products are better priced so this might affect your decision now the same way it did to me.
If you want a 2.1 configuration right now, then the Blue Sky MediaDesk 2.1 with it's sealed cabinet enclosure all throughout will make sure that the bass you hear is the bass coming from the subwoofer and not from any port which only exists to help extend bass response to a lower frequency.
Either of this you won't go wrong. But please do yourself a favor and get yourself a decent studio monitor than an exorbitantly priced speaker set from a manufacturer that (1) either advertises amplification and frequency response that can be achieved at full clipping power or (2) won't even advertise their specifications at all and then claim their "actual" performance doesn't do justice to the over-equalized supposed sound output.

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Thanks to its sophisticated design, our 5.25-inch MR5 Mackie Reference Monitor delivers superior sound with impeccable clarity?at an unbelievable price.

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KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea Review

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(More customer reviews)Don't expect these to be a smaller version of PA speakers. Studio monitors are quality over quantity. Yes, these are plenty loud for their intended use. The important part is their sound quality. As with any speaker of this quality, proper break-in really does make them sound better. The RP8G2 is a great value choice. Yes, there are better speakers on the market. You will pay a real premium for them, though. It is hard to evaluate speakers just on the published specs. Sound quality is so much more than technical spectral analysis.
These are solidly built, great sounding monitors that are a good value. I can really recommend them.

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The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 8-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 45Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 15 x 10 7/16 x 12 inches (38.1 x 26.5 x 30.4 cm)
Weight:26.1 lbs (11.8 Kg)

What's in the Box KRK Rokit 8 Powered Monitor, AC power cord, Owner's manual

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M-Audio Solaris Multipattern Condenser Microphone Review

Average Reviews:

(More customer reviews)Happy with product, only took about a week. It actually came with a shock mount which that wasn't list to come with it. Thanks

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The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation--included capturing vocals, guitar, piano, drums and live events. It's like having three mics in one.

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M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors Review

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(More customer reviews)I compared these with the M-Audio AV40. I decided on these. They sound great. They're very clean and as other reviewers noted, a little directional. They are monitors. The cones are open and exposed, so I can't recommend them around small children. Their construction is solid with precise fit and finish. I really like them. There are a couple things you need to know about these before you decide to purchase them.
First, they don't come with cables. They accept standard XLR (3 pin) male plugs or standard 1/4 inch patch chord for the clean, balanced, installation needed in a recording studio. I purchased my cables from a local guitar shop (Guitar Player). Adorama sells special XLR stereo sets with a 3.5mm stereo pin for computers. That's a better set up than the two individual XLR cables and Y-adapter I picked up (less connections). This site (Amazon) lists them as "HOSA STEREO 3.5mm (M) - TWO XLR(M), 3m (9.9 ft.)". They also offer a 6 footer. If my cable set up gets noisy, I'll order one for myself.
Second, the speakers are a bit larger than your typical computer speakers, but not unwieldy. While I was at the Guitar Player, they had the BX8a speakers on display. They were a bit bigger, and also sounded very nice (hard to listen to them over the constant cacophony of disjointed, (bad) guitar and drum players).
The final consideration is that each speaker requires its own power outlet. Keep in mind that they are 70 watt, so make sure you shut them off when you're not using them (unless you like burning 140 watts for nothing :-) ). If you can accommodate the power outlet and cable requirements, these are well worth it.

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Recording professionals around the world rely on M-Audio Studiophile reference monitors for exceptional sonic accuracy. The Studiophile BX5a Deluxe monitors update the bestsellers with new waveguides and enhanced driver integration for a cohesive and refined sound. The 5-inch low-frequency driver cones are crafted from Kevlar, an extremely resilient material. Curved cone design coupled with high-temperature voice coils and damped rubber surrounds deliver excellent fidelity and durability. The 1-inch waveguide-loaded, high-frequency drivers are made of magnetically shielded silk domes for a crisp top end that's gentle on the ears. 70-watt bi-amped power and expertly tuned crossovers round out a first-rate pair of reference monitors with a footprint small enough to fit just about anywhere.

Deluxe Edition The Studiophile BX5a Deluxe monitors update the best-selling M-Audio BX5a system with a variety of enhancements. The updated waveguide delivers excellent imaging. A new low-frequency transducer provides well-defined bass. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Drivers M-Audio's Studiophile BX5a Deluxe monitors employ Kevlar for low-frequency driver construction. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and also insure that the cone reaches its optimal excursion for accurate reproduction.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that's inherent in the poorly crafted metallic materials commonly found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The BX5a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance--right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetically Shielded for Desktop Use Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile BX5a Deluxe monitors are magnetically shielded so all of your electronic equipment can coexist on your desktop without interference.
What's in the Box Two BX5a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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Behringer Eurolive B205D Active 150-Watt PA/Monitor Speaker System Review

Average Reviews:

(More customer reviews)I do presentations a lot and other times need a mini combo to hook an instrument and just enjoy, I did a little bit of research online but found two products that could meet this need, one was the fender and the other was this behringer eurolive B205D, I decided to go for this because it was about half the cost and I felt it's also a good brand. I must state categorically that this was the best sub $200 I spent in 2010. My God, this stuff blows me sky high, men it has the juciest, cleanest, punchiest power of any mini combo that I have even seen. It compares even to my Boss Speakers in output quality. I used it with a wireless microphone for presentations and the audio quality is the best I have ever heard my self. I hooked it up with my iPod and it's like i had a gig ready to go, I even hooked it up also with my musical instrument and the sound was even better. The sound also is so loaded with sweetness at times I wonder how such high decibels can be bursting forth from such a small device. The housing also is so good it looks like what will bounce around with no fear of damage for many years to come. Also the item just weighs at a basic 3.2kilos, you can even carry it with you anywhere and no one will even know you are carrying anything of such. The other reviewer said something about distorts when the volume exceeds the middle, I think he needs to check his hardware properly because this stuff does not distort the sounds in anyway that I have seen even though I do not raise the volume knob too high because the sound may become unbearably loud as neighbors may begin to complain. Everyone who has seen it in action all want to buy it off me right away or want to order theirs immediately. It will be also a fun tool for the kids and family in general without the fear of the youger ones spoiling it or swallowing any small parts. It's perfect for what you may want it for. You can buy as many as you like and link them up with a pair of xlr cables, as a link port is provided at the rear. I tell you, if you are not sure if you really want to buy this I tell you just do it, it will be the best investment you'll done in a while. I just love the product and I give behringer 10 stars of an excellently conceived product.

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What if you could mount your personal monitor on a mic stand and point it right at your face—and what if it sounded really good? What if it sounded so good it could be used as your main PA system for more intimate gigs and meetings? Say hello to the new B205D, an active PA loudspeaker that is small and light enough to mount on a mic stand. But don\'t let the small size fool you—the B205D cranks out high-fidelity sound and comes loaded with features that will simply astound you!

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JBL LSR2328P Bi-Amplified Studio Monitor Review

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(More customer reviews)If you hate the name JBL... then you need read no further... if on the other hand you are after a pair of studio monitors that are reasonably priced, consider these as an affordable solution.
I have used various brands of studio monitors over the past two decades in recording and small studio set-ups. That is not to say that I consider myself an expert, rather on the contrary, I offer this information as an evaluation from my experience.
First Impressions:
These JBL LSR 2328P monitors have a reasonable weight to them, generally indicates quality construction. Externally I could see that they are well made and very clean looking - utilitarian in fact. Perfect for studios. The controls are all located on the rear (as for most powered/active monitors) containing all the standard features you would expect, XLR, TRS, RCA connectors, LF/HF trim and power. If access to the rear is limited, this may be of concern if you have to make numerous set up changes, but it certainly is not a problem. The base has a dense foam/rubber material which absorbs some vibration when mounted on a console or desktop. Also present are M6 mounting points conforming to industry standard mounting brackets if you want to use speaker stands. Once plugged in, before set-up was conducted, I turned the monitors on and played various program material through them. Very smooth and natural sounding speakers with a generally acceptable sonic palette. After some measurements and some LF trim (my speakers are closer to the rear wall than I would normally like, thus setting the LF trim at -3db on the woofer tightened the bass response. Not as much wall reinforcement) I then began using them for their intended purpose for monitoring and mixing tracks, mainly rock and blues, with a little jazz fusion.
After nearly a month of use:
I have been pleasantly surprised by these speakers, the are very neutral and natural, and offer very little colouration to the source material. This can be harsh, as you realise that either your recording is off, or the mix is to bright/flat. A quick listen on the main monitors reveal that also to be the fact. Back to the console, tweak the sound, and presto... smooth... on the JBL LSR 2328P. Thus it was easy to make sure that your music would translate to other devices/equipment.
High frequencies were smooth, with mids very natural sounding. Easily able to locate instruments within the sound stage and location. One thing I did notice was that on vocals, it was difficult to eliminate the breath inhales, either they were a little exaggerated on these monitors or my mixing technique is off. But at least these JBL monitors resolved this and allowed me the opportunity to pick them up early in my mix.
The bass was tight and full, sometimes had a tendency to overhang on complex bass pieces and get a little bit "muddy", but not unacceptably so. Also the rear port does not have a bung to reduce unwanted rear wall reinforcement of bass signals (the port also serves as a cooling port for the electronics and woofer, so not recommended to bung it up).
As for the controls, they are a standard feature set, common on all brands. Nothing special here. I found that once I got used to the power switch location on the rear, I could easily find it, but still, the power button on these JBL's could have been better placed, like on the front panel, the Logo could serve a dual purpose! (take note JBL)
After A/B testing these speakers with other brands of monitors of similar specifications, not price, I can unequivocally state that they are just about the same as other brands that cost twice (or more) than the JBL's. (I have on purpose not mentioned the other brands as this review is on the JBL's) This is not to say that other monitors were poor/better, rather they had a slightly different set of strengths and weaknesses in comparison. Where say brand A had smoother top end clarity, they lacked bass definition and or punch of the JBL's. If the JBL's were smoother overall than brand B, the other brand may have exhibited better definition or "breath" in the music. Therefore, I would like to point out that at similar price points, all these speakers had similar attributes. If you like bass slam, the JBL's will give it to you. If you require sonic clarity in the upper register, the JBL's will give it to you. If you want clear neutral representation (within reason) from these monitors at this price point, these JBL's will give it to you.Closing Thoughts:
When I am not mixing or recording, (like now whilst I am writing this review) I generally have these monitors playing music at a low level, Wow... they sure put the feeling and weight into the music at low level. I find that I do not get fatigued from listening to these speakers for hours on end (also a function of volume). After all, I am more interested in listening to music, rather than the equipment, so comparisons between brands becomes mute points of intellectual musings.
From a price point of view, I think it is hard to beat these particular JBL's compared to speakers that may offer only about say less than 5% (subjectively) better performance overall. Thus if you are after that 5%, and that is paramount in your application, you will need to spend considerable more on studio monitors than these JBL's or other monitors at this price point.
Thoroughly recommend these JBL LSR 2328P's for anyone with a tight budget (or otherwise), or a need for monitors that you will have to save for months on end to acquire, before you get to listen/mix/enjoy...
Great Work JBL...

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The LSR2328P Bi-Amplified Studio Monitor is equipped for a wide range of applications. The LSR2328P includes a long-excursion 8" woofer and 1" silk substrate dome tweeter and 165 watts of amplification. Balanced XLR, balanced 1/4" TRS, and RCA unbalanced input connectors allow connection of mixing consoles, computer audio interfaces, audio visual equipment, and home audio systems. A detented level control allows fine adjustment of speaker volume. Low and high frequency trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Rather than using a single on-axis measurement of the speaker's performance, JBL's LSR design criteria requires seventy measurements yielding more than 1,200 times the data, enabling JBL to engineer a speaker that sounds right and is accurate in any room. A trademark of LSR Design is the custom tweeter waveguide that delivers superior imaging and smoother frequency response to your listening position. Today's production styles require a monitor system capable of extended low frequency performance. To address this, the LSR2328P uses a new long-excursion 8" woofer with a high-flux motor. A custom-tuned port works in concert with the woofer to produce deep and accurate low frequency response to 37Hz. The LSR2328P produces exceptional sound pressure level (SPL) through JBL-engineered high-sensitivity transducers, high-output amplifiers and careful attention paid to the thermal properties of the system. To ensure years of reliable performance, before becoming a production-ready design, the LSR2328P survives the JBL Power Test in which the speaker must play continuously at full output for 100 hours without failure.

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KRK RP6G2 Rokit G2 6-inch Powered Studio Monitor (Single Speaker) Review

Average Reviews:

(More customer reviews)These monitors are a serious upgrade for any computer system especially audiophiles and musicians. These are great for Garage Band or Logic on the Mac and recreate the sound with amazing clarity, depth and tone. Plus bass is impressive for a small speaker and high's are crisp and detailed without being unbalanced. These speakers create an amazing listening experience for all type of music and instruments for a studio or small room. Not going to be for a large room setup but if you have the space or can mount these for computer/studio setup you will be very impressed with them.

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The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 6-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 49Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 12 11/16 x 8 7/8 x 10 1/2 inches (32.1 x 22.5 x 26.6 cm)
Weight: 19.6 lbs (8.9 Kg)

What's in the Box KRK Rokit 6 Powered Monitor, AC power cord, Owner's manual

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Mackie MR5 Reference Monitor (Single Speaker) Review

Average Reviews:

(More customer reviews)I'm starting a home recording studio, and wanted good audio monitors.
I did a lot of research before buying my first set of good speakers, and this is what I've come to find as the best speakers for such a good price. I was really surprised at the bass that could go through these 5" speakers, though maybe some people may want more bass than I want, so you may eventually decide on sub woofers.
These can even make bad recordings sound good! My friend and I listened to songs that we recorded long ago on poor equipment, and those old recordings sounded good on these speakers!
If you're new to the audio world (audiophile-want-to-be), these are great speakers for starts.

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Created by the same audio gurus who brought you the legendary HR Series, the MR5 Mackie Reference Monitor is the perfect solution for those ready to step up to a monitoring system with truly pro sound. The MR5 delivers everything you need for critical monitoring in your home studio, multimedia or home theatre system. With its Active bi-amplified Class A/B architecture (55W LF / 30W HF), wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity. Thanks to its unbelievable sound—and price—the MR5 monitor stands alone in its class.

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Auralex MOPAD Monitor Isolation Pads, Charcoal, 1 pair Review

Average Reviews:

(More customer reviews)The Pads help: but they don't isolate. You still have a lot of bass going straight into the desk. I have 2 KRK Rokit 5s on the pads and have my Mackie 824's really isolated. I bought them pads at guitar-center in Boston, not at amazon and I paid USD 30.--.
The pads are nice, but way below studio quality.


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Your loudspeakers are the most critical components you use to verify the quality of your work. No matter how good your mixer, mics, preamps, cables, and other pieces of gear that you've invested in, you're not truly hearing what your recordings sound like until you isolate your monitors from their environment.This is where the Auralex MoPADs come in. MoPAD Monitor Isolation Pads provide sonic isolation between your monitors and whatever your monitors are resting on, INSTANTLY improving the accuracy of your entire monitoring system.MoPADs are affordable, easy to implement and really effective at decoupling your monitors from your room and all its contents. You've gotta get some! Until you do, you'll never know what your recordings really sound like.

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Samson MediaOne 3A Precision-tuned Powered Studio Monitors, 3 Woofer Review

Average Reviews:

(More customer reviews)When these monitors finally arrived, well I suppose I shouldn't say finally, because they came with lightnin speed, but like I was saying when they got here I was amazed at how small they were and I thought to myself I had made a huge mistake. No way did I think these little monitors would be good enough for playback and mastering in my home studio, but as luck would have it, they turned out to be these great sounding little monsters. Excellent bass response and crystal clear highs make these monitors sound like a Bose radio. Needless to say, I was blown away and Im quite happy with my choice of purchase. They do start to distort a little when turned up awfully high, but if you need to turn them up that loud than maybe you should have your hearing exhamined. A good buy.

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Whether you need a monitor system for your digital recording studio, video production suite, or if you just want better monitors for gaming and listening to music on your computer, MediaOne active monitors are the perfect solution.The MediaOne 3a monitors produce a powerful, full-range sound thanks to the internal 30 watt amplifier, extended range copolymer woofer and 25mm silk dome tweeter. The 3-inch custom designed woofer delivers tight and controlled low frequency response, while the silk dome high frequency driver is set in a custom wave guide that produces an accurate and natural high frequency response. The result is solid bass dispersion and extended highs, all in an amazingly compact cabinet.An internal 2 x 15 watt high performance, low distortion, stereo power amplifier drives both sides, and the right side cabinet also houses a convenient, front control panel with volume control and headphone output. There is also a 3.5mm auxiliary input for connecting a second signal source like an MP3 player, keyboard, sound card or any other stereo line level signal.On its rear panel, you'll find RCA inputs, terminals for connecting the passive monitor, power switch and AC power. The precision-tuned enclosures, which incorporate rear venting for extended low frequency response, are finished in an attractive black satin vinyl covering, assuring these monitors look as good as they sound.The MediaOne 3a Active Monitors are an ideal near-field monitor system for studios, video post-production suites, fixed installations or anywhere else great sound is desired. Thanks to top-notch components and innovative design, the versatility of these monitors guarantees professional audio and reliable performance in any application.

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Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker) Review

Average Reviews:

(More customer reviews)This speaker has a very smooth response on and off axis, narrow dispersion, and virtually no diffraction. Bass seems a touch heavy, but easily adjustable on the back of the enclosure. The vertical polar response shows a rather narrow window. Not a big problem if you keep your ear level between the drivers or slightly toward the tweeter side. The tweeter's break up is sort of low at about 15kHz, but it's not really audible. It holds up well at high volumes. Build quality is incredible! That sums this up as far as I'm concerned. I'd get another of it were stolen or destroyed.

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With its smooth sound and design, the 6.7-inch HR824mk2 high-resolution Active studio reference monitor turns your studio?s sweet spot into a full-on sweet zone.

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