Showing posts with label computer. Show all posts
Showing posts with label computer. Show all posts

4/21/2012

American Recorder PMIX-100 3-Source Personal Audio Mixer Review

American Recorder PMIX-100 3-Source Personal Audio Mixer
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I've been looking for a way to manage my 3 inputs (2 computers, 1 stereo) to go to one set of speakers and one set of headphones. Previously, I had to use 2 sets of headphones for the computers and required a amp/speaker set with 2 inputs. Switching between headset and speakers was awkward.
I wanted a small unit that could accept at least 3 stereo inputs and had at least 2 stereo outputs, one for the speakers and one for headphones.
Just got this pMix 100 today and have been listening to it this afternoon. There are a few issues, but overall I think I'm going to keep it as it seems to address my need.
PROS:
+ it accepts three 3.5mm (1/8in) headphone jack-style stereo inputs that can be mixed together if you want.
+ jacks are nice and tight so unlikely that the plugs will fall out.
+ sound seems good; I'm only using it for casual listening
+ size is pretty compact, can be easily tucked away on a desk
+ comes with a couple of male-male 3.5mm connector cables and an RCA-3.5mm male cable
+ knobs are damped and knobs seemed to fit tightly on my unitCONS:
- Most noticeable drawback is the loss of volume. I measured the sound of a source (i) run directly to the speakers and (ii) run through the unit. For a song that peaked at 93dB a few feet away in the direct source set up (i), the measurement when run through the unit (ii) was 83dB. This is a significant loss of 10dB attributable to the unit. I made sure that the knobs weren't moved between the comparisons. Despite this, I could still get plenty of volume out, so I came to terms with this.
- Occasional quite noticeable hum which I discovered was positional - that is, I got rid of it almost completely by moving the unit slightly or putting my hand over it. This indicates that it's lacking some shielding somewhere. Perhaps wrapping it in tinfoil would help? Some kind of makeshift Faraday cage? Anyway I just moved it 3 inches and it's fine for now.
- Blue lights are ridiculous (too bright and distracting!) and I will eliminate or cover them asap
- headphones do cut off speaker output so if you need 2 simultaneous outputs, this is probably not for you. It's fine for me.
In summary, it works OK and in the absence of another inexpensive unit that manages my sound output this is fine. I don't think I would run any quality-critical mixing through it but for a compact listening solution it's fine.
The only other option I could find were the 8-10 input mixers; however they are really designed for predominantly mono inputs (though they have a couple of stereo inputs) and would have required too many adapters for the multiple mini-plug inputs I have.
I'm pretty harsh with ratings so 3 stars is probably what other people might call 4 stars.
UPDATE 02 Nov 2009
The buzzing (RF interference of some sort) was particularly noticeable with my wireless Sennheiser headphones and I got annoyed moving this thing around. It seems that the solution is to wrap it in tin foil - stops the buzzing (by protecting unshielded components).
So if you can live with it wrapped in tin foil, there is virtually no line noise. The stupid blue lights and transparent case seem to have been more important than properly shielding the case or wiring.

Click Here to see more reviews about: American Recorder PMIX-100 3-Source Personal Audio Mixer

The American Recorder Personal Audio Mixer lets you play and mix the sound of up to 3 personal audio devices through a single speaker system. It is compatible with iPod, satellite radio, computer, DVD, CD, MP3 and other sources. It connects with convenient 1/8" mini headphone jacks. The amplified headphone jack provides superior sound and private listening. You can also connect a guitar or microphone with an optional adapter. This unit includes a 9V power supply and audio cables. The PMIX-100 provides 3 independent volume controls plus a master volume.

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3/28/2012

Line 6 Toneport UX8 Review

Line 6 Toneport UX8
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As a loyal Line6 user, I knew the UX8 wouldn't let me down. I recently upgraded from the Toneport UX2 to the UX8, mostly because I needed more inputs to record my band (I used UX8 with Pro Tools). No surprise, Line6 totally nailed it. They know what recording guitarists need. This thing has a lot more to offer than just tons of inputs and great preamps. It has SPDIF, phantom power, footswitch and exp pedal jacks (wah-wah etc), plus Gearbox modeling software and Gearbox plug-in with hundreds of totally usable tones. I recorded all my guitar tracks dry while monitoring a processed tone. while mixing, I took my time and found the best tones. very pleased. And no latency!
IMO, for the price UX8 can't be beat. You are getting a ton of great features in a well-designed complete pro rack unit.

Click Here to see more reviews about: Line 6 Toneport UX8

The Line 6 Toneport UX8 USB PC Recording Interface has an 8-channel USB2 Audio Interface for both Mac and PC. Professional producers, engineers, and musicians turn to Line 6 because they know that great mixes start with great recordings and great recordings come through TonePort. Install the free GearBox software from Line6.com and control an entire arsenal of guitar, bass and mic tones. No more worries about room dynamics or wasted hours setting up equipment, TonePort makes it easy to plug in and start recording your next hit song. TonePort UX8 is the only USB audio interface that delivers the powerful tone-shaping mojo of Line 6's acclaimed GearBox software-the same tone engine used by POD -with recording inputs and outputs for eight simultaneous channels of studio-quality 24-bit/96 kHz audio. The sturdy and stylish rack-mountable design provides the discerning producer with eight (8) XLR inputs with high quality dedicated mic pres, eight (8) 1/4-inch line inputs, two (2) 1/4-inch front panel instrument jacks, eight (8) 1/4-inch balanced line output jacks and two (2) stereo headphone jacks, as well as stereo RCA S/PDIF input and output. Of course, Line 6 is all about tone, and TonePort UX8 delivers a massive collection of models, including 18 guitar amps and 24 cabinets, 5 bass amps and 5 bass cabs, 6 mic preamps and 30 stompbox and studio effects for guitar, bass and vocals. For the ultimate in recording, mixing and mastering flexibility, TonePort UX8 includes GearBox modeling software as well as the GearBox Plug-In in VST, AU and RTAS (Pro Tools) format. Plug in to any TonePort and record your tunes with the tone you crave using any of your favorite recording application, including GarageBand, Logic, Cakewalk/Sonar, Ableton Live, and many, many more. GearBox

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3/11/2012

Behringer BCD3000 DJ Mixer Review

Behringer BCD3000 DJ Mixer
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This is EXACTLY what I was looking for! Although it comes with Traktor 3 LE, you can also use it with Traktor 3 Pro as well as Torq and Virtual DJ. When using with Traktor 3 Pro, all you need to do is use the .tks midi configuration file from the LE version and all of the controls will be configured for you. Check out the Traktor site for more information on how to do that.
On a PC you have some more advanced options for the sound driver than on a Mac. I use this on both systems with Traktor 3 Pro and have not had any issues. If you are thinking of getting this, do it. You won't regret it!

Click Here to see more reviews about: Behringer BCD3000 DJ Mixer

The B-CONTROL DEEJAY BCD3000 DJ mixer lets you play, mix and scratch any MP3, WAV or other audio format with a real vinyl feel. Packed with mind-blowing features such as mixer, dual-player, effects, mic/phono preamps and a full-fledged monitor section, this four-channel USB audio interface perfectly complements the included Native Instruments Traktor 3 LE DJ software or most other DJ software, running on Windows XP/Vista and Mac OS X operating systems.

Fully featured The BCD3000 features a full-speed USB 4-channel audio interface plus high-resolution 24-bit A/D and D/A converters. It's an integrated, full-fledged audio mixer with a premium quality mic preamp, 3-band kill EQ per channel, ultra-precise faders, super-smooth crossfader and talkover function.
Feel Your Digital Files Get ultimate control over your virtual DJ machine and play, mix and scratch MP3, AAC, WMA, OGG, WAV and AIFF files with vinyl feeling.
Vinyl Ready The BCD3000 is packed with two state-of-the-art phono preamplifiers, so you can mix your vinyl records alongside your MP3 files.
Sophisticated Headphone Section The BCD3000's headphone section lets you monitor using PFL Mix (both decks in both earcups), and directly listen to the master output mix.
DJ-Friendly Control Start/Stop, Cue, Loop and Pitch Bend functions all feature dedicated controls for intuitive Djing, and 4 user-assignable controls and buttons are available for an integrated FX section.
The two jog wheels are ideal for creative DJ performances like scratching, pitch bending and cue searching, and with three-band kill EQ, loop buttons, pitch and level faders, plus an ultra-smooth gliding crossfader with adjustable crossfader curve, you get total performance control.
Built-In Mic Pre The internal microphone preamp features its own level and EQ adjustments, perfect for MC performances or DJ talkover.
Includes Native Instruments Traktor 3 LE DJ Software Based on the award-winning TRAKTOR 3, this smaller version offers two decks and an integrated 2-channel mixer. Auto-sync, beat-accurate loops, and a host of other forward-thinking features and effects will have you mixing liquid sets in no time.
What's in the Box Behringer BCD3000, Software CD, User's Manual

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3/10/2012

Mackie MR5 MR5 Reference Monitor (Single Speaker) Review

Mackie MR5 MR5 Reference Monitor (Single Speaker)
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FIRST THING FIRST...
Forget speaker set-ups and systems that unnecessarily add treble and bass to the music you're listening to including ones with active equalization that determine on your behalf what you're ears should be perceiving at the moment and eliminating other frequencies that it believes aren't as audible anyway.
How about jumping back into studio monitors that deliver music the way the recording engineers meant it to be heard. Too expensive? Hold on. Not with a Mackie MR5. The price you pay is per piece all right, but don't forget these are powered speakers. And at this price point you get a flat frequency response which means there is no colorization. What is recorded is what you get.
Studio monitors used to be so expensive and out of reach that consumers were bombarded with those other brands that promised to wow your ears with a "perception" of full spectrum audio rather than actually provide your ears with, umm, a full spectrum.
Finally Mackie decided to release lower end audio gear with high end results that appeals to everyone else outside of the audiophile world.APPLICATION...
These speakers are built with 3 types of audio connections.
1. Balanced XLR
2. Balanced TRS (which also can accept unbalanced TS)
3. Unbalanced RCA
Originally intended for near-field monitoring as well as accurate enough for home studio mixing. But knock yourselves out in using these anywhere you see fit. If it's good for mixing, it's great for whatever else.
I used it as my desktop computer speakers. If your computer has a 1/8 stereo output a.k.a. mini-stereo then just purchase a simple (but solidly constructed) 1/8" stereo to RCA cable.HOW DOES IT SOUND...
GREAT! However, you need to re-orient your ears if you've been used to unnecessary and heavy equalized equipment. Take a moment to listen to your favourite CD. One that you are very familiar with from beginning to end. Turn off or flatten the equalizer setting. Take one pass on it and determine if you really to highlight or defeat certain frequencies only because you either have wall to wall carpeting and draperies or bare walls.
You're goal is to listen to music the way it was recorded. If you have unbiased speakers in all frequency range then you will notice nuances in the recording that you never even thought was there. Seriously.WHAT ELSE DO I NEED TO KNOW...
Although this is the smallest of the Mackie studio monitoring speakers, it's still a force to be reckoned with in terms of performance, size and weight. And that's a good thing. It looks, feels and performs like any solid studio monitor. Nothing has been spared. Rather than spend money on marketing, they spend it on actual R&D and build quality.
Frequency response of 60HZ-20KHZ (+-3db) with internal bi-amplification of 55 watts (85 watts peak) for the low frequency and 30 watts (50 watts peak) for the high frequency. And don't be fooled by other speaker manufacture ratings stating 200 watts power which don't mean a thing unless they meant peak power before the internal fuse blows while already clipping at maximum distortion. Did you hear how loud your built-in television speakers can get. To think they are rated from 3 to 6 watts only. So with these truthful power rating, these Mackies are LOUD! Your ears neighbours will come knocking first before you can blow the fuse of these speakers.COMPARED WITH...
The truth is I was perfectly happy with my Blue Sky MediaDesk 2.1 speakers just because I couldn't afford a THX pm3-approved Mackie HR624 at that time. The frequency response was awesome at 35HZ-20KHz. The speakers were fully sealed which provided less distortion and true bass output. I tossed the boxes so I decided to sell them when I moved cross-country than risk damaging perfectly great speakers.
I now moved the Mackie MR5 pair to the living room and disabled the built-in speakers of the television and then obtained a pair of KRK Rokit Powered 6 Generation 2 studio monitors which is equally accurate as the Mackie, but has better frequency response at 48HZ-20KHz (+-1.5db) due to it's 6" low frequency driver.WHAT TO GET...
If you're budget allows for a Mackie, I would get an MR5. A cheaper alternative but still along it's price range is the KRK RP5G2 which also comes with a 5" low frequency driver. But for the same price as the Mackie MR5 is the KRK RP6G2 with better frequency response and a hefty weight and size to boot.
The difference is the porting on the cabinet. Mackie believes in using a rear port, while KRK argues a front port is better as it allows more flexible placement without fear from unnecessary bass response due from the rear ports when placed nearer against the wall.
My recommendation is to listen to both at your nearest studio monitor dealer that stocks both and decide. In the future you can expand to a 2.1 configuration to extend the bass response even lower by purchasing their own respective subwoofer counterparts. As usual, KRK products are better priced so this might affect your decision now the same way it did to me.
If you want a 2.1 configuration right now, then the Blue Sky MediaDesk 2.1 with it's sealed cabinet enclosure all throughout will make sure that the bass you hear is the bass coming from the subwoofer and not from any port which only exists to help extend bass response to a lower frequency.
Either of this you won't go wrong. But please do yourself a favor and get yourself a decent studio monitor than an exorbitantly priced speaker set from a manufacturer that (1) either advertises amplification and frequency response that can be achieved at full clipping power or (2) won't even advertise their specifications at all and then claim their "actual" performance doesn't do justice to the over-equalized supposed sound output.

Click Here to see more reviews about: Mackie MR5 MR5 Reference Monitor (Single Speaker)

Thanks to its sophisticated design, our 5.25-inch MR5 Mackie Reference Monitor delivers superior sound with impeccable clarity?at an unbelievable price.

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12/16/2011

KRK RP6G2 Rokit G2 6-inch Powered Studio Monitor (Single Speaker) Review

KRK RP6G2 Rokit G2 6-inch Powered Studio Monitor (Single Speaker)
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These monitors are a serious upgrade for any computer system especially audiophiles and musicians. These are great for Garage Band or Logic on the Mac and recreate the sound with amazing clarity, depth and tone. Plus bass is impressive for a small speaker and high's are crisp and detailed without being unbalanced. These speakers create an amazing listening experience for all type of music and instruments for a studio or small room. Not going to be for a large room setup but if you have the space or can mount these for computer/studio setup you will be very impressed with them.

Click Here to see more reviews about: KRK RP6G2 Rokit G2 6-inch Powered Studio Monitor (Single Speaker)

The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 6-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 49Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 12 11/16 x 8 7/8 x 10 1/2 inches (32.1 x 22.5 x 26.6 cm)
Weight: 19.6 lbs (8.9 Kg)

What's in the Box KRK Rokit 6 Powered Monitor, AC power cord, Owner's manual

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12/12/2011

Mackie MR5 Reference Monitor (Single Speaker) Review

Mackie MR5 Reference Monitor (Single Speaker)
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I'm starting a home recording studio, and wanted good audio monitors.
I did a lot of research before buying my first set of good speakers, and this is what I've come to find as the best speakers for such a good price. I was really surprised at the bass that could go through these 5" speakers, though maybe some people may want more bass than I want, so you may eventually decide on sub woofers.
These can even make bad recordings sound good! My friend and I listened to songs that we recorded long ago on poor equipment, and those old recordings sounded good on these speakers!
If you're new to the audio world (audiophile-want-to-be), these are great speakers for starts.

Click Here to see more reviews about: Mackie MR5 Reference Monitor (Single Speaker)

Created by the same audio gurus who brought you the legendary HR Series, the MR5 Mackie Reference Monitor is the perfect solution for those ready to step up to a monitoring system with truly pro sound. The MR5 delivers everything you need for critical monitoring in your home studio, multimedia or home theatre system. With its Active bi-amplified Class A/B architecture (55W LF / 30W HF), wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity. Thanks to its unbelievable sound—and price—the MR5 monitor stands alone in its class.

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8/23/2011

M-Audio Studiophile AV 40 Powered Speakers Review

M-Audio Studiophile AV 40 Powered Speakers
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My old Logitech Z-560 developed a short in it creating nasty crackling noises over one channel. The Z560 was a rare beast, a $140 400 watt 4.1 monster that Logitech built to really high standards to create a strong foot forward into the PC speaker market. Sadly, their quality has declined since then, and their current offerings are cheaply made, sound far worse with music than the 560s, and have even fuzzier and more overwhelming bass than the 560 did (the systems one flaw). I decided to try 2.0 systems to see if I could get good PC sound without the added failure risk of a high powered sub and the muddiness that all that extra bass and clumsy frequency transitions between sats and sub causes...
My findings, from worst to best:
Logitech Z-10: 30 watts. Looks good, costs a lot, $150, list. Sounds dreadful. Despite having a largish 3" woofer, and a 1" tweeter, the Z-10 seems to be doing a lot of signal processing of music and the soundstage sounds compressed and artificial. Changing bass and treble makes things worse, and your music will sound different (and worse) on these speakers than it would normally. The touch controls and LCD screen are useless pricy gimmicks that increase chance of failure and add weight and cost to the system. Who in the world needs to see the name of the track playing on the bottom of the speaker? Anyway, these are a disappointment, with the worst sound and tied for the highest price. The speakers are heavy and well made, very stylish, though easily smudged with the reflective black surface on the front of the speaker. Logitech needs to redo these, silly gadgets and useless feature are tolerable, bad sound however is always a deal-breaker. Two stars, for style and build quality.
Klipsch ProMedia 2.0: Also 30 watts. Nice sound, good price, $100 list. Dual 2.5" woofers and a 1" tweeter with a Klipsch high-freq horn in it. These sound pretty good, but they are unexpectedly bulky and poorly made. The oddly formed speaker housing means these take up a lot of space and the volume and bass control knobs look like they come from a $10 CyberAcoutsics set. The cheapie knobs, bulk, and ugliness make these fit for corporate presentations where good loud sound matters and where style is largely irrelevant. For the home user, the cheap knobs may well break over time, which was the Achiles heel for my 560s; quality system, cheap volume pot. Three stars, good though not excellent sound, reasonable price, loses points for ugliness and some shoddy cost cutting in build quality. The bulk is sort of a neutral issue, as the larger box size probably helps the sound and bass extension of the units, but for some users the footprint and added portability difficulties may be an issue.
Creative Gigaworks T20: 28 watts (though the box says 22 watts!) $100 list. Creative obscures most specs on these, probably fearing the single 2.5" driver versus the bigger Logitech and the double same size drivers of the Klipsch may convince buyers that the T20 lacks in comparison to its rivals. Truth is the build and design of the T20s makes them sound much better than either the Z10s or the Promedias. These little speakers can put out an awesome amount of clear accurate sound, and they look great and feel very sturdy. Treble in particular is excellent, and the alleged Bass Xport technology must have something to it, as bass is more than adequate. The separate bass and treble knobs may or may not appeal; to some, they offer more control, to others the added circuitry distorts the signal and gives an added area of complexity in the design that may fail. The portability is excellent. The only real problem is that Creative is so secretive about the wattage and driver size, out of unnecessary concern that buyers may avoid getting these because of a few watts or a half inch. These sound great, look good, and the size to sound ratio is impressive. Four stars.
M-Audio AV40s: 40 watts, $200 list. My personal choice, these speakers are much bigger than the other contenders, but the amazing sound and plentiful bass will convince you that you don't need to even think about a sub system. These wooden cabinets are very attractive and sturdy, but are not exactly portable weighing 14 lbs and being quite bulky. (More so than the Klipsch, but they also look nicer and are built better.) Besides the size and weight, the other issue is cost and maybe availability as few vendors sell M-Audio, and the price for the AV40s even with discount will be $50-$65 more than the cost of the other units I looked at. To me the sound and accuracy (no distortion at high volume, lots of accuracy at low volume) of the M-Audios, at both low and high volume, offsets all the problems. Four stars, loses a star because of higher cost and weight. (Note though these are still theoretically portable, far more so than any 2.1 system or even the average boombox...)
Do You Need More Power, a Subwoofer, or More Speakers? Probably not. If you sit at your desk with the speakers a few feet away from you, you do not need much more than 30 or 40 watts for great powerful sound. A subwoofer (unless it costs a lot!) will just screw up crossover freqs, create too much bass, and encourage the mfgr to give you cheapie satellites on the theory that the loud prominent sub will wow the casual listener who will not care that the sats have 1" uni-drivers and are made of cheap light plastic. Unless you need to entertain parties with your PC, you don't need more power or a sub.
As far as surround sound, unless you watch movies on your PC or play a lot of FPS shooters that need positional audio, the added wires and difficulty of positioning the rear and surround sats in the listening environment are too much of a pain for most folks. Plus a decent PC surround sound system is at least $250, meaning a much higher cost than any of these 2.0 systems.
Buying Recommendations: Don't mind big and bulky? Get the M-Audio AV40s. (Note the company has a smaller less powerful variant, the Av20s, but I did not hear these and they do not seem to be widely available so I cannot comment.) Want small and portable, get the Creative T20. The Logitechs unfortunately have no comparative strengths, and the Klipschs are adequate but offer no real advantage over the Creative. If you can find the Promedias significantly discounted, they may be viable.


Click Here to see more reviews about: M-Audio Studiophile AV 40 Powered Speakers

The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4-inch polypropylene-coated drivers and 3/4-inch ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system.


Studiophile AV 40 Compact Desktop Speaker System
Professional Components--Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4-inch TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system.
Extended Low End If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end--perfect for urban/dance music, DVDs and more.
OptImage III Technology M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.
Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.

AV 40 Specs
Type: Two-way desktop reference monitor
Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil
High-frequency Driver: 1" diameter, magnetically shielded silk dome tweeter
Frequency Response: 85Hz - 20kHz
Crossover Frequency: 2.7kHz
RMS SPL: 101.5dB @ 1 meter
Signal-to-Noise Ratio: > 90dB (typical, A-weighted)
Input Connectors: Left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input
Polarity: Positive signal at "+" input produces outward low-frequency cone displacement
Dynamic Power: 20 watts continuous, per channel into 4 Ω
Input Impedance: 10 k Ω unbalanced, 20 k Ω balanced
Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum
Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter
Indicator: Blue power LED ring around volume knob on front panel
Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord
Cabinet: Vinyl-laminated MDF
Dimensions: 8.75" (H) x 6" (W) x 7.25" (D)
Weight: 14 lbs./6.34 kg

What's in the Box Pair of AV 40 Monitors, Two Power Cables, 1/8-Inch Mini-to-RCA cable, 1/8-Inch Auxiliary Cable, Bare Wire Cable for Speaker Connection, Two Traction Pads, User's Manual.

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5/23/2011

Logic Express 9 Retail Review

Logic Express 9 Retail
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I am a hobbyist, not a pro, so keep that in mind as you read this; however, I have over the years used the old Logic when it was made by eMagic, Cubase, and landed on MOTU Digital Performer for a few years. I took a wrong turn and ended up playing with Reason and Live for a while, and then quit altogether. After a few years, I recently picked up Native Instruments Komplete 6, and never having found an ideal DAW, decided to dip my toe in the water with the new version of Logic Express. Having used many packages, I can tell you this is a robust package that strikes a nice balance between ease of use for a musician and powerful features for a producer. The Express version is not defanged, and can happily handle tons of tracks, Audio Units plug-ins (no VSTs), and without reading the manual I could record MIDI tracks, use software instruments, and record audio the same day I installed it. There are some really nice features and if you need the pro version you simply pay the difference for the upgrade, making this pretty exceptional value. I'm still fine with Express, but knowing the upgrade is easily available at no penalty is a nice policy. This is an intuitive and thoughtfully designed piece of software that has definitely reduced barriers for me at least in terms of getting the ideas that are in my head down and playing with them until they sound great.

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Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player\'s dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

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AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple\'s professional support staff. For more information, visit www.apple.com/support/products.


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