Showing posts with label pro tools. Show all posts
Showing posts with label pro tools. Show all posts

2/26/2012

Cakewalk Guitar Tracks 2.0 Review

Cakewalk Guitar Tracks 2.0
Average Reviews:

(More customer reviews)
I have to say that I am really impressed with version 2.0 of Guitar Tracks. They completely redesigned the user interface, which looks great, and made it really easy to use. It's a full 8 track recording studio with input and output meters, and audio editing. Each of the tracks can now be mono or stereo and can use any DirectX audio plugin. It comes with Stereo Reverb, Chorus, Flanger, Delay and Parametric EQ plugins. It also has the Drag and Drop Drummer Lite software with a bunch of great drum loops, that intergrates with program. I was up and running in about 5 minutes.

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Guitar Tracks 2.0 is a PC-based multitrack recording program built for guitar players. Designed to be as easy to use as a multitrack cassette recorder or tape deck, this is a great musical sketchpad for guitarists and singers/songwriters. Use it to get ideas down quickly. Controls are logical and clear so you can lay it down and mix it up fast. Features include eight recordable tracks of digital audio, easy punch-ins, looping, locating markers, stereo equalizer, delay, flange, stereo chorus, reverb, and vintage amp simulation. Mix down to stereo WAV files to burn CDs or make MP3s for the Internet. Tune up quickly with a built-in chromatic tuner. Guitar Tracks works with any guitar or microphone.

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1/21/2012

Digidesign Eleven LE Plug-In Review

Digidesign Eleven LE Plug-In
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Guitar players care about 1 thing, tone. I have a collection of guitars and amplifiers in my room I pretty much have a wall of speakers. I have all kinds of microphones to mic them with and record them using pro tools. Micing an amp can be sometimes just a pain to get the microphone in that sweet spot not to mention the cost of the amps and microphones. I have used amp modelers before and some you can get decent sounds out of but this plugin is one of my favorites. An Ilok is required which isn't as big of an issue now that PT 9 requires it as well. I will say Digidesign takes there time making plugins and they do it right. This plug in doesn't kill your computer and faithfully creates sounds of the amps they modeled. Overall I was more than impressed with what this plugin can do and the tone that it produces is remarkable. I would recommend demoing it first, I did and I bought the asset a week later.

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"Most guitarists are willing to invest thousands of dollars in search of a guitar amp that will unleash the perfect tone. For many, it means having to own several amps that all have a uniquely different voice and purpose. On top of that, guitarists are faced with another set of challenges when trying to capture that tone in recordings, or reproduce it in a live setting. Eleven LE is here to help alleviate that problem. Digidesign Eleven LE is a powerful RTAS/AudioSuite plug-in for recording guitar amp sounds that allows you to achieve highly realistic, jaw-dropping guitar tones based on some of the worlds most coveted vintage and modern tube amps, speaker cabinets, and mics all right in your Pro Tools or Avid rig. Of the 16 amp models are ones based on Fenders from the late 50s, vintage Marshalls, an 89 Saldano with three different channels, and two Digidesign originals. It also includes cab models ranging from the sounds of a 59 Fender Bassman with Jensen P10Qs to an 06 Marshall 1960AV 4x12"" with Celestion Vintage 30s. The mics include dynamics, condensers, and a ribbon style model based on popular designs by trusted names like Shure, Sennheiser, Neumann, AKG, and Royer.Using an innovative amp modeling technique Eleven LEs designers captured these amps, cabs, and mics at their best in a world-class studio. Presets allow you allows you to achieve the multi-dimensional guitar tone nuances of vintage amp like power amp sag, ghost notes, cab resonances, speaker cone breakup. The tube amp emulation components behave like their hardware counterparts for more realistic tonal achievement. You even get on- and off-axis mic positions for extra tone-tweaking flexibility.Eleven LE is for Pro Tools"

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1/17/2012

Tascam Track Pack T1 US122L Soundcard with Micrphone Pack Review

Tascam Track Pack T1 US122L Soundcard with Micrphone Pack
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I'm using this with a relatively new MacBook and GarageBand. And it sorta works. The updated driver still leaves the Mic VERY quiet and the guitar input not much better. The input dials need to be turned all the way up to get any input. Maybe a 64-bit drive would help, but now Tascam has discontinued this model, so I'm not holding my breath.

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Turn your Mac or PC into a complete recording system for music, podcasting or production with Tascam's Track Pack T1 package, which includes the US-122L sound card, MC-VT1 dynamic microphone, HP-VT1 headphones, and Cubase LE4 software--everything you need to produce hit music on your computer.
The US-122L is your computer's gateway into the audio world. More than just a soundcard, it has a pair of pro-quality microphone preamps for connecting any type of microphone. The phantom power switch supplies power for condenser microphones. The US-122L also has a line input for recording powered devices like keyboards, drum machines and guitar amp modelers. You can even plug your guitar or bass directly into the US-122L. With two inputs, you can record two microphones or sources at once, monitoring with the included HP-VT1 headphones. The included MC-VT1 dynamic microphone is ideal for recording instruments like electric guitar, drum kits and rock vocals.
The Track Pack T1 also comes with Cubase LE4 software, which provides 48 tracks of recording and playback with a Tascam interface and a Mac OS X or Windows XP computer. You can edit your tracks to fix timing and mistakes to put together a perfect take. Cubase LE4 has a professional-quality mixer built in with plug-in effects like reverbs, compressors, distortion, auto-pan and more. You can add more VST plug-ins later and there are more free and commercial VST plug-ins than any other format.
US-122L Features
High-quality stereo audio interface
TASCAM XLR mic pres with power for condenser mics
Works with audio application software for Mac OS X, Windows XP or Vista

MC-VT1 Features
Dynamic handheld vocal microphone
Professional XLR output for lower noise performance
Built-in pop filter reduces vocal plosives

HP-VT1 Features
Closed-ear headphones for isolation while recording
Includes 1/4-inch stereo headphone adapter plug
Padded headset with rich bass response

Steinberg Cubase LE Features These are just a few of the features of Steinberg Cubase LE:
48 audio tracks: More than many "pro" applications, enough for large arrangements and multiple takes
64 MIDI tracks: Record layers of MIDI synths, or incorporate ReWire samplers like GigaStudio 3 LE
96kHz/24-bit audio resolution: Audiophile recording quality captures every detail and nuance
VST plug-in effects: Thousands of effects to choose from, from free downloads to pro packages, with the most widely-supported plug-in format
VST instrument support: Incorporate VST soft synths into your Cubase arrangements
Notation editing and printing: MIDI tracks show up as completed notation for printing charts for musicians and editing tracks
Time Stretch: Change the tempo of a loop to match your song
ReWire 2 integration: Run ReWire-compatible applications like GigaStudio 3 on the same computer as Cubase LE
Upgrade path to Cubase SX: Upgrade to the full version of Cubase if you outgrow this version
Extensive support for mixing control surfaces: Use a US-224, US-428, FW-1884 or FW-1082 to control the program
To upgrade from Cubase LE to a more powerful version like Cubase SX3, visit steinbergupgrades.com.

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1/06/2012

Line 6 POD Farm Review

Line 6 POD Farm
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(More customer reviews)
I already had a decent understanding of how Pod Farm worked . In a matter of 15 minutes i had the Metal sound i'd been looking for in Guitar emulated Plug Ins . I've used Amplitube 3 , Guitar Rig 4 etc. and "NONE" of them can i get the kind of grit Metal sound i have with Pod Farm ... In "NO" way am i discrediting either of them . In My Melodic Heavy Metal Band , We play through LINE 6 HD147 Stacks that we've grown pig headed of the sound they create for us . Nonetheless , The compliments that we've gotten from them are just awesome . We are recording in Cubase 5 , And i removed the Amplitube 3 Plugins from the Inserts chain and replaced them with Pod Farm and "WOW", Nothing less than amazing . I haven't really messed around much with all the other features of Pod Farm , At the moment i'm so satisfied with our sound that i haven't had no reason to . My shopping experience has been picture perfect with "AMAZON.COM", I definately will be shopping through them for "ALL" my musical needs 4 sure ... Thanx so much AMAZON - You Da Bomb ...

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POD Farm\': The Premium Plug-in for Recording GuitaristsFrom dark and smoky American combos to blazing, gain-crazed English stacks, the sounds of hundreds of fully adjustable amps and cabs, plus studio-standard effects, stompboxes and preamps, are here for you to define your music and cement your place in history.In 1998, Line 6 released Amp Farm amp modeling plug-in and forever changed the way guitarists record. Ten years and dozens of groundbreaking creations later, Line 6 continues the recording revolution with POD Farm. POD Farm plug-in features the sounds of sought-after vintage essentials and must-have modern monsters necessary for a pro-sounding recording. It includes 18 immortal guitar amps (modeled after* Fender Deluxe Reverb, Marshall JCM-800, Vox AC-30 Top Boost, Mesa/Boogie Dual Rectifier, and more), 24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects (modeled after* EP-1 Tube Echoplex, Ibanez Tube Screamer, MXR Phase 90, LA-2A studio compression, and more) and 6 crucial mic preamps (modeled after* Neve 1073, Avalon Vt737, API 512c, and more). Drag and drop models into the signal flow, pre or post amplifier. The carousel-style gear browser, displaying each and every coveted model, provides an experience that\'s a dream come true. Creating classic tones or imaginative hybrids is incredibly fast and easy. Fully adjustable, each model offers total tweak capability. Also, with hundreds of presets available, classic gear combinations can be chosen to provide timeless tones in an instant. POD Farm is Mac AU/RTAS/VST and Windows RTAS/VST compatible for seamless integration with all major recording software applications.This product requires an iLok USB Smart Key (not included) and an Internet connection for activation.

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12/15/2011

PC CAKEWALK GUITAR TRACKS PRO 3 Review

PC CAKEWALK GUITAR TRACKS PRO 3
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(More customer reviews)
Somebody at Cakewalk must be doing something right. Guitar Tracks Pro 3 is an amazing upgrade over the older versions.
The new interface is silky smooth. The metronome actually works.
And, I can finally record at 24 bit 96khz, which I couldn't do with a lot of competitor's software.
A lot of great new effects (look under GT FX). Really good new reverb, equalization (called "Q"). The new plugins look like expensive rack mount units that you drool over (but dare not buy) at music stores.
Okay, minor complaints that the software defaults are kinda weird (sound on sound record, among others) which are leftovers from the old Guitar Tracks software. Also the record button is tiny tiny tiny.
But all in all, for the basic recordist, this is one hot piece of software. If your not at version 3, definitely upgrade. After about an hour of twiddling around, you will be all grins.
And as we all know, Cakewalk actually includes a printed manual that a normal human being can use and understand.
Hats off to Cakewalk for an excellent upgrade.

Click Here to see more reviews about: PC CAKEWALK GUITAR TRACKS PRO 3

Introducing the all new Guitar Tracks Pro 3?the revolutionary new PC recording software that gives you the freedom to create music anywhere, anytime, without worrying about technology?the freedom to forget about the tools and focus on your music.Guitar Tracks Pro includes everything you need to deliver professional results?no expensive hardware is required. You get a 32-track digital recorder and virtual mixing console; Amplitube LE?a special edition of the leading guitar amp plug-in; high-quality effects; powerful looping tools with full ACID?-loop support; a chromatic-tuner; a metronome; and a complete library of backing tracks.With Guitar Tracks Pro 3 you get the best of both worlds?pro quality production tools and the speed and ease of your old portable multi-track. So start your own revolution with Guitar Tracks Pro 3 and set your music free. Key featuresWhen it's time to take their music to the PC, more guitar players and singer-songwriters rely on Cakewalk music software than anything on the market today. Key features include: Familiar multitrack recorder interfaceRecord and play back up to 32 audio tracksArrange music with point and click easeExtensive audio editing capabilitiesSuperior sonic quality?up to 24-bit/96 kHzRecord your whole band using up to 32 inputs and outputs through multi-channel audio hardware32x8 internal Mixing ConsoleMix and record using up to 32 simultaneous real-time effectsAccurate envelope...

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11/27/2011

MAudio GuitarBox Review

MAudio GuitarBox
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(More customer reviews)
Let's start with the downside. For a semi-pro guitarist, the sounds are too amateurish. I could never use these sounds to record anything for public release. For home recording use, it is pretty good. The hookup is easy and you just can't beat ProTools.

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With the Black Box, M-Audio gives guitarists the power they need to produce astounding guitar tones and mind-blowing sounds that no one has ever heard before. This is due in part to the collaboration between M-Audio and Roger Linn while developing the Black Box. With Linn on board, a good idea - a user-friendly interface aimed at guitarists - became a powerhouse, with the addition of Adrenalinn technology, allowing beat- and MIDI-syncing of the effects. The USB connector pumps the output of the Black Box into a computer. And the new firmware update recently added a handful of new features to this already impressive unit, one of which is adding the Black Box to the list of Pro Tools M-Powered interfaces. If you?re a guitarist, you can?t afford not get one of these! And with Pro Tools M-Powered and the Black Box, you can now work anywhere, anytime with the industry standard in music production software! Create and record your project using any of the M-audio interfaces listed below, with genuine Pro Tools software. You can open sessions created in Pro Tools M-Powered software with any Windows XP or Mac OS X Digidesign Pro Tools TDM or LE system, giving you unprecedented production options for your music. Realize your creative vision with the perfect interface for guitarists - the Black Box - and the industry-leading DAW software.

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11/12/2011

Tech 21 PSA-1.1 SansAmp PSA-1.1 Programmable 1U Rackmount Review

Tech 21 PSA-1.1 SansAmp PSA-1.1 Programmable 1U Rackmount
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This is an awesome preamp! great tone, my guitar snarls and squeals like never before. Does it feel like a tube amp? not quite but its close in terms of response to playing dynamics. Missing some of the harmonic nuances of tube tone decay*... but hey, if you have $$ to drop on a triaxis or a real amp (which you probably couldn't use in an apartment), you shouldn't be looking here anyway. Note: the little handles on the side are black, not silver as shown in the picture.
*e.g. ~4:50, comfortably numb on Pulse

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1U rackmount for guitar, bass, and most any other instrument, for stage and studio applications. 49 factory presets for guitar, bass, and misc effects; 77 user-definable locations.

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9/24/2011

Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software Review

Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software
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I don't have this unit, although I'm strongly considering purchasing it. In Googling and talking to people who have spoken to Mackie customer support, the Mackie Onyx Blackbird runs well if it uses a SIIG FireWire 2-Port PCIe (NN-E20012-S2) and can run poorly or not at all with firewire cards that are not supported. Check with the recommended hardware and other specifications before you purchase this.
The Onyx preamps are the same as in the Satellite, and although I have not used them, several of my recording engineering friends, including some who write for EQ Magazine (which is going to be bundled in with EM Magazine next month) find the preamps to be open sounding and transparent with a lot of headroom. And the rest of the feature set, including ADAT lightpipe I/O (you can connect an Apogee Rosetta 800 or other A/D & D/A converter to it and dramatically increase your I/O), RCA coaxial S/PDIF, and the rest is quite strong for $499. So like I say, I'm strongly considering purchasing this to run with a Mac Pro and Pro Tools 9.
Anyway, I hope this helps people sort this all out.


Click Here to see more reviews about: Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software

Mackie's Onyx Blackbird Premium 16x16 FireWire Recording Interface delivers industry-leading recording quality via eight boutique-quality Onyx preamps and high-end 24-bit/96kHz conversion in a sleek rackmount design. True analog hardware monitoring, in both mono and stereo, provide simple zero-latency recording, while onboard word clock and 8x8 ADAT I/O allow for ultimate expandability. Two front panel Super Channels provide quick access to crucial recording tools and the powerful Blackbird Control DSP Matrix Mixer allows for quick mix creation and routing of any input to any output. Plus, since it works as a standalone 8-channel preamp rack, Blackbird offers a single box solution ready for integration into your studio or digital live setup. Mackie Onyx Blackbird Firewire Audio Interface Features Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range High-headroom design with ultra-low noise and distortion Professional 16x16 24-bit/96kHz recording/playback Flexible FireWire routing 8x8 ADAT I/O for ultimate expandability Onboard word clock I/O for studio and live integration Acclaimed JetPLL jitter elimination technology High-end Cirrus Logic AD/DA converters with 114dB dynamic range (A-weighted) Compatible with most major DAWs Logic SONAR Cubase Ableton Live Final Cut Pro and more Powerful and flexible Super Channels Front panel connectivity for easy access True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording 80Hz low-cut switches

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9/16/2011

Rocktron Gainiac 2 Tube Guitar/Bass Preamp Review

Rocktron Gainiac 2 Tube Guitar/Bass Preamp
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For the money, this a very decent preamp. I really have to review it with 4 stars, although I feel for the the average musician it would be a 3. First lets get to the pros:
Its rugged, small, and compact. I bought 2, one was a backup I never used. They stood up to the wear and tear of touring. The Gainiac II has a VERY awesome clean tone, the classic warm tube sound. I actually know a lot of bands that have used this preamp to record clean tones. Its wonderful and really can't be beat IMO. The distortion channel is also very good. A nice clear sound, not the static fuzz that extreme distortion causes. Great for hard rock/80s (I used to cover some Van Halen songs that it was perfect for). I wouldn't say its going to give you a death metal tone without pedal assitance, but if you want a clear responsive distortion, this is it. I saw a lot of complaints on Musician Friend's website that the Gainiac lacks a thickness and tone, but I honestly cannot hear it. I used DiMarzio Evolution pickups and the Apex Aural Exciter in front and powered it with an ART Sla-1 power amp so perhaps that is why I never heard this lack of tone.
Ok the cons:
The tube is very hard to get out. Don't get me wrong, its an awesome tube but there is always room for improvement. The Gainiac II is noisy on the overdrive channel. This can be solved fairly easily with the power amp and a good noise gate. I used the noise gate on my processor and it fixed everything right up, but some may not be as fortunate to have a good gate. There is only one output on this unit, which I got by fine with. There are no effects, just a clean and overdrive channel, which was ok for what I was doing. Also, there is no on/off switch and the AC adapter is fairly large. Recording directly into a computer gave kind of a rough tone but I'm not a recording expert.
My verdict is if you're looking for a preamp/power amp guitar rig, give this little unit a try. Its hard to fine the good Line 6 preamp that used to sell for $500, and the only other preamp I would ever consider is the Prophecy (which will break bank). You will have to do some tweaking, but for the money I think the Gainiac deserves a little attention and some surprising tones can be achieved. Also, for the price, you can afford to decide if the pre/power setup will be right for you. If this isn't something that you want to keep on a live rig, it will always be there for tracking down cleans in studio.

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Combo amp sound thin? Need more tone and screaming distortion? Grab the Gainiac 2!! With over 100dB of outrageous gain, this tube preamp has two channels with the most intense distortion and power that you need to perform at full throttle! Equipped with Rocktron's unique "Scoop" control, the Gainiac lets you go from the classic sounds of the 60's and 70's all the way to the raging atomic sound of modern metal.The Gainiac 2 isRocktron's latest version of this world famous tube preamp. Now with a more modern sound, and an extra control for the clean channel (separate master volume). And BONUS - more headroom so you get even more gain than ever before!!Featuring the most effective EQ section ever devised, the Gainiac 2 allows over 30dB cut, or "scooping" of the midrange used with the bass (Bottom control) and treble (Top control) as needed by your cabinet. Guitar tones just can't get any heavier. ( In the Gainiac 2, Rocktron has improved the mid scoop on the distortion!) Back off the Scoop control and your sound rolls up into a much fatter, rounder sound. The Gainiac 2 adds three band EQ to the clean sound as well and the clean sound now runs through the tube for more warmth!Join the legion of Gainiac maniacs and increase the pallete of tones you're stuck with in that combo amp of yours by adding the Gainiac 2 to your setup. The Gainiac 2 is easy to hook up and use.

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9/02/2011

Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
Average Reviews:

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First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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Professional around the world have long been using Pro Tools recording systems to create award-winning music and sound for film and TV.Now you can get the same professional results in your personal studio with Pro Tools Mbox Mini - a complete, integratd, computer-based music creation and production system.The ultra-portable Pro Tools Mbox Mini features everything you need to easily compose, record, edit, and mix music-including studio-standard Pro Tools LE software.You get over 70 stunning effects and virtual instrutments, plus other tools and features to help you create music quickly and easily.Mbox Mini also delivers premium sound quality, plus rock-solid compatibility with nearly every popular audio recording application.

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Avid Vocal Studio Review

Avid Vocal Studio
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i've never used a USB mic before, and this little thing is perfect for podcasting & very beginner's recording. Used it for picking up guitar amps and it sounds quite nice (definitely still has the ambient noise, but for the price it is quite nice.)

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Avid Vocal Studio transforms your computer into an easy-to-use recording studio.Powered by the same technology behind many of the todays's greatest hits, the system includes a streamlined combination of Avid software and hardware-the Pro Tools SE music creation application and M-Audio Producer USB microphone.Simply connect the studio-quality mic to your computer, fire up the software, and record stunning vocals for use in songs, soundtracks, podcasts, or voice-overs.Then use Pro Tools SE to polish your performance, add effects, and more.Whether you're singing the next radio hit or narrating your video production, you'll sound great with Avid Vocal Studio.

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8/16/2011

Propellerhead Record Software Recording Studio for Musicians Review

Propellerhead Record Software Recording Studio for Musicians
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I got Propellerhead Record a couple weeks ago, and I was looking forward to it quite a bit. A recording solution from the people who made the awesome, easy-to-use, stable, and incredibly fun Reason? All I could say was "what took you so long?"
This won't be too in-depth, but I wanted to give a couple flags of clarification for folks out there considering buying Record as a stand-alone recording package (without Reason or any other Rewired software tools).
1) Record has no MIDI-out capability. That means, unlike all the other major sequencing-recording packages out there, using just Record alone, you will have no way to sequence, control, synchronize with any hardware equipment via MIDI. Got an old Yamaha Motif or Access Virus module you'd like to sequence with MIDI and then record the output into Record? Well, you can't do it unless you use some other software (Sonar, Cubase, etc) to do the actual sequencing and then synchronize that software with Record using Rewire (Rewire is a protocol that lets both Reason and Record communicate/synchronize with other recording and sequencing software, like Sonar or Cubase). Have to admit...had I realized this before I bought it, I might have held off on purchasing Record. I never thought to ask because I just assumed it would be a feature.
2) Unless you already have Reason or buy the Record/Reason package, your options for MIDI sequencing soft synths with Record will only be the ID-8 sample based synth that's included with it. It's not bad, but if that's ALL you have for soft synth access, it's fairly limited. And like Reason, Record won't let you use any other plug-in soft synths.
So, what are your options to best use Record?
* Buy it with Reason. The arsenal of great quality soft synths, effects, and tools at your disposal are too valuable to pass up and perfectly complement Record. And Reason so perfectly integrates with and complements Record (no "Rewire" required for them to "talk"), that Record almost seems handicapped without it. I already owned Reason, so currently this is the option I'll use the most. It's easy and covers most of what I want to do.
* Learn how to play your hardware keyboards/synths so well you don't need to sequence them (the same option guitarists have had to live with). I'm a mediocre keyboard player...some days my timing is great and I do very little MIDI manipulation of sequenced tracks...other days I stay sane by being able to edit bad note events and quantizing. As well, I have some old "no-MIDI" analog synths, so I'm used to having to play (with no sequencing option) occasionally while recording. Were I a better player I'll admit, the no-MIDI-out issue with Record would be much LESS of an issue.
* Use it with another software sequencer using Rewire. I had already planned on doing this somewhat because Record doesn't handle video, and I do the occasional soundtrack for video projects I throw together. My Reason has been Rewired to Sonar on quite a few occasions and has worked nicely. Additionally, I have a couple of really nice hardware synths that I use a lot when I compose/record. In order to get them sequenced and more easily recorded, I'll likely end up Rewiring Sonar to Record.
So lastly, you're wondering, "with all the required workarounds, is it even worth buying Record?"
If you're new to computer based recording, not too heavily invested in any other recording packages, and you don't have any hardware synths you like to sequence, then Record with Reason is a no-brainer and a big yes. It's a nice, professional sounding, easy-to-use and easy-on-the-CPU package that provides most of what you could want for home recording and music production. But, if you do a lot of video, or rely extensively on MIDI control of music hardware then unfortunately you'll still need other software to provide that capability and you might as well consider going with another recording/sequencing package.
Yep, it's true. Without MIDI-out, other Rewired software and Reason, Record is really just a nice, very easy-to-use, PC-based version of an old recording studio. What you mostly get out of it is what you can manually record into it (and manipulate digitally). Record clips of sound, music, vox into it, edit, add effects, mix and voila! Finished songs!
As for me, for now I'll likely keep using all three...Reason, Sonar, and now Record, and then I'll throw a BIG party when Record incorporates MIDI-out. Based on discussions at Propellerhead forums it's a definite possibility they're already working on the feature. I'm keeping my fingers crossed. Because of the required workarounds, for me I can't give it a 5-star rating. But given all the other strengths and the capability Rewire gives it, it's a VERY solid 4.
***Added note for new Record 1.5: No, even the new 1.5 version doesn't have MIDI-out. Let's hope for 2.0.

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Propellerhead Record software lets you create record-ready channels in an instant, minimizing the steps between idea and actual recording. Since recording music is all about seizing the moment, capturing a perfect performance—or even nailing that idea before it goes away—requires tools that are ready when you are. This music recording software is always ready, giving you more time for playing music and less time having to deal with dialog boxes. Simply plug in, breathe out, and you're ready to go.All the instruments, processors, and effect units used in a song are housed inside the recording software's customizable rack. Any device created is automatically and logically patched into the rack, but if you're feeling adventurous or need to do some routing of your own, just flip your entire Record rack over and all the cables are all yours.Your Record rack can be stacked with an infinite number of reverbs, distortion units, delays, dynamic processors, mastering EQs—everything you need to shape and color your sounds. Click and drag effects straight to the rack, or load any of the expertly crafted patches.To help you arrange your tracks in a smooth, effortless way, Propellerhead's music software comes with a fast and flexible sequencer. Immediate and intuitive, Record's sequencer puts you in control of your arrangements, letting you move and edit parts as you go along.Propellerhead Record's sequencer also takes care of your MIDI performances, for use with the build in ID-8 instrument or for controlling Reason instrument and devices when Record is paired with Reason. Every thinkable knob, button, or fader can be automated with ease, and then edited and fine-tuned in the sequencer.Finally, all your sounds will end up in Propellerhead Record's main audio mixer. This mixing console's sound and signal processing was faithfully modeled after the legendary SSL 9000k analog mixing desk. Flexible routing, full dynamics, EQ, advanced effects handling, full automat

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7/19/2011

Digidesign Eleven Rack Guitar Multi Effects Processor Review

Digidesign Eleven Rack Guitar Multi Effects Processor
Average Reviews:

(More customer reviews)
To qualify this review, I must first inform you:
I have no affiliation with Pro Tools or Avid, so if I say something positive you can trust it.
As a professional studio musician ( since the 1970's) I have had experience using every original amp and effect this ( or any other) modeling preamp claims to emulate. If you ever listened to the radio in the 80's and 90's, you have heard me playing most of these real amps on real records. There's a good chance you might have seen me on TV with some of these amps too.
Good features: KNOBS
The front panel has large rotary encoders with smooth-operating silent knobs. That's great, because they lay these out to provide tone and volume adjustments in real time... "On-the-fly" as they say. This feature is not new or unique, but it demonstrates that they consulted with real players during the design. This means you can use it like the front panel of whatever amp you are modeling and that the controls operate very much like the real thing. A+ !
TONE: very good for a modeling amp... one of the best. Because I have owned and toured with all the famous amps, I know not only how they sound, but how they react to different guitars / pickups... how they "Feel" to the player. "Feel" is a subjective term because it includes so many variables. One of the most important variables that most reviewers forget is VOLUME. It is impossible to describe the experience of playing to 17,000 people at full volume on a large stage. The whole point of using modeling amps is to recreate all the nuances of of tone and response that a REAL amp has at REAL stage volumes, yet do that at low volumes for smaller gigs, sessions or home recording. In that area, this is one of the best sounding and feeling preamps I have used.
Versatility:
It is designed to work either as a recording front-end, a direct out to a mixer / PA... AND a front end to any professional amp you currently have. I'll explain all three of those briefly:
If you already have a good amp, (or two for stereo) you hook this up for live playing easily. Three button presses get you to the cab-sim defeat function, so you can turn OFF the internal cabinet simulation. That is also not new or unique, (Much less expensive modelers have that) but it is absolutely necessary for any professional with a REAL amp. You don't want the artificial simulations in addition to the natural variables of your amp and speakers. Once you learn how to navigate this machine, it only takes a few seconds to set that function ON or OFF. So, that's a A grade in this sub-category, but not A+. Why? Because they should have made it possible with a single press of a dedicated button.
Interface with a live PA or mixer to power-amp: Many working guitarists love the sound of their real amps, but have discovered that for amplifying modeled sounds, nothing beats a professional power amp. I won't discuss the relative merits between Class A, AB, or class-D topologies here. The bottom line is you get more clean raw power in a smaller, lighter package with professional power amps. They do not "color" the sound as much, which is desirable when you have a modeling preamp. Also, professional solid state power amps are far more reliable and require far less maintenance.
This thing works perfect well with either powered speakers or your own power-amp / passive speaker combo. (my preferred rig). Not only that, but you can operate it in two modes at once. That is: you can use a real amp for your stage-monitors and simultaneously run a direct out to the FOH mixer. That makes a sound-tech's job easier. That's especially important if YOU are the sound-tech. I just wish they used dedicated outs for each "mode" and had balanced lines for everything. This has balanced-outs for the direct out and buffered un-balanced outs for everything else. You'd think for the price their asking, they could include two-extra balancing transformers!
Recording and re-amping. Many hobbyists and home recording studio owners will want this because it excels here; especially if you already use any version of pro-tools on a MAC. If you use any other recording software environment it still works, and you can still use its internal processing to relieve your computer form all the heavy number-crunching. That's great. This also allows you to "re-amp." That is when you devote a separate track to recording a dry, unprocessed guitar signal. That way you are not "locked-in" to a preamp sound during mix-down. You can choose a different amp-model, effects, EQ... anything, AFTER the recording is done. This feature is of no use to me, however tweaky amateurs love to play with tones without having to perform. Producer-types like to stamp their talentless imprimatur on other people's labor. So this feature is a big hit among inexperienced geeks and pretentious producers too. This category therefore deserves a special two-pole rating: for Tweaky geeks who can't play and have endless time to play with toys, or for egotistical yet talentless engineering nerds, this is an A+ feature. For any professional with decades of hard-won experience the rating is "who cares?" Well, sorry... I take some of that back. I suppose an up-and-coming studio cat MIGHT get more calls if the producers knows he can screw with the player's tones AFTER the session. Producers universally enjoy wrecking decent tracks with their imbecilic post-prod voodoo. This thing allows them to do that in spades!
EASE of operation: Manufacturers are stupid. They want to create a hot product, but they forget they must sell to musicians, not computer geeks. True, some of us are actual engineers who can operate computers, graphing calculators, know math and how to use slide rules. ( I'm giving away my age here.) But as musicians, we do not enjoy tweaking when we are playing. We need the instantaneous adjustments of real knobs and dedicated buttons. So why do so many manufacturers, including this one, make the same mistake? Because they are cheap and stupid. They are so worried about making profit that they refuse to put simple buttons with clear labels like; Chorus, reverb, delay, boost, distortion, overdrive, leslie, etc.. Instead, they group effects under "categories" based on the type of processing algorithm that makes that effects. Reverbs are different than delays. Those are different from other time-based modulating effects like chorus or flanging. They are basically just putting their software into a metal box so that it LOOKS like a real machine.
OK... so I have exposed my prejudice here... I despise software driven commands, menus and scrolling. I prefer dedicated buttons for every function. Also, I know enough about engineering and product design that I see why they are ripping us off. They claim to give maximum flexibility, and they do, sort of. But it is at the expense of intuitive control.
NOTE TO ALL MODELING preamp DESIGNERS:
WE NEED BUTTONS. ANY PRODUCT YOU MAKE SHOULD BE SO SIMPLE THAT IT REQUIRES NO MANUAL.
Finally, the few amp models and effects this thing has are very good. Not the best for every guitarist or situation though, but certainly one of the best. The original GP100 by Roland is still as great today as it was before it was discontinued. Mine still works and sounds as good as this for the BIG THREE models: Marshalls, Twins and AC30's. In fact the GP100 is BETTER than this much newer device at the Marshall plexi tone. For that matter, the sansamp GT2 ($160) does that single thing as well as any preamp on the market. The ROCKTRON PROPHESY got the "buttons plus knobs" thing right. Why can't AVID?
EVEN CHEAP modelers (

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Digidesign's Eleven Rack is a revolutionary guitar recording system designed to solve the challengesguitarists face in the studio.Eleven Rack uses a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing through a mic'd amp.By combining studio-Standard Pro Tools software with a DSP-accelerated high-resolution interface, Eleven Rack puts professional recording into the hands of every guitar player.Whether you're tracking in the studio or playing on stage, this rackmountable multi-effects processor delivers fresh, mind-blowing, hyper-realistic guitar amp and effects tones that will inspire your best performances.

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6/10/2011

Zoom G1U Guitar Effects Pedal with USB Interface Review

Zoom G1U Guitar Effects Pedal with USB Interface
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I was looking for a decent headphone amp because I live in a crowded apartment in a crowded city and my marshall stack would get me either arrested or beat up.
First of all, the zoom g1u package DOES include an AC adapter. I say this up front because all the literature I read on it indicated it did not ("optional" ac adapter, is the reference everywhere).
As far as the zoom itself, its a remarkable and very very fun piece of technology.
--the presets ("patches") are great, you get a huge variety of tones and sounds and effects pre-set so its easy to just jump in with it and start playing different genres of music. Many of the presets are explicitly modelled after famous guitarists and their famous tones (srv or randy rhoads for example) and are labelled as such. If you want to create your own tones you can do that too, obviously.
--amp and cabinet models - they sound just fine to me. I havent compared the zoom models with, say, those on the digitech rp series, but the zoom models (from distortion to clean to jazz) all sound lovely to me.
--huge set of effects are available.
--drum machine is a blast, much more fun than I expected, having never played along with a drum machine before. Most of the drum tracks I probably wont use, but I think anyone can find a few favorites to play along with. Of course preset drum tracks are not as versatile as being able to play your own drum track, though. At some point i'll probably buy a separate drum machine. Its definitely a fun thing to have included though, I think.
--includes software - zfx tools (create patches) and ableton live (record and edit your music): ability to record directly to computer via usb is a blast too, and works well.
Is it worth a hundred bucks? Absolutely, its amazing how much technology they are packing into these tiny boxes (5"x5" approximately) and it will keep you entertained for quite a while. The g1u is a great introduction to these things - drum machines, effects, amp modelling, and recording software - it makes certain things easy particularly for a beginner (like giving you presets with descriptions and not forcing you to build common tones from scratch). Similarly the recording software is simpler and easier to grasp and use than the much more complex Cubase software that you get with higher and more expensive models.
I did compare the g1u with a couple of higher models (g2.1u and digitech's rp255). These are the only other two models right now that have both usb connection AND drum machine tracks built in. Both are considerably more expensive than the g1u. The main thing both add is the 'expression pedal' (which I didnt need). Other than that they dont add much at all in features. In fact the g1u I believe has a lot more models and presets than either, and is a more recent and updated product than either.
Pretty happy with it so far. Loads of fun. I'm not missing my full size amp at all, and this box lets me play to my hearts content without bothering my neighbors. The convenience and value you get with these boxes is truly amazing.

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Zoom G1U Guitar Pedal - Legendary Sounds for the Studio and Stage!From the legendary sounds of the sixties and seventies to the latest modern metal sounds and famous artist styles, the G1u gives you a tremendous range of tones with 100 patches ready to play. Program your own sounds and save up to 100 more. While offering performance and functions far beyond its class, the compact G1u easily fits into the pocket of a guitar case or gig bag. The reinforced plastic case is sturdy yet lightweight, so you can carry the unit anywhere.The sound modeling technology developed for our ZFX Plug-in came in handy when redesigning drive sounds for the G1u. Parameters such as gain setting range and harmonics component characteristics were fine-tuned to convincingly recreate 20 types of guitar amps and stomp boxes. And there are 10 original drive types settings as well, producing quality sound and dynamic presence.Simply hooking up the G1u to a computer with a USB cable turns it into an audio interface. Our direct monitoring design eliminates any latency problems, allowing the real amp sound to carry through into the recording. Now you can get your own tone no matter where you are.Whether you're practicing, performing or recording, the G1u has endless tone possibilities for any style of playing.Eight modules offer a collection of 67 different effects that can be put to use straight away. There's even a Harmonized Pitch Shifter in key and long delay with settings of up to five seconds. The G1u surpasses your expectations for flexibility and control.Our authentic sounding models of classic tube amplifiers are made possible by our high resolution signal processing with 24-bit A/D/A conversion and 96 kHz sampling. This technology captures ultra high-range harmonics that dramatically impact the authenticity of the model.

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5/14/2011

Avid Recording Studio Review

Avid Recording Studio
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Well, at first I thought it was my mike cord. $40 later I realized it was the phantom power.
I actually got a couple of vocals done the other day; they came out pretty well and I was happy with the box. The first setup gave a hum so I swapped cords and everything was fine. Ordered a new Monster XLR cord and the hum was back. So I went to the cord I'd used successfully. . .and now it's humming. I was using an AT-4040 condenser mike. Grabbed the nearest mike handy--a Shure Beta57A--and got no hum. Also swapped headsets and jiggled the USB cord (not that that makes any sense). It's got to be the phantom power supply in the Avid Recording Studio itself.
I did the above using Garage Band on a Mac Book Pro. The Avid Recording Studio comes with a free version of ProTools, so I gave it a try. Same story. Nasty hum using the condenser mike and phantom power; OK with dynamic mike. I couldn't get either Garage Band or Pro Tools to record an electic guitar. I assume that input is bad, too, though I'll admit I didn't pursue it very far. This thing should be plug-and-play, and it's just not worth the effort. Fortunately I bought it through a local guitar shop and they'll take it back no questions. (Amazon is great about returns, but this is even easier.) I'll replace it with something by another manufacturer. I had nothing but trouble with Pro Tools in the past, and I had big doubts about buying anything by Digidesign (now Avid). They didn't change my mind with this piece of junk. My advice to you is to avoid it. Yeah, it's cheap but apparently, there's a good reason.

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Powered by the same technology behind many of today's greatest hits, Avid Recording Studio instantly transforms your Mac or PCinto a full-featured studio.Captured guitars, instrutments, and vocals in pristine, 24-bit/48 kHz quality with the included Pro Tools SE recording software and M-Audio Fast Track audiointerface.Then fatten your guitar sound, deepen the groove, and get clean, pristine tones with Pro Tools SE.You can also add backing tracks with loops from the huge included library, then polish your songs and share them with the world.Avid Recording Studio makes it easy to vreate stunning audio projects-even if you're never recorded before.

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5/01/2011

Pro Tools Make Music Now Recording Studio Review

Pro Tools Make Music Now Recording Studio
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Ok guys, ill make this short and sweet.
Im a singer song writer, been using Magix Music studio 12, then decided to buy Pro Tools.
"PROS for the Fast Track USB interface"
Low latency - Clean clear voices
High build quality
Small/Compact
Portable
"CONS for the Fast Track USB interface"
Cant use condenser microphone. **I was able to set up a condenser mic to this USB fast track model. But i had to buy a phantom power supply that cost me an additional 30 BUCKS! but it works fine.**
Only records in MONO. not capable of recording in Stereo. Which is my biggest turn off. NO one uses Mono recording. Why would they even make it MONO? so dumb.
As for the actuall software Pro Tools M-Powered Essentials
Pros
Tons of loops and Samples
Vitrual instruments and
Awesome Recording Interface.
Cons
Takes alot of space on ur computer so have alot of memory.
Does NOT, I repeat DOES NOT give you access to all functions of the Pro Tools program. They kepp wanting you to upgrade to the full version.
OVERALL Tips
Good for intery level stuff.
I personally just sold this and bought the MBox 2 which is by far a way better investment but a little expensive.
Have acomputer with alot of RAM and Memory.
If you want to use a condenser mic, buy a phantom power supply for like 19 -30bucks then hook it up accordingly.
Hope this helps you guys out!
CB.

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Crank up the level of your musical creativity with the power of Pro Tools Recording Studio. Easily craft a hit by creating, mixing and recording your music on the same digital platform professionals use to produce much of the world's most popular music. Plug in your standard guitar, microphone and other instruments into our simple yet high-quality audio USB interface play and record directly to your Mac or PC. Even if you're a beginner, your songs will sound like they came from a top recording studio when you pair your inspiration with the ultimate audio production software.

M-Audio Fast Track USB Audio Interface
Record guitar, vocals and more Capture pristine digital sound for any recording project with Fast Track USB--whether your guitar is plugged right into the computer or you\'re using a standard microphone.
Professional quality audio interface Create a hit song or soundtrack with M-Audio technology, previously only available to the pros. With far superior sound than standard-issue PC audio cards, Fast Track USB delivers a high quality, skin-tingling audio experience--even if you\'re just listening.
Connect directly to your PC or Mac Make music now when you plug in your guitar, microphone or other instruments into our USB interface that connects to your Mac or PC. Fully experience high quality digital sound when you listen to playback on headphones plugged right into the interface.
Create the perfect sound Adjust your input levels with the included Pro Tools M-Powered Essential software to achieve the perfect sound for your track.
Pro Tools M-Powered Essential Software Pro Tools M-Powered Essential gives you easy access to many of the same Pro Tools software features that professionals use every day to create Grammy award-winning albums, Emmy award-winning television shows, and Academy Award-winning films. This easy-to-use software lets you create pro-sounding mixes with up to 16 mono or stereo audio tracks. You also get 60+ virtual instrument sounds to play and record, plus EQ and other effects to make your mixes sound professionally produced. It even comes with over 5.5 GB of music-making tools to help you get started instantly.
Play, mix and record with the creative power of Pro Tools Create incredible music right out of the box with the platform the professionals use to record, edit and produce much of the most popular music in the world.
Get inspired with a treasure trove of loops Go from casual playing or singing to full-blown music production in styles ranging from hip-hop and funk to pop, jazz, rock and blues. Or, use our vast library of drum and instrument loops as an ideal springboard for practicing, jamming or songwriting.
Plug it in Texture your sound with the rich coloring of the SansAmp tube amplifier simulator. Simply plug your guitar into the included Fast Track USB interface and you'll feel like you're playing on the real thing.

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