Showing posts with label budget. Show all posts
Showing posts with label budget. Show all posts

11/10/2011

Yamaha HS50M 5" Monitor Speaker Review

Yamaha HS50M 5 Monitor Speaker
Average Reviews:

(More customer reviews)
The Yamaha HS-50M studio monitors are excellent tools to listen to and work with. On audition at Digital Village I compared them to other small studio monitors by having a CD with acoustic guitar music fed through them. The bite and colour of strings through the Yamahas were reproduced very well. That was enough, I bought them.
I have been using these monitors for almost a year now. They have a fine combination of qualities, and are very serious sounding; certianly not for children, or to play about with. They are for solid work, research, and of course, monitoring.
These Yamahas may lack the real lower thunder bass around 20-40Hz, do not let that put you off, for they can still produce the thunder bass frequencies centred above this. My floorboards rattle and move below my feet due to the low frequency energy coming out of these speakers, and you can hear thuds and thumps captured on certain recordings. Thus quite simply, yes, there is enough bass reproduction here to hear. It all depends on the source quality.
The HS-50M's are very clean sounding, and cymbals have got a natural shimmer and ring. Front and back depth is good, and stereo images shift as necessary. Vocals have a realness and closeness as they should. You can hear the woody resonance of certain guitar notes resound through your chest, and the dynamic range and dynamic capability of these speakers are excellent. They also can be amazingly subtle and gentle.
When testing a wide range of music and sound sources they very clearly make it known their origin, be it a live TV studio or compressed artificial recording.
But the overall beauty of these Yamaha's is because they are so transparent, when listening to old favourites they can bring tears to your eyes, as they accurately portray an era, atmosphere, and emotion.
Highly Recommended.

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If Your Mixes Sound Good on These, They Sound Good on Anything. The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too.The HS Series is a two-way, internally powered speaker system designed to provide affordable, high quality reference monitoring for all types of recording and multimedia applications – home studios, computer-based music production, gaming systems, keyboards rigs and personal computer systems. All products are sold and packaged individually, making it easy to build flexible monitor setups and 5.1 systems.HS Series cabinets look as great as they sound. Enclosures are constructed of high-quality MDF material and a multiple layer finish that minimizes resonance. Design elements include a black finish and lighted Yamaha tuning fork logo. White polypropylene woofer cones recall the look of the classic Yamaha NS10M, and include low-damping rubber surrounds and full magnetic shielding.

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8/23/2011

M-Audio Studiophile AV 40 Powered Speakers Review

M-Audio Studiophile AV 40 Powered Speakers
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(More customer reviews)
My old Logitech Z-560 developed a short in it creating nasty crackling noises over one channel. The Z560 was a rare beast, a $140 400 watt 4.1 monster that Logitech built to really high standards to create a strong foot forward into the PC speaker market. Sadly, their quality has declined since then, and their current offerings are cheaply made, sound far worse with music than the 560s, and have even fuzzier and more overwhelming bass than the 560 did (the systems one flaw). I decided to try 2.0 systems to see if I could get good PC sound without the added failure risk of a high powered sub and the muddiness that all that extra bass and clumsy frequency transitions between sats and sub causes...
My findings, from worst to best:
Logitech Z-10: 30 watts. Looks good, costs a lot, $150, list. Sounds dreadful. Despite having a largish 3" woofer, and a 1" tweeter, the Z-10 seems to be doing a lot of signal processing of music and the soundstage sounds compressed and artificial. Changing bass and treble makes things worse, and your music will sound different (and worse) on these speakers than it would normally. The touch controls and LCD screen are useless pricy gimmicks that increase chance of failure and add weight and cost to the system. Who in the world needs to see the name of the track playing on the bottom of the speaker? Anyway, these are a disappointment, with the worst sound and tied for the highest price. The speakers are heavy and well made, very stylish, though easily smudged with the reflective black surface on the front of the speaker. Logitech needs to redo these, silly gadgets and useless feature are tolerable, bad sound however is always a deal-breaker. Two stars, for style and build quality.
Klipsch ProMedia 2.0: Also 30 watts. Nice sound, good price, $100 list. Dual 2.5" woofers and a 1" tweeter with a Klipsch high-freq horn in it. These sound pretty good, but they are unexpectedly bulky and poorly made. The oddly formed speaker housing means these take up a lot of space and the volume and bass control knobs look like they come from a $10 CyberAcoutsics set. The cheapie knobs, bulk, and ugliness make these fit for corporate presentations where good loud sound matters and where style is largely irrelevant. For the home user, the cheap knobs may well break over time, which was the Achiles heel for my 560s; quality system, cheap volume pot. Three stars, good though not excellent sound, reasonable price, loses points for ugliness and some shoddy cost cutting in build quality. The bulk is sort of a neutral issue, as the larger box size probably helps the sound and bass extension of the units, but for some users the footprint and added portability difficulties may be an issue.
Creative Gigaworks T20: 28 watts (though the box says 22 watts!) $100 list. Creative obscures most specs on these, probably fearing the single 2.5" driver versus the bigger Logitech and the double same size drivers of the Klipsch may convince buyers that the T20 lacks in comparison to its rivals. Truth is the build and design of the T20s makes them sound much better than either the Z10s or the Promedias. These little speakers can put out an awesome amount of clear accurate sound, and they look great and feel very sturdy. Treble in particular is excellent, and the alleged Bass Xport technology must have something to it, as bass is more than adequate. The separate bass and treble knobs may or may not appeal; to some, they offer more control, to others the added circuitry distorts the signal and gives an added area of complexity in the design that may fail. The portability is excellent. The only real problem is that Creative is so secretive about the wattage and driver size, out of unnecessary concern that buyers may avoid getting these because of a few watts or a half inch. These sound great, look good, and the size to sound ratio is impressive. Four stars.
M-Audio AV40s: 40 watts, $200 list. My personal choice, these speakers are much bigger than the other contenders, but the amazing sound and plentiful bass will convince you that you don't need to even think about a sub system. These wooden cabinets are very attractive and sturdy, but are not exactly portable weighing 14 lbs and being quite bulky. (More so than the Klipsch, but they also look nicer and are built better.) Besides the size and weight, the other issue is cost and maybe availability as few vendors sell M-Audio, and the price for the AV40s even with discount will be $50-$65 more than the cost of the other units I looked at. To me the sound and accuracy (no distortion at high volume, lots of accuracy at low volume) of the M-Audios, at both low and high volume, offsets all the problems. Four stars, loses a star because of higher cost and weight. (Note though these are still theoretically portable, far more so than any 2.1 system or even the average boombox...)
Do You Need More Power, a Subwoofer, or More Speakers? Probably not. If you sit at your desk with the speakers a few feet away from you, you do not need much more than 30 or 40 watts for great powerful sound. A subwoofer (unless it costs a lot!) will just screw up crossover freqs, create too much bass, and encourage the mfgr to give you cheapie satellites on the theory that the loud prominent sub will wow the casual listener who will not care that the sats have 1" uni-drivers and are made of cheap light plastic. Unless you need to entertain parties with your PC, you don't need more power or a sub.
As far as surround sound, unless you watch movies on your PC or play a lot of FPS shooters that need positional audio, the added wires and difficulty of positioning the rear and surround sats in the listening environment are too much of a pain for most folks. Plus a decent PC surround sound system is at least $250, meaning a much higher cost than any of these 2.0 systems.
Buying Recommendations: Don't mind big and bulky? Get the M-Audio AV40s. (Note the company has a smaller less powerful variant, the Av20s, but I did not hear these and they do not seem to be widely available so I cannot comment.) Want small and portable, get the Creative T20. The Logitechs unfortunately have no comparative strengths, and the Klipschs are adequate but offer no real advantage over the Creative. If you can find the Promedias significantly discounted, they may be viable.


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The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4-inch polypropylene-coated drivers and 3/4-inch ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system.


Studiophile AV 40 Compact Desktop Speaker System
Professional Components--Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4-inch TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system.
Extended Low End If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end--perfect for urban/dance music, DVDs and more.
OptImage III Technology M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.
Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.

AV 40 Specs
Type: Two-way desktop reference monitor
Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil
High-frequency Driver: 1" diameter, magnetically shielded silk dome tweeter
Frequency Response: 85Hz - 20kHz
Crossover Frequency: 2.7kHz
RMS SPL: 101.5dB @ 1 meter
Signal-to-Noise Ratio: > 90dB (typical, A-weighted)
Input Connectors: Left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input
Polarity: Positive signal at "+" input produces outward low-frequency cone displacement
Dynamic Power: 20 watts continuous, per channel into 4 Ω
Input Impedance: 10 k Ω unbalanced, 20 k Ω balanced
Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum
Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter
Indicator: Blue power LED ring around volume knob on front panel
Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord
Cabinet: Vinyl-laminated MDF
Dimensions: 8.75" (H) x 6" (W) x 7.25" (D)
Weight: 14 lbs./6.34 kg

What's in the Box Pair of AV 40 Monitors, Two Power Cables, 1/8-Inch Mini-to-RCA cable, 1/8-Inch Auxiliary Cable, Bare Wire Cable for Speaker Connection, Two Traction Pads, User's Manual.

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6/16/2011

Behringer XENYX502 5-Channel Mixer Review

Behringer XENYX502 5-Channel Mixer
Average Reviews:

(More customer reviews)
I am rapidly becoming a huge fan of Behringer. Their products are very inexpensive yet are of top quality. This mixer is another example of that rule.
The mixer is solid and has a *superlative* sound - or should I say LACK of sound - it's completely noiseless. Tone controls work wonderfully and the unit is solid, easy to work, and a true bargain at around $40. (I *really* like having an XLR input for my microphone.) I only have three small points that keep this from being a perfect machine:
1. I'd like the output jacks to be on the BACK of the unit rather than on the top. When I have everything plugged in it my cables stick up all over the place. It ends up being rather unwieldy. I bought this unit because I thought it would be a space-saver; it would be except that all my cables sprout up from the top of it.
2. No rubber feet. I put this on a hard table and it slid around a bit. It physically rattled some too, since the table is not perfectly flat. Add the sprouting up cables and you get an unwieldy unit that slides around the table and can rattle. The feet are easy to fix, however - go to your local hardware store and buy some stick-on rubber feet.
3. The blue LED power indicator is way too bright. It's almost distracting and can actually make it hard to see/look at the board. A more subtle LED (red, yellow, green) would work just fine, thanks, no need to wow us with the latest Blue LED technology.
Other than that, if you're looking for an inexpensive mixer with an amazing sound and feature set, this is the unit for you. Highly recommended.


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Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply excellent XENYX 502, the BEHRINGER mixer with everything you need to give an intimate setting incredible sound. And with the new addition of +48 V phantom power, the possibilities are even greater.

The Ins and Outs The 5-input, 2-bus XENYX 502 with XENYX mic preamp can accommodate either a dynamic or condenser microphone. The two-band British EQ is famous for its warm, musical sound. Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
XENYX Preamp The 502 features a high-end XENYX mic preamp, comparable to costly outboard preamps. Features include:
130 dB dynamic range for plenty of headroom
A bandwidth ranging from below 10 Hz to over 200 kHz for nuanced reproduction
Low-noise, distortion-free circuitry for a transparent signal
Perfect for most any mic, with up to 60 dB of gain and a +48 volt phantom power supply

"British EQ" The equalizers used for the XENYX series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their warm and musical sound character. Even with extreme gain settings, these equalizers provide outstanding audio.
Small Is Beautiful Weighing in at 1.2 pounds (0.55 kg), the XENYX 502 is the portable, practical way to turn a speech or scaled-down performance into a sound to behold. Schools, meeting rooms, coffee shops and songsmiths the world-round agree this mighty mite is a high-fidelity lifesaver.
What's in the Box Behringer 502 5-Input Mixer, Power Supply, User's Manual

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