JBL LSR2325P Pair of Bi-amplified Studio Monitors Review

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(More customer reviews)Me:
Musician, been recording on 4 track, 8 track, 16 track & 24 track recorders since 1996, i have pro mics (M-Audio Sputnik, AKG D5 & C3000, Rode NT3) and have owned many others, i use a TC-Electronic G-Force and a TC Helicon Harmony G-XT.
How i chose these speakers:
- I took a trained sound engineer friend (who has been recording since 1996 too and who attended a Sound Engineer course at SAE) with me because he is the only person whose ears i trust and because i wanted to be sure i wasn't going to choose the wrong set of speakers.
- I went to all the major studio gear stores in Paris, France, in the Pigalle area where all the music stores are. We listened to many many different speakers, sometimes without prejudice and other times with great hopes because we've been reading about brands like Genelec & Dynaudio & all the newer brands out there just like anyone who trusts the specialized press.
- We checked speakers ranging from 200 to 2000 a pair, more or less: we just tested everything they had that looked interesting, including the latest M-Audio, Yamaha, Alesis, Genele, Dynaudio, Adam, etc., etc., etc., etc.
- We tested the speakers on tracks we both knew very well & some very clean recordings as well as some others.
- We selected tracks for reverb to see if the speakers could render the reverb properly, which is something many speakers simply fail to do.
Results of the search:
- Against all expectancies, all the major contenders turned out to be crap. And i mean absolute garbage. Given that we both had exactly the same criticism about each speakers we listened to, i'm pretty sure we weren't being delusional. Now it is possible that the set-up in the stores were not optimal, and maybe the passive speakers were linked up to a bad amp, but most speakers were active & linked to the source via a professional monitoring system with lots of switches designed specifically for this purpose.
- Genelec flaws: no mids AT ALL, same power as a bad car stereo, no bass.
- Dynaudio BM15 ACTIVE: absolute crap amplification, rubbish.
- ADAM A5: aggressive mids, crap treble, no bass. Absolute GARBAGE.
- Yamaha (new NS-10 style speakers) & M-Audio: average sound, not enjoyable at all.
- Most speakers had a very aggressive sound in the mids or treble, and lacked bass. Even in the very expensive range of speakers, none managed to impress us and virtually all were flawed in some aspect that alone would render them totally useless & unbearable.
- The last store we visited was definitely much more pro (Sound Factory) and had real speakers. They played us some PMC passive speakers linked to a 300 stereo amplifier. We were AMAZED. They were fantastic. Well, these were not the most expensive (around 1000 a pair i think), and by far the best. They aren't used at Abbey Road for nothing then...
We then told the salesman we had already heard his Dynaudio BM15's and said we hated them & didn't want to waste his time with those -- "skip em!", we said -- but he had the passive version. And they were very good. The difference was AMAZING. In other words, manufacturers of speakers know how to make speakers, not amplifiers. So get the passive version of whatever you want, and add your own amplifier, the result will be incredibly better, i assure you.
So far the PMC were the best and the Dynaudio were not bad but not cheap. Just out of curiosity i asked to check out the tiny JBL 2325P's that were a ridiculously cheap 400 and were active...i said to him "i guess the JBL are crap but let's give em a try anyway, just to see"...he replied "no, they're not bad actually".
With my friend we both looked at each other with big eyes, we were very pleasantly surprised...they weren't quite as good as the PMC but they easily beat all the others we'd listened to that day.
I ordered this in the US because i now live in Mexico. I got them here on Amazon for 400$ (470$ or so with shipping), with 2 Samson speaker stands and 2 Wirlwind XLR cables. I just set them up today, on their stands.
I don't have a proper good quality source at the moment, my SACD player is in France, so i tried first via the minijack output of my Toshiba P300 laptop and the sound was harsh & had some very apparent artefacts due to the extremely bad quality of this output (Toshiba should be ashamed, really). I then switched to my Archos 5 mp3/video player and the sound is incomparably better. Not perfect, of course, we're not talking about a proper HQ source here, and remember the connection is a cheap minijack=>RCA cable, nothing like XLR=>XLR.
On bad recordings, or old ones, the sound is not so good, and indeed that's exactly how it should be: these speakers tell you when the source is bad. But switch to Kate Bush's Aerial album (her latest, from 2005 i believe), encoded in high quality by myself, and the bass response is amazing, everything is perfect.
Summary:
- Incredible bass response for 5 inch woofer, simply amazing. And it doesn't sound artificially boosted as on some speakers that just try too hard.
- Very well balanced & detailed mids & treble. Although i do prefer the treble & mids on my previous speakers (B&W DM602 S2 -- Bower & Wilkins make excellent passive speakers, with kevlar woofers & perfect tweeters, but you need to be very careful positioning them to get good bass response). But these JBL 5" woofers provide more oompph in the bass than by much bigger B&W's used to. Quite amazing, really. And it's not muddy bass, it's clean, well controlled, has fast attack and nice round oompph. I can hardly imagine how good the 2328p's must be! They were much more expensive, though, & too big & heavy for my needs.
- Very small in width but deep & quite heavy (7.7kg).
Manufacturer's specs seem accurate upon listening (for once) and outperform by far much bigger & much more expensive speakers:
43Hz-20Khz
55 W LF - 35 W HF (don't let this fool you, these speakers are loud enough to make you deaf for indoor use).
You have a treble +/- switch on the back & the same for bass. These work rather well but don't feel too solid & i wouldn't play around with them too much.
The volume knobs are not smooth but have small 'steps' to them so you can set both speakers to exactly the same setting easily. They have a good feel to them.
You have line balanced ins on XLR & TRS jacks, plus unbalanced line in on RCA/cinch.
The on-off switch on the back is silent & a blue light on the front tells you when the speakers are on.
Overall opinion:
The best active monitors by far in 2009-2010 for this money or size? I'd bet they are, yes.

Click Here to see more reviews about: JBL LSR2325P Pair of Bi-amplified Studio Monitors

The JBL LSR2325P Powered Studio Monitor is a bi-amplified 2-way model with a detented level control that allows fine adjustment of individual speaker levels to balance the speaker in your system. Low Frequency and High Frequency Trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Featured to integrate into professional systems, the LSR2325P includes balanced XLR, balanced 1/4 inch and unbalanced RCA inputs that allow connection to a wide range of playback sources including computer audio workstations, professional mixing consoles, as well as consumer playback systems.

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Yamaha HW10W 10" Powered Studio Monitor Review

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(More customer reviews)speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

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The HS10W powered subwoofer complements the HS speakers and easily handles today's bass-enhanced music or the most dramatic surround effects. The HS10W woofer uses a bass reflex design cabinet that maintains high efficiency and low distortion. The HS Series has been designed to provide exceptional clarity and flat response, so if your mix sounds good here, it will sound good everywhere in 2:1 (Stereo) or 5:1. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects.

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KRK RP5G2 Rokit G2 Limited Edition White Powered Studio Monitor (5 inch, 75 Watts) Review

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(More customer reviews)I have never considered myself to be an audiophile. I love to listen to music on quality gear, but I didn't think I had the genes that allowed me to distinguish a good set of speakers from a great one--Until now. I just got the Limited Edition White RP5G2 studio monitors and I'm in awe. I remember when I got a good quality set of earphones and was surprised that I could hear all sort of detail that was buried in my music. Well my experience is now the same without having to be tethered by the earphone cord.
These monitors put out a surprising amount of bass for their size. In fact, this was one of my concerns when making my purchase. I was seriously considering ordering the more expensive 6-inch RP6G2 model, but the cabinets were too big for my desk's work surface. Also, they weren't available in the cool white finish that these have. I know that seems superficial, but these speakers look as good as they sound.
I was glad I decided to go with the smaller and cheaper RP5G2. The bass sounds tight without being distorted or exaggerated as it does with some subwoofers. In fact, I now agree that subs are better suited for watching movies than for listening to music. I even bought a set of MoPads (Auralex MOPAD Monitor Isolation Pads, Charcoal, 1 pair) to acoustically isolate some of the lower frequencies from my desk. The monitors have a 2mm rubber pad to help, but I could still feel my desk reverberate which I'm sure was coloring my music. With the MoPads, most of the vibration is gone and I'm left with crisp, clear bass. Also, near field studio monitors are, by design, very directional. Using the pads allowed me to angle the speakers up toward my ears so that I get a better sound stage.
I bought the KRKs to use with Mac Pro running Logic Pro. They are connected to the computer's rear audio output using a Hosa stereo mini-plug to dual XLR cable (HOSA STEREO 3.5mm (M) - TWO XLR(M), 2m (6.6 ft.)). If you are considering buying a set of near-field monitors for your home studio, I don't think these units will disappoint you.

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The KRK RP5G2 Rokit G2 Powered Studio Monitor takes this KRK design to new heights. All of the great stuff that Rokit's have been known for including front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy. KRK RP5G2 Rokit G2 Features Radically curved front plate design virtually eliminates diffraction distortion Waveguide design provides amazing detail and imaging Front-firing port provides low freq extension without boundary coupling New speaker voicing for even more accurate frequency response 1-inch Neodymium soft dome tweeter Glass Aramid Composite Cone Woofer Even More Accurate Than Before KRK engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by KRK's world-class studio monitor engineering team, for clear, low-distortion performance. The Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to their award winning performance. Also available as package KRK RP5G2 PAK2 which includes: mic stands, mics, cables and headphones.

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Behringer MS16 Powered Studio Desktop Monitors Review

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(More customer reviews)SUBJECTIVE REVIEW: Behringer MS16 2-Way Active Personal Monitor System
Pros:
- Accuracy, soundstage & imaging!!
- Connectivity & Front Panel Controls (Right CH Speaker):
.... INPUT 1 (1/8" TRS) Connector
.... INPUT 2 (RCA Right & Left) Connectors
.... ADJUSTABLE 1/4" TRS Microphone Input - mixable w/stereo inputs for playback and vocal monitoring applications
.... 1/8" TRS HEADPHONE Connector w/auto-mute loudspeaker function.
.... FRONT PANEL Controls (Bass, Treble & Level)
Cons:
None except deep bass - which can be resolved by adding a powered-sub like I did!!! ;-)
NOTE: All subjective comments based on:
1) SPEAKER LOCATIONS:
.... a) Free-standing near-field monitor location, 4' apart, slightly tilted-in (closes walls 10') - Music by my Polaroid 30 GB MP3 player (NO powered-sub )
.... b) Keyboard: L & R location installation, slightly tilted-in (with & without Altec Lansing FX2021 powered-sub**)
**NOTE: Adding a powered-sub relieves the Behringer MS16 4" woofer speakers of reproducing the lower frequencies thus lowering the possibility of distortion or breakup when played louder, - 85 dBc to 90 dBc Fast SPL Peaks!
2) Critical listening SPL = approx. 85 dBc to 90 dBc Fast SPL Peaks measured @ 8' to 10' away from the speakers.
.... a) Radio Shack SPL Analog Meter: Dial = 80 or 90 / Weight = C / Speed = Fast
ACCURACY:
One of the Behringer MS16 hallmarks is the accuracy in reproducing encoded musical sounds from my MP3s, ... like, a violin sounds like a violin, a trumpet sounds like a trumpet, a tenor sax sounds like a tenor sax, a Grand Piano, like the Grand Piano that Diana Krall uses in her "Live in Paris" CD (I use to own a 6' Yamaha Grand in my HT/family room), etc. What is unusual for this price range, is the MS16 ability to reveal subtleties and the resolution of the high frequency characteristics within the encoded music/instruments, . . . they are just more evident with the Behringer MS16 vs. other speakers in this price and some costing more; i.e. with close mike recording of an acoustic guitar, you can hear the artist fingers (George Benson; Earl Klugh; Russ Freeman) sliding up and down the frets; you can tell that that two violins are playing a melodic line, rather than just one violin; the air harmonics off the crash or ride cymbal sounds, just like our Tama Rock Set w/Zildjian cymbals; Diana Krall breathing during some of her songs Intro ("Live in Paris" Music CD). Here - I do chalk up the sound quality to Behringer MS16 1.5" (38mm) Diameter High-Resolution Tweeter., which is a nice size for a small personal Studio near-field Monitors.
SOUNDSTAGE:
The left to right placements of instruments & voices are excellent, providing a precise, very wide, beyond the speakers soundstage. The Behringer MS16 front to back (depth) soundstage is also excellent, as well as the dynamic's resolution (soft vs. loud) in playing back the encoded instrument sounds which helps provide excellent location placement of the instruments. Though the front to back soundstage can be a result of how close the microphones were to the instruments, no doubt, the quality of the best recordings, will be revealed by this speaker and the opposite is also true, poor recordings will be revealed as poor. The Behringer MS16 plays back all my Jazz CD Music with relative smoothness, with no surprising in-between the eyes, unnatural frequency peaks because of it's super flat & wide Pro Monitor like frequency characteristics. I also own the JBL N24 w/4" woofers (JBL NSP1 PKG) which was raved by Brent Butterworth for its super midrange playback (voices) and in direct comparison, the Behringer MS16 is equal to task providing the same balanced, natural, clear unstrained playback! (Samples: "Francis Albert Sinatra & Antonio Carlos Jobim" 1967 Digital remastered DDD Music CD; Diana Krall "Love Scenes" & "The Look of Love" Music CD; Bob James "Fourplay" Music CD; David Benoit "Fuzzy Logic" Music CD [Album Of The Year - 2003 National Smooth Jazz Awards], etc.).
IMAGING:
Another characteristic that the Behringer MS16 displays is its ability to image the specific instruments across the soundstage, with a floating in front, side, quality sound presence comparable to some JBL PRO Studio Monitors, though its point source is more precise due to the smaller cabinet side. The Behringer MS16 low-diffraction front cabinet geometry feature curved cabinet edges to eliminate diffraction, which ensures precise imaging and localization. I love the Behringer MS16 ambience reproduction in my room, because it gave me the feeling that "you are there" and if the recording is from a live concert, the ambience provided the right amount of reflections to make you think your listening to the performance outdoors, or in the symphony hall. ("The Corrs - Live at the Royal Albert Hall" Music CD; Diana Krall "Live in Paris" Music CD).
BASS FREQUECY:
WITHOUT POWERED-SUB: (Bass adjusted slightly less than MAX @ the 5 o'clock position / Treble left flat)
The Behringer MS16 bass is rated down to 80 Hz, and after adjusting the Bass Control to near MAX (5 o'clock position), ... it easily matches my JBL 24s (Benchmarked down to 89 Hz -2.7 dB - Fronts location by Tom Nousaine for Sound & Vision Magazine) lowest rated frequency reproduction in my familiar jazz music (David Benoit, Bob James, Joe Sample, Diana Krall, etc.) MP3 encoded music is not as demanding as a keyboard or CD (pure digital recordings), so what I hear was more than acceptable @ 85 dBc Fast SPL Peaks! (louder than normal listening). The deep bass is lacking of course, which is expected for a 4" DIA woofer, but it wasn't MIA and actually sounded better than most free-standing speakers w/4" or 5" woofers. The upright bass (Diana Krall) and electric bass lines (Bob James "Fourplay" w/Nathan East on bass) reproduction was way above average and overall, ... it nicely filled my 20 x 30' room with well balanced, clean & smooth frequency jazz music.
WITH POWERED-SUB - YAMAHA PORTABLE GRAND KEYBOARD:
Reproducing a digital keyboard is demanding so to get that floor & air feeling bass SPL without distortion or breakup, I coupled the Behringer MS16 Speakers w/the Altec Lansing FX1021 2.1 Speaker System, or more specifically, Altec Lansing FX4021 Powered Subwoofer (w/Two 5.25" long-throw woofers in isobaric configuration). This unit is rated down to 32 Hz and takes care of the lower frequency duties. Matching the Altec Powered-sub to the MS16s took about 20 mins. using the Keyboard built-in MIDI DEMO files and by playing it personally! I'm finally happy with what I hear from my Yamaha DGX-505 88-key Portable Grand.
THE BOTTOM LINE:
If you want "budget" monitors that provides excellent imaging, revealing resolution, super flat & wide Pro Monitor like frequency characteristics, the Behringer MS16 is for you! At no time during my critical listening phase (w/85 dBc - 90 dBc Fast SPL Peaks) did I hear any distortion or breakup (with or without powered-sub) from my Behringer MS16 speakers!!!
- Although the following is an OPTION & NOT REQUIRED to ENJOY these powered speakers, you can add a powered-sub to round out the lower frequency foundation and once you balance the SPL between the powered-sub & MS16s, ... you've got a very nice killer setup for MP3, PC, Laptop, Keyboard & near-field Home Studio application @ a very reasonable price!
In my case, I'm guessing, that the Behringer & Altec powered-sub combination for my Yamaha Portable Grand Keyboard frequency response is approx. 40Hz - 18kHz ±5 dB in my 17' x 13' living room (see my attached Amazon photo's) and for the price, ... it just sounds GLORIOUS @ 85 dBc - 90 dBc Fast SPL Peaks!!!
Highly Recommended!!! (Another way to think about it is, ... you can't build a 16 Watt [2x 8 Watts] self-powered speakers like this for under $60 a pair!!!)
Background: Audiophile since 1980; retired Audio/Video dealer; retired semi-pro musician (piano, keyboard, acoustic / electric guitar, bass guitar & drums).

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The Behringer MS16 Speakers are a compact 2-way stereo speaker setup for home studio or multimedia applications! Two high-power amplifiers drive the 4-inch woofers and the high-resolution tweeters. The front-mounted volume control and individual bass and treble controls make accurate sound adjustments a breeze. Two stereo line inputs (RCA and eighth-inch TRS) allow simultaneous use of two stereo sources, so you can play back CDs, MDs or MP3s and use an electric guitar/keyboard at the same time. In addition, the quarter-inch TRS microphone input lets you mix vocals with a stereo track. Behringer MS16 Features Compact stereo speaker system for home studios or multimedia applications 4 inch woofer and high-resolution tweeter powered by two 8-watt amplifiers Dedicated volume, bass and treble controls for more flexibility Stereo RCA inputs for sound cards, keyboards... etc Connect a CD or MP3 player through 1/8 inch TRS stereo input Separately adjustable 1/4 inch TRS mic input for vocal monitoring 1/8 inch TRS headphone connector with auto-mute loudspeaker function Magnetically shielded for placement near computer monitors Magnetic shielding and compact size make these speakers perfect for placement near video monitors or computer displays. AmericanMusical.com is an authorized dealer of Behringer products.

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KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea Review

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(More customer reviews)Don't expect these to be a smaller version of PA speakers. Studio monitors are quality over quantity. Yes, these are plenty loud for their intended use. The important part is their sound quality. As with any speaker of this quality, proper break-in really does make them sound better. The RP8G2 is a great value choice. Yes, there are better speakers on the market. You will pay a real premium for them, though. It is hard to evaluate speakers just on the published specs. Sound quality is so much more than technical spectral analysis.
These are solidly built, great sounding monitors that are a good value. I can really recommend them.

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The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 8-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 45Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 15 x 10 7/16 x 12 inches (38.1 x 26.5 x 30.4 cm)
Weight:26.1 lbs (11.8 Kg)

What's in the Box KRK Rokit 8 Powered Monitor, AC power cord, Owner's manual

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M-Audio Solaris Multipattern Condenser Microphone Review

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(More customer reviews)Happy with product, only took about a week. It actually came with a shock mount which that wasn't list to come with it. Thanks

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The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation--included capturing vocals, guitar, piano, drums and live events. It's like having three mics in one.

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M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors Review

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(More customer reviews)I compared these with the M-Audio AV40. I decided on these. They sound great. They're very clean and as other reviewers noted, a little directional. They are monitors. The cones are open and exposed, so I can't recommend them around small children. Their construction is solid with precise fit and finish. I really like them. There are a couple things you need to know about these before you decide to purchase them.
First, they don't come with cables. They accept standard XLR (3 pin) male plugs or standard 1/4 inch patch chord for the clean, balanced, installation needed in a recording studio. I purchased my cables from a local guitar shop (Guitar Player). Adorama sells special XLR stereo sets with a 3.5mm stereo pin for computers. That's a better set up than the two individual XLR cables and Y-adapter I picked up (less connections). This site (Amazon) lists them as "HOSA STEREO 3.5mm (M) - TWO XLR(M), 3m (9.9 ft.)". They also offer a 6 footer. If my cable set up gets noisy, I'll order one for myself.
Second, the speakers are a bit larger than your typical computer speakers, but not unwieldy. While I was at the Guitar Player, they had the BX8a speakers on display. They were a bit bigger, and also sounded very nice (hard to listen to them over the constant cacophony of disjointed, (bad) guitar and drum players).
The final consideration is that each speaker requires its own power outlet. Keep in mind that they are 70 watt, so make sure you shut them off when you're not using them (unless you like burning 140 watts for nothing :-) ). If you can accommodate the power outlet and cable requirements, these are well worth it.

Click Here to see more reviews about: M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world rely on M-Audio Studiophile reference monitors for exceptional sonic accuracy. The Studiophile BX5a Deluxe monitors update the bestsellers with new waveguides and enhanced driver integration for a cohesive and refined sound. The 5-inch low-frequency driver cones are crafted from Kevlar, an extremely resilient material. Curved cone design coupled with high-temperature voice coils and damped rubber surrounds deliver excellent fidelity and durability. The 1-inch waveguide-loaded, high-frequency drivers are made of magnetically shielded silk domes for a crisp top end that's gentle on the ears. 70-watt bi-amped power and expertly tuned crossovers round out a first-rate pair of reference monitors with a footprint small enough to fit just about anywhere.

Deluxe Edition The Studiophile BX5a Deluxe monitors update the best-selling M-Audio BX5a system with a variety of enhancements. The updated waveguide delivers excellent imaging. A new low-frequency transducer provides well-defined bass. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Drivers M-Audio's Studiophile BX5a Deluxe monitors employ Kevlar for low-frequency driver construction. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and also insure that the cone reaches its optimal excursion for accurate reproduction.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that's inherent in the poorly crafted metallic materials commonly found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The BX5a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance--right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetically Shielded for Desktop Use Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile BX5a Deluxe monitors are magnetically shielded so all of your electronic equipment can coexist on your desktop without interference.
What's in the Box Two BX5a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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KRK RP6G2 Rokit G2 6-inch Powered Studio Monitor (Single Speaker) Review

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(More customer reviews)These monitors are a serious upgrade for any computer system especially audiophiles and musicians. These are great for Garage Band or Logic on the Mac and recreate the sound with amazing clarity, depth and tone. Plus bass is impressive for a small speaker and high's are crisp and detailed without being unbalanced. These speakers create an amazing listening experience for all type of music and instruments for a studio or small room. Not going to be for a large room setup but if you have the space or can mount these for computer/studio setup you will be very impressed with them.

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The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 6-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 49Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 12 11/16 x 8 7/8 x 10 1/2 inches (32.1 x 22.5 x 26.6 cm)
Weight: 19.6 lbs (8.9 Kg)

What's in the Box KRK Rokit 6 Powered Monitor, AC power cord, Owner's manual

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Mackie MR5 Reference Monitor (Single Speaker) Review

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(More customer reviews)I'm starting a home recording studio, and wanted good audio monitors.
I did a lot of research before buying my first set of good speakers, and this is what I've come to find as the best speakers for such a good price. I was really surprised at the bass that could go through these 5" speakers, though maybe some people may want more bass than I want, so you may eventually decide on sub woofers.
These can even make bad recordings sound good! My friend and I listened to songs that we recorded long ago on poor equipment, and those old recordings sounded good on these speakers!
If you're new to the audio world (audiophile-want-to-be), these are great speakers for starts.

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Created by the same audio gurus who brought you the legendary HR Series, the MR5 Mackie Reference Monitor is the perfect solution for those ready to step up to a monitoring system with truly pro sound. The MR5 delivers everything you need for critical monitoring in your home studio, multimedia or home theatre system. With its Active bi-amplified Class A/B architecture (55W LF / 30W HF), wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity. Thanks to its unbelievable sound—and price—the MR5 monitor stands alone in its class.

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Samson MediaOne 3A Precision-tuned Powered Studio Monitors, 3 Woofer Review

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(More customer reviews)When these monitors finally arrived, well I suppose I shouldn't say finally, because they came with lightnin speed, but like I was saying when they got here I was amazed at how small they were and I thought to myself I had made a huge mistake. No way did I think these little monitors would be good enough for playback and mastering in my home studio, but as luck would have it, they turned out to be these great sounding little monsters. Excellent bass response and crystal clear highs make these monitors sound like a Bose radio. Needless to say, I was blown away and Im quite happy with my choice of purchase. They do start to distort a little when turned up awfully high, but if you need to turn them up that loud than maybe you should have your hearing exhamined. A good buy.

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Whether you need a monitor system for your digital recording studio, video production suite, or if you just want better monitors for gaming and listening to music on your computer, MediaOne active monitors are the perfect solution.The MediaOne 3a monitors produce a powerful, full-range sound thanks to the internal 30 watt amplifier, extended range copolymer woofer and 25mm silk dome tweeter. The 3-inch custom designed woofer delivers tight and controlled low frequency response, while the silk dome high frequency driver is set in a custom wave guide that produces an accurate and natural high frequency response. The result is solid bass dispersion and extended highs, all in an amazingly compact cabinet.An internal 2 x 15 watt high performance, low distortion, stereo power amplifier drives both sides, and the right side cabinet also houses a convenient, front control panel with volume control and headphone output. There is also a 3.5mm auxiliary input for connecting a second signal source like an MP3 player, keyboard, sound card or any other stereo line level signal.On its rear panel, you'll find RCA inputs, terminals for connecting the passive monitor, power switch and AC power. The precision-tuned enclosures, which incorporate rear venting for extended low frequency response, are finished in an attractive black satin vinyl covering, assuring these monitors look as good as they sound.The MediaOne 3a Active Monitors are an ideal near-field monitor system for studios, video post-production suites, fixed installations or anywhere else great sound is desired. Thanks to top-notch components and innovative design, the versatility of these monitors guarantees professional audio and reliable performance in any application.

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Samson MediaOne 4A Precision-tuned Powered Studio Monitors, 4 Woofer Review

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(More customer reviews)I run a small in home studio that I use for personal music production. I bought a pair of these monitors about a month ago along with the MediaOne 3a monitors that I run in conjunction with these speakers. The mid and high clarity is awesome. I am able to hear things in my music that I was not previously able to. it has made mixing and mastering a less frustrating process. I play and record mostly death metal and low ends are a must for this type of music. These monitors (as wells as the 3a)lack in that department. I ended buying a small sub (10 Inch Sony for $100) from BestBuy to compensate with great results. With what I paid for the entire setup ($400 for two sets of monitors, a subwoofer, and the amp to push it all) I couldn't be happier.

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The MediaOne 4a monitors produce a powerful, full-range sound thanks to the internal 40 watt amplifier, extended range copolymer woofer and 25mm silk dome tweeter. The 4-inch custom designed woofer delivers tight and controlled low frequency response, while the silk dome high frequency driver is set in a custom wave guide that produces an accurate and natural high frequency response. The result is solid bass dispersion and extended highs, all in an amazingly compact cabinet.An internal 2 x 20 watt high performance, low distortion, stereo power amplifier drives both sides, and the right side cabinet also houses a convenient, front control panel with volume control and headphone output. There is also a 3.5mm auxiliary input for connecting a second signal source like an MP3 player, keyboard, sound card or any other stereo line level signal.On its rear panel, you'll find RCA inputs, terminals for connecting the passive monitor, power switch and AC power. The precision-tuned enclosures, which incorporate rear venting for extended low frequency response, are finished in an attractive black satin vinyl covering, assuring these monitors look as good as they sound. The MediaOne 4a active monitors are an ideal near-field monitor system for studios, video post-production suites, fixed installations or anywhere else great sound is desired. Thanks to top-notch components and innovative design, the versatility of these monitors guarantees professional audio and reliable performance in any application.

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JBL C2PS Control 2P Comapact Powered Monitor - SET Review

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(More customer reviews)I bought this product at Amazon, the package has arrived in perfect condition.
I can not argue with the end result after playing music for many hours to "loosen" the speakers, the Control 2P is a solid monitor, small and useful high-quality audio playback. Listen to the Control 2P detail preferably in a store that has been ringing constantly, and see if you so excited as me.
Specifications :
Transducers: LF: 135 mm (5.25 in) low frequency loudspeaker
HF: 19 mm (.75 in) Polycarbonate dome tweeter
Frequency Range: 80 Hz - 20 kHz
Amplifier Power: 35 Watts per channel
Maximum SPL Per Pair: 115 dB
Crossover Frequency: 4.2 kHz
Input Sensitivity: +4 dBu XLR 1/4"; 0 dBu RCA
Signal Input Connectors (x2): Balanced Neutrik®* Combo XLR 1/4" TRS; Unbalanced RCA
Power Requirements: 19 VDC / 3.42 A - use only supplied power supply
Headphone Jack: 3.5 mm (1/8")
Dimensions: 235 x 159 x 143 mm (9.3 x 6.3 x 5.6 in)
Net Weight: 4.8 kg (10 lb)
Advantages:
1. - Compact, lightweight.
2. - Amplified (active) eliminates the need for a separate amplifier inclusive the tedious task of measuring the RMS of power and ohms.
3. - Multiple input options (not the custom in truly professional monitors).
Disadvantage:
1. - Does not include wall mount.

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Delivering accurate sound in a compact form-factor the Control 2P Compact Powered Reference Monitor System Model C2PS is ideal for a desk top audio production, audio visual presentations, broadcast applications and monitoring of personal music players and electronic instruments. Magnetically-shielded 5.25" low frequency woofers and .75" Polycarbonate dome tweeters powered by an internal 35 watt-per-channel amplifier provide accurate sound and impressive output. Attractive metal grilles protect the speakers from physical damage. A three position high frequency switch allows user adjustment of treble response. Three different types of input connectors (XLR, ¼" and RCA) allow connection of professional and consumer audio sources. A side-mounted volume control provides convenient adjustment of speaker levels. A headphone jack allows headphone monitoring with speakers off. The Control 2P Set (C2PS) includes one powered master speaker with 35 watts amplification per channel, one passive extension speaker, a power supply and two snap-on angle pedestals. The model C2PM includes one powered master speaker with 35 watts amplification but with out the extension speaker. Speakers can be wall-mounted using the optional MTC-2P mounting kit.

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Behringer MS20 Recording Studio Equipment Review

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(More customer reviews)After 2 month use, I am very happy with the speakers - great replacement for stock PC speakers from years ago. Full clear sound and great look. they are not small so make sure you have space.

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Behringer ms20 studio monitors are digital stereo near field monitore speakers with 24-bit/192 khz digital input, 20 watts of power. one step down from the ms40, these extremely compact, super-affordable 2 x 10-watt near field monitors feature ultra-high resolution 24-bit/192 khz d/a converters, which let you connect digital sources directly in order to eliminate analog line-loss and hum. connect your computer sound card, keyboard, mp3 & mini disc players and enjoy excellent detail and great dynamics—optical and coaxial inputs to directly connect digital audio sources by s/pdif interface! the built-in amplifiers offer plenty of headroom, while the powerful woofers and tweeters provide an ultra-linear frequency response. two stereo analog inputs featuring 1/8- inch trs and stereo rca connectors can be used simultaneously or mixed with a digital stereo source. the speakers also feature individual volume controls for both line inputs plus bass and treble eq controls, and there is a 1/4- inch trs headphone connector with a front-panel auto-mute loudspeaker function.

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M-Audio Studiophile AV 40 Powered Speakers Review

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(More customer reviews)My old Logitech Z-560 developed a short in it creating nasty crackling noises over one channel. The Z560 was a rare beast, a $140 400 watt 4.1 monster that Logitech built to really high standards to create a strong foot forward into the PC speaker market. Sadly, their quality has declined since then, and their current offerings are cheaply made, sound far worse with music than the 560s, and have even fuzzier and more overwhelming bass than the 560 did (the systems one flaw). I decided to try 2.0 systems to see if I could get good PC sound without the added failure risk of a high powered sub and the muddiness that all that extra bass and clumsy frequency transitions between sats and sub causes...
My findings, from worst to best:
Logitech Z-10: 30 watts. Looks good, costs a lot, $150, list. Sounds dreadful. Despite having a largish 3" woofer, and a 1" tweeter, the Z-10 seems to be doing a lot of signal processing of music and the soundstage sounds compressed and artificial. Changing bass and treble makes things worse, and your music will sound different (and worse) on these speakers than it would normally. The touch controls and LCD screen are useless pricy gimmicks that increase chance of failure and add weight and cost to the system. Who in the world needs to see the name of the track playing on the bottom of the speaker? Anyway, these are a disappointment, with the worst sound and tied for the highest price. The speakers are heavy and well made, very stylish, though easily smudged with the reflective black surface on the front of the speaker. Logitech needs to redo these, silly gadgets and useless feature are tolerable, bad sound however is always a deal-breaker. Two stars, for style and build quality.
Klipsch ProMedia 2.0: Also 30 watts. Nice sound, good price, $100 list. Dual 2.5" woofers and a 1" tweeter with a Klipsch high-freq horn in it. These sound pretty good, but they are unexpectedly bulky and poorly made. The oddly formed speaker housing means these take up a lot of space and the volume and bass control knobs look like they come from a $10 CyberAcoutsics set. The cheapie knobs, bulk, and ugliness make these fit for corporate presentations where good loud sound matters and where style is largely irrelevant. For the home user, the cheap knobs may well break over time, which was the Achiles heel for my 560s; quality system, cheap volume pot. Three stars, good though not excellent sound, reasonable price, loses points for ugliness and some shoddy cost cutting in build quality. The bulk is sort of a neutral issue, as the larger box size probably helps the sound and bass extension of the units, but for some users the footprint and added portability difficulties may be an issue.
Creative Gigaworks T20: 28 watts (though the box says 22 watts!) $100 list. Creative obscures most specs on these, probably fearing the single 2.5" driver versus the bigger Logitech and the double same size drivers of the Klipsch may convince buyers that the T20 lacks in comparison to its rivals. Truth is the build and design of the T20s makes them sound much better than either the Z10s or the Promedias. These little speakers can put out an awesome amount of clear accurate sound, and they look great and feel very sturdy. Treble in particular is excellent, and the alleged Bass Xport technology must have something to it, as bass is more than adequate. The separate bass and treble knobs may or may not appeal; to some, they offer more control, to others the added circuitry distorts the signal and gives an added area of complexity in the design that may fail. The portability is excellent. The only real problem is that Creative is so secretive about the wattage and driver size, out of unnecessary concern that buyers may avoid getting these because of a few watts or a half inch. These sound great, look good, and the size to sound ratio is impressive. Four stars.
M-Audio AV40s: 40 watts, $200 list. My personal choice, these speakers are much bigger than the other contenders, but the amazing sound and plentiful bass will convince you that you don't need to even think about a sub system. These wooden cabinets are very attractive and sturdy, but are not exactly portable weighing 14 lbs and being quite bulky. (More so than the Klipsch, but they also look nicer and are built better.) Besides the size and weight, the other issue is cost and maybe availability as few vendors sell M-Audio, and the price for the AV40s even with discount will be $50-$65 more than the cost of the other units I looked at. To me the sound and accuracy (no distortion at high volume, lots of accuracy at low volume) of the M-Audios, at both low and high volume, offsets all the problems. Four stars, loses a star because of higher cost and weight. (Note though these are still theoretically portable, far more so than any 2.1 system or even the average boombox...)
Do You Need More Power, a Subwoofer, or More Speakers? Probably not. If you sit at your desk with the speakers a few feet away from you, you do not need much more than 30 or 40 watts for great powerful sound. A subwoofer (unless it costs a lot!) will just screw up crossover freqs, create too much bass, and encourage the mfgr to give you cheapie satellites on the theory that the loud prominent sub will wow the casual listener who will not care that the sats have 1" uni-drivers and are made of cheap light plastic. Unless you need to entertain parties with your PC, you don't need more power or a sub.
As far as surround sound, unless you watch movies on your PC or play a lot of FPS shooters that need positional audio, the added wires and difficulty of positioning the rear and surround sats in the listening environment are too much of a pain for most folks. Plus a decent PC surround sound system is at least $250, meaning a much higher cost than any of these 2.0 systems.
Buying Recommendations: Don't mind big and bulky? Get the M-Audio AV40s. (Note the company has a smaller less powerful variant, the Av20s, but I did not hear these and they do not seem to be widely available so I cannot comment.) Want small and portable, get the Creative T20. The Logitechs unfortunately have no comparative strengths, and the Klipschs are adequate but offer no real advantage over the Creative. If you can find the Promedias significantly discounted, they may be viable.


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The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4-inch polypropylene-coated drivers and 3/4-inch ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system.


Studiophile AV 40 Compact Desktop Speaker System
Professional Components--Professional Results The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio's acclaimed professional monitors. You'll find features like audiophile-grade Class A/B amplifier architecture and balanced 1/4-inch TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers' small size. With the Studiophile AV 40s, you don't have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system.
Extended Low End If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end--perfect for urban/dance music, DVDs and more.
OptImage III Technology M-Audio's proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.
Magnetically Shielded for Desktop Use Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.

AV 40 Specs
Type: Two-way desktop reference monitor
Low-frequency Driver: 4" diameter, magnetically shielded and curved cone with high-temperature voice coil
High-frequency Driver: 1" diameter, magnetically shielded silk dome tweeter
Frequency Response: 85Hz - 20kHz
Crossover Frequency: 2.7kHz
RMS SPL: 101.5dB @ 1 meter
Signal-to-Noise Ratio: > 90dB (typical, A-weighted)
Input Connectors: Left and right RCA line input, left and right 1/4" TRS input and 1/8" aux input
Polarity: Positive signal at "+" input produces outward low-frequency cone displacement
Dynamic Power: 20 watts continuous, per channel into 4 Ω
Input Impedance: 10 k Ω unbalanced, 20 k Ω balanced
Input Sensitivity: 100 mV pink noise input produces 90dBA output SPL at 1 meter with volume control at maximum
Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter
Indicator: Blue power LED ring around volume knob on front panel
Power Requirements: 100-120V/~50/60Hz, 220-240V/~50/60Hz; powered via detachable 2-conductor line cord
Cabinet: Vinyl-laminated MDF
Dimensions: 8.75" (H) x 6" (W) x 7.25" (D)
Weight: 14 lbs./6.34 kg

What's in the Box Pair of AV 40 Monitors, Two Power Cables, 1/8-Inch Mini-to-RCA cable, 1/8-Inch Auxiliary Cable, Bare Wire Cable for Speaker Connection, Two Traction Pads, User's Manual.

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M-Audio Studiophile AV30 Professional Reference Speakers Review

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(More customer reviews)I bought these speakers to listen to music and news at my desk in my apartment, and BOY do they fit the bill.
I've put them through the ringer--rock, folk, house, drum & bass, hip hop, samba, All Things Considered--and they sound remarkably good in all applications. Everything but D&B and hip hop sounds almost as good as on my other monitors (KRK 5's) that cost twice as much. The fidelity is impressive, and the response is remarkably flat. If you're used to or prefer the more U-shaped sound of non-monitors, be sure to turn on the appropriate EQ in iTunes; they'll sound tinny otherwise, but that's what a flat-response monitor will sound like compared to regular 2- or 3-way stereo speakers. It's all those mid-range sounds you're used to covering up.
They also handle a good deal of volume. With the volume knob at 50% and my MacBook volume at 75%, it's "Turn that noise down!" loud and still as clear as at lower volumes for most types of music.
The bass lines in the D&B have some drop-off on the bottom end, but that's a LOT to ask of a value-priced monitor with a 3" woofer. I listen to really nasty stuff with super-low bass--Technical Itch, Dieselboy, Bad Company, and the like--so I expected that this would be the one area with less than amazing reproduction. I was right. (Roni Size's "Brown Paper Bag" is much more within their range.) Hip hop beats can lose a some punch, too, and this is the one area where you'll notice a little distortion at higher volumes. (The kick drums in D&B are usually a little more like real kicks than in much hip hop, and these sound great even at higher volumes.)
Again, for the size (don't have a ruler--each speaker is maybe 5" wide and 6" deep) and price, they do surprisingly well. Other challenging types of music with lots of bass that just isn't as low, e.g. House, come through remarkably well.
The 4" version was very well reviewed, so I thought I'd give these a shot because they cost less and take up less room. Also, the primary difference would be in the bass response, and I live in an apartment building, so for me, having less bass was actually a good thing. They still get too loud for me to play them anything close to maxed out, and they sound great.
One more thing: I like the design. M-Audio knew this would be more for desktop listening than studio applications such as mixing (for which I got the KRK 5's). Thus, they put all the inputs and controls on one speaker, which is nice because it only requires one power cable and you don't have to split an RCA cable to run one line to each speaker. It comes with a 1/8" to RCA cable (connects your computer's audio out port to the RCA jacks in the back) AND a 1/8" to 1/8" cable (connects your iPod to the Aux In port on the front). The volume knob in front is also nice.
If you want reasonably high fidelity for a low price at your desk, and you don't need subwoofer-type bass response, I'd recommend these speakers. Highly.

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system with accurate sound. Top musicians, producers, and engineers trust M-Audio® studio speakers to create their hits - and now the compact AV 30 speakers bring this professional legacy to your home. Unlike plastic multimedia speakers, AV 30s use proven

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Samson StudioDock 3i Powered Studio USB Monitors with iPod Dock Review

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(More customer reviews)I bought these speakers unsure if they would be iPhone compatible - but they are! You do get the "airplane mode" warning we've all come to love from our older devices with the new phone, but once you click "no" there is no interference, sounds is fantastic & it charges the iPhone 3G as well! (Sync is accomplished immediately once I connected the USB cable to the macbook also - setup was a cinch!).
The advantage > a dock is the separation of speakers as opposed to one unit. Bass response is awesome as well, and at only 1/3 the capable volume I am very pleased.
I have been looking for an iPhone dock/speaker system to implement with my macbook as well, and this was perfect for me!
My only complaint is that the power cord is very short (5') and the speaker cable included is 24AWG, but not proprietary so it's not a big deal. The USB cable is about 5' as well, but easily replaceable with a standard style unit. The speakers were smaller than the box implied, about as tall as a DVD case, and as wide as a CD case.
Sound quality is important to me - which is why I liked the USB connection > a headphone connection. Digital sound is higher quality and you won't get any "hiss" or static with these units. I had never heard of Samson products before but I'm sold on them now; get these speakers and you will be too!

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StudioDock is a total solution for listening to your music. With its on-board iPod dock and USB interface, StudioDock lets you record, mix, sync and take your music with you. StudioDock will even charge an iPod while it's docked. And because you use USB to send your music digitally, you get extremely high quality audio from one convenient, incredible sounding set of desktop monitors.

Great Monitoring Performance StudioDock 3i offers the same professional monitoring performance found in all Samson studio monitors, thanks to Samson's use of custom-designed components and a critically damped, vented cabinet design. The StudioDock even looks nice--an elegant complement to any desktop, home studio or mixing room.
Integrated iPod Dock Use the universal iPod dock to charge your iPod, and play back your iPod music. And since the StudioDock is USB-enabled, you can sync directly with iTunes when connected to your computer.
Professional Features StudioDock 3i features a 3.25-inch, copolymer woofer with a Santoprene surround for high excursion and internal damping, providing uncolored music reproduction. With its high performance, magnetically shielded woofer, the 3i also employs a precision made 25mm silk dome tweeter with a neodymium motor structure for smooth, extended high frequency response that reduces listener fatigue. The Solid MDF enclosure finishes it off.
In addition, this revolutionary monitor is powered by an internal 30 watt (2 x 15) high performance, low distortion power amplifier with custom equalization. The result is a system that delivers unusually smooth and accurate frequency response with precise stereo imaging.
Choose Your Input The StudioDock 3i features a USB input to stream digital audio from your computer, offering high-resolution sound. In addition, you'll get convenient rear panel RCA inputs, and a front panel 3.5mm stereo input jack to plug in an additional sound source on the fly. (A headphone output jack is also included up front, to mute the speakers and listen with headphones and volume control.)
What's in the Box Pair of StudioDock Speakers, Power Cables, USB Cables, Owner's Manual

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Behringer MS40 Recording Studio Equipment Review

Average Reviews:

(More customer reviews)If you need a inexpensive home theater PC speakers MS40 are fun. Their mids and highs are sweet e the mid-bass line is satisfatory. Those ones who intend to listen to MP3 and watch movies on PCs will enjoy MS40.
On other hand, if you need a reference monitor for recordings, forget it! No way! MS40 is quite uneven, lacks resolution and clarity on mid band and its treble has absolutely no resolution. Bass lines isn't good enough also, because of its lack of control and velocity (they are boomy speakers). Their quite apparent boxiness also let MS40 down.
Looking for a entry level reference monitor? I would recommend to spend a bit more and get KRK Rockit RP5G2 or a M-Audio BX5A. They cost twice as much, but sound 4 times better. You can't afford any of them as your budget is short, so go with M-Audio AV30 or AV40. In my opinion, even the chep M-Audio AV20 offers better mid and treble resolution than behringer MS40.

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Behringer ms40 studio monitors are 24-bit/192 khz digital 40-watt stereo near field speakers. these compact, super-affordable 2 x 20-watt near field monitors feature ultra-high resolution 24-bit/192 khz d/a converters, which let you connect digital sources directly in order to eliminate analog line-loss and hum. connect your computer sound card, keyboard, mp3 & mini disc players and enjoy excellent detail and great dynamics—optical and coaxial inputs to directly connect digital audio sources by s/pdif interface! the built-in amplifiers offer plenty of headroom, while the powerful woofers and tweeters provide an ultra-linear frequency response. two stereo analog inputs featuring 1/8- inch trs and stereo rca connectors can be used simultaneously or mixed with a digital stereo source. the speakers also feature individual volume controls for both line inputs plus bass and treble eq controls, and there is a 1/4- inch trs headphone connector with a front-panel auto-mute loudspeaker function.

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