Showing posts with label noise. Show all posts
Showing posts with label noise. Show all posts

1/20/2012

Mackie Big Knob Desktop Studio Monitor System Review

Mackie Big Knob Desktop Studio Monitor System
Average Reviews:

(More customer reviews)
I have a home studio and have used the Big Knob for about 2 years now. This is exactly what I was missing in my chain. Very well made, this thing is constructed like a tank and built to last. I can easily switch between my monitors and headphones with the push of one button and you always know where the volume knobs is. The Big Knob can also make things easier if you are using multiple inputs. My computer is hooked up to one input, my guitar to another and electric keyboard to another....and all with a push of a button or two I can easily select which combination I want to hear. Each input has a gain level knob associated with it. Two headphone jacks are included with individual volumes for each. I have not seen anything on the market that quite compares. Presonus has a similar unit, but it does not appear to be made nearly as well or useful despite it's glowing buttons. You can't go wrong with this at all. I bought mine off an auction site, so shop around for a good deal.

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Mackie?s Big Knob lets you easily switch between studio monitors, stereo sources, and even send musicians their own custom headphone mixes, all from your desktop.

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1/08/2012

Azden High-performance(SMX-10) Stereo Condenser Microphone Review

Azden High-performance(SMX-10) Stereo Condenser Microphone
Average Reviews:

(More customer reviews)
I've had the mic for two weeks now and I'm using it w/a Canon HV30 and a NRG 59111 bracket. In quiet shooting situations, the mic will pick up a lot of motor noise if mounted directly to the camera; this is normal. The bracket suspends the mic about 5" above the camera and motor noise pickup is eliminated. The supplied windscreen does a pretty good job. I would prefer if there was a "power on" LED to serve as a reminder to shut the mic off but that would just draw power too. I understand the rationale behind not having one, but want one anyway. The mic cord is NOT detachable as shown in the picture. Maybe newer versions are, but the one I received does not detach. The shockmount is not that great. The upper/lower parts of the mount are connected by hard rubber squares. So, it's not really "shock mounted" but more of a "dampened mounted." Some handling noise/tapping the camera will be picked up by the mic. This is due to the "not really a shockmount" shockmount.
That said, I'm very happy with it. Note: This is not a shotgun mic, so don't expect to pickup conversation-level sound from 30 feet away. This mic is a true stereo mic and outputs two distinct L/R channel. This mic beats the pants off the stock in-camera mics in every way. There is much more clarity as compared to the stock mic. The best way to describe it is that with the stock mics, all the sounds are "mixed together and indistinct." Whereas with the SMX-10 each sound "stands out from all the others." Frequency response is also better with the SMX-10; I find there is a lot more high-end frequency information in recordings made with it vs. stock.
The mic is very light, not too long (doesn't hang over the front of the camera) and the cord is of the coiled variety so it doesn't hang all over the place. It's designed very well. Body is all-aluminum and very solid feeling. Switches are recessed into the body of the mic, so it would be very difficult to accidently slide them one way or the other. There really isn't anything else in it's price range that is better. Another option/very popular video mic is the Rode Stereo Videomic, but it is literally 2x the price and twice the size. I took a chance with the SMX-10 and am very happy with my purchase.

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Perfect for use with smaller, high-end camcorder, the Azden SMX-10 compact shotgun microphone records in stereo and is powered by a single AAA battery that provides up to 400 hours of continuous use. This dual uni-directional, electret-condensor mic measures 7 inches long with a 0.7-inch diameter, and it weighs just 1.83 ounces (without battery).
It includes a permanently attached coiled cable coming out the back that plugs into 1/8-inch (3.5mm) jacks. Other features include a foam windscreen, lo-cut switch to minimize rumble and wind noise, and camera hot-shoe mount.
Specifications
Type: Stereo electret condenser
Frequency response: 100-18,000Hz
Sensitivity: -40dB @1kHz (1V/Pa)
Output impedance: 1.5 k ohm @ 1kHz
Signal-to-noise ratio: 60dB (1kHz @ 1Pa)
Dynamic range: 66dB
Power supply: 1.5V DC; AAA size battery (not included)
Max. SPL: 100dB
Battery current drain: 0.5mA
Battery life: 400 hours with Alkaline battery
Weight w/o battery: 1.83 ounces
Dimensions: 7-inch length, 0.7-inch diameter
Output cable: Permanently attached with 3.5mm plug

What's in the Box SMX-10 microphone (with attached cable), hot-shoe mic holder, foam windscreen

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8/15/2011

ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets Review

ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets
Average Reviews:

(More customer reviews)
Pros:Great product for those who requires amplify a dynamic mic.
We use for vocals in a karaoke system with excellent results. It doesn't requires expensive microphones. With cheaper mics produces good sound.
Cons: The preamp doesn't has a power on/off switch so you must to plug/unplug the DC adapter. It is a little expensive but works fine.

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The ART Tube MP Studio V3 has expert presets that get you started right! The Tube MP Studio V3 features ART's Variable Valve Voicing Technology - with optimized reference points to begin the recording process. The V3's presets were created & fine-tuned by top studio and live-sound engineers, along with ART's veteran engineering department. V3 allows you to select between a multitude of preamp settings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more. V3 gives you incredible presets for every instrument you record, so all your recordings will sound professional. Need to tweak the presets? Go right ahead -- hone your perfect tone! That's the power of ART V3. It also incorporates ART's OPLTM (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL circuitry is crucial in protecting the next link in a signal chain - such as a hard-disk recording system or a sound card. The Tube MP Studio V3 can also function as a direct box - impedance matching, amplifying and improving the sound of any instrument. The design of the Tube MP Studio V3 allows it to add warmth and fatness to a signal while maintaining low-noise. Features include Phase Reverse, +48v phantom power, clip LED, a +20dB switch, as well as an analog VU meter for visual tracking of the signal. 1-year warranty. ART Tube MP Studio V3 Features Provides superior preamplification for: Microphones Instruments Line Level Sources V3TM - Variable Valve Voicing OPLTM - Output Protection Limiter Hand selected 12AX7A provides over 70dB of gain Smooth, warm and fat sound quality Variable input and output gain controls Excellent as a tube DI XLR and 1/4' inputs and outputs +48 volts phantom power Phase reversal switch TEC-Award nominated design 1 year warranty Designed for years of continuou

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