Showing posts with label vocal. Show all posts
Showing posts with label vocal. Show all posts

4/12/2012

RODE NT1000 Vocal Condenser Microphone Review

RODE NT1000 Vocal Condenser Microphone
Average Reviews:

(More customer reviews)
I went shopping for a Rode NT1. Rode mics use superb capsules mounted in machined housings you could drive a truck over, and the NT1 is a great mic for male vocals. The guy at the store suggested the NT1000. I recorded myself on both, and there wasn't much difference, but the 1000 just sounded a little smoother. But, the NT1 had a painted finish (may have changed since), made out of aluminum. When you screw the mount on it feels rough, like screwing in a light bulb with an aluminum base. The NT1000, though, feels rich and expensive, a nickel-steel finish (I guess) more like the expensive Neumanns. And when you screw the parts together they feel precise and elegant. It was a hundred bucks more than the NT1, but with the slightly nicer sound, and the much nicer look and handling feel, it seemed worth it.
The only problem I've had with it is weight. It's fairly heavy, and can't be extended very far on my boom stand without falling over.
Great dynamic range, low noise, very detailed.

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The Rode NT1000 brings new standards to the recording industry. When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. The Rode NT1000 is superior in both vocal and instrumental performances. Voiced for application versatility , the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1 inch HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response. Includes mic stand mount, and zippered pouch. Rode NT1000 Features HF2 1 inch capsule with gold-plated diaphragm Ultra low-noise transformerless circuitry Cardioid polar pattern Heavy-duty cast metal satin nickel body High-strength welded and heat-treated mesh head Internal capsule shock-mounting True externally biased condenser Full frequency response AmericanMusical.com is an authorized dealer of Rode products.

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4/04/2012

Neumann TLM-103 Microphone Review

Neumann TLM-103 Microphone
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If your looking for a pristine mic and require vocals that are clear and transparent, then this mic is worthy of your consideration. This mic has a wonderful clear and warm quality which can help make recording vocals a pleasure and can really help you shine.

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Ideal for all professional and semi-professional applications requiring high sound quality on a limited budget. The TLM-103 uses the transformerless circuitry found in numerous Neumann mics and a capsule derived from that used in the U87. Cardioid pattern, acoustically well-balanced, and provides extraordinary attenuation of signals from the rear. Frequency range: 20Hz-20kHz. Impedance: 50 ohms.ApplicationsDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.Acoustic featuresThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67/U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from explosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN/IEC 651. The letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Operational safetyThe entire internal construction i

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3/27/2012

Sony Unidirect Mic with Cannon Connect Review

Sony Unidirect Mic with Cannon Connect
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Boy I was real surprised how heavy and sturdy this mic was. My kids have been doing karaoke with it all day and the sound is great. No hissing and it actually cut out my dog barking. I'm happy with my purchase!

Click Here to see more reviews about: Sony Unidirect Mic with Cannon Connect

DYNAMIC MICROPHONE UNI-DIRECTIONAL FREQ RESP: 60HZ-KHZ IMP: 600? 9.75-FT CORD 3.5MM TO PHONO adapter multipurpose UNIMATCH plug supplied built-in on/off switch 1-year warranty

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3/22/2012

Rode NT2000 Vocal Condenser Microphone Review

Rode NT2000 Vocal Condenser Microphone
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Everyone should have a multi-pattern mic around for utility purposes and this is the one I chose after demoing a half-dozen of interest (I had particularly high hopes for the Blue Mics). Aside from one super-expensive, and unnamed mic, the Rode NT2000 was actually my favorite by quite a margin. As I regard this type of mic as a utility piece, I was looking for a mic that was fairly neutral on voice/cardioid and without too heavy a proximity effect, airy and crisp on omni, and had to have an attentuation switch.
The NT2000 has all that, plus a rugged build. I've been very pleased since purchase, having used it for voice, acoustic guitar (could probably use a warmer mic here), cab miking on electric, bagpipes, recording ambience, and percussion. I'm especially pleased with the mic's ability to capture detail in high sound pressure conditions.
The NT2000 has continuously variable patterns, not a fixed selection of patterns. It has a variable pad, not a simple cut type attentuation switch, which really helps in nailing the sound without having to compromise the mic's position. Finally, the high-pass filter is also continuously variable. All go a long way in making this a HIGHLY adaptable mic.
After my demos, I went in to buy one mic, got an offer I couldn't refuse on two, and walked away poorer but happier! You won't be able to equal that price, as it was something of a favor, but the price here is good.
Although I love NT2000's sound and capabilities, I'm not wild about the controls (pattern, etc.). These aren't knobs you grab and turn - they're thin and flat. They have an edge pattern, but I can't turn them reliably by trying to grab the edges. I have to put my thumb on the knob surface and rotate it that way. It works and the knobs won't get accidently moved, but it's not exactly the height of convenience.
Great multipurpose mics.

Click Here to see more reviews about: Rode NT2000 Vocal Condenser Microphone

The World's First Fully Variable Control Microphone! The RØDE NT2000 is the latest brainchild from Australian master microphone designer Peter Freedman. Never before has this much control and versatility been available in a superlative class large capsule recording microphone. You have totally variable polar pattern, filter and pad all located on the body of the microphone! The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity. The NT2000 includes a hard case and a shockmount. Rode NT2000 Features Large 1 inch HF1 gold sputtered capsule Continuously variable polar pattern, from omnidirectional to cardioid to figure 8 controlled on the microphone Continuously variable pad and high-pass filter Ultra low noise, transformerless surface mount circuitry Wide dynamic range High strength welded and heat treated steel mesh head Internal capsule shock mounting 'I could go on to share the thousands of hours that went in to the research and development of this microphone, instead I am prepared to put my reputation on the line. I am saying without fear of contradiction, the NT2000 is the best sounding and most versatile 1' FET studio microphoneon the world market today, regardless of cost.' Peter Freedman, President RØDE Microphones AmericanMusical.com is an authorized dealer of Rode products.

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3/02/2012

Shure Beta 57A Microphone Review

Shure Beta 57A Microphone
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The Beta series is the step above the incredibly popular SM series by Shure. The 57s are typically used to mic instruments and the 58s mainly for vocals. It is a dynamic microphone, so it's rugged enough for any situation, but is built to a much higher standard than typical dynamics so you get a lot more range and detail than you might expect.
I have used the 57 for a wide variety of instruments and vocals with great success both live and in the studio.
The Beta57 is excellent on snare, acoustic guitar, electic guitar, horns and wind instruments in addition to being a great vocal microphone. The supercardioid pattern ensures much more flexibility on stage with less chance of feeding back.
Overly loud bands with demanding vocalists who need as much as you can give them in the monitors, this is a life saver. Snare top and bottom. High hats when I don't want the bleed that a condenser would give. This is my go to mic for live applications.

Click Here to see more reviews about: Shure Beta 57A Microphone

The Shure Beat 57A Dynamic Microphone is the hands-down best choice when you want one mic to do the work of many. Equally at home as an instrument or vocal mic, the Beta 57A features increased warmth and presence, giving your music more impact and clarity. The supercardiod pattern helps to isolate the voice or instrument and greatly reduces feedback on stage. Frequency response is 50-16,000 Hz. Low impedance. Shure Beta 57A Features Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse Neodymium magnet for high signal-to-noise ratio output Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration Frequency response: 50 to 16,000 Hz Shure Beta 57A Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass and Saxophone Snare Drums Rack and Floor Toms Congas Woodwinds Lead Vocals AmericanMusical.com is an authorized dealer of Shure products.

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2/24/2012

Shure PG48 Vocal Microphone with XLR-to-XLR Cable Review

Shure PG48 Vocal Microphone with XLR-to-XLR Cable
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This mic is typical of Shure: good and tough. For the price, don't expect studio performance; this is a good mic for garage bands, karaoke, anywhere you don't want to shell out on for the superb SM series. It is a good sounding mic that does what it's supposed to.

Click Here to see more reviews about: Shure PG48 Vocal Microphone with XLR-to-XLR Cable

Tailored for performers of every level, the Shure PG48 vocal microphone is an excellent performance microphone for spoken word applications--and it's also a great choice for karaoke singing. This PG48-XLR model includes a 15-foot XLR-to-XLR cable, microphone clip, 5/8" to 3/8" thread adapter, and a storage bag. It's backed by a 2-year warranty.



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2/05/2012

VocoPro VHF-3300 2 Channel VHF Rechargeable Wireless Microphone System Review

VocoPro  VHF-3300 2 Channel VHF Rechargeable Wireless Microphone System
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Meet my expectations, very good quality and sound, of course for a fun home karaoke. I don't give the fifth star because one of the 9v batteries (the regular square ones) after 6 hours of very intensive Karaoke singing runs out of power, nothing that you can not solve with a regular alkaline battery. I bought this one rather than other cheaper models, because of the mixed output, for me it was important because my equipment only has one input. Cheers!


Click Here to see more reviews about: VocoPro VHF-3300 2 Channel VHF Rechargeable Wireless Microphone System


With solid sound, a clear signal, and wireless freedom, the VocoPro's VHF-3300 dual-channel wireless system is a great solution for home karaoke, smaller performances, public speaking, and more.
Two wireless dynamic mics included. Click here for a larger image

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1/19/2012

Shure SM7B Dynamic Vocal Microphone Review

Shure SM7B Dynamic Vocal Microphone
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If you are looking for a microphone for voice-overs or broadcast use, THIS IS WHAT YOU NEED TO BUY.
The Shure SM-5 and SM-7 microphones are the best voice mics ever made. The large SM-5 is no longer made, so you can only find it used, but the SM-7 is just as good.Either one, you have the best.
Don't let the price fool you. I have brought this in to studios that have $3000 Neuman condenser mics and they laughed when I said I wanted to use my $300 Shure mic instead.I told them to put up both mics and do an A/B test while I spoke into each of them. The three other audio engineers in the studio had to agree, the Shure was better and it was a night and day difference, not hard at all to decide it was best.
This mic has a warmth and rich sound no other mic can give you.
Even industry publications like MIX MAGAZINE and RadioWorld have done reviews where they did the same tests and said the same things about this mic in comparison to the expensive condenser mics...
--------------------------------------------
from MIX MAGAZINE, March 1998, page 53:
Eric Paul has made a career out of recording country giants like Willie Nelson, Waylon Jennings, Johnny Cash and many others: "My favorite overall microphone for voices is the Shure SM-5. If they can't get a Shure SM-5, they can still get Shure SM-7s, which are still available. If you've tried out three very expensive tube mics and you aren't happy with any of them, then the next step should immediately be a Shure SM-7. I will almost always guarentee you that if the expensive mic doesn't work, an SM-7 will. For some reason, people sound better on them."----------------------------------------------
from RADIO WORLD, February 18 1998, page 62:
Joe Stack, director of engineering for ABC radio said: "When I worked at WATH in Athens, Ohio, I had someone call and offer me ten RE-20s for the three SM-5s we had. I turned him down." ------------------------------------------
from EQ MAGAZINE, July 2006 issue:
The SM7 is perhaps most famous for being used as the vocal microphone on Michael Jackson's Thriller engineered by Bruce Swedien. -----------------------------------------------
Some interesting facts about the SM-7..."When we were doing "Off The Wall", "Thriller" and "Bad" I ended up with 6 Shure SM7's. That is a fantastic mike." - Bruce Swedien
The Red Hot Chili Peppers have used the SM 7 on vocals on every album they have done.
You can see James Hetfield from Metallica singing into a Shure SM 7 on the "Some Kind Of Monster" DVD.
----------------------------------------
Another thing I have noticed in the studio, is that some of my other mics require gating and downward expanders on the mics to get rid of room noise, but the SM-7 doesn't need it. It is quiet all by itself.
And to save many hours trying to edit out mouth noises, clicks and smacks from voice-over talent that use expensive CONDENSER microphones, just have them use the SM-7 next time, and no more wasted time editing out mouth noises anymore.Throughout the years on the Howard Stern Show, they have replaced and tried all sorts of microphones, from the Electrovoice RE-20 to Neuman mics. But if you notice, the Co-host, Robin Quivers, STILL uses the Shure SM-7 and refuses to change to any of the other mics. You can see throughout the years on the TV show that although the mics are always changing for everyone else, Robin ALWAYS has the SM-7 to this day.
Since the Howard Stern Show has moved to Sirrius Sattelite, the show had to buy new microphones, (couldn't take them with from CBS) and everyone seems to be using the same mics they did before. Robin has another SM-7 so she really likes this mic! It looks different now, because she has the larger windscreen that now comes with the SM-7.


Click Here to see more reviews about: Shure SM7B Dynamic Vocal Microphone

The Shure SM7B Dynamic Vocal Microphone is a cardioid studio mic with a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. The SM7B features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. The SM7B Includes a foam winscreen, close-talk windscreen, and a locking yoke mount. Shure SM7B Features: Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting Improved rejection of electromagnetic hum optimized for shielding against broadband interference emitted by computer monitors Internal air suspension shock isolation virtually eliminates mechanical noise transmission Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound Rugged construction and excellent cartridge protection for outstanding reliability Replacement cartridge: RPM106 AmericanMusical.com is an authorized dealer of

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12/24/2011

Shure SM48 Dynamic Handheld Vocal Microphone Review

Shure SM48 Dynamic Handheld Vocal Microphone
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The SM48 has got to be the world's most underrated vocal mic. It has a nice presence to it, with a frequency response which is flattering to the human voice. The absence of an output transformer gives it a crispness which is lacking even from the venerable SM58. I've compared dozens and dozens of mics side by side, dynamic and condenser, and for the human voice the SM48 is one of my favorites.
The "LC" in the model number means "less cable", meaning it doesn't come with a cable.

Click Here to see more reviews about: Shure SM48 Dynamic Handheld Vocal Microphone

Shure SM48 Dynamic Handheld Vocal Microphone; True Cardioid with a Smooth Response! Unidirectional and rugged design, the is a great road microphone that will bring your performance to great height. The SM48 is a dynamic microphone by maintaining a true cardioid pattern throughout its frequency range it ensures a higher gain before feedback and superb rejection of off-axis sound. Ideal for lead vocals, backup vocals, and spoken word applications, the SM48 was tailored to the frequency response of the vocal range. Shure SM48 Features Cardioid pattern rejects off-axis sound and provides superior gain before feedback Tailored for vocals, with brightened mids and bass rolloff to control proximity effect Shock-mounted cartridge for exceptional ruggedness and reduced handling noise Built-in pop filter that reduces explosive breath sounds and wind noise Supplied stand adapter and carrying/storage bag Lockable On/Off switch (Model SM48S only) Legendary Shure quality and ruggedness includes shock-mounted cartridge, steel mesh grille and integral pop filter AmericanMusical.com is an authorized dealer of Shure products.

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12/17/2011

Shure Super 55 Deluxe Vocal Microphone (Chrome) Review

Shure Super 55 Deluxe Vocal Microphone (Chrome)
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Oh what a beautiful piece of craftsmanship!This mic has it all ,looks,sound just to name a few!I have a Shure SM58,AKG D5 and a Sennheiser E 845 S and none of them compare to this wonderful mic.The sound is crisp and clear,no feed back and you can crank up the power amp and still sounds great! Shure has got a winner in this mic! You can spend (and I have) $120 -$150 for other mics but if you can spend a little extra money and get this mic,this will be the last mic you'll own.Truly a hit at the gigs and performs excellent!Oh did I mention it makes you want to perform better and it makes you sound better!!If you try to sing and can't carry a note this mic won't help you but if you can sing what a wonderful sound you will have!I hope this helps in your decision and Amazon is the place to purchase this fine mic.

Click Here to see more reviews about: Shure Super 55 Deluxe Vocal Microphone (Chrome)

The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, Supercardioid polar pattern, vibrant blue foam, and tailored frequency response for natural vocals and speech. Integrated swivel stand mount is included. The combination of updates make the Super 55 the ideal choice when looking for a dramatic - yet affordable - improvement in sound quality with an unmistakable vintage design. Ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired

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10/30/2011

Sennheiser E 845-S Dynamic Super Cardioid Microphone Review

Sennheiser E 845-S Dynamic Super Cardioid Microphone
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If you are a frontman / lead singer that plays a little piano as well...this is the mic for you to use with your keyboard...so you dont have to use your wireless and set it up to the right position before a song... It is a great value for the price. I use a Sennheiser Wireless E835,
This is a great stage mic if you are tired of using your wireless with your keyboard/piano. I use this mic with a boom stand with my piano and leave it in the on position for the whole show. This way, I can leave my wireless Sennheiser with my Glam rock Stand up Stand. Helps save battery life and decreases anxiety of your battery going during a gig.
G-Front
White Dove Red

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The e845 S is a High Performance super-cardioid vocal microphone with exceptional feedback rejection. It ensures vocal projection through high on-stage sound levels. It has a noiseless On/Off switch

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9/19/2011

Audix OM5 Dynamic Vocal Microphone (with Free Audix Premium 20' Cable) Review

Audix OM5 Dynamic Vocal Microphone (with Free Audix Premium 20' Cable)
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I love it, great mic for vocals, versatile, have had zero problems with it in 2 years. Appreciated the nice lengthy cable that came along with it.

Click Here to see more reviews about: Audix OM5 Dynamic Vocal Microphone (with Free Audix Premium 20' Cable)

The Audix OM5 Dynamic Vocal Microphone is amazing for live performances or studio applications! Exclusive to Audix is the VLM (Very Low Mass) low impedance, dynamic mic capsule which delivers unsurpassed sonic purity, great off-axis rejection for more gain before feedback and increased stage signal separation and legendary Audix durability. The OM5 employs a transformer-coupled VLM Type C capsule for condenser-like high frequency detail and tight, punchy bottom end. First produced in 1995, the OM5 dynamic vocal microphone has become highly regarded by artists and engineers for its ability to produce quality sound at very high sound pressure levels without distortion or feedback. The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored for clarity and presence making it easier for the vocals to be heard both in the mains and monitors. Audix OM5 Features Clear and accurate vocal reproduction Handles high SPL without distortion Low handling noise Provides exceptional gain before feedback Provides maximum vocal isolation on stage Dent resistant spring steel grill Applications Live Stage, live recording: Excellent for lead and backing vocals - all venues Instruments: Sax, brass, guitar, dobro, flute, percussion, drums Broadcast: Announce mic, interview mic Home Studio: Multi-use vocal and instrument applications AmericanMusical.com is an authorized dealer of Audix products.

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9/02/2011

Avid Vocal Studio Review

Avid Vocal Studio
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i've never used a USB mic before, and this little thing is perfect for podcasting & very beginner's recording. Used it for picking up guitar amps and it sounds quite nice (definitely still has the ambient noise, but for the price it is quite nice.)

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Avid Vocal Studio transforms your computer into an easy-to-use recording studio.Powered by the same technology behind many of the todays's greatest hits, the system includes a streamlined combination of Avid software and hardware-the Pro Tools SE music creation application and M-Audio Producer USB microphone.Simply connect the studio-quality mic to your computer, fire up the software, and record stunning vocals for use in songs, soundtracks, podcasts, or voice-overs.Then use Pro Tools SE to polish your performance, add effects, and more.Whether you're singing the next radio hit or narrating your video production, you'll sound great with Avid Vocal Studio.

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8/06/2011

AKG PERCEPTION 420 Professional large-dual-diaphragm true-condenser microphone with switchable polar patterns. Review

AKG PERCEPTION 420 Professional large-dual-diaphragm true-condenser microphone with switchable polar patterns.
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I picked up a pair of these when they came out and they've done the job quite well as backup mics. They don't have the magical sound of premium microphones (my primary mics cost me a LOT more money), but they offer a rich feature set and sound pretty decent. I do primarily live classical recording, and I've used these both as spots and as a secondary main pair.
In a world full of cardiods, many beginning recordists are unaware of the effectiveness of other techniques. Multipattern mics let you easily experiment with both M/S (Mid-Side) and Blumlein recording. In a nice room, spaced omnis can also make the recording feel more natural. These mics are perfect for performing that sort of experiment, and they'll give you a result that you won't be ashamed of.
I should also point out that the shock mount that comes with this mic is very nice, as is the carrying case. In the last few years, we've had a flood of inexpensive microphones. Some are good and some aren't. These are good.

Click Here to see more reviews about: AKG PERCEPTION 420 Professional large-dual-diaphragm true-condenser microphone with switchable polar patterns.

The AKG Perception 420 Studio Condenser Microphone features legendary AKG sound quality and a dual-element design that accommodates cardioid, omni, and figure-8 patterns. The Perception 420 includes a shock mount and a metal case, and is equipped with a -20dB pad switch and a bass cut filter switch that allows easy removal of wind noise and other unwanted low frequencies. The AKG Perception 420 Studio Condenser Microphone is a new addition to the acclaimed Perception line of AKG microphones.

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