Nady Small Diaphram Condenser Microphone Review

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(More customer reviews)I am a drummer with a home studio. I was looking for a small condensor to place over my ride cymbal to gain a tad more control aside from the stereo over heads I am already using. This mic was my choice because of my past experience with Nady products and the price. It has a full clear sound with very high gain. What I actually ended up doing was using it as my Hi Hat mic and using the AKG i had over the ride with fantastic results. The only thing I can say is the mic does not have a low end roll off switch which would make it it top notch, but that was easy to remedy by just using a parametric EQ to gain the results I wanted. 2 thumbs up for the Nady condensor. Just the price alone makes it worth buying

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The DM Series Drum/Percussion/Instrument Dynamic Microphones are equipped to handle extremely high sound pressure levels without distortion. The DM Series microphones are ideal for live and studio closemiking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields. The CM-90 is a Classic small diaphragm (20mm) condenser mic. Perfect for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano, and horns. High sensitivity, extended smooth, full frequency response and very high SPL capability Transformerless design for minimal self-noise and increased dynamic range Rugged, turned-brass housing internal sub-assembly shockmount, and engraved markings Requires 48V phantom powerSpecifications:Type: True condenser pressure-gradient microphone with 0.79 inch(20mm) diaphragm and FET Polar pattern:Cardioid Open circuit sensitiity: 14mV/Pa=-37dBV (0dBV=1V/Pa)Frequency range: 40 to 16000HzRated output impedance: < 200 OhmsRecommend load Impedance: -1000 OhmsMax. SPL (1% THD @1000Hz): 131dBEquivalent noise level to DIN 45405(CCIR 468-2): 28DB Max.SPL (1% THD @1000Hz): 131dBPower requirement: +48VDC phantom powerEquivalent noise level to DIN 45405(CCIR 468-2): 28DBIEC 268-4(A weighted): 19dB-AS/N ratio re 1Pa: 75dBCurrent cons

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Creative Professional E-MU 0404 USB 2.0 - Sound card - 24-bit - 192 kHz - 117 dB SNR - stereo - Hi-Speed USB Review

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(More customer reviews)I need to point out that this is an *audio* interface first and foremost. Some of the other reviews only mention its MIDI capabilities. It is *also* a MIDI interface, but the primary purpose of this box is to facilitate the recording of audio. It has some great AD/DA converters to that end, along with the capabilities for very high sampling rates (unlike USB1 interfaces).
Another review also talked about using it as an external sound card. You certainly can do that, but it's a waste of money - other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with. No, if you're going to buy this box, buy it to record audio and/or MIDI.
If you're still confused as to why this thing exists, the bottom line is if you need it, you know it. This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.
Now, as for this product vs. others in its category - I've only had it for a day, but so far, it does what it's supposed to. What you're really paying for are the DACs and the software, both of which are extremely important to home recording. The hardware other than the DACs is kind of cheap and flimsy, but it works. It's not going to stand up to abuse, though - it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing. One nice thing is having level displays on the box itself, which is something that some budget interfaces lack. Everything does work like it should.
A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency. I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office. That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports. I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1. If you can use PCI, though, Emu also offers a PCI version of this interface - just be aware that you'll be giving up a few features, plus the obvious portability. If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it. (Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.) There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.
The software bundle is pretty amazing for the price, and it's another big reason why I bought this model. It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE. Don't let the "LE" designations scare you - they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions. Do you really need 96 recording tracks for a home recording? 24 should be enough. But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself. This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for - I've been having a ton of fun with this.
I give it four out of five stars only because of its questionable durability. This is not the interface you want if you plan to carry it around in a gig bag all over the place. Also, it does have an external power brick (a small one) - though that's what enables the phantom power for the mic inputs, so it's a good tradeoff. Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power). But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.


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Emu 0404 USB 2.0 Audio/MIDI Interface delivers an unparalleled level of audio performance to your PC with premium 24-bit/192kHz A/D and D/A converters, pristine XTCTM mic/line/hi-Z preamps, ultra-low jitter clock and rock-solid stability. From its plug-and-play functionality and hands-on ergonomic design to professional features and signal-to-noise specs that are simply unmatched by any other USB interface on the market, the 0404 USB will forever change your expectations of USB audio. The 0404 USB also ships with the E-MU Production Tools Software Bundle that includes E-MU's Proteus VX, as well as software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many more - everything you need to create, record, edit and master your music. Package Contents E-MU 0404 USB 2.0 AudioPod USB cable Universal power adaptor Quick Start installation guide E-MU Software/Manual CD-ROM Windows XP and x64 Drivers Owner's Manual and Tutorials E-MU Production Tools Software Bundle CD-ROM Cakewalk SONAR LE Steinberg Cubase LE Ableton Live Lite 4 for E-MU Steinberg Wavelab Lite IK Multimedia AmpliTube LE SFX Machine LT Minnetonka diskWelder BRONZE (trial) E-MU Proteus® VX (over 1000 sounds included) The Emu 0404 USB 2.0 Audio/MIDI Interface features Premium 24-bit/192kHz A/D and D/A converters (A/D: 113dB SNR, D/A: 117dB SNR) deliver unmatched USB audio fidelity E-MU XTC Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers (-127dB EIN) with 48V phantom power and ground lift switches enable you to plug microphones, keyboards and guitars straight into your computer with professional results, while the built-in analog soft limiting circuit lets you record a hotter signal without fear of clipping Comprehensive digital I/O with optical and coaxial S/PDIF (switchable to AES/EBU) and MIDI In/Out to easily c

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Rode NTK Tube Condenser Microphone Review

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(More customer reviews)Great mic - excellent sound. I have been a pro voiceover artist for over 30 years and have dealt with a variety of studio mics. In building my own studio I really wanted a front end that had a clear and smooth full-range sound. The R0de NTK was recommended to me by another "big voice" artist, and completely lives up to the recommendation. Everyone I have talked to says it's about the best value out there. If you have cash to blow, you can get a "noyyyyyymannnnn" (raise eyebrows here), or you can enjoy the sound of this mic and take the extra $3200 and spend it on more gear. The hard plastic padded case for the mic and power supply are a nice touch. Don't forget to buy a shock mount for it!
Enjoy -

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The RODE NTK sets the standard for value in professional microphones. This is a tube mic designed exclusively for recording professionals who want what only the best can offer. The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos. It includes a power supply, 30 foot cable, stand adapter and case. RODE NTK Features Large 1 inch capsule with gold plated diaphragm Class A valve circuitry Ultra low noise Wide dynamic range Hand-selected and graded 6922 twin-triode valve Dedicated Power Supply High strength heat-treated steel mesh head Durable satin nickel finish Internal capsule shock mounting High level of RF rejection When professional performance counts use only a Rode NTK tube microphone. AmericanMusical.com is an authorized dealer of Rode products.

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Nady PCM-100 Professional Classic-style Condenser Microphone Review

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(More customer reviews)I bought this mic to record acoustic and classical guitar as well as vocals in my modest home recording set up. It performs ok, better than the Shure SM58 I used before. It sounds way more crisp and ambient, picking up a lot more details and clearer highs. It is not a professional studio mic, but it definately adds some semi-pro quality to my recordings. For miking-up electric guitar, placing it in front of my guitar amp, I still prefer the SM58 though. All in all a good price/performance ratio.


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The Nady PCM-100 Classic Condenser Mic is perfect for broadcasting and stage vocal use. It is versatile in the studio, too. The Nady PCM-100 mic features a high-quality electret condenser element, cardioid polar pattern, and a smooth frequency response tailored for vivid vocal reproduction with a perfectly positioned presence peak. Switchable low-cut filter. Integral mic holder mount. Comes with foam-padded plastic carrying case. Requires phantom power.

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MXL V63M Condenser Studio Microphone Review

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(More customer reviews)This mic has excellent sound for my podcasts. I was going to feed the mic into a mixer but went direct with an Art Tube mic preamp feeding this in to my Macinotsh dual G5 2.0 Ghz. The setup work flawlessly and the audio quality is top notch. I don't think you can go wrong with this microphone. I'm using top quality Monster cables and a Nady pop screen filter which is also excellent and highly recommended.

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The MXL V63M Condenser Studio Microphone has a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. With balanced, transformerless output for low noise. Encased in a heavy-duty brass enclosure. The MXL V63M has a cardioid pickup pattern and a frequency response of 30Hz- 20kHz. 48V phantom power required.

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Avalon VT737SP Class A Tube Channel Strip Review

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(More customer reviews)I use this channel strip during nearly every recording session I run. The sound is amazing for vocals (in combination with a good mic), producing a warm and yet extremely clean sound.
I have used the unit on acoustic guitar, kick drum, electric guitar and even bass. I was able to get stunning sound from all sources, with a little tweaking of the settings and mic placement.
This unit is capable of immaculate results. Well worth the money.

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The Avalon VT737SP features a combination of TUBE preamplifiers, opto-compressor, sweep EQ, output level and VU metering. VT737SP's preamp provides a 48V phantom powered input, an Instrument DI and a balanced line input. The Opto-compressor features twin Class A tube triodes for gain matching. Full dynamic control from soft compression to hard-knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side-chain switch. The EQ section can be flipped pre or post-compressor. The high and low EQ bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. Whether you're recording a solo vocalist or an acoustic instrument, mastering, or recording symphonies, let Avalon take you to the leading edge in analog and experience sonic reality like never before! Avalon VT737SP Features Vacuum tube triode signal path Soft-start tube life extender Stereo link for compressors Sealed silver relays for signal routing Transformer balanced microphone input High-voltage circuits for max headroom and low noise Discrete Class A equalizer with musical passive filter Internal discrete power supply with toroidal transformer Large control knobs with professional conductive plastic potentiometers VU meter for output level monitoring and compressor gain reduction Great Unit. Allows the user to slam into the red! The Avalon VT737SP is a great unit. It has so many strengths that basically you could say that as a MIC Pre/Channel Strip goes, thi

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RODE NT1000 Vocal Condenser Microphone Review

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(More customer reviews)I went shopping for a Rode NT1. Rode mics use superb capsules mounted in machined housings you could drive a truck over, and the NT1 is a great mic for male vocals. The guy at the store suggested the NT1000. I recorded myself on both, and there wasn't much difference, but the 1000 just sounded a little smoother. But, the NT1 had a painted finish (may have changed since), made out of aluminum. When you screw the mount on it feels rough, like screwing in a light bulb with an aluminum base. The NT1000, though, feels rich and expensive, a nickel-steel finish (I guess) more like the expensive Neumanns. And when you screw the parts together they feel precise and elegant. It was a hundred bucks more than the NT1, but with the slightly nicer sound, and the much nicer look and handling feel, it seemed worth it.
The only problem I've had with it is weight. It's fairly heavy, and can't be extended very far on my boom stand without falling over.
Great dynamic range, low noise, very detailed.

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The Rode NT1000 brings new standards to the recording industry. When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. The Rode NT1000 is superior in both vocal and instrumental performances. Voiced for application versatility , the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1 inch HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20 Hz - 20 kHz frequency response. Includes mic stand mount, and zippered pouch. Rode NT1000 Features HF2 1 inch capsule with gold-plated diaphragm Ultra low-noise transformerless circuitry Cardioid polar pattern Heavy-duty cast metal satin nickel body High-strength welded and heat-treated mesh head Internal capsule shock-mounting True externally biased condenser Full frequency response AmericanMusical.com is an authorized dealer of Rode products.

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Galaxy Audio PA6S 170W Personal PA System/Monitor Review

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(More customer reviews)As a singing drummer, I absolutely LOVE this monitor!
You have personal volume control, plus a 3-way EQ, and since you can run two channels into it, you can blend the house monitor mix in with your own mic feed (via a microphone "thru" patch) to get the exact blend of the two that you desire.
After using this Galaxy PA6S at a recent gig, I will never go back to floor monitors again!
Galaxy Audio PA6S 170W Personal PA System/Monitor

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Pioneers of the small PA/personal monitor category when they introduced the HOT SPOT 30 years ago, Galaxy Audio has redesigned their innovative Galaxy Audio PA6S from the ground up while keeping the basics. The outer shell on this version of the PA6S PA system & vocal monitor has kept the distinctive shape of the original Hot Spot, but with a new, 21st century look. The cabinet now uses two specially designed speaker components—the 155-watt NEOLITE 6.5" woofer and Galaxy Audio's highly efficient 1.5" 60-watt tweeter.The Galaxy Audio PA6S PA system / monitor takes full advantage of recent improvements in speaker and amplifier technology, making it the lightest, most powerful, and best-sounding compact PA system Galaxy Audio has ever offered. Features such as the XLR pass-through on each channel allow independent control of mics without affecting the signal sent to the house PA system. The Galaxy Audio speaker's -20dB Pad switch on each XLR input ensures that even the hottest signals will be accepted without overdriving the inputs. An additional 1/8" Line input on Channel 2 will accept stereo or mono signals from sources such as tape or digital medial players as well as line-level instruments.The two-way PA speaker system gives the PA6S a much wider frequency response than earlier models. This means that full-range music, such as keyboards or backing tracks, will come through with solid bass and crisp highs. This enhanced frequency response makes the Galaxy Audio PA6S a great stand-alone PA system for small club gigs as well as lectures and A/V presentations. Plus a simple adjustment of the 3-band EQ can alter the response for singers who love the time-honored accentuated midrange of the classic Hot Spot vocal monitor. The Galaxy Audio PA6S gives you the best of both worlds.Amplifier/PreampThe Galaxy Audio PA6S has a built-in 170-watt amplifier designed to handle the most demanding audio situations. This high-tech Class D amplifier produces plenty of power to co

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Mini Cardioid Lavalier Microph Review

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(More customer reviews)For me this was an upgrade from the cheap ATR lapel mic. I heard these mics when helping another guy with his setup. I was blown away at how clear the voice is. I put them on my agenda to purchase as soon as the funds became available. I recently used these at an airshow with WW2 planes in the background. A very loud background. They worked perfectly to isolate the subject and reject the planes. In fact, I prepared for that and recorded a second audio source so that I could blend in the perfect level of engine noise to the background. I didnt want it too quiet with only the subjects being heard. I needed to have the viewer feel they were at the airport.
These mics are outstanding. Its not really a drawback but it is extra time to hook everything up. And you will have to have a method of getting an xlr source into your video camera. However you get that done will be worth it. These mics are worth every penny. The next step is around 800 and is not necessary for the semi-pro.
I just cant over how rich these sound. They are not tinty at all and have great bass. They are just a great step up from the cheap lavs that everyone starts out with. Combined with an HD vid cam, my videos are now completely professional sounding and looking.

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For years this condenser microphone has been one of the top choicesin the industry for lavalier microphones and can be found installed inmany of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features:Clip-on lavalier mic also excels in acoustic guitar applicationsProvides crisp, full-sounding voice and instrument pickupOperates on battery or phantom power6' (1.8 m) cable permanently attached between microphone and power module Specifications:Element: CondenserPolar Pattern: CardioidFrequency Response: 40 - 20,000 HzOpen Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 PaImpedance: PHANTOM: 200 ohms; BATTERY: 270 ohmsMaximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D.Signal to Noise Rati 65 dB, 1 kHz at 1 PaDynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPLPhantom Power Requirements: 9 - 52V, 2 mA typicalBattery T...

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CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

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(More customer reviews)I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

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Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response:

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AKG Perception 200 Large Diaphragm True Condenser Microphone Review

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(More customer reviews)After trying progressively better microphones, I decided to get serious about buying a good microphone. The intended use of the microphone is for narrative vocal recording, as opposed to musical vocal recording, with the possibility of recording acoustic guitar and conga drum as well. I could not be more pleased with my choice.
Several other microphones were considered, including the Perception 100. The primary difference between the two models is the 200 features two switches allowing the microphone to be used in very high volume level situations and to reduce bass input. In retrospect, while these are not gimmicks, I question how much my particular need for these features will be. The difference in price was reasonable, so my dissatisfaction is minimal. The real rating should be four point eight (4.8) points out of five.
The sound quality offered by the Perception 200 more than makes up for any dissatisfaction over spending a little more than I needed to. Where I work, we have a broadcast quality microphone in a sound isolated environment. That microphone cost 3 to 5 times what I spent on the Perception 200. Digital recordings produced by both microphones on the same equipment show very little difference in sound capture. In informal blind listening, through the same playback equipment, most people agreed the Perception recordings sounded slightly warmer, but the vocal range was identical and the Perception captured subtle vocal nuances as well as the more expensive studio microphone.
According to AKG, except for the aforementioned attenuation switches, the Perception 100 is supposed to deliver the same response as the Perception 200. Only because of the differ4ence in cost, I'd slightly downgrade the overall value of the 200. The performance is outstanding at any price. I highly recommend this microphone to serious home recorders or studio operators wanting quality on a tight budget.

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Ground-breaking, high-quality AKG large-diaphragm recording microphones have defined the international studio standard for decades. The new Perception 100 and Perception 200 microphones are based on AKG's nearly 6 decades of experience and from input provided by sound engineers around the world that use AKG products every day.

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Audio Technica Pro Series Cardioid Condenser Lavalier/Instrument Microphone Review

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(More customer reviews)Make sure you're buying the one that includes the battery power pack. I have included an audio sample from the store, which I recorded with my Zoom H4. There was some loud music playing on the speakers, so it'll give you a good idea of how it might sound under such circumstances. The Pro70 battery pack was powering the mic (not Zoom H4's phantom power). I was impressed with the sound of this mic, and the overall quality. It doesn't have the dynamic range of the next model up in the series (the 831b, which I own) but when you switch on the low-cut of the 831b, it and the Pro-70 sound virtually identical. I like this mic, and feel it's a good value for someone looking for a professional XLR mic that has good sound. Again, I find I generall prefer to swich on the "low cut" switch with my 831b anyway, so there's little reason to spend more than this if you're, say, a podcaster or wedding video place looking for excellent audio quality and bang for the buck. By the way, if it sounds a bit overdriven, that's my fault -- not the mic. I had my levels too high.

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This miniature condenser microphone achieves full-sounding pickup and is known for outstanding consistency and dependable performance. Supplied with both a clothing clip and guitar mount, it provides natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar.

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Neumann TLM-103 Microphone Review

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(More customer reviews)If your looking for a pristine mic and require vocals that are clear and transparent, then this mic is worthy of your consideration. This mic has a wonderful clear and warm quality which can help make recording vocals a pleasure and can really help you shine.

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Ideal for all professional and semi-professional applications requiring high sound quality on a limited budget. The TLM-103 uses the transformerless circuitry found in numerous Neumann mics and a capsule derived from that used in the U87. Cardioid pattern, acoustically well-balanced, and provides extraordinary attenuation of signals from the rear. Frequency range: 20Hz-20kHz. Impedance: 50 ohms.ApplicationsDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.Acoustic featuresThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67/U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from explosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN/IEC 651. The letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Operational safetyThe entire internal construction i

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Audio Technica AE5400 Handheld Condenser Microphone Review

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(More customer reviews)I purchased this microphone as a gift to a very talented Vocalist. I looked at many brands and models. After giving this microphone, I received several demo tapes on which it was used. Amazing! What a difference over the 58 wired and wireless he was using. One big attraction is the ability to use the microphone in either flat or low roll off modes. This extends the utility dramatically. I'm glad I went this way.

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The Audio Technica AE5400 Handheld Condenser Microphone delivers pristine sound quality demanded by the most discriminating microphone user. With its superb sonic design, this true condenser features superior anti-shock engineering for low handling noise and quiet performance. Featuring the same element as the classic AT4050 studio mic, its large-diaphragm capsule assures an accurate, natural response. It handles high SPL's and offers protection against plosives/sibilance without compromising high-frequency performance and clarity. Audio Technica AE5400 Features The ultimate vocal performance instrument Pristine sound quality demanded by the most discriminating microphone user Same large-diaphragm element as the renowned AT4050 studio microphone; true condenser design Superior anti-shock engineering ensures low handling noise and quiet performance High-quality double-sided PCB uses surface-mount components. Extensive grounding plane and attention to best-practice grounding methods minimize electrical noise Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Custom transformer improves performance specifications by isolating against noise and RF interference, and providing excellent saturation characteristics that contribute to smooth linear sound quality Robust design for enduring dependability on the road Quiet-Flex stand clamp provides silent, flexible microphone positioning Integral 80 Hz HPF switch and 10 dB pad AmericanMusical.com is an authorized dealer of Audio-Technica products.

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Apex Electronics 460 Tube Microphone Review

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(More customer reviews)I FOUND THE APEX 460 TUBE MIC TO BE COMPARABLE TO MUCH MORE EXPENSIVE STUDIO MICS.
I HAVE ONLY USED IT FOR VOCALS SO FAR AND I WAS VERY IMPRESSED WITH THE SWEAT
SOUND.THE MIC IS VERY QUIET WITH VERY LITTLE OR NO NOISE AT ALL.
THIS MIC IS A KEEPER AND I AM VERY IMPRESSED WITH MINE.

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One unique feature of this microphone is the nine different selectable polar patterns easily available from the selector switch on the front panel of the external power supply. Rather than limiting the user to the three popular patterns most commonly available, the APEX460 has three gradient stages between each pattern. This allows the studio engineer or home recordist far more versatility. In vocal applications where an omnidirectional pattern isn't quite 'fat' enough, but cardioid is too narrow, you now have three additional steps to find the right subtle mix between the two standard patterns. There are also three additional steps between cardioid and figure-8 pattern.Improved quality in affordable recording equipment has brought serious power to the home studio enthusiast or small project studio. The microphone is the first, and often most important link in the signal chain. The APEX460 is high performance, yet truly affordable large diaphragm condenser microphone. They are an outstanding choice for the main microphone for any professional studio, home studio, or any of the computer based direct to hard drive recording systems now available.Due to their rugged construction, high SPL handling capability and affordable price, the APEX460 is also an outstanding choice for live sound reinforcement or live recording. They have proven themselves as overhead mics for drum kits, for guitar or bass cabinets where superior sound quality and high sound pressure handling is required, or as the mic of choice for saxophones, flutes, acoustic guitars or acoustic bass where subtlety and clarity is paramount.Vocalists can use the proximity effect to their advantage, adding fullness and more "bottom end" to the voice. Experienced vocalists can easily incorporate it part of their overall microphone technique. Again, experimentation with mic placement during the recording process is the key. The omnidirectional polar pattern does not exhibit this effect.

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Shure SM93 Lavalier Microphone Review

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(More customer reviews)Just bought this for presentation recordings and hooked it up via audio mixer via USB to Laptop, sound is crisp after a few minutes of practice placing it on a jacket/shirt and really helps isolate your voice during instructional scenes. Phantom powered (total novice but read up and worked it out) so needs a mixer/power source for it to work. Great build qulaity, preamp is heavy and sturdy (clippable in back pocket)
Hope this helps enjoy!
MR

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Providing a full, clear sound comparable to that of much larger microphones, the Shure SM93 omnidirectional miniature lavalier condenser microphone is ideal for body-worn applications in TV broadcasting, theater, and sound reinforcement. Its frequency response is tailored to body-worn applications, with low-end rolloff and presence rise.
Intended for wired applications, the SM93 is powered by phantom power supplied by broadcast, sound reinforcement or recording equipment, or an external phantom supply, and it includes a preamplifier assembly for connection to three-pin professional (XLR) audio connectors.
The SM93 is supplied with a sew-on mounting bracket, a mounting block with attached tie bar, and an acoustic windscreen to minimize wind noise in outdoor applications. It is also supplied with a dual mounting block with attached tie bar.

Key Features
Subminiature lavalier design; ideal size for theater, television broadcasting, video, film, and sound reinforcement
Small, inconspicuous mounting hardware
Full, clear sound comparable to larger microphones
Smooth extended frequency response with presence rise specially tailored for chest-worn microphone operation
Controlled low-frequency rolloff reduces low-frequency clothing and room noise
Low distortion, wide dynamic range
Versatile mounting accessories allow a variety of low-visibility applications
Preamplifier assembly can be pocketed, strapped to the body, or clipped to belt or waistband
Omnidirectional condenser

Mounting the Microphone The tie clips and mounting bracket provided with the SM93 allow the user to wear the microphone in a variety of ways. To achieve optimum pickup, attach the microphone to the user's chest. You can also obtain high-quality sound when the microphone is worn in the hair, sewn into clothing, or attached to an acoustic instrument such as a guitar.
Tie Clip. A spring-loaded clasp attaches easily to a necktie, lapel, blouse, or shirt. Snap the microphone into the clip's mounting bracket and attach the clip to an article of clothing. The dual tie clip supplied with the SM93 provides simultaneous mounting of two microphones.
Sew-On Bracket. Sew the supplied sew-on mounting bracket directly to a garment (Figure 1). Use dark or light thread as necessary to match the color of the bracket.

Specifications
Type: Condenser (electret bias)
Frequency Response: 80 to 20,000 Hz, 12 dB/octave rolloff below 100 Hz
Polar Pattern: Omnidirectional, uniform with frequency
Output Impedance: Rated at 150 ohms (90 ohms actual) Recommended minimum load impedance: 800 ohms (may be used with loads as low as 150 with reduced clipping level)
Output Level (1 Pascal = 94 dB SPL):
Open Circuit Voltage: -43 dBV/Pa (7.0 mV)

Output Clipping Level (at 1,000 Hz): -18 dBV (0.13 V) minimum
Total Harmonic Distortion: Less than 1% at 120 dB
Maximum SPL: 120 dB
Dynamic Range (maximum SPL to A-weighted noise level): 98 dB
Output Noise (equivalent SPL): 22 dB typical, A-weighted; 26 dB, weighted per DIN 45 405
Hum Pickup (electromagnetic): -4 dB equivalent SPL in a 1 mOe field (60 Hz)
Signal-to-Noise Ratio: 72 dB at 94 dB SPL (IEC 651)
Polarity: Positive pressure on microphone diaphragm produces positive voltage on pin 2 relative to pin 3 of preamplifier output cable connector
Current Drain: 0.33 mA
Cable: Black, 4.17 feet, attached, two-conductor, shielded, terminated by miniature connector type (TA4F)
Case:
Microphone: Black ABS thermoplastic case with stainless-steel-mesh grille
Preamplifier: Steel case with non-reflective black finish, black-chrome belt clip

Weight:
Microphone: 0.57 ounces
Preamplifier: 4.17 ounces

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RODE NT1A Cardioid Condenser Microphone Review

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(More customer reviews)If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

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The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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