Showing posts with label mac. Show all posts
Showing posts with label mac. Show all posts

4/10/2012

Apple Logic Express 8 Review

Apple Logic Express 8
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Here we are six months after this product was released, and there's only one review so far. I guess that's because Logic Express's big brother, Logic Studio, gets all the attention. Hey, I'd love to have Logic Studio too, especially with all those Jam Packs, as an amateur "tinkerer", I really can't justify paying five hundred bucks or so.
I decided to take the plunge on Logic Express 8 since it has much of the good stuff of Logic Studio, but it's about 300 bucks less. I'm glad I bought this. It's a lot of fun
I've had it just a couple of weeks so far, and I haven't even scratched the surface of its capabilities. Mostly I've spent my time playing with the EXS-24 sampler and the EVOC-20 vocoder. Vocoder you say? Yep. It's not even mentioned in the description above. I use a simple logitech headset mic and an M-Audio Oxygen midi controller and it works like a charm.
As to the EXS-24 sampler: a lot of people are interested in the sample library that comes with the Express version. As you are probably aware, the express version does not come with the 4 Jam Pack DVD-Roms. The library included with Express has some holes, but it is fairly easy to fill those holes with freely downloaded soundfonts from the web.
You don't get the nice box and documentation with the Express version, but the sequencer and audio recording capabilities are full-fidelity and full function. Honestly, most people are not going to miss the advanced features of Studio because there's enough to keep you busy learning for years.
The thing that made me decide to buy Logic Express 8 now rather than waiting until I had the money to buy Studio was the upgrade policy. You can upgrade to the Full Studio version for $299, which is the approximate difference in price between the packages.
UPDATE 7/2008
Now that I've been playing with Logic Express 8 for about six months, I want to add more depth to my previous comments. It still rates 5 stars for value; however I've run into areas that Apple can improve on the next refresh.
The EXS-24 sampler can lose track of samples if your library gets too large. There are work-arounds. You can split your instruments into separate Sampler Instrument folders, and you can use EXS Manager, a 3rd party software package, but it should be unnecessary.
The ES2 synthesizer sounds nice, but its user interface is obtuse, crowded and behind the times.
There is no paper manual. I'd pay an extra 20-30 bucks to get a genuine users manual with the software.
At least "right out of the box" Logic Express does not "play nice" with most midi controllers. If you want to use the buttons and sliders on your midi controller, you need to program them yourself. Personally, I haven't found the time. I can see why Apple came up with the Soundstage application that it bundles with the Studio version of Logic. Accessing your sounds across multiple built-in synths can take multiple steps in Logic Express. If you are a performing musician, you probably will eventually want Logic Studio.
Last but not least, Logic does a poor job at importing General Midi files. Basically, in this department, Logic is equal to, but no better than Garageband. Logic imports the GM file, converts it to a logic file, and assigns each track to a default instrument that often sounds nothing like the GM standard. The EXS sampler does not have a general midi soundfont. Quicktime, which comes with every mac, does have a good general midi soundfont, and you can play the Quicktime synthesizer from Logic, BUT you can't save presets, and the program does not automatically map the sounds, which makes it pretty useless.
Other than accurate General Midi importing, my wishlist would include built-in vocal-reduction (karaoke) support and pitch-to-midi input.

Click Here to see more reviews about: Apple Logic Express 8

Logic Express 8. Powerful music creation. Logic Express 8 delivers the power, precision, and professional toolset of Logic Pro 8--including a redesigned interface that allows musicians to write, record, edit, and mix with unparalleled speed and ease. Logic Express includes all the functionality of Logic Pro 8 except for four high-end professional features--surround, TDM/DAE support, distributed audio processing (DAP), and support for high-end control surfaces. Logic Express 8 comes with an expanded collection of professional instrument and effect plug-ins from Logic Studio, as well as channel strip settings and plug-in settings that allow you to begin making music immediately with professionally designed sounds. Logic Express is the ideal application for professional musicians and producers who want to get into the world of Logic for $199, as well as GarageBand users who are ready to take their music to the next level. A World of Options Logic Express puts a world of creative options at your fingertips, thanks to an open architecture that lets you use a wide range of audio interfaces and many different control surfaces. You can also explore hundreds of third-party Audio Units instruments and effects and incorporate sounds from third-party applications such as Ableton Live and Propellerhead Reason. Logic Express lets you work anywhere at any time, without proprietary hardware. When inspiration strikes, all you need is Logic Express and a Mac to capture your ideas and turn them into music-at home, on the road, or in the studio.

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4/08/2012

Edirol FA-66 6 x 6 FireWire Audio Interface Review

Edirol FA-66 6 x 6 FireWire Audio Interface
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I've been using this product for about a year now and it has some real strengths in terms of audio fidelity and everything being in the one unit. I shared some of the difficulties of the last user initially, using a Dell Inspiron 8600, but was able to resolve them. The FA-66 can be resource fussy - not much extra needs to be going on with the computer before there is skipping. Maxing out the buffer fixes this, but this is devastating in terms of latency. The Windows that ships with Dells is less customisable than plain-vanilla Windows, and does have lots of things running in the background. I eventually identified that the anti-virus software was launching a separate app to check for updates (every 10 minutes!) and that this was causing skipping. Audio programs themselves - despite being resource intensive - don't seem to cause the problem. Once I disabled this app everything was good and I could operate at latencies of about 4ms without any problems.
There are a lot of good external units out there of which this is one. It really comes down to what you want and what software is packaged with the unit. 192KHz is overkill since consumer products like these have too much DAC jitter for this to be relevant. 96KHz is probably pushing it. But for straight-forward home or field recording where you don't want to bother with a mixer or a separate midi box, this is hard to look past. The inclusion of an analogue limiter sets it apart from offerings from M-Audio and the like, it is solidly built and having phantom power is very handy.
November 2007 Update - I've been using this with a MacBook Pro for a year now and its a dream. My recent purchase of Apple Logic Studio completes a really solid set up, exposing me to the harsh reality that any remaining limitations are user-based.

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6 x 6 FireWire Audio Interface

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2/29/2012

iLife '11 Family Pack Review

iLife '11 Family Pack
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DO NOT BUY THIS SOFTWARE UNTIL IT IS FIXED! This pains me to write this. I live in the Applesphere and have for more than 2 decades. I am proud of my Apple computers, devices and software, at least I have been up until now. This review is about iPhoto '11. I've been an iPhoto user since 2005. In 2006 it became my only photo database. I've used versions '05, '06, '07, '09 & now '11. I have almost 17,000 pictures and add over 2000 a year nowadays with a 2 year old around the house. I use iPhoto almost every day. I consider myself an iPhoto expert.
iPhoto '11 is not a good upgrade. If you already have an earlier version of iPhoto, stay with it until Apple can come out with a version of iPhoto '11 (currently iPhoto 9.1) that fixes the issues. I'm only going to mention what I've hit my head against today. I have written feedback to Apple on each of these along with a half dozen other things.
Features eliminated or changed for the worse:
Copy of Edit>Adjust settings has been eliminated
E-mail restricts photos to 8 predesigned Apple formats and restricts file size selection to 2. Text on formats only 3 lines, 74 characters each. Drag & drop to an e-mail results in full file size. Work around is time consuming.
Description area in photo info is limited to showing 2 lines. Cannot select any other size. To put more into box you must type it on outside resource like Word or Pages, then copy & paste.
Search feature now looks for any word (of a group of words) you type versus looking for EVERY word typed. This dramatically decreases it's helpfulness.
Program does not allow you to view two pictures enlarged side by side to compare! This makes editing similar pictures or choosing between several, very difficult as you have to open and then move from one to another.
Full screen view of image impossible!!!
Bugs:
Program hangs up, crashes
Adjusting date and/or time won't resort photos within an event when sorting by date. To see properly sorted after adjusting you have to exit to Events or another folder and then reenter the event.
Places sometimes won't show entries after you select them. To see them to confirm your entry you must either exit the event or quit the program and restart it.
Again, these are only what I have bumped up against today. I wish I had never up(down)graded to this version. Here is what I like, the new card selections are nice. The share, create & add to menus are better.

Click Here to see more reviews about: iLife '11 Family Pack


iLife '11 helps you do more with photos, movies, and music than you ever thought possible. In iPhoto, you can browse, edit, and share your photos in stunning new full-screen views. Create epic Hollywood-style movie trailers from your home video in iMovie. And GarageBand gives you everything you need to make a great-sounding song—including tools for keeping your song in perfect rhythm and guitar and piano lessons.

iLife '11 Family Pack License
Install on up to five Apple computers in the same household. A single-user license is also available.


The incredible new iPhoto, iMovie, and GarageBand.

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2/28/2012

Alesis IO2 Express Review

Alesis IO2 Express
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Got this unit with some reserve....I had an M-audio Fast Track, and I was not sure why the Alesis was so affordable and with 2 IN for the instruments or mic.
The quality of the case is very low; cheap plastic for the case and the knobs, same for the switches and mic connectors; the only metal parts are the 3.5 inch jack where you plug your guitars or your external equipment, and the headphone OUT
The unit itself looks cheap, but what it matters is what it does; and this pup does it right.
I've hooked it to my Mac pro via USB, and as soon as i plugged it, Snow leopard recognized it; I just had to switch my audio settings to redirect the audio in, audio out and system sounds to the io2 and everything is set up.
I am happy to hear no noise even if the volume is cranked up, while wearing headphones; this means that either the circuit board is well done, or the unit is well shielded from external interference (the fasttrack would give a disturbing hiss now and then; that would disappear if i would change position to the unit of few inches)
The mic in works great; plugged in a mic and it works just fine; setting the knobs is a cakewalk since they are pretty precise and does not make any noise while twisting them (again, means that the people that put this together did a good job shielding the unit; we will see how good is shielded from dust, since that is one of the main causes of noise while twisting the knobs)
the Line in/Guitar in works also great; plugged in my guitar and increased the gain and the sound was really good; tried it with garageband and guitar rig 4 and the latency was under 10ms; versus 18ms with the FastTrack; the Phantom +48v is also useful if you just plug the guitar without amplifier; in this way you can use a sound modeling software like guitar rig and play nice effects directly into your computer, saving the hassle to bring in interference and other noise that would come from the amplifier or pedal.
The recording was also awesome; you can tell that the quality is high when you listen at something recorded with the io2, using Bose headphones or a good audio equipment; the quality was same if not better of a 196kbps MP3, even at high volume and using software equalizer.
The chance to use 2 IN at the same time (2 guitars, guitar and mic, mic and line in and so on) opens up a lot of possibilities; tried with mic and guitar and it works fine; giving you control on each separate channel (the +48v gain works globally on both IN ) with separate knobs for the gain and 2 extra knobs to control the mix between the wet and dry sound (so you can listen the sound of the instrument before being processed by the computer, and after)and to control the main level.
In the end i give this unit a 5 star, since even if is cheaply made; feels pretty solid when you actually use it; and cost much less than any other comparable external usb unit for mac.

Click Here to see more reviews about: Alesis IO2 Express

The iO2 EXPRESS is a compact, audio-recording interface for home studios and portable recording setups. This two-channel USB device for Mac and PC-based systems enables you to record at up to 24-bit resolution for input into virtually all DAW, recording, and performance software.

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2/07/2012

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire) Review

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)
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I bought the Duet to use with my Aluminum iMac and Logic Studio 8 and have had zero problems with the unit. The interface is very streamlined so you have to get used to using a single, multi-function knob for everything. The quality of conversion between analog and digital is head and shoulders above anything else near this price level. It sounds as good as units costing 3 times as much due to the designers' emphasis on quality sound. To get the high quality conversion at this price you are limited to the line outputs and headphone output levels being permanently linked. Some people find this a drawback, so be aware before you buy if this feature is something that is a deal breaker for you.
The small form factor is nice because as anyone with a home studio can attest to, space is not a luxury we have. I didn't pick this for its portability but as it is the size of a paperback book I can imagine it being very easy to tote around with a macbook/pro.
The included Maestro management software is straightforward and lets you set the unit up in seconds with a very easy to understand user interface. Configuring my iMac to use this as the audio input and output took less than a minute from reading the instructions. Making Logic label its mixer to match is equally simple. One thing I found convenient is how OSX lets you still use the iMac's built in speakers for the system alerts so that an error message gong sound isn't sent out through your 100watt studio monitors. You can set the output level of the system alerts separate from the duet's outputs.
The breakout cable is securely attached and the plugs are labeled with big, clear markings so changing hook-ups is easy. It has phantom power if your mics require it, which is set using Maestro.
Most audio interfaces in this price range try to win you over with more I/O channels or other add-ons instead of making the best sound conversion. They trade quality for quantity with predictable results. Apogee decided on doing a simple 2 channel interface, a single physical control and top shelf A/D/A converters so the result is the best 2 channels you can get. When you want more channels without sacrificing quality then you can step up to their Ensemble line.

Click Here to see more reviews about: Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)

The Duet is a two-channel FireWire audio interface that features the amazing sound quality that made Apogee Electronics famous. With control functions built directly into Apple's Logic Pro, Soundtrack Pro and GarageBand software, Duet empowers you to create professional recordings effortlessly on your Mac.With Duet, you can plug in guitars, keyboards, and microphones to record your music, or simply experience how much better your favorite tracks in iTunes sound. Duet is compact and powered by FireWire, so you can pack up your studio and go anywhere your music takes you.Its dual, 1/4" high impedance inputs allow you to combine and record your two favorite instruments, whether it be two guitars, one bass, one guitar, etc., simultaneously using your favorite Core Audio-compatible application. You can also capture vocals with two microphone inputs that have phantom power and 75dB of gain. Whether you're noodling out new ideas, completing a personal tune, documenting a podcast, or recording a live performance, your new little buddy can handle it. The flexible breakout cables come with icons to make it easy to know what goes where, keeping everything in order, out of the way, and properly connected for maximum input and output, with minimal mess. Duet's bus-powered FireWire interface frees you from the traditional four-wall studio setting. So grab your laptop, find a spot where inspiration takes you, whether it's in the solace of a park or in the echoey confines of a subway tunnel, turn it on, and start doing your thing.If you don't have Logic Pro, Soundtrack Pro, Garageband, don't panic. Apogee's includes it's own Downloadable Maestro software, so you'll still be able to work with any Core Audio-compatible application. Maestro allows you to turn the Duet's multifunction control knob into a one-click manager.

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1/12/2012

MOTU Micro Lite USB MIDI Interface Review

MOTU Micro Lite USB MIDI Interface
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I bought this unit (MOTU micro lite) to be able to easily do a Midi merge between devices, but there is no software available to map the midi ports or configure the device. It was a total waste of money for me and I give it zero (0) stars because when you read the description it gives you the impression that it does this easily. The product manual is ridiculous in that it covers 5 different MOTU products and most of the content doesn't apply to the micro lite. There is almost no specific content in the manual for the micro lite. I wrote to tech support and still have no response after a week. I don't understand how you can run a business this way. Highly disappointed and NOT recommended.

Click Here to see more reviews about: MOTU Micro Lite USB MIDI Interface

Built from the same technology found in MOTU's flagship MIDI Timepiece, the micro lite is a professional MIDI interface that provides portable, plug-and-play connectivity to any USB-equipped Macintosh or Windows computer. The micro lite provides 5 MIDI IN, 5 MIDI OUT, 80 MIDI channels and compatibility with all Macintosh and Windows software. Large front-panel LEDs illuminate to indicate MIDI activity. The micro lite takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for "hot-swapping" and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the micro lite is powered by the USB port -- no wall wart or AC plug. With its attractive yet rugged metal casing, the micro lite slides easily into a shoulder bag or briefcase for ultra-compact portability and convenient desktop operation. Removable rack attachments, as well as a custom center-joint fastener, are included and allow you to easily mount two micro lites side by side in a standard 19-inch equipment rack.

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1/07/2012

Roland Cube Monitor / PA Review

Roland Cube Monitor / PA
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I'm frankly sick and tired of showing up for a gig and having my keyboard run through the P.A., thereby in essence causing me to forfeit all control of the instrument to the bandleader (or board op). Still, I've had to concede that the amps I've been using--a Roland KC150, then a KC350--had plenty of power and pop but no sonic attributes that would recommend them above the Bose P.A. set-up the band uses. Then, because I needed a small amp with an XLR connection for use as an emergency P.A., I picked up this relatively new item from Roland, which prominently describes itself as a "monitor" amp (i.e. meant only for the performer's ears).
Was I surprised when I got this thing home and put it through some rounds with a Kurzweil PC2 and SP2. It's little more than a compact brick, but it appears to have the power of my KC150 and, more importantly, in terms of "listenability" it sounds like its several heavens apart from the KC 150 or 350 (those ever-present Roland KC amps will make any piano, including Rolands, sound uninspiring if not boring during the course of a four-hour gig). This latest contender covers the entire piano range, effortlessly, smoothly, providing rich yet responsive bass where its needed and brilliant but not strident highs. Perhaps some would judge the sound a trifle "colored." If so, I'll take the coloration any day to the untempered sounds I've been getting from electric keyboards. The mid-range is tight and controlled, with the upper register "growing out" of it gradually but unmistakably. By contrast, the upper register on the heavy-duty KC amps strikes like a serpent, leaping out of the mix like home-brewed white lightning hitting the palate after it's just gotten accustomed to a vintage Bordeaux.
I even compared this little thing to my previous standard--the Roland Cube 60 that had preceded the KC150 (which has been around too long). This new one was smoother, bending to the bass notes like a gracious willow and springing to the top ones like fresh spring birch. In other words, even the Roland Cube sounded uneven and rough compared to this latest overachiever, which handled the tones of the scale like a single portamento, revealing no holes in any of the registers.
Playing any instrument or amplifier on the job can lead to a judgment radically different from the one made at home. If my instruments (I'm usually playing 2-3) have to be mixed through the P.A., fine. I won't have to listen to them. They'll be processed by this monitor, which will be facing and playing for me before it kicks out the stuff that the bandleader deems worthy of the public's ears.

Click Here to see more reviews about: Roland Cube Monitor / PA

Built to handle a wide range of recording and mixing applications, the Roland Cube CM-30 monitor/PA can be used for live monitoring onstage as well. Delivering 30 watts of punch through a rugged, high-quality 6.5-inch coaxial two-way speaker, the Cube CM-30 can be easily and safely toted from location to location thanks to its built-in handle grip, protective metal grill cover, and cabinet corner protectors.

Key Features
Ultra-versatile monitor for studio, stage, and more
30-watt 6.5-inch coaxial 2-way speaker with stereo preamp
Three input channels, with one XLR input for mic/line and two additional Aux inputs
Stereo Link function for stereo connection between two units, which allows a total of eight stereo inputs and two mono mic/line inputs
Metal grill cover, corner protectors, and handle grip for carrying the unit safely

Specifications
Rated Power Output: 30 W
Speaker: 16 cm (6.5 inches) + Tweeter (Coaxial 2-Way)
Nominal Input Level (1kHz)
Channel 1(Mic/Line): -50 to -20 dub
Channel 2, 3 (Line): -20 dBu
AUX IN 1, 2: -10 dBu
Stereo Link Input: -10dBu

Nominal Output Level
Stereo Link Out L, R: -10 dBu

Controls
Channel 1 (Mic/Line) Volume Knob
Channel 2, 3 Volume Knobs
Stereo Phones Level Knob
Equalizer: Low Knob, High Knob
Volume Knob
Power Switch
Connectors
Channel 1 Input Jack (XLR type, 1/4" phone type)
Channel 2, 3 Input Jack L (mono)(1/4" phone type)
Channel 2, 3 Input Jack R (1/4" phone type)
Aux In 1 Jack (RCA phono type)
Aux In 2 Jack (Stereo miniature phone type)
Stereo Link Out Jacks L, R (1/4" phone type)
Stereo Link In Jack (1/4" phone type)
Stereo Phones Jack (Stereo 1/4" phone type)

Power Consumption: 32 W
Dimensions: 8-7/16 x 9-3/8 x 10-7/8 inches
Weight: 12 pounds, 6 ounces


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12/05/2011

M-Audio Midisport 2x2 Anniversary Edition - MIDI adapter - USB Review

M-Audio Midisport 2x2 Anniversary Edition - MIDI adapter - USB
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Having used the MidiSport 2x2 (green model) for many years, I felt a lot of confidence in purchasing this unit (2 of these.)
I had recently purchased a green model, but it didn't seem to work --or I couldn't correctly install the drivers in MS Win Vista or Win 7. So, I was a bit apprehensive, when I got the black anniversary model of the "little box."
Imagine my pleasant surprise, when both Vista and Win 7 recognized it and installed the drivers plug-and-play style --automatically! In addition to sequencing from an 88-note weighted keyboard, I wanted to play my newly-acquired Garritan Authorized Steinway and TruePianos PC software. The ultimate digital pianos. In order to make these pianos work right, you have to jump through some hoops and get your ducks in a row. (The low-latency piece was solved with ASIO4All at 64 buffers...) With the high-definition internal sound "card" in my new Hp G60 630US laptop, the sound is immaculate. Truly.
The MidiSport 2x2 Anniversay model actually works better than the USB MIDI interface from either My Roland RD-700SX or my Roland Fantom X8 high-end keyboard/workstations! Less noise and less drop-outs... Go figure. Not bad-mouthing Roland instruments: they are my current favorites. Just bought a brand-new RD-700GX. I love it!.
The MIDISport's indicator lights and markings make it very easy to connect and to determine if it's configured and operating properly. Highly recommended.

Click Here to see more reviews about: M-Audio Midisport 2x2 Anniversary Edition - MIDI adapter - USB

The Midiman MIDISPORT 2x2 Anniversary Edition was released in celebration of M-Audio's 20th anniversary and this multi-port USB MIDI interface sports a new look and enhanced functionality. The compact interface addresses 32 x 32 discrete channels of MIDI I/O via USB, making it perfect for simultaneously connecting multiple MIDI devices to your computer, as well as eliminating delays associated with long MIDI thru chains. Standalone functionality also gives you MIDI throughput and merge capabilities. Bus-powered architecture provides the option of totally mobile operation. M Audio MidiSport Features 2-in/2-out MIDI interface with 32 discrete MIDI input channels, 32 Discrete MIDI output channels Standalone functionality with MIDI merge and thru USB bus powered and requires no external power supply True plug-and-play functionality, class-compliant operation with Windows XP, Vista and Mac OS X MIDI activity indicator for each port Compact and lightweight for mobile or desktop use AmericanMusical.com is an authorized dealer of M Audio products.

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11/15/2011

Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

Click Here to see more reviews about: Apple Logic Studio

Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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11/12/2011

Line 6 POD Studio KB37 Review

Line 6 POD Studio KB37
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I'm new to creating music on a computer, and my research, along with tons of positive reviews from others, led me to the POD Studio KB37 as a good all-purpose starting point. In terms of flexibility, this package is very hard to beat. The built-in inputs and mic preamps let you record just about anything, from guitar/bass and other electric instruments to vocals and acoustic instruments (using your own mic, of course). For these uses alone, the KB37 is a great way to get sound into your computer with minimum headaches. Simply connect the KB37 to your computer with a single USB cable. It's USB-powered, so you don't even have to plug it into a power outlet.
The hardware's MIDI keyboard and control surface open up a whole new dimension. They allow you to add keyboard parts and adjust some software parameters via real-world knobs and buttons; this is much faster than clicking and dragging onscreen "virtual" controls.
The included software package reveals the KB37's full potential, transforming an otherwise great product into an incredible bargain. Sure, the Reason Adapted (synth, sampler, sequencer, and effects) and Ableton Live (multitrack recording) software are the "lite" versions of these programs, but even so, they're very versatile and powerful. If you're fairly new to DAW software, trust me, even the lite version of Reason is pretty incredible -- you'll get a lot of use out of it. It includes tons of sampled real-world instruments, fully functional and tweakable soft synths, drum machine, sequencer, effects, and a lot more. It takes quite a while to explore its impressive capabilities. Once you do, you'll know whether you want to upgrade to the full version, which is available at a discounted price. But again, the lite verion will be plenty for many users.
Finally, you get Line 6's POD Farm software, which gives you an arsenal of stompbox and rack effects for guitar, bass, vocals, and just about anything else. On top of that, it includes amp, cab, and mic preamp modeling. You get everything that most guitar multi-effects units provide and then some. Because it runs on your computer, naming and saving patches is quicker and easier than stand-alone multi-effects units, and you can save as many custom patches as you like. And, unlike stand-alone units, POD Farm is expandable. Line 6 claims that the KB37 allows you to monitor your tone, complete with effects, without a latency problem (a lag between playing a note and hearing the output). This is not an empty promise. On my modest laptop, which runs Windows Vista on an Intel Core 2 Duo T5550 (1.83GHz) with 3GB of RAM, I experience zero latency problems.
All told, for the price of one guitar multi-effects unit, you get everything you need to start a home studio. If you're a full-time keyboard player, this package probably isn't aimed at you. As its name suggests, the KB37's keyboard has only 37 keys. So, there are probably better MIDI keyboard controllers out there for you. Plus, as a keyboard specialist, you'd most likely want a full version of whatever synth software you prefer. On the other hand, if you play guitar or bass and you want all the building blocks for tweaking your tone, adding vocals, effects, *and* getting your feet wet with powerful synths, sampling, and multitrack recording, here it is for a laughably low price.


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POD Studio KB37 combines the stunning sound of POD Farm\' plug-in with a powerful and versatile USB interface and 37-key MIDI controller. Essential to the success of countless platinum-selling albums, these immortal Line 6 guitar, bass and effects tones are now available for recording guitarists. POD Farm, The Premium Tone Plug-inPOD Farm plug-in features the sounds of the sought-after vintage essentials and must-have modern monsters necessary for a pro-sounding recording. It includes 18 immortal guitar amps Models,24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects. Drag and drop models into the signal flow, pre or post amplifier. The carousel-style gear browser, displaying each and every coveted model Plus, get your free FX Junkie model pack and add 35 more effect models including synths, filters, delays, and more to POD Farm!KB37, the Lowest Noise for the Clearest RecordingsKB37 boasts the lowest noise for recording guitar, 12dB more dynamic range than similar interfaces, for clear and dynamic recordings. Plus, exclusive Line 6 ToneDirect\' monitoring virtually eliminates latency allowing you to record with amp and effect modeling and without sacrificing tone or feel.Half rock-solid guitar interface, half feature-packed MIDI controller, KB37 is as versatile as it is powerful. It features 37 full-sized velocity-sensitive keys, a pitch bend wheel, octave up/down buttons and a set of software-assignable controls.Start Recording Right Out of the BoxPOD Studio KB37 includes POD Farm plug-in, Ableton Live Lite Line 6 Studio Edition 16-track recording software ideal for guitarists, and award-winning Reason Adapted production software featuring a sought-after sequencer and tons of stunningly lifelike instruments. This collection of studio-standard hardware and software provides instant pro recording, right out of the box.

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11/02/2011

Logic Studio Retail Review

Logic Studio Retail
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I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

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With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

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9/02/2011

Pro Tools Mbox Mini (3rd gen) Review

Pro Tools Mbox  Mini (3rd gen)
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First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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Professional around the world have long been using Pro Tools recording systems to create award-winning music and sound for film and TV.Now you can get the same professional results in your personal studio with Pro Tools Mbox Mini - a complete, integratd, computer-based music creation and production system.The ultra-portable Pro Tools Mbox Mini features everything you need to easily compose, record, edit, and mix music-including studio-standard Pro Tools LE software.You get over 70 stunning effects and virtual instrutments, plus other tools and features to help you create music quickly and easily.Mbox Mini also delivers premium sound quality, plus rock-solid compatibility with nearly every popular audio recording application.

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8/05/2011

Gio Review

Gio
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Decided to add a GiO to my (Apogee Ensemble-based) system for controlling guitar effects in Logic Studio. It works perfectly, and as a guitar player I love having a pedalboard that integrates seamlessly with my new virtual amp and stompbox rigs! The color-coded LEDs are a nice touch, and I've really come to rely on them for at-a-glance operation while writing and recording. Clever design. I've also run the GiO as a primary interface using the guitar input and headphone output - which is absolutely great - perfect for a portable setup on a MacBook Pro. How they pull off all of that low-noise, high-res audio I/O running off USB power is amazing. You simply can't go wrong with this latest Apogee stuff - the folks in Santa Monica are certainly "using the old noodle" and coming up with some innovative and well-executed products - well done!

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The Apogee GiO is the complete guitar interface for Apple's Logic Studio 9, MainStage 2 and GarageBand '09. Combining effects control, recording functions and amazing sound quality, the GiO delivers total access to incredible sounding guitar amps and effects in a single foot controller and audio interface.Designed to work with the Apple Logic Studio 9 and MainStage 2, GiO allows guitar players to control recording functions, preset changes and plug-ins like Amp Designer and Pedalboard, along with Playback and Loopback features in MainStage. With GarageBand '09, Apogee GiO is truly plug-and-play pedal and lets users quickly connect their guitar, select and control built-in amps and stompboxes, and record.Stomp on it. Effects control without the mouse.Find your sound without going back and forth from your guitar to your Mac. With GiO, you can audition effects presets in GarageBand, Logic, and MainStage, and turn effects on and off while playing or recording . . . all without touching your keyboard.Hands-free recording. Apogee GiO frees you from key-command recording allowing you to concentrate on your performance and not the space bar. The five transport buttons on GiO let you record, play, stop and quickly navigate through your track without taking your hands off the neck of your guitar."Next" preset please. Previous and Next preset select buttons let you quickly audition and toggle between guitar amps and effects presets in Logic and GarageBand and the patch lists in MainStage.Instrument inputGiO's ¼" instrument input features Apogee's world-class instrument preamp and converters. Hear and record your guitar's true tone straight into Apple's GarageBand, Logic and MainStage without compromise. The Apogee GiO is optimized for all pickup configurations from the most basic single coil to sophisticated active electronics setups.MIDI Expression pedal inputGiO's Expression control pedal input allows access to traditional effects like wah-wah, and volume. Also, contr

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7/25/2011

iLife '11 Review

iLife '11
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I'm not sure how to review this: some people could potentially be buying this to upgrade a very old version of iLife. If I review this as a standalone piece of software, it's fantastic and quite a value. For less than $50 you get a world class digital music studio, one of the best photo organizing programs, and a remarkably capable video editing package. (Oh, and passable web editing and DVD authoring programs, but nobody cares much about those, least of all Apple.) Easily five stars.
However, if I judge this as an upgrade from iLife '09, it's extremely weak. Here's what you get of any substance: the ability to better edit audio in iMovie, slightly better full screen modes in iPhoto, really impressive time warping facilities in Garage Band to fix timing, and some very nice guitar and piano lessons which actually show you where you making mistakes. All great features, to be sure. But are these worth $50 if you have '09? Probably not.
The frustrating thing is that the most major feature in this upgrade is just plain silly: they added the ability to make cutesy little fake "trailers" in iMovie. This is apparently their big innovation. You can now replace your boring home movies with one of eight or so two minute jokes that I guarantee you will get old very quickly. Very quickly. They also added a fake news program theme, and a fake sports theme. All very gaudy and over-the-top, even for iMovie standards. And not at all useful beyond just playing with them once.
It's pretty clear that Apple's focus has shifted away from Mac OS X and iLife and on to the greener pastures of iOS: the iPad and iPhone. In fact, from now on we'll likely see features come first to their consumer devices, and then later to their desktop computers. I'm afraid the days of getting truly major updates to iLife every two years is a thing of the past.
So, as an upgrade from '09, I give this one or two stars at best. If you're upgrading from '09, I hope I've saved you some money. Otherwise, this is a great software package, easily five stars, just not much of an improvement from what you could get two years ago. As such, I'll split the difference and give the package three stars.

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iLife '11 helps you do more with photos, movies, and music than you ever thought possible. In iPhoto, you can browse, edit, and share your photos in stunning new full-screen views. Create epic Hollywood-style movie trailers from your home video in iMovie. And GarageBand gives you everything you need to make a great-sounding song—including tools for keeping your song in perfect rhythm and guitar and piano lessons.


The incredible new iPhoto, iMovie, and GarageBand.

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7/23/2011

Apogee ONE USB Interface with Microphone Review

Apogee ONE USB Interface with Microphone
Average Reviews:

(More customer reviews)
I'm a new MacPro owner and bought the Apogee One so that I could plug in my guitar and use Garageband. I did a bunch of research on the different interfaces and picked the "One" because of the reviews and the price. I'm certainly not disappointed.This thing works way better than I expected. It is sleek, low profile, simple to hook up and sounds great. I was kind of worried that I read USB connections had more issues with latency than Firewire. That is certainly not the case here. I can detect ZERO latency. I plugged my Bose computer speakers into the One's headphone jack and my guitar sounds great. And it works great with the Mac and Garageband.
Anyway, I could ramble on but need to get back to practice.Excellent product. Thank you Apogee!

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ONE is powered by a USB connection to your Mac and offers 24 bit audio at sample rates of 44.1 kHz or 48 kHz for pristine sound quality. With a footprint slightly larger than an iPhone, ONE's compact size is travel friendly, allowing you to record and perform professionally any place your music takes you.There's a Mic Inside:Tuned Aperture Microphone TechnologyUnlike any interface in its class, ONE features an internal reference condenser microphone that has been fine-tuned by professional recording engineers to create Apogee's Tuned Aperture Microphone technology. ONE with its tuned aperture microphone and fitted with the optional custom mic mount is the ultimate portable recording solution for quickly capturing musical ideas, recording high quality demos, rehearsals, podcasts, lectures, interviews, voice-overs and more.Choose your Mic: World-Class Mic Pre inputFor those who prefer the sound of their favorite microphone, ONE features a worldclass microphone preamp with phantom power and a gain range of +10 to 65 dB. Based on the award winning mic preamps in Apogee's Ensemble and Duet, ONE's preamp is digitally controlled by the encoder knob. Level can also be set from within Apogee's Maestro, or your Mac's Sound and Audio MIDI Setup control panels.Guitar, Bass and Keyboards: Instrument InputsPlug-in and play is made easy with ONE's instrument input. Perfect for guitar, bass, and keyboard, ONE's instrument input has extremely low noise and a transparent signal path making it the ideal solution for recording or performing live with your Mac.Headphones or Speakers: Studio Quality Stereo OutputHear your recordings in their truest form and rediscover your iTunes library with ONE's studio quality stereo output. Controlled by the encoder knob, the output of ONE is supplied by the 1/8" jack on the front allowing connection to either headphones or powered speakers.ONE Touch Control: The multifunction encoder knobAll...

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5/23/2011

Logic Express 9 Retail Review

Logic Express 9 Retail
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(More customer reviews)
I am a hobbyist, not a pro, so keep that in mind as you read this; however, I have over the years used the old Logic when it was made by eMagic, Cubase, and landed on MOTU Digital Performer for a few years. I took a wrong turn and ended up playing with Reason and Live for a while, and then quit altogether. After a few years, I recently picked up Native Instruments Komplete 6, and never having found an ideal DAW, decided to dip my toe in the water with the new version of Logic Express. Having used many packages, I can tell you this is a robust package that strikes a nice balance between ease of use for a musician and powerful features for a producer. The Express version is not defanged, and can happily handle tons of tracks, Audio Units plug-ins (no VSTs), and without reading the manual I could record MIDI tracks, use software instruments, and record audio the same day I installed it. There are some really nice features and if you need the pro version you simply pay the difference for the upgrade, making this pretty exceptional value. I'm still fine with Express, but knowing the upgrade is easily available at no penalty is a nice policy. This is an intuitive and thoughtfully designed piece of software that has definitely reduced barriers for me at least in terms of getting the ideas that are in my head down and playing with them until they sound great.

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Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player\'s dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

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Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple\'s professional support staff. For more information, visit www.apple.com/support/products.


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