Showing posts with label logic pro. Show all posts
Showing posts with label logic pro. Show all posts

4/22/2012

Amplitube Live Review

Amplitube Live
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To my ears, the software is quite good. It does take the raw signal from an electric guitar and process it in such a way that it sounds like it is coming out of a selection of real amplifiers. This way you get some classic sounds without having to go out and buy a half dozen amplifiers--and you don't have to lug them around! The software also includes noise gate, reverb, delay, distortion pedal, etc.
To correct a few erroneous comments in other reviews . . .
Even if you have a fast computer, you can still have unacceptable delays between when you strum your guitar and when the processed sound comes out of your computer. This is not Amplitube's fault. You also need a high quality sound card and low latency drivers such as ASIO or WDM, and you need to know how to optimize the latency settings. If you are using a laptop with a generic sound card and MME drivers, your delay will be long regardless how good your computer is.
You can use Amplitube LE for recording, but you will need a host software such as Cakewalk, or Cubase. You can't record if Amplitube is all you have, and I don't think they made that claim.
As I said, Amplitube sounds pretty good and realistic to my ears, but of course, that is a matter of taste.

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AmpliTube Live includes the AmpliTube LE plug-in for most major formats (VST, Audio Units, DX, and RTAS), so you get a standalone app and plug-in in one box! Combine 3 different preamp models and related EQs with 3 accurately emulated cabinets to precisely craft a wide palette of guitar sounds ranging from clean to crunch to lead. A set of 4 classic effects, including a spacious spring reverb and 3 stomp-like effects wah-wah, delay, and overdrive are all modeled on acclaimed classic guitar effects. In addition, there's a chromatic tuner so you always know you're in pitch. AmpliTube takes full advantage of ASIO, DirectX, and Mac OS X Core Audio drivers so it plays without any perceptible latency. Extremely easy to use, and works with built-in Mac and PC audio cards. AmpliTube LE is designed to work in all major audio sequencers, including Cubase, Pro Tools, Logic, Sonar, Digital Performer, GarageBand, or any Audio Unit, VST, DX, or RTAS-compatible host application. Record guitar tracks, fully integrating AmpliTube LE in your DAW. Both AmpliTube Live and LE come packed with killer presets that can be changed with a MIDI footcontroller.

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4/10/2012

Apple Logic Express 8 Review

Apple Logic Express 8
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Here we are six months after this product was released, and there's only one review so far. I guess that's because Logic Express's big brother, Logic Studio, gets all the attention. Hey, I'd love to have Logic Studio too, especially with all those Jam Packs, as an amateur "tinkerer", I really can't justify paying five hundred bucks or so.
I decided to take the plunge on Logic Express 8 since it has much of the good stuff of Logic Studio, but it's about 300 bucks less. I'm glad I bought this. It's a lot of fun
I've had it just a couple of weeks so far, and I haven't even scratched the surface of its capabilities. Mostly I've spent my time playing with the EXS-24 sampler and the EVOC-20 vocoder. Vocoder you say? Yep. It's not even mentioned in the description above. I use a simple logitech headset mic and an M-Audio Oxygen midi controller and it works like a charm.
As to the EXS-24 sampler: a lot of people are interested in the sample library that comes with the Express version. As you are probably aware, the express version does not come with the 4 Jam Pack DVD-Roms. The library included with Express has some holes, but it is fairly easy to fill those holes with freely downloaded soundfonts from the web.
You don't get the nice box and documentation with the Express version, but the sequencer and audio recording capabilities are full-fidelity and full function. Honestly, most people are not going to miss the advanced features of Studio because there's enough to keep you busy learning for years.
The thing that made me decide to buy Logic Express 8 now rather than waiting until I had the money to buy Studio was the upgrade policy. You can upgrade to the Full Studio version for $299, which is the approximate difference in price between the packages.
UPDATE 7/2008
Now that I've been playing with Logic Express 8 for about six months, I want to add more depth to my previous comments. It still rates 5 stars for value; however I've run into areas that Apple can improve on the next refresh.
The EXS-24 sampler can lose track of samples if your library gets too large. There are work-arounds. You can split your instruments into separate Sampler Instrument folders, and you can use EXS Manager, a 3rd party software package, but it should be unnecessary.
The ES2 synthesizer sounds nice, but its user interface is obtuse, crowded and behind the times.
There is no paper manual. I'd pay an extra 20-30 bucks to get a genuine users manual with the software.
At least "right out of the box" Logic Express does not "play nice" with most midi controllers. If you want to use the buttons and sliders on your midi controller, you need to program them yourself. Personally, I haven't found the time. I can see why Apple came up with the Soundstage application that it bundles with the Studio version of Logic. Accessing your sounds across multiple built-in synths can take multiple steps in Logic Express. If you are a performing musician, you probably will eventually want Logic Studio.
Last but not least, Logic does a poor job at importing General Midi files. Basically, in this department, Logic is equal to, but no better than Garageband. Logic imports the GM file, converts it to a logic file, and assigns each track to a default instrument that often sounds nothing like the GM standard. The EXS sampler does not have a general midi soundfont. Quicktime, which comes with every mac, does have a good general midi soundfont, and you can play the Quicktime synthesizer from Logic, BUT you can't save presets, and the program does not automatically map the sounds, which makes it pretty useless.
Other than accurate General Midi importing, my wishlist would include built-in vocal-reduction (karaoke) support and pitch-to-midi input.

Click Here to see more reviews about: Apple Logic Express 8

Logic Express 8. Powerful music creation. Logic Express 8 delivers the power, precision, and professional toolset of Logic Pro 8--including a redesigned interface that allows musicians to write, record, edit, and mix with unparalleled speed and ease. Logic Express includes all the functionality of Logic Pro 8 except for four high-end professional features--surround, TDM/DAE support, distributed audio processing (DAP), and support for high-end control surfaces. Logic Express 8 comes with an expanded collection of professional instrument and effect plug-ins from Logic Studio, as well as channel strip settings and plug-in settings that allow you to begin making music immediately with professionally designed sounds. Logic Express is the ideal application for professional musicians and producers who want to get into the world of Logic for $199, as well as GarageBand users who are ready to take their music to the next level. A World of Options Logic Express puts a world of creative options at your fingertips, thanks to an open architecture that lets you use a wide range of audio interfaces and many different control surfaces. You can also explore hundreds of third-party Audio Units instruments and effects and incorporate sounds from third-party applications such as Ableton Live and Propellerhead Reason. Logic Express lets you work anywhere at any time, without proprietary hardware. When inspiration strikes, all you need is Logic Express and a Mac to capture your ideas and turn them into music-at home, on the road, or in the studio.

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4/09/2012

Tascam FIREONE Firewire Audio Interface Review

Tascam FIREONE Firewire Audio Interface
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I recently upgraded to a MacBookPro with Logic 7 on it. I needed a control surface that was Firewire based and would allow good functionality and portability. This audio interface/control surface provides a nice touch. I went from an Ozone Midi controller to this because this one was Firewire-based AND I never was into using the keyboard. For my purposes, plugging a mic, guitar, bass and electronic drums this was a great option. It took a little bit of fiddling to work with a MacBookPro (with Tiger and Leopard) and involved a rollback of Firewire drivers/firmware which is available on the Tascam website.
Without the rollback, the control surface will not work (or will work unpredictably). This is a Mac/Logic 7 issue. Anyway, I'm pleased. It looks great, works great (after Fix for Mac OS X 10.4.10 FireWire) and seems very durable.
Time will tell.

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2-Channel FireWire Audio Interface. Large weighted backlit Jog Wheel. Programmable Function Keys. MIDI I/O. Includes recording software

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11/15/2011

Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

Click Here to see more reviews about: Apple Logic Studio

Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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11/02/2011

Logic Studio Retail Review

Logic Studio Retail
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I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

Click Here to see more reviews about: Logic Studio Retail


With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

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8/05/2011

Gio Review

Gio
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Decided to add a GiO to my (Apogee Ensemble-based) system for controlling guitar effects in Logic Studio. It works perfectly, and as a guitar player I love having a pedalboard that integrates seamlessly with my new virtual amp and stompbox rigs! The color-coded LEDs are a nice touch, and I've really come to rely on them for at-a-glance operation while writing and recording. Clever design. I've also run the GiO as a primary interface using the guitar input and headphone output - which is absolutely great - perfect for a portable setup on a MacBook Pro. How they pull off all of that low-noise, high-res audio I/O running off USB power is amazing. You simply can't go wrong with this latest Apogee stuff - the folks in Santa Monica are certainly "using the old noodle" and coming up with some innovative and well-executed products - well done!

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The Apogee GiO is the complete guitar interface for Apple's Logic Studio 9, MainStage 2 and GarageBand '09. Combining effects control, recording functions and amazing sound quality, the GiO delivers total access to incredible sounding guitar amps and effects in a single foot controller and audio interface.Designed to work with the Apple Logic Studio 9 and MainStage 2, GiO allows guitar players to control recording functions, preset changes and plug-ins like Amp Designer and Pedalboard, along with Playback and Loopback features in MainStage. With GarageBand '09, Apogee GiO is truly plug-and-play pedal and lets users quickly connect their guitar, select and control built-in amps and stompboxes, and record.Stomp on it. Effects control without the mouse.Find your sound without going back and forth from your guitar to your Mac. With GiO, you can audition effects presets in GarageBand, Logic, and MainStage, and turn effects on and off while playing or recording . . . all without touching your keyboard.Hands-free recording. Apogee GiO frees you from key-command recording allowing you to concentrate on your performance and not the space bar. The five transport buttons on GiO let you record, play, stop and quickly navigate through your track without taking your hands off the neck of your guitar."Next" preset please. Previous and Next preset select buttons let you quickly audition and toggle between guitar amps and effects presets in Logic and GarageBand and the patch lists in MainStage.Instrument inputGiO's ¼" instrument input features Apogee's world-class instrument preamp and converters. Hear and record your guitar's true tone straight into Apple's GarageBand, Logic and MainStage without compromise. The Apogee GiO is optimized for all pickup configurations from the most basic single coil to sophisticated active electronics setups.MIDI Expression pedal inputGiO's Expression control pedal input allows access to traditional effects like wah-wah, and volume. Also, contr

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7/23/2011

Apogee ONE USB Interface with Microphone Review

Apogee ONE USB Interface with Microphone
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I'm a new MacPro owner and bought the Apogee One so that I could plug in my guitar and use Garageband. I did a bunch of research on the different interfaces and picked the "One" because of the reviews and the price. I'm certainly not disappointed.This thing works way better than I expected. It is sleek, low profile, simple to hook up and sounds great. I was kind of worried that I read USB connections had more issues with latency than Firewire. That is certainly not the case here. I can detect ZERO latency. I plugged my Bose computer speakers into the One's headphone jack and my guitar sounds great. And it works great with the Mac and Garageband.
Anyway, I could ramble on but need to get back to practice.Excellent product. Thank you Apogee!

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ONE is powered by a USB connection to your Mac and offers 24 bit audio at sample rates of 44.1 kHz or 48 kHz for pristine sound quality. With a footprint slightly larger than an iPhone, ONE's compact size is travel friendly, allowing you to record and perform professionally any place your music takes you.There's a Mic Inside:Tuned Aperture Microphone TechnologyUnlike any interface in its class, ONE features an internal reference condenser microphone that has been fine-tuned by professional recording engineers to create Apogee's Tuned Aperture Microphone technology. ONE with its tuned aperture microphone and fitted with the optional custom mic mount is the ultimate portable recording solution for quickly capturing musical ideas, recording high quality demos, rehearsals, podcasts, lectures, interviews, voice-overs and more.Choose your Mic: World-Class Mic Pre inputFor those who prefer the sound of their favorite microphone, ONE features a worldclass microphone preamp with phantom power and a gain range of +10 to 65 dB. Based on the award winning mic preamps in Apogee's Ensemble and Duet, ONE's preamp is digitally controlled by the encoder knob. Level can also be set from within Apogee's Maestro, or your Mac's Sound and Audio MIDI Setup control panels.Guitar, Bass and Keyboards: Instrument InputsPlug-in and play is made easy with ONE's instrument input. Perfect for guitar, bass, and keyboard, ONE's instrument input has extremely low noise and a transparent signal path making it the ideal solution for recording or performing live with your Mac.Headphones or Speakers: Studio Quality Stereo OutputHear your recordings in their truest form and rediscover your iTunes library with ONE's studio quality stereo output. Controlled by the encoder knob, the output of ONE is supplied by the 1/8" jack on the front allowing connection to either headphones or powered speakers.ONE Touch Control: The multifunction encoder knobAll...

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