Showing posts with label interface. Show all posts
Showing posts with label interface. Show all posts

4/17/2012

Tascam US122 Audio/MIDI Interface with Free Software Review

Tascam US122 Audio/MIDI Interface with Free Software
Average Reviews:

(More customer reviews)
I finally got the unit. It got derailed and took a while but i need it and am satisfied with price and fact it was delivered to me.

Click Here to see more reviews about: Tascam US122 Audio/MIDI Interface with Free Software

The US-122 features 2 XLR-based, phantom-powered mic inputs. As one of the only small computer interfaces with analog inserts, you can use the US-122 to place hardware devices (compressors, etc.) into the recording signal chain. Two line-level inputs on balanced 1/4 in. TRS jacks are included, and are switchable to guitar-level for direct instrument recording into your computer. The US-122 also provides a dedicated control for adjustable zero-latency direct monitoring, providing a sonically pure reference point before entering DAW processing.

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3/28/2012

Line 6 Toneport UX8 Review

Line 6 Toneport UX8
Average Reviews:

(More customer reviews)
As a loyal Line6 user, I knew the UX8 wouldn't let me down. I recently upgraded from the Toneport UX2 to the UX8, mostly because I needed more inputs to record my band (I used UX8 with Pro Tools). No surprise, Line6 totally nailed it. They know what recording guitarists need. This thing has a lot more to offer than just tons of inputs and great preamps. It has SPDIF, phantom power, footswitch and exp pedal jacks (wah-wah etc), plus Gearbox modeling software and Gearbox plug-in with hundreds of totally usable tones. I recorded all my guitar tracks dry while monitoring a processed tone. while mixing, I took my time and found the best tones. very pleased. And no latency!
IMO, for the price UX8 can't be beat. You are getting a ton of great features in a well-designed complete pro rack unit.

Click Here to see more reviews about: Line 6 Toneport UX8

The Line 6 Toneport UX8 USB PC Recording Interface has an 8-channel USB2 Audio Interface for both Mac and PC. Professional producers, engineers, and musicians turn to Line 6 because they know that great mixes start with great recordings and great recordings come through TonePort. Install the free GearBox software from Line6.com and control an entire arsenal of guitar, bass and mic tones. No more worries about room dynamics or wasted hours setting up equipment, TonePort makes it easy to plug in and start recording your next hit song. TonePort UX8 is the only USB audio interface that delivers the powerful tone-shaping mojo of Line 6's acclaimed GearBox software-the same tone engine used by POD -with recording inputs and outputs for eight simultaneous channels of studio-quality 24-bit/96 kHz audio. The sturdy and stylish rack-mountable design provides the discerning producer with eight (8) XLR inputs with high quality dedicated mic pres, eight (8) 1/4-inch line inputs, two (2) 1/4-inch front panel instrument jacks, eight (8) 1/4-inch balanced line output jacks and two (2) stereo headphone jacks, as well as stereo RCA S/PDIF input and output. Of course, Line 6 is all about tone, and TonePort UX8 delivers a massive collection of models, including 18 guitar amps and 24 cabinets, 5 bass amps and 5 bass cabs, 6 mic preamps and 30 stompbox and studio effects for guitar, bass and vocals. For the ultimate in recording, mixing and mastering flexibility, TonePort UX8 includes GearBox modeling software as well as the GearBox Plug-In in VST, AU and RTAS (Pro Tools) format. Plug in to any TonePort and record your tunes with the tone you crave using any of your favorite recording application, including GarageBand, Logic, Cakewalk/Sonar, Ableton Live, and many, many more. GearBox

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1/26/2012

Monster MIDI Cable - 12 Feet - 5 pin DIN Review

Monster MIDI Cable - 12 Feet - 5 pin DIN
Average Reviews:

(More customer reviews)
I used to buy nothing but Monster cables for musical equipment, even though the price after discounting (I'm one of the store's longest-standing customers) was not insubstantial. I became less interested in the brand when a piano patch cord shorted out on me, followed by the rubberized housing at both ends of this midi cable pulling loose from the plug, thereby exposing the thin wires underneath. Granted, not everyone is going to use the cable for jobbing, but of late I'm happy to play Hosannahs on my Hosa cables.

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Get the Dependable MIDI Connection You Need with Advanced Cable Construction, Low-Noise Shielding and High Quality Connectors Digilink MIDI uses advanced cable construction to enable high-speed reliable MIDI data transfer, even over long runs. Monster MIDI is designed to control current and voltage transients, which reduces jitter and edge distortion, and minimizes delay. Interference problems are greatly reduced by a full coverage overlapping foil shield, and sturdy dual-molded connectors with 24k gold contacts for maximum signal transfer and long term reliability in the studio or on the road. Get Monster MIDI and get connected to high performance.

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1/12/2012

MOTU Micro Lite USB MIDI Interface Review

MOTU Micro Lite USB MIDI Interface
Average Reviews:

(More customer reviews)
I bought this unit (MOTU micro lite) to be able to easily do a Midi merge between devices, but there is no software available to map the midi ports or configure the device. It was a total waste of money for me and I give it zero (0) stars because when you read the description it gives you the impression that it does this easily. The product manual is ridiculous in that it covers 5 different MOTU products and most of the content doesn't apply to the micro lite. There is almost no specific content in the manual for the micro lite. I wrote to tech support and still have no response after a week. I don't understand how you can run a business this way. Highly disappointed and NOT recommended.

Click Here to see more reviews about: MOTU Micro Lite USB MIDI Interface

Built from the same technology found in MOTU's flagship MIDI Timepiece, the micro lite is a professional MIDI interface that provides portable, plug-and-play connectivity to any USB-equipped Macintosh or Windows computer. The micro lite provides 5 MIDI IN, 5 MIDI OUT, 80 MIDI channels and compatibility with all Macintosh and Windows software. Large front-panel LEDs illuminate to indicate MIDI activity. The micro lite takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for "hot-swapping" and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the micro lite is powered by the USB port -- no wall wart or AC plug. With its attractive yet rugged metal casing, the micro lite slides easily into a shoulder bag or briefcase for ultra-compact portability and convenient desktop operation. Removable rack attachments, as well as a custom center-joint fastener, are included and allow you to easily mount two micro lites side by side in a standard 19-inch equipment rack.

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1/08/2012

PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O Review

PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O
Average Reviews:

(More customer reviews)
I bought the StudioLive about a month ago and have been playing with it since then in preparation for winter concert season. The first thing I did was connect a mic to every input and test the gain, routing, and outputs for every channel. Everything worked flawlessly, sounded great, and was easy to do.
Sound Quality
The sound quality on this is amazing. I've been working with Mackie mixers and the low-end A&H one, and the sound is cleaner (absolutely no audible noise even at very high gain). Some people might be worried that the digital EQ would be harsh, but believe me, this sounds just as "analog" as the analog boards I use, and it's actually more precise and more flexible. The quality of the compressor is also great. I've previously only used kind of low-end compressors, and this blows them out of the water. The tone is not colored at all, and I don't hear any weird digital artifacts. I've also pushed the compressor up to limiting, and it's a very smooth sound, not harsh and fuzzy like most digital limiters I've used.
Ease of Use
I love the simplicity and power of the FAT channel. It's great to be able to set up one channel, copy it to all the others, and tweak from there. Routing is also a piece of cake, and the FX interface is intuitive. Overall I think this is very well designed for use in live situations where adjustments have to be immediate.
Features
This is the only board anywhere near this price range that does everything I want - great, clean preamps and mixing; flexible, powerful, sweet-sounding EQ; excellent dynamics processing on every channel (and even the buses!); crystal-clear A/D for recording, with built-in firewire; recording pre or post FAT channel; analog direct outs on every channel right after the preamp; built-in effects that actually sound good.
I think it would be hard to find a live mixer with better sound than this for anywhere near this price. You might be able to find slightly better compression and FX on outboard gear, but it would cost at least $100/channel, and be a pain to patch together in live settings. Not only that, but patch bays and cables add noise that this mixer doesn't have. Plus, this takes no setup time (turn it on, recall settings, go) and is a lot easier to transport (even though the SKB case for this thing is HUGE!). So really I think this is a huge win.
I'm replacing a 16ch mixer, two 8U racks of outboard gear, 2 insert snakes and 2 patch snakes, and an A/D computer interface (E-MU 1616M) with this one piece of equipment that sounds better, cost less in total, and is 100x easier to setup and use. To me, that says 5 stars any day.

Click Here to see more reviews about: PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O

StudioLive is the most powerful and flexible sixteen-channel digital mixer the world has seen. Loaded with sixteen high headroom Class-A XMAX microphone preamplifiers, built-in 28x18 FireWire recording and playback engine, \'Fat-Channel" processing with 4-band EQ\'s, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback and more, breaking new boundaries for music performance and production

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12/30/2011

Monster Cable 600213 Monster Midi Cable - 25' Review

Monster Cable 600213 Monster Midi Cable - 25'
Average Reviews:

(More customer reviews)
Bought this to connect my Johnson guitar amp to my Creative XFi computer interface and found that you can't record this way. The MIDI connection is just for computer control of the amp. Otherwise, Monster does make good sturdy stuff.

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Flexible, High-Speed MIDI Cable For Error-Free Performance

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12/29/2011

TASCAM US122MKII USB Audio/Midi Interface Review

TASCAM US122MKII USB Audio/Midi Interface
Average Reviews:

(More customer reviews)
In September, Tascam "officially" certified all of its audio interfaces for use in Snow Leopard, saying the devices were "fully functional" in the operating system. They lied. Neither the Tascam US-122l nor the Tascam US-122MKII is fully functional in Snow Leopard.
I bought the Tascam US-122l based on Tascam's "certification." I have a mid-2009 iMac (not the brand new version) and am running Snow Leopard. After receiving the interface I downloaded the most up-to-date drivers and firmware. However, the interface was not recognized as a in/out sound device in either Snow Leopard's "system preferences" or its "Audio MIDI Setup." I called Tascam customer support and talked to a very friendly and informative representative who basically told me that there was nothing that I could do about it, and that a driver might (eventually) be released that offers full support. I asked if the US-122MKII was fully functional in Snow Leopard (it had been released right after I bought the US-122l), and he said that on his computer it showed up in both system preferences and audio midi setup. Based on this information, I bought the US-122MKII, only to come across the same exact problem.
IMPORTANT: Both audio interfaces are fully functional in the audio programs I have (Ableton Live, GarageBand, Audacity). If all you want to use the interface for is audio in-out for such programs, you won't have any problems. However, if you want to be able to use the interface as your computer's main soundcard (ie:, to output all sound through the interface) you should not buy either interface for use in Snow Leopard. This ability is a big plus: for example, your iTunes music will likely sound much better coming through an audio interface than straight from your onboard sound card. Additionally, the ability to output all your sound through your interface means that you can keep your speaker cables connected to your interface at all times, without having to switch back to your computer after you've finished recording.
I don't know if there are any audio interfaces out there that are fully functional with Snow Leopard yet, but Tascam's are NOT and the company should not be claiming that they are.***********UPDATE***************
Tascam has finally released a driver that makes the US-122mkii fully functional in Snow Leopard. The delay was frustrating, but now the interface is a great value for Mac users. I've changed my rating accordingly, but Tascam needs to be more honest about compatibility in the future if they want to maintain their customers' trust.

Click Here to see more reviews about: TASCAM US122MKII USB Audio/Midi Interface

Whether you're getting started with computer recording or adding a portable interface to your road rig, the Tascam US-122mkII USB audio interface is the affordable choice for professional results. Refreshed with improved audio specs and a fresh new look, the US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality.


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11/18/2011

Monster Midi Cable (6 Feet) Review

Monster Midi Cable (6 Feet)
Average Reviews:

(More customer reviews)
All I can say is I feel that one can't go wrong with Monster Cables... especially with Amazon.com's pricing.
Thanks Amazon!

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Flexible, High-Speed MIDI Cable For Error-Free Performance

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11/17/2011

USB 2.0 4-CHANNEL Audio/midi Review

USB 2.0 4-CHANNEL Audio/midi
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(More customer reviews)
The sound quality is very good. However, the interface crashes at random intervals throughout the day. On a fresh install of Windows XP SP3, I frequently got the Blue-Screen-of-Death blaming tascusb2.sys. There was no warning. Computer could be on for hours before doing it, or not. I haven't been able to discern a pattern as to when it happens -- it happens most often when I listen to music, but sometimes it will crash when I'm doing nothing at all with it.
Installing the newest drivers from the Tascam Website actually made my system crash more often than the old drivers. The interface also takes 20% of CPU power to run on a Core 2 Quad Laptop, even when I'm doing nothing with it. The Interface actually crashed my PC once while I was writing this review.
Appearantly, this is a problem that existed with the previous model of the US-144 as well. Google it; there are dozens of reports online of people having the same issues as me, and hundreds of reports regarding Tascam's worthless customer support, even here on Amazon. The instruction manual is also littered with typos.
Even when it does output sound, you can't use it in a production environment due to very high latency. If you set the latency to anything other than the highest setting, you will get all kinds of crackling and skipping, even when just listening to music in Winamp or Windows Media Player. It often doesn't get properly recognized in Cubase 5. Recording is nearly impossible.
Support is unhelpful, telling me to disable my anti virus and firewall(not an option due to security concerns, but even when I did do it for an hour, my system crashed again), and outright lying to me, saying that Mac users don't have issues with the Tascam Audio Interface, when even the reviewer above me has problems getting it to work on his Mac.
Bottom line: When the thing works, it outputs some nice, clear sound for the price. Unfortunately it's nearly unusable due to constant crashing, latency issues and worthless support. Stay away until they put out some new drivers, which they have been promising for nearly two years.
Jamal Nichols

Click Here to see more reviews about: USB 2.0 4-CHANNEL Audio/midi

Updated with better audio specs and a fresh new look, the four-channel Tascam US-144mkII USB audio interface is the ideal companion to any desktop- or laptop-based digital recording set-up And because it operates only on USB power, you can use it with a laptop while on the go to create a very compact and portable digital audio workstation system.
The US-144mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. A pair of S/PDIF digital inputs and outputs is also included, for a total of four inputs and outputs at up to 96kHz/24-bit audio quality.
The US-144mkII connects to Mac or Windows computers using USB 2.0, and the unit is powered over the USB cable. Zero-latency monitoring is available for recording without the delay going to a computer and back. MIDI input and output jacks allow connection of synths and drum machines. Connect the US-144mkII to monitors through the line output or use headphones with the front-mounted stereo 1/4-inch jack. Separate controls for line and headphone out means you don't need to switch off monitors to work in headphones. The US-144mkII makes a perfect portable interface with metal components and solid construction built for the road.
The US-144mkII includes a copy of Cubase LE4 from Steinberg. This full-featured recording software captures up to 48 tracks of audio with another 64 MIDI tracks. You can edit your tracks to perfection using a variety of modes and tools. Automated mixing is included to create the perfect master. Cubase LE4 supports VST effect and instrument plug-ins, which an assortment included with the application.
Key Features
Bus-powered USB 2.0 audio interface
(2) XLR microphone inputs with phantom power
(2) 1/4-inch balanced line inputs
Switchable guitar level input
1/4-inch stereo headphone output
MIDI input and output
S/PDIF stereo coaxial input and output (US-144mkII only)
Individual Line and Headphone out level controls (US-144mkII only)
Up to 96kHz/24-bit audio resolution
Zero-latency hardware monitoring
Mac and Windows drivers included
Steinberg Cubase LE4 48-track recording software included
Aluminum case construction


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9/06/2011

Tascam US-144 USB 2.0 Audio and MIDI Interface Review

Tascam US-144 USB 2.0 Audio and MIDI Interface
Average Reviews:

(More customer reviews)
I absolutely love this product for portable recording. I have a Dell notebook computer and have used this to record solo piano and my music lessons. The microphone pre-amps are pretty decent. I have used the mic preamps directly and have compared them with the same mics used through Grace One preamps. Surprisingly decent in comparison. The recordings of piano compared to a setup with a MOTU 828 MKII and Grace One's was really pretty good. I absolutely loved the large controls for gain on the top of the unit. Very easy to manipulate and more solid than other competitive product cheap knobs. The fact that this unit is USB 2 means that the recording quality can be far superior than USB 1.1 units that are going to limit whether you can do high quality recordings on multiple channels. The midi interface works great also in Acid and Sonar. The unit definitely will cause your laptop battery to drain faster if you are using mic inputs with phantom power but that is fine by me for the great functionality. Line in works fine but if I had any minor complaint it would be that it would be nice to have an effects insert interface. Obviously, this should not be a problem for line-in devices but is more of an issue for mic recording where you might want some outboard vocal processing. The headphone interface is good and I like the ability to use a mix between the computer and the external source into the headphones.

Click Here to see more reviews about: Tascam US-144 USB 2.0 Audio and MIDI Interface

The Tascam US-144, their follow-up to the mega popular US-122, delivers everything you'd want in a portable audio-MIDI interface and more.Record two tracks at a time with zero latency; whether you have a PC or a Mac, your song ideas go down in real time, real easy. Its size means you can take it anywhere you take your laptop, yet it's packed with features that make buying it an audio no-brainer. MIDI input and output, high quality mic inputs, 96kHz/24-bit recording (better than CD quality)-all the stuff you'd want without the fluff you wouldn't. The US-144: the answer to your recording needs.

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9/04/2011

Behringer U Control UCA202 USB Audio Interface Review

Behringer U Control UCA202 USB Audio Interface
Average Reviews:

(More customer reviews)
This thing is great. I needed to bypass my crappy soundcard on my PC in order to record high quality stereo audio onto my computer for a podcast. I had just shelled out $80 for the Inport Deluxe package from Xitel, which is basically a little analog-audio-to-USB adapter box similar to this, with a long audio cable and some bad software thrown in to justify the steep pricetag. Luckily I saved the receipt on the Inport and was able to take it back after discovering this item, which you can find for about $30 all over the internet.
The UCA202 has a headphone jack with a volume control so you can monitor what's being recorded to your computer, as you record it. Just be aware that you won't be able to listen to the playback from your audio recording software through your computer's monitor speakers unless you unplug this device from your USB port first, and there is no warning about this in the manual, which is why the 4 star review instead of 5. On some review sites there seemed to be confusion about what drivers were required to work with this device, but the first page of the manual states clearly that you don't need any drivers. I am running Windows XP and was able to just plug and play, no drivers needed, audio is loud and clear. By the way this is not a paid endorsement or anything, I just wanted to spare someone else a lot of the research time that I spent by saying, go ahead and get it.
Oh and of course you do need a good audio recording software like ProTools, Sound Forge, or Cubase to do a decent job of recording audio on your computer and letting you edit it and manipulate it with professional sounding results. If you are recording audio from a turntable (digitizing your LP collection) don't forget that you need some sort of preamp or tuner amp between the phonograph and this device. The output straight out of your turntable is too weak a signal to drive this device.
A grateful shout-out and mad props for this device go the Germans at Behringer, who designed it.

Click Here to see more reviews about: Behringer U Control UCA202 USB Audio Interface

The Behringer U Control UCA202 USB Audio Interface is a quick and easy upgrade to your sound Looking for a simple, affordable way to get your music into the digital realm? Or maybe you'd like to connect your computer to an external effects unit or recorder? Want to transfer your old cassette tapes to CD?The fastest, easiest way to get analog audio into your computer is with the U-CONTROL UCA202 Audio Interface. PC and Mac Ready This ultra-compact, USB-powered device lets you connect your PC or Mac computer to virtually any piece of audio gear. And the UCA202 requires no special setup or drivers-just plug it in to a free USB port and get busy. Requires Windows XP or 2000 and Mac OS9.0.4 or higher, 10.x or higher. Versatility The UCA202 provides two analog mono inputs and outputs (for monitoring), USB connectivity and an additional S/PDIF optical output for direct analog-to-digital conversion. The stereo headphone output features a dedicated level control and lets you listen to both the input and output. Imagine the possibilities... When used as a professional interface between a mixing console and your computer, myriad options become available. Some of these might include connecting the UCA202 RCA outputs: to the TAPE INPUT jacks of your mixer; to powered monitors or to the input channels on the mixer. Connecting to the mixer input channels allows you to use the Aux Send feature of your mixer to build an extremely versatile monitor mix for recording sessions. These are just a few of the possibilities; let us know how you use your UCA202. Tons of free software To truly get the most out of your UAC202, you will need recording and editing software. So, we decided to give you lots of free software to choose from. KRISTAL Audio Engine is a powerful multi-track recorder, audio sequencer and mixer - ideal for anyone getting s

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