Showing posts with label music production. Show all posts
Showing posts with label music production. Show all posts

4/20/2012

Akai MPC 5000 Music Production Center Review

Akai MPC 5000 Music Production Center
Average Reviews:

(More customer reviews)
Imagine having a synthesizer added to your MPC (assuming you have used a MPC before). Same capabilities as the previous models, but my favorite addition is the arpeggio function. When a MIDI keyboard is hooked up you can play out chords and press the arpeggiator button instead of just holding down the note-repeat button. I actually ordered and installed different color pads to give my MPC that customized-look. The internal hard drive is loaded with more than enough soundsets. The ability to chop and edit samples has been simplified with a few auto options. It also has a built in multitrack recorder (which I have yet to mess with), but seems easily accessible at the click of a button. I save my sounds on the internal hard drive and back them up on computer via USB port built on the back of the unit. The option to save and/or load is available for both Compact Flash cards and internal hard drive. Optional DVD Drive can be installed, too...this made my beat CD creation a cinch. The internal ROM is loaded with basic drum sets and synth presets. Make sure you update the Operating System for I heard the original OS was "buggy" (unstable). Like I mentioned in my title...the MPC5000 is quite pricey, but the power of this machine is unrivaled.

Click Here to see more reviews about: Akai MPC 5000 Music Production Center

The Akai MPC5000 has a greatly expanded feature set and that legendary MPC feel! The MPC series set the standard for beat production. What would it take to make the ultimate MPC? Dozens of engineers, 20 years of experience and a new synth and drum sampling engine unlike any MPC ever. Introducing the MPC5000; the new standard for music production. Purchase the Akai MPC5000 today and get a FREE Download of the MC5000 OS 2.0 from www.akaipro.com! Check out the in-depth comparison chart for all the MPC's that Akai makes. Use it to find out exactly how much power you need! The MPC5000 is the first MPC ever to include 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks. There's even a new FX engine with 4 FX buses and 2FX per bus. Akai MPC5000 Features 64-voice drum/phrase sampler with 64MB memory (Expandable to 192MB) Three-oscillator virtual analog synth engine with built-in arpeggiator Over 300 Virtual Analog synth presets included Eight tracks of Direct-to-Hard Disk recording Over 40 all new effects available within a modular 4-bus effects processor Master compressor and equalizer Built-in hard disk drive Optional CD-R/DVD drive USB 2.0 port for computer con

Buy NowGet 43% OFF

Click here for more information about Akai MPC 5000 Music Production Center

Read More...

4/07/2012

Zero G Total REX Loop Library Review

Zero G Total REX Loop Library
Average Reviews:

(More customer reviews)
I'm almost a little hesistant to post a review, because I don't want the word to get out (too many biters, lol, just kidding), but if you are into music production using loops and samples, and have a music program like Reason Propellerhead Reason 4.0, Cubase Steinberg Cubase Essential 4 - Personal Music Production - Windows Macintosh, Ableton Live Ableton Live 7 LE - Windows and Macintosh, or just about any of the Native Instruments VSTs Native Instruments KORE 2 Software Edition that can play Rex2 (Recycle) music files, and are looking for a diverse library of ethnic sounds, horns, instrument riffs, and samples, this library is definitely worth it!
If you are just looking for radio ready pounding Hip Hop drum samples, this library does have some of those, but it works better as an instrument and sound collage source, and I feel can get the most mileage geared along the lines of people doing music like Madlib Beat Konducta Vol. 3-4: In India,DJ Shadow Private Press, RJD2 Since We Last Spoke. It is pricey like most libraries of this kind, but it can be a good starting point to building a diverse loop library, check out Zero G's other stuff from their site or on Amazon!

Click Here to see more reviews about: Zero G Total REX Loop Library

The Total REX Loop Library from Zero-G, features over 15,000 of the best loops selected from over 40 different Zero-G products with over 10 gigabytes of groove inspiration. Zero-G brings you a First Choice rhythm loop compilation in REX2 format. This plug-in contains the ultimate compilation of professional quality REX files — over 15,000 drumloops, instrument grooves & riffs, breakbeats and awesome rhythmic inspiration for use with: Propellerheads Reason, Spectrasonics Stylus RMX, Steinberg Cubase, AppleLogic Pro, Motu Machfive, MotuDigital Preformer, Native Insruments INTAKT, Native Instrumenst KONTAKT, Cakewalk Sonar, Image-Line FL Studio, and more....A huge injection of groove material. A massive rush of inspiration. Open up whole new vistas on your musical creativity with this enormous collection. With overwhelming variety and diversity in style, this absolutely massive compilation is guaranteed to provide exciting new rhythmic ideas for enhancing your next hit record, commercial soundtrack or dancefloor groove.Note: REX2 files have the property of being compressed (in the "zip" kind-of way, not the musical one) using a proprietary non-lossy algorithm which reduces the size of the files by around 40-60%, in most cases. Consequently, this sample library is in reality around 10 Gigabytes in size! (even though on the DVDs it is stored as only around 5 Gb). Note that the REX files are accessible individually (not packed into a refill).DVD Disc 1 Contents Afrolatin Slam - 345 loops Akoustik Bass Hitz - 893 loops Brass Elements - 242 loops Chemical Beats - 424 loops Chemical Synths - 400 loops Cuckooland Unhinged - 393 loops DrumStyles - 383 loops Ethnic Flavours - 92 loops Funk Bass - 1057 loops Funk Construction - 116 loops Funk Guitar - 815 loops Grinding Beats - 332 loops Guitar Odyssey - 649 loops Hip Hop & Swing Breakdown - 68 loops House & Garage Construction - 97 loops Jungle Frenzy - 242 loops Jungle Warfare 1 - 287 loops Jungle Warfare 2 - 722 loops J

Buy NowGet 15% OFF

Click here for more information about Zero G Total REX Loop Library

Read More...

3/03/2012

ART Tube MP Microphone Preamp Review

ART Tube MP Microphone Preamp
Average Reviews:

(More customer reviews)
While I couldn't recommend this product for someone wanting to do professional recoding, I am, overall, very pleased with it. I have a cheap mic, and this preamp dramatically improved the sound, and reduced backgroud hum. I really like the seperate imput and output controls, and the ability to run either 1/4 or XLR inputs is nice. It does lack some of the features that I have seen on more expensive models, and most of the tech is solid state. But again, for the price it is a nice little addition to your home studio.
If you are a beginner that just wants to play around with music recording/production, this is a simple to use product that will work great.

Click Here to see more reviews about: ART Tube MP Microphone Preamp

For microphones, acoustic guitar, warming up a direct input to a mixer from a bass guitar, keyboard, etc., there is no sweeter sound than a tube preamp. In response to increasing demand for affordable tube mic preamplification, ART offers the Tube MP with the features that make it as powerful as units that cost 5 to 10 times more. Features include a 12AX7 tube, +48v phantom power, a phase reversal switch, 1/4' & XLR input/output, input control with two ranges of gain (+26dB to +60dB and +6dB to +40dB), and a +20dB gain boost for mics (or use it as a pad for line level signals). A peak LED allows you to precisely monitor clipping and an output control is included for trimming back to unity gain. The ART Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a four-track, hard-disk, or digital multitrack recorder, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. While its primary application is to be used with a microphone, the Tube MP is an exceptional direct box - impedance matching, amplifying and improving the sound of any instrument plugged into it. The usage of external mic/ line preamps has become increasingly popular over the past several years. The Tube MP offers superior performance and sound quality to the on-board preamps found in today's low-cost mixers and multi-trackers. It's sound has been consistently favored over other products costing upwards to ten-times its price. Professional quality sound combined with professional features like: a 12AX7a Tube, phantom power and Phase Reverse, are what have made the Tube MP a staple in thousands of studios worldwide. For a minimal investment, a Tube MP can provide the single largest improvement to the sound of your stu

Buy NowGet 32% OFF

Click here for more information about ART Tube MP Microphone Preamp

Read More...

11/29/2011

Propellerhead Reason 5 Review

Propellerhead Reason 5
Average Reviews:

(More customer reviews)
Reason is definitely a contender to become one of the best DAW's in the future although it's my belief that there is still things within the package that need work.
In it's out-of-the-box state, Reason offers a variety of tools to quickly compose beautiful sounding tracks of any genre of music you'll be into. The included virtual rack should provide enough tools to make the average musicians ideas easily come to life and the sound quality of all the included sounds and effects are beautiful. Where Reason begins to show some weakness is when it comes to integrating 3rd party tools and using sources outside of Reason to create music. I find myself frustrated at times with the products paradoxical ease and difficulty. I attempted to use some VST and VSTi plug-ins and they were unusable in Reason, although they do give you enough in the Reason package to compensate for it's difficuties in this department so I got over it quickly. I also had some issues with Recycle/Dr. Octo-Rex and how it calculates tempo and found it difficult to get accurate BPM information making any imported sequences not sync properly with the rest of the composition and with lesser products out there like VirtualDJ, which makes syncing tracks with different tempos a cinch, this seems inexcusable. Reason gives me the impression that your best bet when using it is to create what you'd like in Reason and don't attempt to import anything in the process, then export your finished portion into a DAW that handles tempo synchronization and sampling better to finish your work. The most glaring ommission of this product is that you cannot use mic inputs and record your vocals in Reason, which is again disjointed because Reason does so much yet is lacking and I find it baffling.
In the end I don't regret having Reason and believe it's an excellent almost must-have tool in a musicians arsenal, however, I couldn't call it a complete DAW because it lacks some major things but I figure Propellerhead is working on it and hopefully Reason 6 will fix these omissions and flaws and make Reason the product it deserves to be, a complete Digital Audio Workstation.

Click Here to see more reviews about: Propellerhead Reason 5

The Reason rack comes with all the gear you could possibly need: samplers, analog synths, graintable synth, vocoder, mixer, drum machines, arpeggiator, compressors, EQ and effects. With its generous sound bank and intuitive flow, Reason helps you along in your creative process, and never gets in your way. Version 5 adds the mighty Kong Drum Designer, the versatile Dr. Octo Rex loop player, live sampling input, the Blocks pattern based sequencing mode and more.
About ReasonReason's heart is its virtual rack of instruments and effects. As you create your track, Reason automatically patches and cables your rack. If you want to get deep, simply flip the rack around and route the cables any way you like.

Finding your sound is an important part of the musical process. With Gigabytes of synths, samples, drum kits, and effects, Reason's sound bank is packed with everything you'll need from the start. Want more? Expand your palette with a world of ReFill libraries.

The thing that strikes new Reason users most is how much they get done in a short amount of time. Reason's legendary creative flow keeps you focused on the music — and the fun. At all times.

Need more gear? No problem. Choose a synth, a drum machine, a loop player or any device from the Create menu and it will instantly appear in your rack, logically patched into the signal chain. And because Reason is designed to go easy on your computer, you can repeat the process until you're more than happy.

Each unit in Reason's virtual rack is edited from its own on-screen front panel. All the sliders, knobs, buttons and functions are right in front of you, ready to be tweaked, turned and twisted in absolute real-time. And all your front panel actions — filter adjustments, pitch bending, gain riding or panning — can be recorded and automated in the Reason sequencer.

A single key press will turn Reason's rack around, and there you are, in patch cord heaven. Most audio connections are made automatically. When a new device is created, it appears immediately below the currently selected device, and Reason patches it into the system in the most logical way. Repatch by dragging the patch cord plug to the desired connector to build your own sounds — or tweak the included presets.
New in Reason 5Dr. Octo Rex Loop PlayerThe upgraded Dr. Octo Rex loop player loads eight REX loops into one player and lets you switch between them on the fly. This makes arranging a breeze — load the drum loops into one player, the guitars into another and use the sequencer to select what loop to play in a pattern-like fashion.With eight loops to switch between, the new loop player also comes ready for the experimental minded. Set the player to retrig the loops on the beat, on the bar or on the 16th note. Or program the loops manually like in the original rex player.For each of the eight loops, the new rex player also comes with an expanded set of per-slice settings. Set pan, pitch, filter frequency and level, reverse slices, use multiple outputs, create alternating groups of slices and much more.The Reason 5 Factory Sound Bank comes complete with guitar and acoustic drums patches for Dr. Octo Rex and a huge selection of techno, house, club, hip hop and r&b loops from signature sound designers.

BlocksMany musicians tend to think of music in terms like intro, verse, chorus, breakdown, buildup and so on. With the new Blocks mode in Reason 5 and Record 1.5, your sequencer does too.Blocks lets you sequence your songs using a more pattern-based approach, with the segments of your song as individual building blocks to be laid out in your arrangement.Start by creating the discrete parts of your song in blocks mode. When you are ready to start building your song, just switch back to song mode and draw in what blocks should play in the dedicated pattern lane. Use one block for the verse and one for the chorus — or build your song around a single 8-bar loop.Blocks provide a very fast way of creating a musical structure for your song. But the options don't end there. With the basic arrangement laid out, you can see the contents of the blocks and create variations and mute individual parts, or add further musical elements in song mode.A typical use for Blocks is to create your backing track in blocks and then use the song mode sequencer to record vocals or instrumental performances. For music based around a single looped section, one repeated block with automation and mutes of individual tracks added in song mode makes arranging a breeze.You never have to commit to using either mode — you are free to move back and forth between Blocks and Song mode, and any changes you make in your Blocks will instantly be manifested in all instances of that Block. Need some tambourine on that chorus? Add it, and there will be tambourine whenever the chorus block is playing.

Live SamplingRemember the time when samples were something you sampled and not loaded from your hard drive? When a sampler was a machine that could record samples, not just play them back.As samplers became software instead of machines, they came to rely on external sample editing software for recording and editing the samples and the art of spur-of-the-moment creative sampling was pretty much lost. Now we are bringing it back to Reason 5 with its live sampling input.All sample players in Reason are now samplers. Just hook up a sound source to the rack's sampling input and you are ready to start sampling. Use a mic, a turntable, an instrument or the entire Reason mix.Sampling in Reason is simple and straightforward. Hit the sample button and Reason starts sampling. Reason will detect the sample start automatically. You can sample when Reason is running too if you like — no need to stop the music.If needed, bring up the built-in sample editor to set start and end points, loop points and more. This is possible for all loaded samples by the way — not only the ones you have sampled.As always, Reason lets you focus on music making — and sampling in this case. All samples are neatly stored in our song file and accessible in the new samples pane in the tool window. Here you can easily see what samples are loaded into what machine and delete and export samples as you wish.Live sampling together with pitch detection of root key and automatic zone mapping makes it dead easy to sample an instrument and map the samples across the keyboard. This way you'll create your own multi-sampled instruments for NN-XT and NN-19 in an instant.

Kong Drum DesignerAnalog synthesis, physical modeling, sampling, REX loops, support sound generators, effects, flexible routing, multiple hit types and more. The Kong Drum Designer is not your regular drum module. It's the drum module focused on letting you get exactly that drum sound you're after. Kong has 16 pads and 16 drums. Build your drum sounds based on any of the nine different drum modules. Flavor the sound with 11 support generators and effects. Program automation, create alternating groups and let Reason's powerful sequencer control the beat.Reason 5 ships with a sound bank with a generous supply of kits for Kong across a wide variety of styles.

System RequirementsWindows
Intel Pentium 4/AMD Athlon or better (multiple cores highly recommended)
1GB RAM
DVD drive
Windows XP SP3, Vista or Windows 7
2 GB free hard disk space
Monitor with 1024x768 resolution or larger
A 16 bit Windows compatible audio card, preferably with an ASIO driver
A MIDI interface and a MIDI keyboard recommended
Requires any version of Reason or Record Reason Duo
Mac
Intel Mac (multiple cores highly recommended)
1 GB RAM or more
DVD drive
Mac OS X 10.4 or later
2 GB free hard disk space
Monitor with 1024x768 resolution or larger
CoreAudio compliant audio interface or built-in audio hardware
A MIDI interface and a MIDI keyboard recommended
Requires any version of Reason or Record Reason Duo


Buy Now

Click here for more information about Propellerhead Reason 5

Read More...

11/02/2011

Logic Studio Retail Review

Logic Studio Retail
Average Reviews:

(More customer reviews)
I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

Click Here to see more reviews about: Logic Studio Retail


With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

Buy NowGet 11% OFF

Click here for more information about Logic Studio Retail

Read More...