Showing posts with label stereo. Show all posts
Showing posts with label stereo. Show all posts

3/04/2012

Yamaha P3500S Dual Channel Amplifier, 550 Watt x 2 at 4 Ohms Review

Yamaha P3500S Dual Channel Amplifier, 550 Watt x 2 at 4 Ohms
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I have been using this in a home application with a hard to drive pair of vandersteens and find that this amp does a fine job. Not as detailed in the treble region as some higher end amps, but very dynamic. Stays cool even when driven hard. It seems very well built and I have had no issues. Many adjustments and compatible with many types of connectors.

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The P3500S is a 2-space, rack mountable power amplifier that produces 350 watts per channel from 20Hz to 20kHz. (390W @ 1 kHz) into an 8-ohm load. It will provide 450 watts per channel from 20Hz to 20kHz. (590W @ 1 kHz) into a 4-ohm load. These ratings are \'both channels driven". It is extremely clean with a total harmonic distortion and noise rating of ≤0.1%. A unique YSProcessing circuit provides optimum performance when used with the Yamaha Club series loudspeakers. The P3500S also uses Yamaha\'s patented EEEngine circuitry to reduce power consumption and heat. Input connectors are both XLR and ¼" balanced. There are switchable high or low pass filters for both input channels, with continuously variable from 25Hz-150Hz. Outputs are Speakonâ, high current ¼" or 5-way binding posts. The P3500S weighs 32 lbs. Covered by a 3-year warranty; the P3500S is underwriters laboratory (UL) listed.

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1/24/2012

Stanton 500.V3 Spherical DJ Standard Turntable Cartridges, Twin Pack Review

Stanton 500.V3 Spherical DJ Standard Turntable Cartridges, Twin Pack
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thanks amazon fast shipping and the stanton 500.v3 twin 500 v3 cartrige with stylus works perfect on my ion turntable great sound quality the stanton headshell mounted very easy thanks guys you saved me alot of money verses buying thru stanton and better quality than what came with turntable

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Industry standard pair of spherical cartridges ideal for almost any application.

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12/01/2011

Shure Whitelabel DJ Turntable Cartridge Review

Shure Whitelabel DJ Turntable Cartridge
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If you want the best sound quality, Ortofon is pretty much the way to go, but that's not to say the whitelabels are bad. They aren't by a long shot. Top of the line for probably the second best sounding cartridge manufacturer. But the big reason DJs grab these is their spectacular grip on a record. I've never seen one of these skip, ever. If you're a rough DJ or you like to scratch, get this. The downside to that is that it has been known to wear out vinyl faster than other cartridges, but if you read the instructions and weigh it down less (say 2.0 max) you should be fine. Top notch needle.

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The Shure Whitelabel is designed for party and club DJs spinning everything from house and techno to trance, dance, and jungle. With a sleek and ergonomic design, the cartridge additionally delivers higher trackability, lower tone-arm resonance, and better skip resistance. It also includes an adjustable stylus overhang, reliable electrical contact, and improved stylus visibility. Whitelabel's sonic characteristics include solid drop bass, flat mids, and accented highs, all tailored for the club environment. Shure phono cartridges are micro-manufactured, electro-mechanical devices that tell an entire audio system what's happening along the half-mile groove that's cut into the typical analog disc. The quality of the information provided by the cartridge determines how faithfully any audio system will reproduce the recorded sound. Skip Resistance: high Output: high Record Wear: very low Sound Emphasis: solid drop bass with detailed mids and highs Features The Design: Industrial, ergonomic, and plays to the cartridge's technological benefits of headshell mounted cartridges. Forward-Mass Design: Center of gravity is displaced closer to the cantilever for optimal performance. Forward-mass produces higher trackability, lower tone-arm resonance, better skip resistance and requires lower tracking forces. Adjustable overhang (50mm - 54mm): Unique to Shure products, adjustable overhang retains the forward and backward adjustment of a standard-mount headshell, providing maximum flexible adjustment between S-arm and straight-arm turntables. Electrical Contact: Engineered for optimized compatibility with most professional turntables, a rubber tension gasket and rounded gold plated pins limit possible damage caused by over-tightening cartridge to the tone-arm. Stylus Visibility: DJs can see exactly where they drop the needle. AmericanMusical.com is an authorized dealer of

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11/07/2011

Stanton H4S V2 Headshell (Gunmetal) Review

Stanton H4S V2 Headshell (Gunmetal)
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Works great, I am using 2 of these in order to switch out cartridges depending on the type of record played.

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Replacement headshell for Stanton turntables and most other brands. Compatible with headshell-mount needles like 680 and 890. For better tracking, the Stanton H4S headshell comes with 2 screw-in weights, 2g and 4g. AmericanMusical.com is an authorized dealer of Stanton products.

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8/27/2011

QSC RMX1850HD Stereo Power Amplifier Review

QSC RMX1850HD Stereo Power Amplifier
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I received the Amplifier in good condition and in good time. I am now using it and am very pleased with it. Thank you for the good service.

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QSC RMX series amplifiers give you clean, dynamic power with QSC's legendary sound quality and reliability that pros depend on. QSC combined their rugged, high-output designs with the latest circuit technology to deliver unmatched performance at a new breakthrough price. RMX amps have balanced XLR and 1/4' TRS inputs. Outputs include binding posts and Neutrik Speakon connections. These stereo power amps are only 2 rack spaces tall and 15.9' deep. Other features include ultra low distortion (.05% THD), a low-noise variable speed fan with rear-to-front air flow to keep your amplifier and racks cool, and selectable low-frequency filters to protect your speakers and increase headroom. QSC power amps are backed by a 3-year transferable warranty. The QSC RMX1850HD Provides improved thermal performance for higher continuous power in 2-ohm stereo or 4-ohm bridged applications (a RMX 1850HD exclusive!). Specs include: 360W per channel @ 8 ohms, 600W/channel @ 4 ohms, 900W/channel @ 2 ohms, 1150W bridged mono @ 8 ohms and 1800W bridged mono @ 4 ohms. The RMX Series amplifiers give you clean, dynamic power with the legendary QSC sound quality and reliability that pros depend on. The RMX Series deliver unmatched performance at a new breakthrough price. Muscular Power Plant The power supply is the heart of an amplifier, converting raw AC power from the wall to clean DC for the audio circuitry. The RMX uses a powerful high-current toroidal transformer and ample filter capacitance to ensure generous energy reserves. This makes a critical difference in sound quality, allowing the amp to effortlessly punch out high level transients, even when driving abusive 2-ohm speaker loads. Superior Performance RMX amplifiers deliver true studio-quality sound. A full complementary output circuit using the highest-grade linear output devices delivers ultra-low distortion (

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8/20/2011

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule Review

Sony ECM-MS957 Stereo Microphone with Rotating Mid Capsule
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I bought this mike for use with my minidisc recorders, mainly to record choral concerts at church and in other places. It has a nice stereo directionality and separation choices, but I advise you to watch your record levels or mike sensitivity setting because the sound levels tended to overload on loud passages or with percussive music like piano when used with my recorder's default (high) mike sensitivity setting.
It's very solid and well made. I'd rather have a boxed carrying case instead of the soft pouch provided, but that's a quibble.

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For advanced, amateur and professional use.For instrumental recording.Ideal for Sony MD Walkman and DAT Walkman® Portable Stereos.One-Point Stereo design.Mid/Side (MS) capsules with switchable pickup angle.Rotating Mid capsule.Cannon XLR connector.Oxygen-free copper (OFC) Litz cord.Gold-plated L-shaped stereo miniplug

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8/08/2011

Numark TTUSB Turntable with USB Review

Numark TTUSB Turntable with USB
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I've been looking for a way to easily convert the old vinyl to iPod-ready MP3s. A bunch of my old LPs will never see the light of a CD so this looked like a great, one-step way of digitizing the old, round, black things with all the grooves.
Backstory: I'm a Mac guy, and I've worked with and taught audio production for a number of years so I more or less know my way around the audio world. That said...
This works quite well, but has a few limitations. Out of the box it plugged right in via the USB port and it also has stereo RCA jacks (such as would plug into the back of your tuner/amp) on the back. Drawback #1 is that the RCA jacks are hard-wired into the base of the turntable so if you don't use them (and are using the USB connector) there's no way to get rid of them. They dangle. This _could_ be causing a problem and I'll address that in a moment.
The turntable worked great, though I"m not sure why they put a pitch control on it if there's no strobe light to verify the speed of the unit. Sort of like putting a tachometer on a car with an automatic transmission. Why?
Beyond that, it has two speeds, 33 and 45 (with adapter) and the LPs sounded OK on the speed. If you are wanting to digitize your old 78s, you can record them at 33 and use the software (see below) to get them to the right speed.
Drawback #2: No tonearm cueing lever so you are manually dropping the arm onto the vinyl disk. Don't drink a lot of coffee before you cue your records, especially since it has a counterweight adjustment on the tonearm that make the tonearm almost wightless. It really tough (even without coffee) to drop that ultra-light arm onto the vinyl without bounce and shake. Be careful...
The audio processing software that ships with the unit is "Audacity," an open-source freeware that you can also download from the Web. If you are using an Intel Mac, make sure you download the new version, as the Mac software supplied on the disk is out of date. PeeCee users with Win2000 and XP should be ready to go. You can also use it with most other audio processing software apps.
Audacity software is a bit clunky, but it works OK for this task. I've used it for a number of years so I felt at home with it. If you are new to it you may not be comfortable with it for a while. But it does a good job and you can easily fix clicks, pops, and vinyl noise with the software. To make the final export to MP3 you also need to download MP3 conversion software (LAME...that's an MP3 encoder, not an opinion...and it's also free), as it's not part of Audacity. No biggie. Once it's downloaded and you link it once so Audacity can find it, you're done and it's forever invisible.
Drawback #3: There seems to be a very, very faint hum through the USB connection and I can't find the source. It may be a grounding issue but there is no grounding connection on this, a basically plasitc body and base. You don't notice the hum during the music, but if you listen it's there in the silence between the tracks. It may also come from those dangling RCA cables that you can't unhook. Until I can isolate and eliminate the hum, I'm just editing out the noise between the tracks with the Audacity "generate silence" command. Again, no biggie, but it's an extra step.
Once you've captured an entire side of a vinyl, you add "markers" to the recorded track to indicate the track breaks, hit Audacity's "Export Multiple" command, select MP3 (assuming you have downloaded the LAME software) and your ready for iTunes. It's slick.
Overall: The turntable works very well for my needs. A serious audiophile may scoff at it and be displeased with the minor hum problem or the lack of a cueing lever, but hey, the price is right. I'd give it a Five-Star rating if it had a cueing lever, detatchable RCA cables, and no faint hum between the tracks.

Click Here to see more reviews about: Numark TTUSB Turntable with USB

The TTUSB is a unique, plug and play, USB compatible turntable that makes digitizing your vinyl record collection to your PC or Mac a snap. Packaged with all the necessary cables to connect with a computer or stereo playback system, along with software to remove clicks, pops, and other undesirable characteristics of vinyl, the TTUSB is a comprehensive package that breathes new life into older recordings.

USB Turntable Numark is known for their turntables, and this one lives up to the company name. Features include an adjustable Anti-Skate control for increased stereo balancing, 33-1/3 and 45 RPM speed playback (with 78 rpm support via software), line level RCA outputs with built-in preamp, and an adjustable pitch control of plus or minus 10%.
The USB output means a no-fuss, plug-and-play connection to your PC or Mac for easy archiving.
Stereo Line Input As an added benefit, the TTUSB also includes a 1/8-inch stereo mini jack input connector to facilitate the transfer of cassette tapes (or similar line level sources) to computer files-making this unit the perfect tool for archiving older recordings, regardless of their original format.
EZ Vinyl Converter 2 The included EZ Converter software quickly rips your vinyl collection directly to iTunes. MixMeister's software lets you easily designate each track with the click of a button, and retrieves track names and other info using Gracenote technology. Once it's in iTunes (or the playback software of your choice), make playlists, burn CDs, or transfer to your iPod or other media player.
Audacity For the editing of your transferred files, the included Audacity software (PC and Mac compatible) provides a wealth of easy-to-use features. Remove clicks, pops, and other vinyl surface noise. Export your analog music to popular digital formats such as WAV or MP3, and turn your old, forgotten records to the top of your digital music playlist.
What's in the Box TTUSB Turntable (Includes Pre-Mounted Cartridge, Platter, Counterweight, 45RPM Adapter, Slipmat), USB Cable, Software CD, User's Manual

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7/29/2011

Samson Servo 200 Stereo Power Amplifier, 200 Watts Review

Samson Servo 200 Stereo Power Amplifier, 200 Watts
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This amp has a cooling fan, unlike the Alesis amp I was replacing. Fans make noise, and noise is bad.

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The Samson Servo 200 Stero Power Amplifier is perfect for installation sound and ideal for powering small to medium sized speaker chains, as well as playback and studio monitors.The Servo 200 amplifier features large 10-segment 3-color level LED meters and independent channel volume controls. The rear panel includes 1/4-inch balanced and RCA input connectors, as well as 5-way binding post and 1/4-inch speaker outputs.The Servo amp line also feature a 4-stage power protection circuitry that ensures optimal performance and protection of connected components.

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6/15/2011

TC Electronic Nova Repeater: Guitar Delay Pedal Review

TC Electronic Nova Repeater: Guitar Delay Pedal
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TCE continues to impress with this high quality sounding delay pedal. You can check specs for what all it does but let me say that the tone you get from this pedal, and the ease of use, is unsurpassed in delay solutions 5 times this price point.
This pedal has no fluff, every knob, every setting, everything will get used to great effect, its all meat and potatoes.
The audible tapping is a godsend. I have hated foot tapping on pedals for years. With this pedal you just hold down the tap button, wait for your drummer to count off, and strum some muted strings in time with him or her and you are GOLDEN.
I play a lot of U2 and Pink Floyd, Delay is the only effect besides a couple distortion pedals that I use and this does everything I need it to do. I plan on buying a second one soon.

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Nova Repeater is all about simplicity. There are no hidden features or complicated functions – you just get the world\'s best delays in an easy-to-use package. It's feature rich being the only pedal in its price range that has a dedicated tap tempo switch and our amazing audio tapping technology that lets you set the tempo with your playing. And with six types of TC-quality delays and an unsurpassed feature-set Nova Repeater is quite simply a bargain.

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5/24/2011

Samson CH700 Closed-Back Studio Headphones Review

Samson CH700 Closed-Back Studio Headphones
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Not only are these the most handsomely packaged headphones you're likely to find (gold lettering proclaiming: "Samson Stereo Reference Headphones Dynamic Output Design"; "for Studio Reference"; "Accurate Monitoring"; "Maximum Isolation and Extended Low Frequency Response with Close Ear Design"--all this on a transparent box displaying the phones as well as two gold-plated stereo plugs--full-sized and mini), but once you put them on, they pretty much live up to the production values and hype. One thing's certain: you'll never find anything better at this price. I considered this a "justified purchase," since I work in a studio, where I do public announcing and music broadcasting.
For the record, these compare favorably to the studio's Sony MDR-7506s, even though the latter are about six times the price. The bass is "extended," to be sure, but never heavy, boomy or muddy. With all controls on the amp or sound source set "flat," the treble is a bit soft for my tastes, but nothing that a minor EQ adjustment can't fix. The all-important middle-range is present, definitive, clear--for both vocals (spoken and sung) and instrumentals. Perhaps compared to the studio Sony phones, these are a trifle bigger, a little bit heavier and slightly more loose-fitting but, as advertised, they're constructed with a "closed-ear design providing maximum isolation." Away from the studio I prefer my Sennheiser PX-100s or Koss Portapros, but either of these is too open and lightweight for working close to a microphone. Feedback becomes a problem shortly into a broadcast. Although I'm a fan (apparently, one of the few) of the Koss UR-40s (about twice the cost of the Samsons), the Samson CH700s certainly appear to be better made--rugged, strong and, most likely, more durable than the UR-40s (the Koss webbing broke loose during the first several months of use). Moreover, the Samson CH700s have a generous and relatively thick cable (expecially compared to the thin, short wire of the Koss UR-40s) PLUS single-cord attachment (usually found only on costly phones yet practically mandatory for the sort of scrambling I do while broadcasting and operating as many as 4 decks at the same time).
One more A-B comparison: the Sennheiser Evolution EH-150 full-sized headphones vs. these Samson CH700s. Initially, the EH-150s seemed large to me (especially after the PX-100s), but alongside the Samson CH700s they appear relatively trim. In other words, some individuals may be turned off by the size of the Samson phones; others, most likely, will be drawn to them because of their solid, engulfing appearance. (My guess is that they would not be a big hit with many female listeners or, for that matter, individuals with heads any narrower than mine). As for the sound, the Sennheiser EH-150s are likely to impress many young listeners--instantly. The bass is not merely "extended": it's prominent, and it's punching. For that reason alone, some listeners may judge them worth the price (which is more than twice that of the Samson CH700s). Not this listener, however. The bass from the Samsons is far more "natural," clearly-defined, and pleasing over the long stretch (it doesn't take long for the bass from the Sennheiser EH-150s to wear out its welcome, becoming muddy and uninteresting--at least to some experienced ears).
In short, Samson is a good name and can only get better, thanks to the quality and value of products like the CH700s. The company has practically cornered the market with the world's most popular (not to mention effective and affordable) personal digital audio recorder (Zoom H2), and they've impressed the most fastidious critics with a slightly more sophisticated (and expensive) successor (Zoom H4n). They're currently taking a lot of flak for their latest product, the Zoom Q3 (basically a Flip videocam attached to an H2). They goofed big-time by completely (and inexplicably) ignoring the public's current obsession with "HD video," but look for that oversight to be corrected in short order.
Heck, if you decide not to purchase these phones, you could do far worse than invest the money in a share or two of the company's stock.

Click Here to see more reviews about: Samson CH700 Closed-Back Studio Headphones

CH700 headphones are ideal for any listening and monitoring application where critical sound reproduction is needed, with a closed-ear design, wide dynamic range, and a comfortable design for longer sessions.
Closed-Ear Design The closed-ear design of the CH700s provides maximum isolation, reducing unwanted bleed that can be picked up on live microphones.
Monitoring Performance The CH700 employs exceptional 40mm drivers with ultra thin Mylar diaphragms and high-output neodymium magnets. The result is a wide dynamic range and linear frequency response from 20Hz to 22kHz for exceptional reproduction and a balanced sound, making them a perfect choice for monitoring digital audio. The large earpieces further extends the low frequency response.
Monitoring Comfort The adjustable headband and lightweight design provide comfort and easy listening through the longest sessions.
CH700 Specs
Frequency response: 20Hz-20kHz
Drivers: 40mm Mylar
Impedance: 64 ohms
SPL: 108 dB at 1kHz +/- 3db

What's in the Box CH700 Headphones, 1/4-inch Adapter

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5/17/2011

Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs Review

Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs
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There are products that are designed to wow us with their seemingly infinite scope of features and permutations; at the opposite extreme there are products that sacrifice functionality in order to be aesthetically pleasing. The Behringer Xenyx 802 falls into neither of these categories. It's not fancy, but it has a specific use and it just does it well.
There are several different routing options, including separate outputs for headphone monitoring, control room output, and line out. In addition, this little mixer provides phantom power to up to two microphones. The sound quality is very transparent, and you have to really jack up the gain to hear any background noise. Overall, this device creates the clean, even frequency response of solid state electronics but without the cold, brittle digitalian cast that plagues direct digital recording. I use this for recording on my computer via my Creative Sound Blaster X-Fi XtremeGamer Sound Card ( 70SB073A00000 ); I have a somewhat rare cable which converts stereo 1/4" to stereo RCA, from which point I use a Y-cable to convert to a miniplug (yes, I can hear you audiophiles groaning). Using this setup, with some simple level adjustment on the 802, I can record both my keyboard and my voice (via the AKG Perception 200 Condenser Microphone) with high fidelity. I use this setup for producing demo recordings, but other possible uses include podcasting and pulling mixer duty for a live performance in a small venue.
The on board controls are nothing special, really. The EQ would probably be useful in a pinch, but I generally gravitate toward software-based EQ and effects in lieu of hardware equivalents, if only because I have much more control when using software. I imagine dedicated hardware would probably sound much better, though. Honestly, the 802 doesn't require a degree in rocket surgery to use; an instinctive knowledge of I/O and a basic understanding of audio equipment are the (loose) prerequisites. And, if you have trouble, the manual is very informative. What's more, it takes high honors as the absolute best English translation of a manual that I have ever come across.
As far as build quality, when testing out the controls I found that the knobs felt very solid without being sticky. Unfortunately, my unit does not sit flush on the table; I am not sure if this happens often with this model or brand. Other than this, the 802 seems very well made and I get the impression that it could get kicked around my home studio a lot and still keep on working. Reviews at various online music equipment retailers confirm the above.
My sole complaint about the 802 is that it has a somewhat unconventional metering display: While most audio meters will use a row of yellow LEDs to indicate when a signal is coming close to 0.0 dB (without clipping), on the 802 the yellow LEDs light up when a signal has actually exceeded 0.0 dB and is thus already mildly distorted. This is fine on a tube amp, I suppose, but for a solid state device one would probably not want any distortion, and the color coding of the meter is a little strange given that standpoint. I am more concerned when glancing over at the mixer if I am coming close to 0 dB, and a row of yellow LEDs in the -6 dB through 0 dB range would have been a lot more useful to me.
Still, the above is a very minor issue, and overall this is a wonderful little piece of equipment. Does it come packed with ten million different capabilities and features? No, of course not. But it doesn't follow the annoying modern trend of hiding everything behind a blank exterior with three or so tiny buttons shoved off to the side and out of sight, either (are you reading this Apple and all those like you?). For basic mixing work, small-scale demo recording, podcasting, and intimate live performances, the Behringer Xenyx 802 would be a very useful addition to anyone's equipment arsenal. There's something comforting about analog knobs, something musical in exactly the way that clicking through a series of computer generated dialogs or editing patch parameters with a menu substructure and a pair of up and down buttons just isn't. The tactile sensation inspires a sort of creative mindset, if you will. Call me crazy if you like, but even if analog didn't sound better than digital (please don't get into that debate with me; if you disagree than so be it) I would probably still surround myself with analog equipment.
My recommendation is if you need something unglamorous but very capable of accomplishing its intended use, then the Behringer Xenyx 802 is definitely something you should consider. It's relatively cheap, it's high quality, and it's an overall good beginning investment.

Click Here to see more reviews about: Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs

Need to accommodate a vocal duo in a hurry? Got a small choir in need of a little projection? The BEHRINGER 802 mixer has everything you need to give a small multi-vocal performance a robust sound, offering plenty of versatility at a price you can afford.

A Bit of Input The 8-input, 2-bus XENYX 802 has two XENYX mic preamps with +48 V phantom power, making it possible to use two dynamic or condenser microphones. You can use the 802's effects send and return jacks to hook up to an external effects processor.
Play music between sets via the RCA CD/Tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
XENYX Preamps The microphone channels feature high-end XENYX preamps that compare well with costly outboard preamps in terms of sound quality and dynamics, and boast the following features:
130 dB dynamic range for plenty of headroom
A bandwidth ranging from below 10 Hz to over 200 kHz for nuanced reproduction
Low-noise, distortion-free circuitry for a transparent signal
Perfect for most any mic, with up to 60 dB of gain and a +48 volt phantom power supply

"British EQ" The equalizers used for the XENYX series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their warm and musical sound character. Even with extreme gain settings, these equalizers provide outstanding audio.
Small Wonder Weighing in at just 2.2 pounds, the XENYX 802 is the portable, practical way to turn a small performance with multiple vocalists into a sonic gem. Choirs, folk duos, coffee shops and karaoke lounges agree the XENYX 802 packs superior sound into small places.
What's in the Box Behringer 802 8-Input Mixer, Power Supply, User's Manual

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5/07/2011

Audio-Technica ATH M20 Stereo Monitor Headphones Review

Audio-Technica ATH M20 Stereo Monitor Headphones
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I've had these for about a month and so far I'm pretty happy with them. When I tried them on at first I noticed the all around comfort when wearing them. I wear glasses so it was important for me to be able to wear the headphones for extended periods of time without any discomfort and these are great in this regard. When it comes to the sound I find that these headphones do a good job with what I need, good bass and volume reach.
I also have to agree with others who have written that these in no way offer any type of major sound isolation, so if you need headphones for use in a greatly noisy environment I suggest you look for something else.
The one issue I did have with them is that they are a bit big for me even on their smallest setting and they slide down to my face when I look down to the floor to pick something up. For the price I paid though ($26) I'm willing to put up with this minor issue.

Click Here to see more reviews about: Audio-Technica ATH M20 Stereo Monitor Headphones

Audio-Technica's ATH-M20 dynamic stereo headphones offer exceptional clarity and maximum comfort for hours of listening. The headphones' low-profile, closed-back design provides superior isolation in high-volume listening situations. Features include: 40 mm drivers, each with a neodymium magnet structure; lightweight, adjustable cushioned headband; gold-plated stereo 1/8-inch (3.5 mm) connector with strain relief and snap-on 1/4-inch (6.3 mm) adapter; ultra-flexible 10" coiled cable with single-side exit.

ATH-M20 Features
Closed-back dynamic stereo headphones deliver exceptional clarity
Rich bass response with extended high end
40 mm drivers with neodymium magnets and copper-clad aluminum wire voice coils
Circumaural design ensures superior isolation
Adjustable cushioned headband and lightweight design for maximum comfort
1/8" (3.5 mm) stereo connector and snap-on 1/4" (6.3 mm) adapter
Ultra-flexible 10' coiled cable with left-side entry

ATH-M20 Specifications
Type: Closed-back dynamic
Driver: Diameter40 mm
Magnet: Neodymium
Voice Coil: Copper-clad aluminum wire
Frequency Response: 30 - 20,000 Hz
Maximum Input Power: 1,200 mW at 1 kHz
Sensitivity: 98 dB
Impedance: 40 ohms
Weight: 7.1 oz (230 g) without cable
Cable: 10-foot (3.0 m), coiled, left-side exit
Connector: 1/8-inch (3.5 mm) stereo mini-plug, snap-on 1/4" (6.3 mm) adapter

What's in the Box ATH-M20 headphones, 1/8-inch to 1/4-inch stereo adapter, Data Sheet

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