Showing posts with label di. Show all posts
Showing posts with label di. Show all posts

3/24/2012

Countryman Type 85 Review

Countryman Type 85
Average Reviews:

(More customer reviews)
I've been using this DI for close to 4 years now, and it's never given me an ounce of trouble. Sounds great on keyboards, basses, and acoustic guitars. The unit itself looks like you could run it over with a truck and it would continue working--and I've heard stories of it being done. The only thing to be aware of is that it requires either phantom power or a 9v battery to work--but that's not usually a problem. In my mind, you couldn't get a better DI for live work.

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Countryman's Type 85 direct box connects any high impedance instrument, even piezo pickups to a balanced mic input while providing a strong, clean signal to the mix board without adding noise or distortion. The Type 85 uses only hand selected, high-quality discrete components woven into a single ended, class-A circuit - much like a classic tube mic preamp! The sound? Smooth and sweet. Ultra rugged and ready for the road, we've heard stories of engineers running over their Type 85 with a truck and then using it in a gig the same day! Another stand-out feature is the fact that the Type 85 can always isolate ground, even when running on Phantom power, eleminating unwanted hum and buzz.

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3/05/2012

Whirlwind Imp 2 Transformer Direct Box Review

Whirlwind Imp 2 Transformer Direct Box
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This is one of the whirlwind DI products. Unique thing is that it doesn't have output level change switch to -20dB or -40dB. I think this product is fixed at -20dB as standard. I am not sure how this product is designed for better quality with fixed output level but its price is pretty higher than that of Whirlwind EDB1. This product($39.99) has no defect as they advertised on their web but I recommend if you want to save money "whirlwind EDB1"($28.77) is better; if you want better quality "Whirlwind director Passive DI"($59.95) is good. This product is between and I don't know its quality. Returning was cumbersome and it works so I am using but next time I will choose one of those two I recommended. That is why I gave 4 star.

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The Whirlwind IMP 2 Direct Box is built rugged on the inside and outside. This is the world famous DI found in pro systems everywhere. The IMP 2 converts a line or instrument level unbalanced signal to a low impedance mic level balanced signal. Whirlwnd IMP 2 Features: 1/4 inch parallel wired in and out jacks Ground Lift switch to help isolate hum and buzz Uses Whirlwind's TRHL transformer It's the ideal direct box for anyone requiring professional quality and durability in an economical package. What's a DI? Direct boxes are often referred to as DI boxes. This stands for Direct Injection as their main purpose is to convert unbalanced and/or high impedance instrument signals into a format suitable for direct connection to a mixing console - without the use of a microphone. In 1981, Whirlwind developed and produced the first commercially available Direct Box in the audio industry. AmericanMusical.com is an authorized dealer of Whirlwind products.

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2/14/2012

Behringer BDI21 V-Tone Bass Amp Modeler Review

Behringer BDI21 V-Tone Bass Amp Modeler
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OK here are the facts:
1- I own a cheap bass. I admit it freely, and I don't regret it. Considering the economic times is just wise to choose the cheapest tool that will get the job done. I also admit that cheap instruments sound cheap, and my Memphis is no exception.
2- For expert ears, tonal coloring is no substitute of a good instrument. However for most listeners is just difficult (if not plain impossible) to distinguish between good and great.
3- Amplifiers are as important as the Bass for the final tone. So is technique (I don't like picks, fingers only), in fact a good player can make a crappy instrument sound good, and no matter how expensive your instrument, if you can't play it will show.
After the above disclaimers, I can totally assure you that THIS BOX IS AWESOME. First it makes your cheap instrument sound like is 5 times (in my case 10) more expensive. I use as a DI to an Edirol M-16DX mixer, then either via USB 2.0 to Apple Logic or to a pair of Behringer B215A 400 W Active speakers (yes they are behringer too, so wut?) I didn't buy the power cord, instead I have a steady supply of 9V (which I remove when the unit is not in use). Using the balanced output (XLR) there's no humm, dial the level up to get good volume, and dial the equalizer knobs to your liking (use your ears, finding the tones you like is not difficult). Is not great, but is very good, and considering its versatility and that unbeatable price, the Behringer BDI21 is a clear winner, not just for us in a budget, but also for beginners and mid level players. Just don't step on it.

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There are DI boxes... and then there's the V-TONE BASS BDI21, a feature-packed analog DI box built especially for bass.

Not Your Average DI Box The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It's like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you don't want to use the tube emulation feature, just step on the switch and the ADI21 functions as a superb active DI box.
So Easy to Use With its dedicated DRIVE, TREBLE, BASS, LEVEL, and PRESENCE dials, the BDI21 DI box goes above and beyond, giving you vintage tube tones for some funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI, with tube emulation, or as a standard active DI box, when running in bypass mode. The output is laid out on 1/4" TS or balanced, gold-plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems. You can power this bad boy with a 9V battery or Behringer's PSU-SB DC power supply (not included).
Not Just for Bass
Use With Other Instruments The BDI21 is not only for bass guitars. You can try it with other instruments (e. g. acoustic/electric guitars, keyboards etc.) to create new sounds and enhance your music. Please make sure that the input level is not too high to avoid overloading the BDI21.
Direct to a Mixing ConsoleFor live and studio applications you can connect the balanced LR BAL OUT directly to a mic input of a mixing console. Be sure not to overload the input by using the gain control of the respective channel. For further information please refer to the user's manual of your mixing console.
Use Without InstrumentsYou can use the BDI21 without an instrument as an outboard processor connected to an insert or an effect path (aux send/ return) of your mixing console to affect the signal of a particular channel. This way you can enhance existing tracks during mixdown. For further information please refer to the user's manual of your mixing console.

What's in the Box Behringer BDI21 V-Tone Bass Amp Modeler, User's Manual

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1/31/2012

Whirlwind EDB1 Passive Direct Box Review

Whirlwind EDB1 Passive Direct Box
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I ordered this product for my church band. It has shipped in time and was the product they showed on the web. I could purchase this item in the local store at $35 without tax for church but amazon was cheaper a little bit. I had enough time to wait so I ordered this here to save money. The product works well and as it is this is not a professional level DI but a standard. We have many for instruments and are satisfied. In comparison to its price it's very good in quality.

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The Whirlwind EDB1 Direct Box offers rugged construction and affordability while maintaining exceptional sound quality. Features include 1/4 inch In and Through jacks, and Pad & Ground Lift switches for superb flexibility and compatibility. Whirlwind EDB1 Features 1/4 inch In and Through jacks Pad switch for connection to hot signal sources Ground Lift switch to help isolate hum and buzz Metal construction and quality transformer Superb sound quality AmericanMusical.com is an authorized dealer of Whirlwind products.

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1/28/2012

Tech 21 PBDR SansAmp Programmable Bass Driver DI Review

Tech 21 PBDR SansAmp Programmable Bass Driver DI
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I have already gotten great results playing live and as a direct box recording. The beautiful overtones and overall tone quality w/low noise and versatility matches the hype. Only had it a few days so we'll see how it does with battery life. Already finding the programmable switches useful.

Click Here to see more reviews about: Tech 21 PBDR SansAmp Programmable Bass Driver DI

3-channel pre-amp, stomp box and DI all in one. Dial up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between.

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1/06/2012

Radial ProRMP Studio Re-Amper Passive Re-Amping Direct Box Review

Radial ProRMP Studio Re-Amper Passive Re-Amping Direct Box
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My goal was to run all instruments (banjo, guitar, drums, bass, piano) through my yamaha mixer, into my loop pedal to record and layer loops, then from the loop pedal into my amp for play back. Line from mixer to amp was noisy and not very loud due to impedance mismatch from mixer line out to amp input. This re-amper did the trick. Matched impedance and allows me to pump everything through the mixer and into the looper/amp. No more plugging and unplugging and the mixer allows me to fine tune with all adjustments and levels for all instruments. I just click my loop pedal, play whatever instrument I want, record the loop, and then play back through amp. Also, I can line out to, and line back in, from mixer to my Mac for recording and editing in Garageband and then playback fro Mac through the mixer to the re-amper and amp. If I get another one, I can pump instrument signals through mixer to different amps. Sweet...

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The Radial Engineering ProRMP is a 100% passive re-amplifier that takes a prerecorded track and re-amplifies it through a guitar amp or effects pedal creating new and exciting tones. Re-amping has been the "secret weapon" for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion, and even voice to create new textures! Plug and play and easy to use, the ProRMP Studio Direct Box connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit!The magic behind the Radial Engineering ProRMP's great tone is a custom-wound transformer that at once converts the balanced Low-Z source to a Hi-Z input for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound.Like all Radial products, the ProRMP is built tough. Encased in a 14 gauge steel, the ProRMP employs a unique bookend design with a welded I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed, adding durability. A full-bottom no-slip pad works double duty by providing plenty of stay put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops.The Radial ProRMP direct box gives you affordable professional re-amping for every recording studio.ProRMP applicationPlug a standard balanced cable from your recorder or mixer output to the ProRMP's XLR input. Connect the 1/4" ProRMP output to your instrument amp. Adjust the ProRMP's output level control as required to match the amp input and engage the ground lift switch to eliminate any hum and buzz caused by ground loops.

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9/26/2011

Behringer LX1B-PRO BASS V-AMP PRO The Ultimate Tone Toolbox for Bass, Acoustic/Electric Guitar and Keyboard Amp Modeling Review

Behringer LX1B-PRO BASS V-AMP PRO The Ultimate Tone Toolbox for Bass, Acoustic/Electric Guitar and Keyboard Amp Modeling
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Looking at the reviews on Musicians Friend, they were all glowing and positive with three exceptions: Two thought it was too complicated, since they just wanted to plug in and play. One had evidently gotten a defective unit, and supposedly Behringer is well known for shoddy manufacturing. However, in my home studio it will see such light duty that I am going to buy one and I will tell you my personal experiences after I have used it.
Let me reiterate: The other 25 reviews were glowing in praise about the features, sound, etc and the owners seemed ecstatic.
It looks like you could do anything with it...lots of voices, effects, cab simulations, etc. There is also a little software program so you can program it from your PC. The simple issue is sound...does it sound good, full, and punch and cut through the mix? We shall see.
The other drag is that it doesn't come with even a cheap little foot controller. You have to buy one separately. No big deal for me, but if you want to play live and cart it everywhere, you might consider buying its cheaper little brother that is a floor unit.
The best unit out there is the Bass Pod Pro rack mount, but it doesn't have true stereo effects (!) and costs waaaaay too much. All the other units are floor units, and I am trying to get junk OFF my floor...thats why I'm making this purchase in the first place. Other rack units require an amp and we shall have NONE of that in my quiet little suburban home.
This looks attractive...just hope my worries about Behringer quality don't turn out to be valid.

Click Here to see more reviews about: Behringer LX1B-PRO BASS V-AMP PRO The Ultimate Tone Toolbox for Bass, Acoustic/Electric Guitar and Keyboard Amp Modeling

If a lack of money and floor space is all that's been standing between you and a collection of vintage bass amps and effects pedals, get ready to love the rack-mountable BASS V-AMP PRO. It comes loaded with 32 amp models, 23 speaker cabinet models and 16 classic effects. The BASS V-AMP PRO's 32 amp models are organized into three groups: CLEAN, ACOUSTIC and GUITAR. Just twist the dedicated dial to plug into unbelievably authentic simulations of the greatest acoustic and electric bass sounds from the 1950s to today. When you select an amp model, a speaker cabinet model is automatically selected. But if you'd prefer a different model, just go to EDIT>CABINETS, then use the BANK UP/DOWN buttons to navigate through all 15 options. Just like on an actual bass amp, you've got a three-band EQ, GAIN, VOLUME and MASTER VOLUME dials. There's even a COMPRESSOR dial for tight, smooth tone with a variable attack. By holding the TAP button, the TREBLE dial becomes a PRESENCE control. This enables the adjustment of a high-frequency filter that can add or remove a "shimmer" from the BASS V-AMP PRO's tone.

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9/10/2011

Aguilar Octamizer Analog Octave Pedal Review

Aguilar Octamizer Analog Octave Pedal
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The octamizer is a great little accessory to have, it provides a nice full sound, and is well constructed. It is also very easy to use right out of the box, just throw your 9 volt in and it is read to go. Just got it yesterday so I'm still working out all the different blends. BLUF (Bottom line up front) I would definitely buy this product again and I'm looking forward to utilizing it on a gig!! Someone told me you can't go wrong with Aguilar so soon enough I will be switch my amp from the SWR 750x to the Aguilar DB751 and I can't wait!!

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Every bass player wants deep organic tone. The Octamizer\' is the innovative analog octave pedal from Aguilar. Designed to create a wide range of musical sounds an octave below your original note - you will be "octamized"! The Octamizer\' features independent volume controls for both the "Clean" and"Octave" sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities.The "Clean Tone" control uses a Full Spectrum Tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.The Octamizer's "Octave Filter" control is a multi-pole low-pass Filter that lets you shape the octave sound from smooth and deep to edgy and aggressive.

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9/01/2011

Behringer Active DI Box for Guitar GI100 Review

Behringer Active DI Box for Guitar GI100
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[1] Behringer Ultra-G is very useful if you're planning to record your own stuff. My band rents a studio room to practice. The system used to record us is simple (and it's free): A cheap environment mic is used to record drums and the voice goes directly to the mixer. The result is a poor quality recording: The music is all mixed and it sounds terrible. The voice is the only thing that sounds great because it's directly recorded to the console. This reference tape is very improtant because we use this tape to hear what is okey and what we have to improve. Well, now I use this Direct Box to record my guitar directly to the console. We put the environment mic inside the room to record the drummer. The result is a more separated mix: The voice and the guitar sound great and the drums are okey, it's to "understand" it and to correct mistakes. I have to mention that the cabinet simulator included in the Ultra -Gcabinet is incredible, sounds natural and let you record directly without an expensive amp.
[2]So you're going to play live? Well, you can use the traditional mic system AND additionaly connect your guitar to to the console thru the direct box. Or you can use only the direct box instead of the mic in your amp. The problem with the mics is that they filter others sounds and frequences (like the drums) Sometimes this could be a nightmare to the sound engineers. With the direct box you avoid this problem and you get a more clean sound from your guitar.
My band play death metal, so it's important to hear the riffs, the solos, the drum rolls and the bass lines properly to enjoy the music. This little red devil is going to solve a lot of problems like home recording, live playing and studio recording. If you're a guitar player like me, do yourself a favor and get one now, you'll be very pleased with the results.

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Professional Active Direct Inject Box with Switchable 4x12" Cabinet Simulation

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8/21/2011

DigiTech BP50 Bass Multi-Effects Processor Review

DigiTech BP50 Bass Multi-Effects Processor
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I have the RP250 and RP350 effects pedals from Digitech. Simply the best available for the money in my opinion. I started playing bass recently and thought I'd check out this little BP-50 unit. I realised its aging a little now and newer Bass effects units are available, but for the price, I was really only looking to dip my toes in the water so to speak. Anyway there is a reasonable set of pre-made patches and the ability to modify them. Not as easy as with the RP250/350 where you can hook up to a computer and modify, but nonetheless it can be done if you havew a bit of spare time. I was perhaps most impressed with the lack of white noise passed through the unit. Very clear sounds with little noise evident with most patches. Sure, it could be better, but its old-ish now and not the latest and greatest technology on offer, but good for an intro bass effects unit for the newer bass player.


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Bass Modeling Processor The BP50 is a feature-packed bass modeling floor processor. Our bass guitar-freak engineers built the BP50 with the great tone and effects you expect from DigiTech, including award-winning amp and cabinet modeling plus an arsenal of studio-quality effects designed specifically for the bass. The BP50 uses our AudioDNA\' DSP chip to ensure that both modeling and effects are world-class. Plus, 24-bit A/D/A converters ensure accurate tonal reproduction between inputs and outputs. And when we weren\'t looking, our fanatical engineers even snuck in a drum machine with 30 patterns, adjustable tempo and an easy-to-use 13-LED-array tuner. Then we made sure that the BP50\'s user interface was so simple a drummer could operate it (well most drummers, anyway).If you\'ve drooled over our bigger BP Series models but didn\'t have that much cash in your jeans, get on down to your DigiTech dealer and score a BP50.

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8/15/2011

ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets Review

ART Tube MP Studio V3 Microphone Preamp and Limiter with Presets
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Pros:Great product for those who requires amplify a dynamic mic.
We use for vocals in a karaoke system with excellent results. It doesn't requires expensive microphones. With cheaper mics produces good sound.
Cons: The preamp doesn't has a power on/off switch so you must to plug/unplug the DC adapter. It is a little expensive but works fine.

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The ART Tube MP Studio V3 has expert presets that get you started right! The Tube MP Studio V3 features ART's Variable Valve Voicing Technology - with optimized reference points to begin the recording process. The V3's presets were created & fine-tuned by top studio and live-sound engineers, along with ART's veteran engineering department. V3 allows you to select between a multitude of preamp settings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals and more. V3 gives you incredible presets for every instrument you record, so all your recordings will sound professional. Need to tweak the presets? Go right ahead -- hone your perfect tone! That's the power of ART V3. It also incorporates ART's OPLTM (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL circuitry is crucial in protecting the next link in a signal chain - such as a hard-disk recording system or a sound card. The Tube MP Studio V3 can also function as a direct box - impedance matching, amplifying and improving the sound of any instrument. The design of the Tube MP Studio V3 allows it to add warmth and fatness to a signal while maintaining low-noise. Features include Phase Reverse, +48v phantom power, clip LED, a +20dB switch, as well as an analog VU meter for visual tracking of the signal. 1-year warranty. ART Tube MP Studio V3 Features Provides superior preamplification for: Microphones Instruments Line Level Sources V3TM - Variable Valve Voicing OPLTM - Output Protection Limiter Hand selected 12AX7A provides over 70dB of gain Smooth, warm and fat sound quality Variable input and output gain controls Excellent as a tube DI XLR and 1/4' inputs and outputs +48 volts phantom power Phase reversal switch TEC-Award nominated design 1 year warranty Designed for years of continuou

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8/14/2011

Tech 21 BSDR SansAmp Bass Driver DI Review

Tech 21 BSDR SansAmp Bass Driver DI
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I have had my SansAmp Bass Driver DI for nearly 10 years, and it is the single best piece of equipment you can buy for your bass rig on a limited budget. I use it twice a week live, and have used it for direct recording on numerous occasions. I have had people stop me after shows to ask me about my excellent sounding "rig", which includes the SansAmp into a cheap compressor and a small combo amp. It can do great things even for an inexpensive bass, and sounds fantastic with my Warwick and Fender American Jazz basses. It is an absolute essential for bass players.

Click Here to see more reviews about: Tech 21 BSDR SansAmp Bass Driver DI

Pre-amp, stomp box and DI all in one. Dial up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between.

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7/15/2011

Pyle-Pro PDC21 - ¼'' Instrument To Balanced & Unbalanced (1/4''/XLR) Direct Box Review

Pyle-Pro PDC21 - ΒΌ'' Instrument To Balanced and Unbalanced (1/4''/XLR) Direct Box
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When I bought this direct box the price was only $8! It's since gone up to $11, but that's still a phenomenal value for a decent piece of gear. I've been using two of these to turn a 1/4" unbalanced (guitar) signal into a balanced (XLR) signal in order to run the cable about 50 feet without introducing noise into the signal path, and it works like a champ. The box doesn't color the sound much at all.
I highly recommend this product to anyone looking to pick up a decent D.I. at a phenomenal price.

Click Here to see more reviews about: Pyle-Pro PDC21 - ¼'' Instrument To Balanced & Unbalanced (1/4''/XLR) Direct Box

The DC-21 Is One Of The Most Useful And Versatile Tools Available Indispensable In Enabling Easy Interfacing And Connection Between Various Audio Gear In Numerous Applications. Input Attenuation: Switch-Able (0db, -20db,-40db) Instrument Input: 50K Unbalanced TS Jack Parallel (Link) Out: 50K Unbalanced TS Jack Balanced Output: 600 Balanced XLR Jack Ground Lift: Switch-Able Ground Lift Construction: All Steel Chassis Dimension: 4.72'' X 3.01'' X 1.77''

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5/03/2011

Behringer GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box Review

Behringer GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box
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When i bought it, i needed a preamp but it is more than a preamp, it is a very complete box. You can use like a guitar modeler with several sound options when changing the positions of the switches in the front panel (drive, treble, bass and level controls and amp, mod and mic switches, i dont use the ground switch) and create several sounds like Jazz, distortion, clean, rock, metal, blues. You can activate the effects with the foot switch that is the weak element of the box, it feels fragile. If you use the box like a recording box, connect it with a XLR female cable to a mixing console or a computer. When you need a preamp or effects pedal it is a suitable selection. I think that it is best for recording rather than a gig because of the foot switch.

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Guitar Amp Modeler / Direct Recording Preamp/DI box

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