Rode NT5 Matched Pair of Instrument Condenser Microphones Review

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(More customer reviews)First off, I am an audio engineer in training, I recommend these pencil (cigar) condenser microphones to ANYONE. From live sound, to recording, to whatever. I only tried them on acoustic guitar (AB configuration) so far but they sound so warm and full. I've heard them on some drums as overheads and they sound pretty amazing, check out some videos on youtube. I bought them refurbished, but there's nothing wrong with them thankfully. Very little hiss. Plus, they get a 10 year warranty. Make sure you register BOTH microphones on rodemic.com since they have different serial numbers. Not sure what else to comment on other than these are great microphones at a great price. Can't go wrong with these in your microphone collection!

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The RODE NT5 is an amazing, 20Hz-20kHz condenser microphone with low noise specs and full frequency response. The NT5 is ideal for recording acoustic instruments, drum overheads, cymbals and live performances. The compact externally polarized microphone employs a 1/2 inch capsule and an active J-FET impedance converter with bipolar output buffer.Details include a heavy-duty cast metal body with a satin nickel finish and a cardioid polar pattern. The NT5 requires phantom power and includes a WS5 custom windscreen, RM5 stand mount and the ZP1 zip pouch. Available as a Matched Pair For applications that require a single or stereo X/Y mic setup, the RODE NT5 is an excellent choice. The NT5 matched pairs come supplied in a custom carry case with windshields and mounts. Rode NT5 Features Externally biased condenser Gold sputtered 1/2 inch capsule Heavy duty satin nickel plated body Surface mount circuitry Low noise Full frequency response AmericanMusical.com is an authorized dealer of Rode products.

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Rode NT4 Stereo Condenser Microphone Review

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(More customer reviews)This is a great mic. The design makes it really easy to set up for recording, and its quality gives fantastic sound. I have primarily used it for recording acoustic instruments (grand piano, 12 string guitar etc) and because I am not a sound engineer with years of experience, I find that I get great sound just by having the parameters of distance and angle to fool with. Frankly the extra parameter of distance between two mono-mics is just annoying for me. I want to play music and record it, not fool with mics all day. I can't wait to try it on live recordings of choirs etc.
Drop by the Røde website and have a listen to what engineers say about this mic.

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The Stereo wonder! The RODE NT4 is an X/Y stereo multi-power studio and location 1/2-inch condenser microphone used by professionals. The NT4 is a visually striking microphone that solves the age-old problem of stereo recording by eliminating the need to purchase matched pairs and the associated complex set-up bars and adaptors to get professional results. With a fixed 90 Degree X/Y configuration and perfectly matched stereo condenser capsules, the NT4 lets you record any source with immaculate stereo detail. The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering selectable battery or phantom power operation with power indicator light, the NT4 is ideally suited to both studio and location recording. The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack and dual XLR cables for portable DAT or professional balanced input connection. Rode NT4 Features Stereo X/Y condenser microphone Dual externally biased 1/2 inch capsules with gold sputtered diaphragm Capsules closely matched with full frequency response Dual power operation Custom stereo cables included - dual XLR and mini stereo jack Custom twin head windshield (WS4) included Durable satin-nickel finish Surface mount circuitry AmericanMusical.com is an authorized dealer of Rode products.

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Tascam TM ST1 Stereo Microphone Review

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(More customer reviews)I just bought the Tascam TM-ST1 for use with my Edirol R-09 generally for recording live rock/alt rock performances (with permission, of course!). While I have not yet used it to record any live performances, I did manage to run some (unscientific) tests using my Stereo's CD player as music source with this external Tascam microphone and I also recorded the exact track with the Edirol using a powered Aiwa CM-30 electret condensor mic and the Edirol R-09 built in stereo mics for comparison.
I recorded the same CD song with each of the three mics and I also recorded with the Tascam mic using both the 90 degree and 120 degree cardiod settings. I've concluded that the Tascam did not produce a very warm sound, sounded "tinny" and seemed to be lacking in it's ability to reproduce a good, deep, bass response. In general I prefered the built in Eridol mics over this which to me defeated the purpose of buying the Tascam mic in the first place. The Edirol R-09 built in mics produced a nicer bass response in the recordings (perhaps a bit too much bass but at least I can adjust the levels when transfering or listening). In general, the TASCAM TM-ST1 120 degree degree mic recording sounded better and much fuller than the 90 degree setting -- however this may not work for me as I prefer a minimal amount of crowd noise from crowds off to the side and behind me(I probably need to consider purchasing a 6-8 foot mic stand). Based on this initial test, I'm afraid that this mic probably will not live up to my expectatons at the going price of $65-$70 and may be better suited for recording discussions.
The mic is attractive and the mic base and lower casing is made of a good, heavy grade of metal -- after you remove the casing to put in your battery you notice that there's not much to this mic. Hopefully I will have an opportunity to test this mic in the setting originally intended and report back with an update.

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The Tascam TM ST1 Stereo Microphone is ideal for anyone looking for a versatile field microphone. The TM ST1 features a stereo pattern switch that allows you to select between 90 and 120 degree pickup to capture more ambience or to reduce background noise. The mid-side design captures a wide stereo field while maintaining a solid center image. The TM-ST1 uses a back-electret condenser design for crisply detailed audio with a long battery life for portable recording. The output cable terminates to a 3.5mm stereo jack, ideal for plugging into a DR-1 recorder. Also included is a microphone clip, table-top stand and windscreen. The microphone is battery-powered and designed to run for hours and hours. AmericanMusical.com is an authorized dealer of Tascam products.

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