Mini Cardioid Lavalier Microph Review

Average Reviews:

(More customer reviews)For me this was an upgrade from the cheap ATR lapel mic. I heard these mics when helping another guy with his setup. I was blown away at how clear the voice is. I put them on my agenda to purchase as soon as the funds became available. I recently used these at an airshow with WW2 planes in the background. A very loud background. They worked perfectly to isolate the subject and reject the planes. In fact, I prepared for that and recorded a second audio source so that I could blend in the perfect level of engine noise to the background. I didnt want it too quiet with only the subjects being heard. I needed to have the viewer feel they were at the airport.
These mics are outstanding. Its not really a drawback but it is extra time to hook everything up. And you will have to have a method of getting an xlr source into your video camera. However you get that done will be worth it. These mics are worth every penny. The next step is around 800 and is not necessary for the semi-pro.
I just cant over how rich these sound. They are not tinty at all and have great bass. They are just a great step up from the cheap lavs that everyone starts out with. Combined with an HD vid cam, my videos are now completely professional sounding and looking.

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For years this condenser microphone has been one of the top choicesin the industry for lavalier microphones and can be found installed inmany of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features:Clip-on lavalier mic also excels in acoustic guitar applicationsProvides crisp, full-sounding voice and instrument pickupOperates on battery or phantom power6' (1.8 m) cable permanently attached between microphone and power module Specifications:Element: CondenserPolar Pattern: CardioidFrequency Response: 40 - 20,000 HzOpen Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 PaImpedance: PHANTOM: 200 ohms; BATTERY: 270 ohmsMaximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D.Signal to Noise Rati 65 dB, 1 kHz at 1 PaDynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPLPhantom Power Requirements: 9 - 52V, 2 mA typicalBattery T...

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Audio Technica Pro Series Cardioid Condenser Lavalier/Instrument Microphone Review

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(More customer reviews)Make sure you're buying the one that includes the battery power pack. I have included an audio sample from the store, which I recorded with my Zoom H4. There was some loud music playing on the speakers, so it'll give you a good idea of how it might sound under such circumstances. The Pro70 battery pack was powering the mic (not Zoom H4's phantom power). I was impressed with the sound of this mic, and the overall quality. It doesn't have the dynamic range of the next model up in the series (the 831b, which I own) but when you switch on the low-cut of the 831b, it and the Pro-70 sound virtually identical. I like this mic, and feel it's a good value for someone looking for a professional XLR mic that has good sound. Again, I find I generall prefer to swich on the "low cut" switch with my 831b anyway, so there's little reason to spend more than this if you're, say, a podcaster or wedding video place looking for excellent audio quality and bang for the buck. By the way, if it sounds a bit overdriven, that's my fault -- not the mic. I had my levels too high.

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This miniature condenser microphone achieves full-sounding pickup and is known for outstanding consistency and dependable performance. Supplied with both a clothing clip and guitar mount, it provides natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar.

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MXL V69MEDT Large Diaphram Condenser Tube Microphone Review

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(More customer reviews)I bought this after reading a review that compared it favorably to some very expensive ($10K+) mics. I don't have a $10K+ mic to compare it to, but it is a definite step up from several very good $400 mics that I use for recording guitar, mandolin and vocals. It is a terrific value and a very very good mic.

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The MXL V69 Mogami Edition is a large diaphragm Tube Condenser Microphone. Its classic sound enhances vocal and instrument performances in professional and home studio environments. The wide dynamic range and warm sonic characteristics make the V69 a perfect complement to all analog and digital recording devices. The V69 is internally wired with World-renowned Mogami Cable for sonic integrity and comes with deluxe flight case, high-isolation shock mount, dedicated power supply, Mogami 7-pin and XLR microphone cables and wind screen.

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Shure SM93 Lavalier Microphone Review

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(More customer reviews)Just bought this for presentation recordings and hooked it up via audio mixer via USB to Laptop, sound is crisp after a few minutes of practice placing it on a jacket/shirt and really helps isolate your voice during instructional scenes. Phantom powered (total novice but read up and worked it out) so needs a mixer/power source for it to work. Great build qulaity, preamp is heavy and sturdy (clippable in back pocket)
Hope this helps enjoy!
MR

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Providing a full, clear sound comparable to that of much larger microphones, the Shure SM93 omnidirectional miniature lavalier condenser microphone is ideal for body-worn applications in TV broadcasting, theater, and sound reinforcement. Its frequency response is tailored to body-worn applications, with low-end rolloff and presence rise.
Intended for wired applications, the SM93 is powered by phantom power supplied by broadcast, sound reinforcement or recording equipment, or an external phantom supply, and it includes a preamplifier assembly for connection to three-pin professional (XLR) audio connectors.
The SM93 is supplied with a sew-on mounting bracket, a mounting block with attached tie bar, and an acoustic windscreen to minimize wind noise in outdoor applications. It is also supplied with a dual mounting block with attached tie bar.

Key Features
Subminiature lavalier design; ideal size for theater, television broadcasting, video, film, and sound reinforcement
Small, inconspicuous mounting hardware
Full, clear sound comparable to larger microphones
Smooth extended frequency response with presence rise specially tailored for chest-worn microphone operation
Controlled low-frequency rolloff reduces low-frequency clothing and room noise
Low distortion, wide dynamic range
Versatile mounting accessories allow a variety of low-visibility applications
Preamplifier assembly can be pocketed, strapped to the body, or clipped to belt or waistband
Omnidirectional condenser

Mounting the Microphone The tie clips and mounting bracket provided with the SM93 allow the user to wear the microphone in a variety of ways. To achieve optimum pickup, attach the microphone to the user's chest. You can also obtain high-quality sound when the microphone is worn in the hair, sewn into clothing, or attached to an acoustic instrument such as a guitar.
Tie Clip. A spring-loaded clasp attaches easily to a necktie, lapel, blouse, or shirt. Snap the microphone into the clip's mounting bracket and attach the clip to an article of clothing. The dual tie clip supplied with the SM93 provides simultaneous mounting of two microphones.
Sew-On Bracket. Sew the supplied sew-on mounting bracket directly to a garment (Figure 1). Use dark or light thread as necessary to match the color of the bracket.

Specifications
Type: Condenser (electret bias)
Frequency Response: 80 to 20,000 Hz, 12 dB/octave rolloff below 100 Hz
Polar Pattern: Omnidirectional, uniform with frequency
Output Impedance: Rated at 150 ohms (90 ohms actual) Recommended minimum load impedance: 800 ohms (may be used with loads as low as 150 with reduced clipping level)
Output Level (1 Pascal = 94 dB SPL):
Open Circuit Voltage: -43 dBV/Pa (7.0 mV)

Output Clipping Level (at 1,000 Hz): -18 dBV (0.13 V) minimum
Total Harmonic Distortion: Less than 1% at 120 dB
Maximum SPL: 120 dB
Dynamic Range (maximum SPL to A-weighted noise level): 98 dB
Output Noise (equivalent SPL): 22 dB typical, A-weighted; 26 dB, weighted per DIN 45 405
Hum Pickup (electromagnetic): -4 dB equivalent SPL in a 1 mOe field (60 Hz)
Signal-to-Noise Ratio: 72 dB at 94 dB SPL (IEC 651)
Polarity: Positive pressure on microphone diaphragm produces positive voltage on pin 2 relative to pin 3 of preamplifier output cable connector
Current Drain: 0.33 mA
Cable: Black, 4.17 feet, attached, two-conductor, shielded, terminated by miniature connector type (TA4F)
Case:
Microphone: Black ABS thermoplastic case with stainless-steel-mesh grille
Preamplifier: Steel case with non-reflective black finish, black-chrome belt clip

Weight:
Microphone: 0.57 ounces
Preamplifier: 4.17 ounces

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Sony Unidirect Mic with Cannon Connect Review

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(More customer reviews)Boy I was real surprised how heavy and sturdy this mic was. My kids have been doing karaoke with it all day and the sound is great. No hissing and it actually cut out my dog barking. I'm happy with my purchase!

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DYNAMIC MICROPHONE UNI-DIRECTIONAL FREQ RESP: 60HZ-KHZ IMP: 600? 9.75-FT CORD 3.5MM TO PHONO adapter multipurpose UNIMATCH plug supplied built-in on/off switch 1-year warranty

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Rode NTG1 Condenser Shotgun Microphone Review

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(More customer reviews)I needed 4 shotgun mics for a house of worship. I called Rode and spoke to them which model I needed and they recommenced this one, and they were not wrong. The pattern is very tight and has great rejection for of axis sound. they are very sensitive and do not much gain and fader control. I purchased 4 of them and am very satisfied. I bought the from a company in Tennessee.

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The RODE NTG1 is a new, lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG1 provides an electronically balanced output stage and operates on 48V phantom power. The NTG1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a boom pole. The NTG1 comes complete with a stand mount, zip pouch and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. RODE NTG1 Features Broadcast sound quality Low noise circuitry Condenser transducer Rugged metal construction Low weight: 105 grams approx. (3 oz.) Low handling noise Supplied with stand mount, zip pouch and windshield AmericanMusical.com is an authorized dealer of Rode products.

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Shure SM58LC Cardioid Dynamic Microphone Review

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(More customer reviews)The first rule of microphones is that, "No one microphone is perfect for every purpose." Rule two is, "Experiment with different mics in different applications to find your signature sound." I've used Shure SM58's along with their ancestors and relatives back to 1968. I primarily used them for broadcasting and recording spoken word content but I have used (and still do use) them for singing some back up vocals. The SM58 does one thing well and that is vocal performance when used very close to the mouth for public address use. Some people, me included, actually sound better and more comfortable in a live performance setting when using another mic, the Shure SM-57. The SM-58 is a very good vocal mic and for some people probably the best choice. For example, anyone who can not resist putting the mic right up against their lips while singing will probably want the SM-58. People with softer or weaker voices will want the SM-58. The SM-58 is highly directional and has a noticable yet manageable proximity effect (which means the bass increases the closer you get.) This mic does not pick up well from much over 8 inches away. The reason so many singers think you are supposed to shove microphones practically inside your mouth is because the ball type Shure vocal mics require you to get them very close or they don't sound right. On the other hand, the SM-57 sounds best several inches away from the user's mouth and works fine up to 12 inches away. While the SM-58 is certainly the number one professional PA vocal mic, there are precious few other uses for it because it has a colored sound with a prominent frequency response boost in the upper midrange plus a sound source has to be very close before it is picked up clearly. It works ok for conga drums and the like, but the SM-58 is about the last thing you'd want to use to mic a sax or guitar. Personally these mics are not the best for my mic technique or the basic nature my voice, but for some people they sound great. The live vocal mic that works best for me is the Shure SM-57 with a windscreen. However for other people the SM-58 works better. It depends on your voice and what you want the mic to do. If you have a very deep voice, the SM-58 might be the second best choice after the SM-57 which has a better low frequency response. One certain advantage of the SM-58 is the excellent gain before feedback capability. This mic can be turned up louder than almost any other mic without that annoying PA squeal. Another advantage of the SM-58 is that it is still available (at a slight extra cost) with a built-in on/off switch. The SM-58's ball shaped grills are very sturdy and even if you should dent one you can get a replacement which screws right on for about ten dollars. I've seen SM-58's dented, rusty, dusty, smoked up, spit into, with pieces missing and slammed into a hardwood stage with the full weight of a boom stand adding mass to the fall and yet I've never seen but one stop working and that malfunction was due to an on/off switch that got dirt in it. All the pro-line Shure mics are top quality. The pro line Shures also hold their value well. If you buy one and decide you don't like it, you can get about what you paid for it on eBay. I would compare as many mics as possible before buying one. Senneheiser's EVOLUTION mics sound really good too and are worth a look. The SM-58 will be the number one on-stage vocal mic for the forseeable future because most people follow the crowd instead of actually trying out different mics and picking the one that works best for their particular voice. These things are so durable that even if they stopped making them today they'd still be around for another 20 years at least.

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The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. It has a legendary vocal response for singing or speech. Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.

The Standard for Dynamic Vocal Mics You'll find multiple SM58s in most any studio or live music venue--no doubt you've heard of them. The SM58's frequency response is tailored for vocals, with brightened midrange and bass rolloff. The uniform cardioid pickup pattern isolates the main sound source and minimizes background noise, which is ideal for vocals, especially in live situations where background noise is substantial.
The microphone's pneumatic shock-mount system cuts down handling noise, making it a great choice for handheld vocals, and the built-in wind/pop filter helps keep things in check.
The dark gray, enamel-painted, die-cast metal case has legendary looks and--paired with the mesh grille--legendary toughness.
SM58A Specifications
Type: Dynamic (moving coil)
Frequency Response: 50 to 15,000 Hz
Polar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency
Sensitivity (at 1,000 Hz Open Circuit Voltage): -54.5 dBV/Pa (1.85 mV); 1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (300 ohms actual) for connection to microphone inputs rated low impedance
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Connector: Three-pin professional audio connector (male XLR type)
Net Weight: 298 grams (10.5 oz)

What's in the Box Shure SM58 Microphone, Stand Adapter

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Shure PG185 Condenser Lavalier Microphone, QG Review

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(More customer reviews)The first photo is the correct Shure Microphone. The two follow up pictures submitted by a user are NOT the correct mic. The unit has a standard Shure Mini XLR plug, NOT the Locking stereo mini (1/8") plug displayed in picture two. It can be easily rewired to add a standard XLR or other connector plug. Also, the lavalier mic element is the one in the first picture, NOT the one in the third picture. Unit comes with lapel clip and two windscreens. It is an excellent value for the money.

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Condenser lavalier microphone for use with PG Wireless Systems

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Shure PG48 Vocal Microphone with XLR-to-XLR Cable Review

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(More customer reviews)This mic is typical of Shure: good and tough. For the price, don't expect studio performance; this is a good mic for garage bands, karaoke, anywhere you don't want to shell out on for the superb SM series. It is a good sounding mic that does what it's supposed to.

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Tailored for performers of every level, the Shure PG48 vocal microphone is an excellent performance microphone for spoken word applications--and it's also a great choice for karaoke singing. This PG48-XLR model includes a 15-foot XLR-to-XLR cable, microphone clip, 5/8" to 3/8" thread adapter, and a storage bag. It's backed by a 2-year warranty.

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Audio Technica PRO88W-R35 VHF Wireless Microphone System for Camcorder Use Review

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(More customer reviews)This is my first wireless mic. After some research I decided to go with this mostly due to it's price. To my surprise, not only the craftsmenship on this was great, but the sound is excellent too. I mostly do interviews and close range dialog shoots. It's great for the occasion.
You might need to play around with the antennas to get the sound clear but once it's done there's no prob. Can't say much on it's long distance performance but for my use it's great.
You can plug in any kind of mic with a mini plug on the transimitter. This way you can turn any mic into a wireless mic.
There are two outputs on the reciever. One for mic output to be used for connecting to your mixer,camera etc. And an additional output for monitoring sound through a headphone (small earpice headphone comes with the kit) or to be used as a line level output for non powered devices.
If you need more range and have high possibility of interference go for a UHF mic. But for regular interviews and on site shooting this is up to the job.

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Audio-Technica\'s PRO88W-R35 VHF Wireless Microphone System includes the omnidrectionalATR35 lavalier-type clip-on microphone for intelligible, accurate voice reproduction. This system is designed for camcorder and other applications requiring a small, easily portable wireless. Equipped with a flexible detachable antenna and a choice of two transmitter and receiver frequencies on each system, the small and inconspicuous VHF wireless system will mount on the light shoe of camcorders or on the back of a camera itself with a Velcro attachment. For fixed installations, a 9V DC input is available on the receiver. Eight VHF channels are available for interference-free operation in virtually any location.

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VocoPro VHF-3300 2 Channel VHF Rechargeable Wireless Microphone System Review

Average Reviews:

(More customer reviews)Meet my expectations, very good quality and sound, of course for a fun home karaoke. I don't give the fifth star because one of the 9v batteries (the regular square ones) after 6 hours of very intensive Karaoke singing runs out of power, nothing that you can not solve with a regular alkaline battery. I bought this one rather than other cheaper models, because of the mixed output, for me it was important because my equipment only has one input. Cheers!


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With solid sound, a clear signal, and wireless freedom, the VocoPro's VHF-3300 dual-channel wireless system is a great solution for home karaoke, smaller performances, public speaking, and more.
Two wireless dynamic mics included. Click here for a larger image

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Samson Q7 Handheld Dynamic Microphone Review

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(More customer reviews)I was surprised at the performance for the money. I needed a simple rig for casual duties and decided on this from some internet research. I'm a deep baritone and the dynamics seem especially suited to that. It will serve my simple needs very well.

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The Samson Q7 is a hand held, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. Extremely sensitive, it employs a tight super cardioid pattern to reduce feedback. A special shock-mounted element minimizes handling noise and provides additional protection.

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Samson Concert 77 UHF TD Lapel Wireless LM10 Microphone System, Channel N4 Review

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(More customer reviews)We purchased one of these devices to use for our church for audio recordings. While it picks up very well, there is a lot of noise that comes along with it. We tried new batteries, different rooms, balanced/unbalanced cables, different output devices -- it didn't matter, the buzzing around the speakers voice was always present and difficult to remove afterwards. The unit works well, and if you're not recording it would probably be fine (nobody could tell on the audio system). It just didn't work, though, for audio recording.

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Samson Concert 77 lapel wireless system is an ideal solution for any professional application. The Concert 77 lapel wireless provides high performance UHF True-Diversity Wireless at an incredible price. The Concert 77 UHF Wireless systems feature half rack space/dual antenna receivers with 6 segment audio and RF metering, volume and squelch controls, 1/4-inch unbalanced and XLR balanced outputs (switchable mic/line level), a rugged beltpacks transmitter with On/Off and Audio Mute switches, a battery meter, and audio level controls. The CT7 beltpack transmitter is configured as a headset system thanks to the popular locking P3 input connection. The CT7 also features a three-segment battery indicator, separate power and audio on/off switches, adjustable AF level (audio gain), and 12-hours of battery life on a single 9-volt battery.The CR77 true-diversity half-rack UHF receiver is the core of the Concert77 system. The new synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The CR77 features a front panel display with large multi-segment Audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. The rear panel features balanced XLR and un-balanced 1/4-inch outputs allowing flexible connection options. Two CR77 receivers can be rack mounted together in a single space rack adapter available as an added accessory.

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Azden High-performance(SMX-10) Stereo Condenser Microphone Review

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(More customer reviews)I've had the mic for two weeks now and I'm using it w/a Canon HV30 and a NRG 59111 bracket. In quiet shooting situations, the mic will pick up a lot of motor noise if mounted directly to the camera; this is normal. The bracket suspends the mic about 5" above the camera and motor noise pickup is eliminated. The supplied windscreen does a pretty good job. I would prefer if there was a "power on" LED to serve as a reminder to shut the mic off but that would just draw power too. I understand the rationale behind not having one, but want one anyway. The mic cord is NOT detachable as shown in the picture. Maybe newer versions are, but the one I received does not detach. The shockmount is not that great. The upper/lower parts of the mount are connected by hard rubber squares. So, it's not really "shock mounted" but more of a "dampened mounted." Some handling noise/tapping the camera will be picked up by the mic. This is due to the "not really a shockmount" shockmount.
That said, I'm very happy with it. Note: This is not a shotgun mic, so don't expect to pickup conversation-level sound from 30 feet away. This mic is a true stereo mic and outputs two distinct L/R channel. This mic beats the pants off the stock in-camera mics in every way. There is much more clarity as compared to the stock mic. The best way to describe it is that with the stock mics, all the sounds are "mixed together and indistinct." Whereas with the SMX-10 each sound "stands out from all the others." Frequency response is also better with the SMX-10; I find there is a lot more high-end frequency information in recordings made with it vs. stock.
The mic is very light, not too long (doesn't hang over the front of the camera) and the cord is of the coiled variety so it doesn't hang all over the place. It's designed very well. Body is all-aluminum and very solid feeling. Switches are recessed into the body of the mic, so it would be very difficult to accidently slide them one way or the other. There really isn't anything else in it's price range that is better. Another option/very popular video mic is the Rode Stereo Videomic, but it is literally 2x the price and twice the size. I took a chance with the SMX-10 and am very happy with my purchase.

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Perfect for use with smaller, high-end camcorder, the Azden SMX-10 compact shotgun microphone records in stereo and is powered by a single AAA battery that provides up to 400 hours of continuous use. This dual uni-directional, electret-condensor mic measures 7 inches long with a 0.7-inch diameter, and it weighs just 1.83 ounces (without battery).
It includes a permanently attached coiled cable coming out the back that plugs into 1/8-inch (3.5mm) jacks. Other features include a foam windscreen, lo-cut switch to minimize rumble and wind noise, and camera hot-shoe mount.
Specifications
Type: Stereo electret condenser
Frequency response: 100-18,000Hz
Sensitivity: -40dB @1kHz (1V/Pa)
Output impedance: 1.5 k ohm @ 1kHz
Signal-to-noise ratio: 60dB (1kHz @ 1Pa)
Dynamic range: 66dB
Power supply: 1.5V DC; AAA size battery (not included)
Max. SPL: 100dB
Battery current drain: 0.5mA
Battery life: 400 hours with Alkaline battery
Weight w/o battery: 1.83 ounces
Dimensions: 7-inch length, 0.7-inch diameter
Output cable: Permanently attached with 3.5mm plug

What's in the Box SMX-10 microphone (with attached cable), hot-shoe mic holder, foam windscreen

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Audio Technica AT2050 Condenser Microphone Review

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(More customer reviews)I use this for all my vocal recording. It provides the warmth I need and just simply sounds great. The price is perfect. I used to record with a SM-86 but this mic blows it away for studio recording. Even the hardware is first rate. I would buy another one again in a heart beat.

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The Audio Technica AT2050 Condenser Microphone delivers the perfect combination of pristine audio quality and versatility thanks for its multiple polar patterns. With omni, cardioid, and figure-eight patterns, this dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone. The AT2050 features a switchable 80 Hz high-pass filter to prevent unwanted low-end rumble and a 10 dB pad that is perfect for loud sound sources. The AT2050 also features state-of-the-art surface-mount electronics that ensures compliance with Audio Technica's stringent consistency and reliability standards. A shockmount is also included for superior isolation. Audio Technica AT2050 Features Three switchable polar patterns: omni, cardioid, figure-of-eight Switchable 80 Hz high-pass filter and 10 dB pad Large diaphragm for smooth, natural sound and low noise State-of-the-art surface-mount electronics Compliant with A-T's stringent consistency and reliability standards Includes shock mount and protective pouch AmericanMusical.com is an authorized dealer of Audio-Technica products.

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Lapel Microphone Review

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(More customer reviews)The AT831cW Lavalier Microphone is small, solid and sounds fine. The problem is the cable. The cable is too fragile, it breaks easily and needs to be replaced every couple of years, or sooner. The fun part of it is that you cannot purchase the cable alone - without the microphone on it (although the mic can be unscrewed) - and so, it's a $75 a pop expense.
The transmitters are very poorly designed.
Overall: AVOID.


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The AT831CW is terminated with locking 4-pin connector for AT UniPak bodypack wireless transmitters. Featuring a miniature condenser microphone with a cardioid polar pattern, the AT831CW is designed for hands-free applications in sound reinforcement systems and for use by professional musicians. The AT831CW provides improved gain before feedback that normally cannot be achieved with miniature omnidirectional microphones. Close-up voice pickup is crisp and clean, yet full sounding, while suppression of background noise is significantly improved over that of stand-mounted full-size cardioid microphones. Audio-Technica design engineers have utilized the newest low-mass technology in the quest for superior performance. Features Clip-on lavalier condenser cardioid microphone Provides crisp, full-sounding voice Excellent gain before feedback and suppression of background noise The microphone can be attached to clothing using the clip provided. An open-pore foam windscreen simply slips over the head of the microphone, effectively reducing wind noise or popping when used extra close. AmericanMusical.com is an authorized dealer of Audio-Technica products.

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Samson Concert 77 UHF TD Lapel Wireless LM10 Microphone System, Channel N2 Review

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(More customer reviews)We purchased one of these devices to use for our church for audio recordings. While it picks up very well, there is a lot of noise that comes along with it. We tried new batteries, different rooms, balanced/unbalanced cables, different output devices -- it didn't matter, the buzzing around the speakers voice was always present and difficult to remove afterwards. The unit works well, and if you're not recording it would probably be fine (nobody could tell on the audio system). It just didn't work, though, for audio recording.

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Samson Concert 77 lapel wireless system is an ideal solution for any professional application. The Concert 77 lapel wireless provides high performance UHF True-Diversity Wireless at an incredible price. The Concert 77 UHF Wireless systems feature half rack space/dual antenna receivers with 6 segment audio and RF metering, volume and squelch controls, 1/4-inch unbalanced and XLR balanced outputs (switchable mic/line level), a rugged beltpacks transmitter with On/Off and Audio Mute switches, a battery meter, and audio level controls. The CT7 beltpack transmitter is configured as a headset system thanks to the popular locking P3 input connection. The CT7 also features a three-segment battery indicator, separate power and audio on/off switches, adjustable AF level (audio gain), and 12-hours of battery life on a single 9-volt battery.The CR77 true-diversity half-rack UHF receiver is the core of the Concert77 system. The new synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The CR77 features a front panel display with large multi-segment Audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. The rear panel features balanced XLR and un-balanced 1/4-inch outputs allowing flexible connection options. Two CR77 receivers can be rack mounted together in a single space rack adapter available as an added accessory.

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