Showing posts with label analog. Show all posts
Showing posts with label analog. Show all posts

4/21/2012

Korg R3 37-key Synthesizer and Vocoder Keyboard Review

Korg R3 37-key Synthesizer and Vocoder Keyboard
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This is a professional keyboard, so if you want some great sounds at an affordable price, this could be perfect for you.
Very transportable; incredible sounds; knobs that allow for adjusting sounds; multi-effects processor; vocoder.
I could go on and on. This keyboard comes in very handy, and I've used it for rock, contemporary, R&B, worship, etc.
You'll be impressed by the sound of this keyboard. It's small, but packs a huge punch.

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The R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with two-timbre/eight-voice performance power. The sound generator section uses the same acclaimed MMT (Multiple Modeling Technology) used by the KORG RADIAS, delivering thick, gutsy, and crisp analog sounds. With quality that will satisfy both professionals and beginners, the R3 is a great choice for adding synth sounds on stage or in music production.

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3/06/2012

Korg MicroKey 37 Key USB Keyboard Controller Review

Korg MicroKey 37 Key USB Keyboard Controller
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The Microkey demonstrates that Korg learns from its failures and its successes. The Microkey's predecessor, the Nanokey, had some advantages: it was cheap and you could throw it in a laptop bag. Users soon found out that the Nanokey was too cheap. It wasn't sturdy, and the button keyboard did not win awards for usability. On the other hand, The Microkorg and Microkorg XL synthesizers have been hits with their mini-sized keys. Korg basically took the keyboard fromt eh Microkorg, put it in a no-frills controller case, and gave it a reasonable, [...] price tag. In short, the formula works.
With 37 mini-keys (3 octaves C-C), the Microkey is too big for a laptop bag, but it fits nicely in your lap or on a table. It plugs directly into your computer via USB. In my case, it was plug-and-play with Windows-7, with the computer automatically loading the driver; however I had to download a driver (no problem) for Mac OS-X. The small keys are easy to get used to, have a good feel and good velocity response. The Microkey does not transmit aftertouch. Other than the keys, the only controls are lighted octave shift + and - buttons (shifting up to 3 octaves in each direction), a spring-loaded pitchbend wheel, and an un-sprung modulation wheel. I knocked off a star for failure to include a jack for a sustain pedal, much less an additional jack for a volume pedal or continuous controller.
KORG LEGACY COLLECTION SPECIAL EDITION - This is what I really want to talk about. The Microkey is bundled with light versions of several software packages, the most notable being Korg's own M1LE. M1LE contains most of the sounds of Korg's bestselling hardware synthesizer/workstation of 1988, the Korg M1. Approximately 100,000 M1 synthesizers were sold for almost at almost [...]. In other words, the M1LE is pretty worthwhile on its own, but it really becomes worthwhile after you register your copy of M1LE online at [...], because registered M1LE owners qualify to buy a special edition of Korg's Legacy Collection software synthesizers for $99.00. The Legacy Collection Special Edition includes BOTH the analog edition and the digital editions of the Legacy collection. It includes the MS20, Polysix, Mono/Poly, Legacy Cell, Wavestation, and M1 (expanded). Recently Korg unbundled these software synths and started selling them individually for $49.99 each. So with the Legacy Collection Special Edition, you're basically buying all of these synths plus the hardware controller for $50.00 less than what you'd pay for just the software synths. Buying the Legacy Collection changes the Microkey from a good buy to a great buy. You have to download the synths one at a time from korguser.net, and the registration procedure is a bit of a pain. The license allows you to download the software on more than one computer that you own, but you can only use one at a time. Each computer that you install the software on must be individually registered. http://www.amazon.com/review/create-review There is no dongle or USB key needed for this version of the Legacy synths.
THE COMPETITION: For my money, the closest competition is Arturia Analog Experience - The Factory Hybrid Synthesizer, which, like the Microkorg plus Legacy Collection, gives you a compact controller plus thousands of sounds. Arturia's product, for just a little bit more than the Korg, Arturia gives you a more full featured controller (with aftertouch). It's a viable option that I almost bought (and might buy yet.) Another option (especially for Windows users) would be M-Audio's M-Audio Keyrig 25 25-note Synth-Action Keyboard and Midi Controller or M Audio KeyRig 49 49 Key USB Keyboard Controller I bought the Key Rig software separately several years ago. Here's a link to my review of the Key Rig Software, http://www.amazon.com/review/R1ZNFX9NE271ES. If your needs are simple, Key Rig may be all the software you need.

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Gain powerful control over your favorite music software, Korg-Style! For live performance stand alone soft-synth applications or as a music production studio tool, Korg's MicroKey is the perfect choice for controlling your computer music software. The microKEY is slim, lightweight, USB powered and compatible with all of your computer music software; use it to create your own compact and customized command center. Korg MicroKey Keyboard Controller Features USB MIDI keyboard - thin, lightweight, and USB-powered 37 velocity-sensitive mini keys Comfortable and easy-to-play Natural Touch keyboard Octave Shift and Key Transpose features access the full MIDI note range Pitch Bend and Modulation wheels add expression to your performance Dual USB connections are ideal for daisy chaining a nanoPAD or nanoKONTROL Natural Touch mini keyboard The microKEY features 37 velocity-sensing mini keys, using the same Natural Touch keybed found on the Korg microKORG XL and microSTATION. This keybed has been designed with careful attention to the touch and feel. The proportions of the black keys and white 'waterfall' keys have been adjusted for optimal playability, and the key touch makes it easy to play chords, glissandos, and rapid-fire phrases. The microKEY accurately conveys the dynamics of your performance to any software plug in. Extended Range and Expression The Octave Shift buttons extend the range of the microKEY by four octaves in either direction - up or down. The Key Transpose allows you to play in any key instantly. Used together, these two features provide access to the entire MIDI note range. For adding tasty expression to your performance, the microKEY is also equipped with both a Pitch Bend wheel and a Modulation wheel. USB versatility

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3/02/2012

Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg\'s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg\'s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings – routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. – and you have performance that is unheard of from a synthesizer in this price range!

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2/27/2012

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black) Review

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black)
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The MicroKorg XL is really a MicroKorg in name only. Whereas the original MicroKorg shared a synth engine with the MS-2000, this one uses the engine found in the R3 and Radius. This is not necessarily a bad thing as those are fine sounding synths, but you'd be better of with a synth like the R3 (which is about $100 more). Although the MicroKorg XL has a cool, faux-vintage look, the construction of the board is pretty shoddy and I doubt it would be good for carting away to gigs or traveling with. It's made from rather cheap, weak feeling plastic unlike the far sturdier R3 or original MicroKorg. Also, while the sound editing is arguably better than the oddball matrix on the original MicroKorg, it pales when compared to the easy editing on a R3. Basically, this is not a bad board soundwise, but you'd be better off saving $100 with an original MicroKorg or putting in an extra $100 for an R3. The MicroKorg XL is not a happy medium, and makes compromises that do not benefit the synth user.

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Joining the ranks of the top-selling originals microKORG and R3, the 37-note velocity-sensitive Korg microKorg XL Analog Modeling Synthesizer with Vocoder offers Korg\'s legendary analog modeling, along with an ergonomic interface, in a lightweight and portable keyboard. The microKorg XL employs full eight-voice multi modeling technology, a 16-band vocoder, on-the-fly parameter editing and USB MIDI connectivity, all packaged with the great-feeling Natural Touch keyboard action.The MMT (Multi Modeling Technology) sound engine is descended from the RADIAS/R3 synthesizers, while the dual effects processors come down from the famous KAOSS line. The black key/white key proportions have been adjusted for easier chording; the key response has been improved for rapid-fire soloing. Together with a sound-bending vocoder and six-pattern arpeggiation, microKORG XL packs a powerful sonic punch.The eight-voice MMT synth engine offers traditional analog waveforms plus a total of seven algorithms, including formant waveforms, noise, and PCM/DWGS waves for those vintage keyboards and strings. Cross-modulation, unison stacking, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Sync and ring modulation make it easy to create complex and powerful sounds. Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching brings it all together.

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1/27/2012

TC-Helicon VoiceTone Synth Vocal Effects Processors Review

TC-Helicon VoiceTone Synth Vocal Effects Processors
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Great effects and easy to use. Plugging in my Microkorg and double vocoding my voice is a blast and sounds awesome. The VoiceTone Synth is deceptively deep as well. With far more profiles of sounds than you would first expect by the layout of the buttons. Highly recommend!

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VoiceTone Synth brings together a collection of exotic and current sonic mayhem including jagged HardTune effects, a MassiveBand Vocoder with voice-controlled synth and vocal distortion and megaphone effects. Now vocalists and anyone looking to add a modern edge to their live performances and studio productions can dial-in these effects instantly with the press of a footswitch.

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1/25/2012

BBE Boosta Grande 20db Clean Boost Pedal Review

BBE Boosta Grande 20db Clean Boost Pedal
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This pedal does one thing and does it exactly right. I play acoustic instruments (guitar and dobro) so when I wanted more volume for a lead I had to reach over to my pre-amp(mounted on my mic stand), increase the volume, play, them reverse it for backup. With this pedal, I set the increase I want and step on the switch. There's no pop when it goes on or off, it just provides the increased volume I need. Simple, easy, and exactly right. I hate stuff that doesn't do what it's supposed to, or is overly complicated. This thing I love and use regularly. I use the AC adapter so I am not sure how hard it is on batteries, but if it took a new one every night it would still be worth it., But, you get the adapter with the pedal so you don't need to buy anything else. If you need what this thing does, just buy it... you won't regret your purchase.

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The Boosta Grande is a Clean Boost pedal that produces up to 20dB of clean gain and designed for the player that would like to add more gain to their signal without changing the original sound. Robust build quality and rugged engineering ensure that the Boosta Grande will stand up to the abuse of life on the road.Other features include hardwire bypass, LED operation indicator, non-slip rubber bottom, easy-access 9v battery compartment and included external power supply.

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1/02/2012

Empress Tremolo Review

Empress Tremolo
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I got an Amazon gift card for my birthday with the instructions to buy something fun with it, to splurge a little. This is what I chose. I don't really *need* a tremolo (I'm not a performer), but it sure is fun to play with!
I researched a lot of tremolo pedals before deciding on this one (thanks, ProGuitarShop! I owe you one). I chose it primarily because of what I heard, but also due to the impressive amounts of controls that are available. If there's a certain trem sound you're trying to achieve, I can almost guarantee you can get it with this box! I won't go over all the controls because that's in the product description. I can tell you that tap tempo is *awesome*, almost a must-have. It will spoil you. The tube style trem is great for all-around applications, while the square style is a lot of fun to play with. I haven't used the triangle much yet, but then again I just got the box.
Besides tap tempo, another feature that is unique and awesome is the rhythm settings. Check around on YouTube for some demos of them. It's a nice touch that really sets this product apart from other tremolo effects.
On the negative side, there are a few small things that I don't like, though not deal-breakers. First, the tempo LED will continue to flash as long as the unit has power. That can be annoying for home hobbyists like myself. Second, there is no way to save presets. Finally, this unit does not run on battery power, yet an AC adapter must be purchased separately.
Even with those few minor concerns, I still rate this product as five stars due to sound and features.

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Pristine Sound - The Empress Tremolo has to be heard to be believed. Its whisper quiet and free from the "LFO throb" usually associated with tremolos. We dare anyone to find a better sounding tremolo.Waveform Selection - You can modulate your sound with three different waveforms. An asymmetrical tremolo was modeled after a '65 Fender Vibrolux (brown face) to give you the fullest tremolo sound possible. A square wave can be utilized if you're after a harder sound. And if you're looking for a more normal tremolo, you can use the triangle wave setting.Tap Tempo - The Empress Trem averages your last four taps so it plays in sync with your music. You can also choose different tap to tremolo rate ratios. 1:1, 1:2, and 1:4 are available.Two Speed Mode - An exclusive feature to the Empress Trem. You're able to set two different rates, and switch between them using the tap tempo stomp switch. This is similar to playing through a Leslie cabinet and changing the speed.Rhythms - Another exclusive feature. The Empress Trem will definitely do your run-of-the-mill tremolo sound to a tee. But you can also set it to play different rhythms. Check out the soundclips for examples.Gain - A problem with most tremolos on the market is that when they're engaged, you hear a noticeable drop in volume. The Empress Trem solves this by having a gain stage on the output. It's able to deliver up to 6dB of gain without adding any distortion to the signal.True Bypass - The Empress Trem employs true bypass, so you can be sure that it's not affecting the signal when disengaged.Perfect Size - The enclosure measures approximately 4.5" by 3.5" by 1.5", which is delightfully small when considering all the features packed into this unit.Four Year Warranty - The Empress Tremolo comes with a two-year warranty. You can extend the warranty to 4 years by simply registering online.

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11/30/2011

Korg MONOTRON 16-Key Synthesizer Review

Korg MONOTRON 16-Key Synthesizer
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This is a great little item.
First of all, it's just a lot of fun to use. It very well might be the funnest and most carefree synth of I've ever used. Second, for the size and features, it's just a great value--the filter is awesome, and the type of sound you can get out of this little thing is very surprising.
Now, the onboard speaker output can be a bit noisy; however, it isn't bad, and it's very easy to get around that and keep a good quality sound by using aux. input and output with an audio interface (I'm using the Focusrite Saffire Pro 24 DSP), just make sure you get the proper cables and adapters and use it as a line input. The aux. input is a great feature, letting you route audio into the unit to make use of the filter--I imagine this is what many people will use this for. Also, the unit is great for circuit bending (see youtube...) and is quite an adaptable machine (and at this price, you can afford to make a mistake during a hack, although with how quickly they sell, it may be a bit before you can get a replacement...).
Now, since it is a ribbon controller, it's best suited for glissandos and fx, not really for melody--however, it can be great for a bass part. Add external fx processing (delay lines, reverb, and granular synthesis are especially fun) and you start to see what a little beast this thing is.
Get one. And then a second.

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Powered by two alkaline aaa batteries, the compact monotron can be held in one hand. although small enough to easily carry with you, the amazing monotron is packed with korg's legendary analog technology, generating thick and powerful sounds. concentrating on the most important sound parameters, the controls have been streamlined as much as possible. the panel contains only five knobs and one switch. with this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.borrowing the enjoyment of performing with a simple touch from korg's wildly popular kaoss products, the monotron's ribbon controller keyboard takes this ease of use even farther. simple finger gestures can produce expressive effects such as vibrato and glide.the monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. the monotron encourages exploration and experimentation, and provides the joy of sonic creativity that's at the heart of analog synthesis. the monotron uses the same highly acclaimed vcf circuit as korg's classic ms-10 and ms-20 semi modular synthesizers. originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. the vcf cutoff knob sets the frequency or tone of the filter; the vcf peak knob adds emphasis. a powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

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8/20/2011

Brace Audio DWG-1000X Digital Wireless Guitar System Review

Brace Audio DWG-1000X Digital Wireless Guitar System
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This is my first review ever I feel this was a great product and well worth passing on.
I got the unit 2 weeks ago and love it. It works just as everyone said it would. Easy to use and sounds great. I play Bass in two church bands as well as run sound. It was great being able to walk to the sound board without taking off my bass. My Sound assistant loves that I can help him and still play.
As a sound guy I have tried to work with other guitar players and their wireless units and found it to be a pain to find just the right channel and Settings. I found that some worked well and other were not worth the box they can in. The ones that worked well cost more than my Bass and did not see the need to go wireless.
This unit is out standing in it is Super easy to use Plug in and go, fits in gig bag easy, batteries for it is cheap (AA's), Very clean sound.
There are just a few draw backs. The clip for the unit looks to be for your belt not a guitar strap. Wife made a pocket for the transmitter on my strap that it slides into. The batteries I am using are not lasting 5hrs it is more like 3hrs but still good for Sunday service.
Some people have talked about latency but I do not have any until I get 50 feet away. Keep in mind I am also 50 feet away from my speakers to. So I would say the distance form the speakers is more the issue.
I would recommend the power adapter for the receiver. I have forgotten to unplug the cable from it several times and killing the batteries.
All in All it is a great product. I have been very happy with it.


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Awesome way to go wireless! The DWG-1000 system from Brace Audio turns your guitar signal into a crystal-clear digital transmission. You're free to roam the stage and your guitar tone is amazing - it's a can't-beat combination. In fact, the digital technology backed into the Brace Audio DWG-1000 digital wireless guitar system even does away with the hiss, signal loss, crackle, and interference that UHF/VHF systems can contribute. No more worries about cable length, no more worries about lost tone, now you take your sound to the stage - untethered - with the Brace Audio DWG-100.

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