Showing posts with label canon. Show all posts
Showing posts with label canon. Show all posts

2/27/2012

Shure X2U XLR-to-USB Signal Adapter Review

Shure X2U XLR-to-USB Signal Adapter
Average Reviews:

(More customer reviews)
I purchased this specifically to see if I could use this with Dragon Naturally Speaking and hopefully improve my recognition accuracy by some tiny amount. I can't say if it succeeds at that or not; Dragon is one contrary beast of a program. Nonetheless, when I use this for other purposes, such as simple voice recording, I've noticed nothing but clean sound and plenty of gain.
There are a number of presumably comparable devices out there made by the likes of OSP, Marshall, Alesis, Lightsnake, and others. I started by purchasing Marshall's XLR-USB adapter and found it had a really weak signal that usually needed to be normalized at a MUCH higher volume. I sold that at a small loss on eBay so I could try something else and this was it. (To be fair, it appears that Marshall has re-designed their USB adapter and I think the second version may have addressed this concern.)
The reviews I've read on the OSP and Lightsnake adapters seem to indicate they are not really balanced input, and that inside the box the 2nd and 3rd pins (hope I recall that correctly) are soldered together just like in a simple bal-unbalanced adapter. I don't believe that's the case here.
So far I totally disagree with other reviewers here claiming it's noisy. I've observed no noise.
Sturdy, solid construction. Has some heft to it; in fact, a bit heavy for its size. You really don't want to attach it to a mic directly if you intend on holding it very long, especially if you're a young aspiring starlet. :-)
My only minor detractor is I wish the phantom power button were designed so it's difficult to press by accident. This is the single most overlooked design flaw in mic preamps in general. You can press the phantom power button by mistake and according to some authorities, destroy a very expensive mic by accident. I can't afford many quality mics and so this isn't much of a risk for me. :-)
I have tried and presently own a handful of mic preamps and USB adapters, including the ART USB Dual Pre and an Edirol UA-25EX, and have tried a variety of higher-end USB soundcard devices. This compares pretty favorably with any of them, given its simple purpose. I think as far as usb-powered mono xlr-usb adapters go, you're not likely to do much better presently. You can certainly get a cheaper one, but this is clearly built to Shure's solid design standards and will outlast any of them.


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Shure X2u XLR To USB Microphone Adapter; Give your favorite mic a USB Connection. The X2u Signal Adapter gives you the opportunity to go direct from mic to computer without the need of a hefty audio interface. Record live from anywhere you can bring your computer using any mic you choose. Now you can use your most trusted microphones for all your digital recordings. The X2u features built-in headphone monitoring with zero latency making it the perfect choice for multi-track recording. It's Easy to use you can balance microphone and playback audio from the controls on the face of the adapter. Plug-and-Play this genius device and you can get a sound quality that rivals CDs. Shure X2u Features USB Plug and Play connectivity for convenient digital recording Integrated pre-amp with Microphone Gain Control Zero Latency Monitoring for real-time tracking and playback Headphone jack for monitoring with 1/8 inch connectivity Monitor Mix Control for blending microphone and playback audio 16 bit, up to 48 kHz sample rate for better-than-CD quality audio Compatible with Windows Vista, XP, 2000, and Mac OS X (10.1 or later) Includes Padded, zippered pouch and USB cable Any Mic - Any Time - Anywhere Slim, portable and simple to connect, the X2u adapter makes it easy to record whenever you want, anywhere you take your computer -from the home studio, to the garage, to the road. AmericanMusical.com is an authorized dealer of Shure products.

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2/23/2012

Rode SVM Stereo Condenser Microphone Review

Rode SVM Stereo Condenser Microphone
Average Reviews:

(More customer reviews)
I have a Canon HG10 High Definition camera that I use for recording my small kids and family events. The camera's built-in sound was just poor. With my default mic, the targets could barely be heard, and whenever the cameraman spoke the sound was overly pronounced. So I researched many mics over months and decided on this one.
The sound is superb, but you have to make sure you know what you are working with. Different mics are better for different situations. I am not an expert but here are the rules of thumb I have picked up.
*Super-Cartoid Stereo Mic*
The Rode Stereo mic is a "Super Cartoid Stereo Mic". It yields high-quality sound at a close range, less than 8 feet or closer is best . It emphasizes sound in front, and de-emphasizes sound from behind (i.e. the cameraman) It does not do well at long range.
*Shotgun mics*
Shotgun mics (i.e. Rode VideoMic directional Video Condenser w/microphone) on the other hand do well at isolating sound at long ranges. However, the sound will never be as good as a well-placed Supercartoid stereo mic. Those are good for school plays, football games, and such.
*Bonus*
It also comes with a Dead-cat wind guard, and it works great! Even in very gusty wind no sound is made from the wind.
*Tips for good sound*
For absolutely super quality sound with ANY mic you must get really close! Just think of those boom mic guys who hold the mic right inches over the actors heads! You have several options.
1- Stand as close as possible
2 - Buy a wide-angle lense for your camera (Canon WD-H43 0.7x Wide Angle Converter for HV20 & HV30 Camcorders). I did this and it makes a huge difference. The lense allows you to get much closer to the subject and the sound is super.
3 - Buy an extension cable and mini-tripod. This is only practical in some situations, but is not expensive. I did this when I wanted to film thanksgiving dinner. I placed the mic close to the table, just out of shot. I placed the camera far away, and then ran a 15' cable between the mic and camera. I got a great shot and top-notch sound.
4 - Buy a boom pole (Rode Mini Boompole Microphone Boom Pole) and have a friend hold it over the subject's head when filming. This is not practical since I do not own a boom pole and I do not have any friends. But Rode does sell a boom pole for this mic that requires no adapters.
*Warranty*
My 4-year old accidentally knocked the mic off a table and broke a small aluminum part. I contacted Rode and was amazed at how incredibly kind, accommodating, and prompt they were in helping me out.
Be sure to register your mic to get a 10-year warranty!
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**UPDATE**
Since writing this post I actually got the other mic; the RODE shotgun mic: Rode VideoMic directional Video Condenser w/microphone
Since I now own and use both, I have more to add.
The SVM is of much better construction than the Video Mic. The SVM uses aluminium, while the less expensive Video Mic uses plastic.
I use them interchangeably now, and though I wish I could say that the more pricey RODE SVM is plain better than the RODE Video (shotgun) mic, they are actually different tools for different jobs.
Here are situations for using each mic:
Use the RODE SVM (Super-Cartoid Stereo Mic) for:
-The camera person is talking (the camera person comes though balanced and clear)
-Indoor quiet settings (amazing, beautiful clear sound)
-Outdoors where you want superior ambient sound (crashing of the waves, seagulls, people talking in the background, etc)
-Concerts or live performances (or other really loud settings where you want to capture the full sound)
-Voice overs (if you get inches away from the mic the sound is nearly as good as a professional DVD voice over)
Use the RODE Video Mic Shotgun Rode VideoMic directional Video Condenser w/microphone for:
-The camera person will NOT be talking much. (the camera person's voice loses clarity, and is a little muffled.)
-Indoor Parties (where you want to catch the subject talking, and exclude other sound)
-Outdoor Fairs or the beach (where you want to catch the subject talking)
Bottom line, The SVM does do a good job capturing a subjects voice in a noisy setting, but the Video Mic does it better. Otherwise the SVM is superior in all regards.

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Now videographers can use true 'studio' stereo recording techniques in the field with ease. The X/Y configuration enables the StereoVideoMic to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the StereoVideoMic has the same low noise circuit design as the best selling VideoMic. The StereoVideoMic offers 9V battery operation, an LED battery status indicator, high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the StereoVideoMic as a remote mic on a stand, or a RØDE boom pole (optional), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events and Interviews.

StereoVideoMic Specs

Polar Pattern and Frequency Response
What's in the BoxRØDE StereoVideoMic, Custom Windscreen, 3.5mm Cable, Shock Mount, Accessory Shoe, 3/8" Thread Adaptor, User's Manual, Warranty Card

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1/08/2012

Azden High-performance(SMX-10) Stereo Condenser Microphone Review

Azden High-performance(SMX-10) Stereo Condenser Microphone
Average Reviews:

(More customer reviews)
I've had the mic for two weeks now and I'm using it w/a Canon HV30 and a NRG 59111 bracket. In quiet shooting situations, the mic will pick up a lot of motor noise if mounted directly to the camera; this is normal. The bracket suspends the mic about 5" above the camera and motor noise pickup is eliminated. The supplied windscreen does a pretty good job. I would prefer if there was a "power on" LED to serve as a reminder to shut the mic off but that would just draw power too. I understand the rationale behind not having one, but want one anyway. The mic cord is NOT detachable as shown in the picture. Maybe newer versions are, but the one I received does not detach. The shockmount is not that great. The upper/lower parts of the mount are connected by hard rubber squares. So, it's not really "shock mounted" but more of a "dampened mounted." Some handling noise/tapping the camera will be picked up by the mic. This is due to the "not really a shockmount" shockmount.
That said, I'm very happy with it. Note: This is not a shotgun mic, so don't expect to pickup conversation-level sound from 30 feet away. This mic is a true stereo mic and outputs two distinct L/R channel. This mic beats the pants off the stock in-camera mics in every way. There is much more clarity as compared to the stock mic. The best way to describe it is that with the stock mics, all the sounds are "mixed together and indistinct." Whereas with the SMX-10 each sound "stands out from all the others." Frequency response is also better with the SMX-10; I find there is a lot more high-end frequency information in recordings made with it vs. stock.
The mic is very light, not too long (doesn't hang over the front of the camera) and the cord is of the coiled variety so it doesn't hang all over the place. It's designed very well. Body is all-aluminum and very solid feeling. Switches are recessed into the body of the mic, so it would be very difficult to accidently slide them one way or the other. There really isn't anything else in it's price range that is better. Another option/very popular video mic is the Rode Stereo Videomic, but it is literally 2x the price and twice the size. I took a chance with the SMX-10 and am very happy with my purchase.

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Perfect for use with smaller, high-end camcorder, the Azden SMX-10 compact shotgun microphone records in stereo and is powered by a single AAA battery that provides up to 400 hours of continuous use. This dual uni-directional, electret-condensor mic measures 7 inches long with a 0.7-inch diameter, and it weighs just 1.83 ounces (without battery).
It includes a permanently attached coiled cable coming out the back that plugs into 1/8-inch (3.5mm) jacks. Other features include a foam windscreen, lo-cut switch to minimize rumble and wind noise, and camera hot-shoe mount.
Specifications
Type: Stereo electret condenser
Frequency response: 100-18,000Hz
Sensitivity: -40dB @1kHz (1V/Pa)
Output impedance: 1.5 k ohm @ 1kHz
Signal-to-noise ratio: 60dB (1kHz @ 1Pa)
Dynamic range: 66dB
Power supply: 1.5V DC; AAA size battery (not included)
Max. SPL: 100dB
Battery current drain: 0.5mA
Battery life: 400 hours with Alkaline battery
Weight w/o battery: 1.83 ounces
Dimensions: 7-inch length, 0.7-inch diameter
Output cable: Permanently attached with 3.5mm plug

What's in the Box SMX-10 microphone (with attached cable), hot-shoe mic holder, foam windscreen

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