Showing posts with label digitech. Show all posts
Showing posts with label digitech. Show all posts

3/28/2012

Digitech Vocalist Live 2 Harmonizer Review

Digitech Vocalist Live 2 Harmonizer
Average Reviews:

(More customer reviews)
Got this unit just to try as a gadget and as a backup plan B if our main singer has to last minute cancel out of some shows, (at least I'll have someone to sing with me). It's super easy to use and tracks the guitar chords very well to produce nice harmonies. I don't use the effects or enhancements (pre set EQ curves).

The mic preamp is HOT, so beware. The guitar thru circuit does not seem to color guitar tone, haven't tried with solid body electric yet though.
The unit is not noisy, I do not use the built in compressor though as I am careful not to over process.
Ive found that I'm using it, (albeit sparingly), at all my gigs now to add just one more harmony at times, like a spice in the gravy. Very nice!
What a deal too. Got this $50 cheaper than anywhere else thru Amazon
Vender Which I gave a 5 star rating.

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Digitech Vocalist Live 2 Harmonizer from Digitech is a two-part vocal harmony generating floor pedal, that uses musIQ Harmony Technology for both note detection and harmony generation. The unit analyzes guitar chord progressions i Buy Digitech Vocalist Live 2 Harmonizer now! Buy Digitech Vocalist Live 2 Harmonizer now!

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2/29/2012

Boss MD-2 Mega Distortion Review

Boss MD-2 Mega Distortion
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I first bought this pedal a while ago when it first came out to give me a nice distortion sound on my little practice amp. It did the job and i liked it... until i upgraded my amp to a 60w solid state. It sounded either too harsh or too muddy when i added bass, i didn't like it at all, so I put it away. Now I got a nice marshall tube amp and thought hey, why not try it? I LOVE it with the marshall! It gets me a really different flavor than the marshall, I still love the tube overdrive tone of course, but for more alternative-grungy stuff, this rocks. I'd have to say most importantly: if you throw this in front of a solid state amp, you probably won't like it. Also, if you play METAL, you won't like it, but if you play rock and like the DS-1 or DS-2 tones, you should try this. Also, it has a few sweet spots, especially with the gain boost and bottom boost down (bottom boost will kill you in the mix). Have fun!

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The MD-2 Mega Distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls-for crushing distortion with massive low end. Take your distortion into the future with the MD-2.-- Produces extreme, low-end distortion for modern metal and hard rock-- Gain Boost circuit creates huge distortion and sustain regardless of level-- New Bottom control for bottom-heavy distortion matched to 7-string guitars-- Tone control adjusts balance between high and low frequencies

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2/20/2012

DigiTech Vocalist Live 4 Harmony-Effects Processor Review

DigiTech Vocalist Live 4 Harmony-Effects Processor
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The VL4 is a lot of fun! I've had mine for about 3 weeks now, so i've had time to really use all the features. First, i'll talk about the highlights. This product really makes your voice stand out. The compression works great and really brings your voice out of the mix. Even has a de-esser to remove the sibilant "s" sounds. The EQ is important for removing muddy mid frequency from your vocals which also helps to bring your voice out of the mix. The harmony works wonderfully and you can change the parameters in many ways. For example, let's say you're playing an A minor chord on your guitar, and singing an "E". You can choose your harmony note to be either an A or a G, depending on whether you want a true 3rd above, or the note closest to a 3rd above which is also a note in the chord. You can also choose the VL4 to choose a harmony note in a predefined scale, rather than based on what you're playing on the guitar. If you're playing a song in the key of D Major, and there are no key changes in the song, and no chords that do not fit in the scale, then you can simply choose all your harmony notes to be in the key of D Major. The strength of the Music IQ feauture(harmony based on what you're playing with the guitar) is when a song has key changes or chords which do not fit in the original scale. The reverb works great and you can change the predelay, decay, intensity, type(hall, studio, stage) and tone. The features which are not so great for vocals are the following:
1. pitch correction--it doesn't sound natural because the VL4 outputs both your original off-pitch voice and the pitch-corrected note, so it sounds like a doubling effect. Maybe if you really play around with the pitch correction parameters you'll be able to get a more natural sound, but i have yet to achieve that.
2. delay--if you can get the tempo of delay that you want, it works fine. The trouble is, the VL4 won't let you choose a fairly slow delay. So if you're singing a slow-tempo song, you won't be able to get a delay of a quarter note or even an 8th note. The delay works best for achieving a doubling effect.
3. lead effects--this effect lets you change the timbre of your voice, allowing it to sound deeper, more femminine, more Elvis-like, with vibrato, etc. Actually, this feature can be useful and fun. But like the pitch correction, it doesn't sound too natural. However, if used sparingly and in a song with complete backing music(bass, keyboards, etc) i think the audience wouldn't know any better.
Now for the guitar effects--reverb and chorus. I am very impressed with these! It uses the same reverb settings as your vocals, but you can adjust how much of the reverb is going to the guitar. The chorus sounds realistic and can be adjusted to be obvious or not-so-obvious. You can get a great guitar sound with these 2 effects, but i'd recommend running your guitar through a compressor and EQ to get a really clean sound.
I'd recommend the VL4 over the VL2 because of the extra vocal effects(they're really useful) and because you can store changes to any presets, and with the step of the pedal, you can get your stored preferred settings. I think having 4 harmonic voices is overkill, but for the features i just mentioned, the VL4 is recommended over the VL2.


Click Here to see more reviews about: DigiTech Vocalist Live 4 Harmony-Effects Processor

The Digitech Vocalist Live 4 is THE low-priced solution for vocalists looking to get accurate vocal harmony on stage or in the studio. The Vocalist Live uses guitar chord analysis to build the harmony structure, not the main vocal, so it is much simpler to use. It tracks what chords are being played and creates a harmony chord in that key. Genius!! The VL4 also has an integrated mixer.Just plug your vocal mic and guitar into the inputs and plug your PA and guitar amp to the outputs.Simple as that. Easy stomp-box operation activates or deactivates the harmony processor. Same goes for the built in digital effects- stomp on/stomp off. An unbelievable amount of Bang for your Buck. A surprising number of songs fool other harmonizers because these songs just do not work with a single key/scale setting. In fact, any song that has the same note sung over two different chords (for example, a C sung in the melody over a C maj / F maj chord sequence) is going to confound conventional harmonizers. Vocalist Live uses breakthrough musIQ technology to directly analyze the output of any electric or pre-amplified acoustic guitar (no special MIDI guitars or hex-outputs needed). Then it generates the correct vocal harmony. For example, if you are singing an A over the chords that are generally found in the key of G, Vocalist will harmonize with a C. But, if you then play an A major, Vocalist will shift to the C#...because like any good harmony singer, it listens to the guitar! With musIQ, forget about the technology, just sing and play! Skip complicated programming and having to analyze each song chord-by-chord; just follow these steps. Plug in your microphone and guitar; Pick a 3rd or 5th-above or below­ harmo

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2/03/2012

DigiTech RP250 Multi Effect Pedal Review

DigiTech RP250 Multi Effect Pedal
Average Reviews:

(More customer reviews)
Lots of effects can be had with this versatile pedal, which is also easy on the budget. I'm still checking the features out. I find the settings are pushing me to play in certain directions hitherto unexplored. Very cool. The drum beats also try hard to provide variety, and yet, they remain mechanical, acting almost like a pendulum, keeping me on the beat. Good stuff for practice and for working leads around the rhythm. I still have a long way to go before the novelty of this nice piece of engineering wears off.

Click Here to see more reviews about: DigiTech RP250 Multi Effect Pedal

Accessing superbly detailed new amp models has never been easier than with the Diti Tech RP250 Modeling Guitar Pedal! There are three easy steps to dial in the perfect sound with Digi Tech's Tone and Effects library knobs1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on. You may never go any deeper into the infinitely - tweakable RP interface. Digitech's RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations that fit your playing style. It's a modeling guitar pedal with the raw power for real players and tone that deserves to be heard on stage and in the studio.

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1/17/2012

DigiTech CM-2 HardWire Tube-Overdrive Extreme-Performance Pedal Review

DigiTech CM-2 HardWire Tube-Overdrive Extreme-Performance Pedal
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I tried this pedal at the store and my first thought was "Everything sounds better at the store but then you get it home and buyers remorse starts to set in." But a week later I picked it up and for the past three months I've been using it daily.
So many pedals say they have real tube tone but never quite get it right but the HardWire Tube Overdrive is one of the few that does. If you like blues tones this'll warm up even the thinnest sounding solid state amp. The low and high knobs really have a big effect on the overall tone, so much so that in making adjustments I sometimes only have to turn a knob the width of a couple hairs to get the tone I'm looking for. The knobs have a nice mild 'notched' feel to them so you can adjust one or two 'notches' and know where that tone is even if you go to a different setting.
You have a lotta range in the drive knob as well. From a nice clean boost sound to a very hard rockin' overdrive. But the real star in this pedal is the classic/modified switch. Using this with the drive opens up the possibilities in this pedal.
In classic mode with a healthy amount of drive you'll be playing Stevie Ray Vaughan, Tom Petty, Hendrix, Santana and loads of your own classic style riffs. In Modified mode you'll be amazed at how tight the drive is. I love it for Joe Walsh, Cheap Trick and it's perfect for Aerosmith's 'Sweet Emotion'.
If you're the kind of player that just likes to set it and leave it alone, this pedal (as well as all pedals in the HardWire line) come with a rubber cover that slips over the steel knobs and switch so they will never be accidently moved from your settings.
If you have a pedalboard that uses velcro, Digitech (the makers of HardWire pedals) also include an adhesive velcro strip fitted to the pedals 'footprint' and a glow-in-the-dark strip that you can apply to the pedals top so you can see it on a dark stage.
So, what is the downside of this pedal? Well, it eats batteries like candy. You'll want to invest in a power supply. It draws a lot of power so if you want more than one HardWire pedal I'd suggest the 1 Spot by Visual Sound and a daisy chain connector.
It's also a little noisy although not really any more than you'd expect from an overdrive pedal. This becomes a real problem though when you run one overdrive into another. A good noisegate will be needed. But oh how good it sounds when you run them together like that!
Try it!
In closing, This pedal is going to stay out of the old unused-pedal-box-in-back-of-the-closet purgatory for misbehaving pedals for a long, long time. It's price tag of about $100 places it in the same price range as other quality overdrives but I'm much happier having spent this much on this pedal than some others I've picked up in the past.

Click Here to see more reviews about: DigiTech CM-2 HardWire Tube-Overdrive Extreme-Performance Pedal

Superior Technology \' Meticulous Craftsmanship \' True InnovationTrue Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they\'re on and don\'t add noise when they\'re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored. Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock\' guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.

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12/25/2011

Digitech DF7 Distortion Factory 7 Different Distortion Models in One Pedal Review

Digitech DF7 Distortion Factory 7 Different Distortion Models in One Pedal
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(More customer reviews)
It really is like 7 different pedals, fulfilling the need for crunch on many different levels. I am most pleased with mine. Most pleased, complete.

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The Digi Tech DF7 Distortion Factory delivers seven world-famous tones in one box! To get a whole spectrum of distortion tones you could spend a fortune on individual stomp boxes (and have a pedal board the size of Delaware) or you can put the new DF7 to work.

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12/23/2011

Line 6 MM4 Modulation Modeler Review

Line 6 MM4 Modulation Modeler
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(More customer reviews)
HPQ Audio did contact me as promised and e-mailed that they will ship replacement unit.
Haven't yet received. Trust that they will. My son was so disappointed, was his birthday and Christmas present.
Let's hope that HPQ keeps to their promise and ships replacement. Otherwise will have to take next step.
Never have dealt with them, their reputation is in their hands. I'm trying not to be negative, but my trust is shaken.

Click Here to see more reviews about: Line 6 MM4 Modulation Modeler

Do you hang out at the airport, just listening to the jet planes woosh-ing overhead? Ever fire up a speaker in a washing machine just to see what it sounds like? Or are you just in love with the sounds of vintage phase shifters, flangers, choruses, and rotary effects? The MM4 Modulation Modeler is the first pedal to give you all those classic sounds, as well as some Line 6 originals in a fully programmable, pro-quality stompbox. The MM4 offers you 16 of the most popular and sought after modulation effects from the sweet warble of modeled tube bias tremolo, through 2 types of rotary speaker, to the rarest stereo choruses from the '80s. With fully programmable effect parameters and extra control available with the optional EX1 expression pedal, if making things shimmer and shake is your thing, the MM4 may become your favorite tool.

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12/19/2011

Digitech BP80 Bass Multi-Effects Processor with Expression Pedal and Power Supply Review

Digitech BP80 Bass Multi-Effects Processor with Expression Pedal and Power Supply
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(More customer reviews)
This product is wonderful and I was impressed in the speedy delivery to my house. I recommend it.

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Bass Modeling Processor The BP80 is a revolutionary Amp Modeling multi-effects processor for the performing bassist. Powered by DigiTech\'s awesome AudioDNA\' DSP processor, the BP80 features 16 bass amp and stompbox models and a host of other effects for creating your own signature sound; and the built-in expression pedal can be assigned to control your choice of parameters in real time. The BP80 is designed with an intelligent, easy to use editing interface. Just select the effect and dial in your desired setting. The Drum Machine is a great tool for polishing up your timing with your choice of different patterns, tempo, and adjustable volume level; and the chromatic tuner lets you quickly check or tune your instrument with a 13-LED array for spot on accuracy. The BP80 comes ready to use with 40 great Factory Presets, and includes 40 User Presets locations for your own custom creations. The rear panel features a single 1/4" input, 1/4" Left and Right outputs, 1/8" stereo headphone output.

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12/08/2011

DigiTech Jamman Looper and Phrase-Sampler Pedal Review

DigiTech Jamman Looper and Phrase-Sampler Pedal
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(More customer reviews)
Sorry folks...the JamMan just isn't quite ready as a reliable, live performance tool. Using a high-capacity compact flash card (1GB), my loops were consistently corrupted after about the 4th or 5th overdub (especially on loops of faster tempos). I tried several brand new cards and even exchanged the JamMan for another one. Same problem. The thing is built like a tank. Unfortunately, the problem with corrupted loops means that it's just not dependable enough to use in live performances. Believe me, you don't want to find yourself in the middle of a live performance and suddenly have an extra 1 or 2 beats magically show up in the middle of your loop. Probably not a good impression on your audience. :-) I've been in contact with DigiTech but no fix yet. Let's hope they find a fix to this problem soon.
You can check out the discussion on Yahoo's JamMan discussion group, for more details and examples of the problem. I would strongly recommend holding off on getting a JamMan right now. Give DigiTech some time to work out the bugs first. I realize not many people have reported this problem but it's there. As more people experiment with it, the glitch is making itself known.
I give it 2 stars for effort. If you don't intend to loop more than 3 or 4 layers, on smaller-capacity compact flash cards, you're probably okay. Even so, I wouldn't risk it in a live performance though.


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The DigiTech JamMan Looper - The Return of a Legend!Nearly 20 years later and 6 hours, 29 minutes, 52 seconds longer, DigiTech does it again with the JamMan Looper. When DigiTech developed the PDS 8000 looper pedal almost twenty years ago, it stored eight seconds of audio. Now theyve reinvented it using removable CompactFlash® memory to store up to 6.5 hours (with optional 2GB card)! A wide range of features combined with ease of use make the DigiTech JamMan the perfect looper/phrase sampler for practicing, composing, and performing.DigiTech JamMan FeaturesSave up to 99 independent loops.Store over 24 minutes of looping time on the included CompactFlash card. Upgrade to a 2GB card to store up to 6.5 hours of audio!Connect to your computer via USB and never lose another loop ever again!Record rhythm loops and solo over them on the fly, completely Hands-Free.Load up the JamMan with bass lines, drums, harmonies, and more; create an entire backup band, take it with you, and perform anywhere!Slow down or speed up any song without changing pitch.Removable CompactFlash Type I memory card with over 24 minutes of capacity included (up to 2GB of storage or 6.5 hour* capacity)USB port to transfer loops to and from your computer. Create a library of all your loopsBalanced XLR mic input with professional-grade, low impedance input with dedicated gain control. Perfect for dynamic and self powered microphonesCD quality 44.1kHz sampling rateMetronome with multiple rhythm sounds and time signaturesRugged metal chassisAutomatic recordingPower supply includedOptional footswitch adds addidtional Hands-Free functionalityThe JamMan opens up new horizons to your musical explorations. The possibilities are literally endless, endless, endless.!DigiTech JamMan DetailsBALANCED XLR MIC INPUT:Professi

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12/05/2011

Digitech PSS3-120 Power Supply for GNX2, GNX3, GNX3000, GNX4, J-Station Review

Digitech PSS3-120 Power Supply for GNX2, GNX3, GNX3000, GNX4, J-Station
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(More customer reviews)
I've had 2 problems with this adapter:
1. If you use this with a less stable power supply (e.g. a generator) that's not load-balanced, it likely will fail - I've blown out 3 of these under such conditions and the GNX 3000 I use it with doesn't run on batteries and there's no protection circuitry in either. Note that other power supplies with other effects pedals on the same circuit did not fail and were fine. There's no fuse in either the GNX 3000 or the power supply system (which would be a nice cost-saving measure), so you're stuck with replacing the power supply. I recommend keeping a spare on hand.
2. the wire/ wire support on the low voltage side isn't very good. If you transport it around and use it a lot, the wire will break eventually so treat it carefully.
So, compared to other power supplies on other electronics, it's inferior, but it's the only choice you have.

Click Here to see more reviews about: Digitech PSS3-120 Power Supply for GNX2, GNX3, GNX3000, GNX4, J-Station

output: 9VAC 2.1A; polarity: N/A (AC output). Works With: GNX2; GNX3; BNX3; Genesis 3.

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11/24/2011

DigiTech RV-7 HardWire Stereo Reverb Extreme-Performance Pedal Review

DigiTech RV-7 HardWire Stereo Reverb Extreme-Performance Pedal
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I'm new to playing electric guitar, but I'm a big fan of surf music. Naturally, after I got a few lessons under my belt, I wanted to try my own hand at playing it. Step one - get some reverb! (Actually, step one is "learn how to play", but I am still working on that.)
I listened to a lot of online demos and eventually settled on a certain pedal which shall remain nameless. I was very disappointed and sent it back within a few days. I then did some more research and came across this unit (thanks, surfguitar101.com). The Digitech Reverb unit is great, but this Hardwire version takes it up a few notches. I fell in love right away! Not only does it do as much twangy spring reverb as you'd ever want (and then some), it has a wide variety of reverb styles that all sound fantastic.
The construction quality is also top-notch. A very solid (heavy!) pedal which exudes robustness and durability.
I highly recommend this pedal to anyone who wants a great all-around reverb pedal that can handle anything you throw at it.

Click Here to see more reviews about: DigiTech RV-7 HardWire Stereo Reverb Extreme-Performance Pedal

HardWire RV7 Stereo Reverb Pedal; Lexicon reverb to fill out your guitar tone! The RV7 features seven lush Lexicon reverbs including Hall, Studio, Plate and Spring. The reverb tails can also be retained when switching the pedal into the bypass position by setting the Tails on/off switch. Powered by 9 volt battery or optional DOD PS200R Power Supply.

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11/09/2011

Digitech XBW Bass Bass Synth Wah Pedal Review

Digitech XBW Bass Bass Synth Wah Pedal
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I have only been playing bass for about 3-months. I wanted to play slap bass and get more funk sound, and this devise is just the ticket. It has great sound, is very easy to use and is very well constructed. You can not use it for all your musck, but if you want a sound from the 70's, then this Bass Wah is a good start.

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It's time to bring the funk. Whether you're playing ska, reggae, or funk, the Bass Synth Wah\' is simply the most versatile bass envelope filter pedal on the market, with seven different bass envelope filter types to choose from. Don't just show up to the gig, make the crowds gyrate.

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10/27/2011

Digitech PS0913B Power Supply for JHE, XAS-BM, JamMan, Whammy, EX7, GNX1, RP100-350, RPx400, BP200, Vocal 300, Vx400, EXH, VL2, VL4, HarmonyMan, TimeBender Review

Digitech PS0913B Power Supply for JHE, XAS-BM, JamMan, Whammy, EX7, GNX1, RP100-350, RPx400, BP200, Vocal 300, Vx400, EXH, VL2, VL4, HarmonyMan, TimeBender
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I have had my RP250 for a couple of years. I had no problems with the power supply until this week.
The cord became loose where the cord goes into the power supply adapter box(that plugs into the wall). I went to power up my RP250 and it flashed liked it was coming on, but ultimately had no power. I jiggled the cord (lightly) and found it to be coming loose at the box.
I have been careful with the RP250 and with the power supply. I guess I could have accidentally pulled on the cord too hard but I don't think so.
So now I'm out the extra money for a new power supply and it seems to be a bit expensive, especially considering how much I paid for the RP250 just a couple of years ago.
But, I don't have much choice. It needs power to work, and this will do that.
Digitech should consider providing a more robust (better built) power supply.

Click Here to see more reviews about: Digitech PS0913B Power Supply for JHE, XAS-BM, JamMan, Whammy, EX7, GNX1, RP100-350, RPx400, BP200, Vocal 300, Vx400, EXH, VL2, VL4, HarmonyMan, TimeBender

Digitech PS913B 9VAC power supply for the RP Series pedals. AmericanMusical.com is an authorized dealer of DigiTech products.

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10/07/2011

Digitech XBC Bass Multi-Voice Chorus with up to 16 Voices Review

Digitech XBC Bass Multi-Voice Chorus with up to 16 Voices
Average Reviews:

(More customer reviews)
I recently got this multi-chorus for use with my bass and I'm loving it. I've tried other choruses in the past (made for guitars) and found that they didn't track well when used with my bass, and didn't seem to produce a rich chorus effect on the lower notes. This one does both excellently.
Cool features include the push pins for accessing the battery which seem like a better design to me than the thumb-screws Boss uses on their pedals. I also like the heft of this sucker, and the totally solid steel chassis it's housed in. I've only had it a short while, but it seems like it should hold up a long time on the road, which is where I'll be taking it.
The device lets you dial in anywhere from 2 to 16 voices, although honestly, I'm not personally capable of hearing much difference between 10 and 16 voices, in either case that's usually way to much chorus for most bass lines. But what the heck, it's there if you want it. I'd love an opportunity to compare this unit side by side with the bass chorus offered by Boss, but since my electronic musical toy budget is limited, that may not be too likely.
If you want a good chorus for your bass, this one is going to work better than most you try, but like any chorus I've tried, it does take some of the punch and attack out of your sound, so please use it in moderation.


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The Bass Multi Chorus\' is -designed specifically for bass. What makes the Bass Multi Chorus\' different is that it keeps you low notes clean while giving you up to 16 bass chorus voices at the same time to create the lushest bass chorusing ever heard from a stompbox. There is also built-in voice randomization that increases as you add voices to thicken the sound even further.

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9/24/2011

DigiTech RP1000 Integrated-Effects Switching System Review

DigiTech RP1000  Integrated-Effects Switching System
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Here is my review of this Multi-effects/amp-modeling/integrated switching system. I have been playing guitar for well over 10 years and have a decent amount of experience with Multi-effects units. I own the Digitech GNX4 and an earlier model BOSS unit with the COSM modeling. I have provided my rating for each individual aspect of the unit and also some comparison with the Boss GT 10, which I think is the only real competitor for this kind of unit and price point.
Effects: Almost all of the effects range from good to excellent. The only one that's actually bad is the harmonizer. Its almost useless. I have GNX4 from 5 years ago and the harmonizer on that is excellent. So this is definitely a step backwards. There is a way to get around it by adding a harmonizer pedal ($200+) into the stomp loop. But come on Digitech, why should I have spend that extra $200? FIX THE DAMN HARMONIZER PLEASE. Also, in the GNX4, you could run Whammy/Harmonizer and effects like chorus/flanger etc together. In the RP1000, you will have to chose between Whammy/Harmonizer and effects. I wish they kept this functionality from GNX4. From what I have seen/heard on You tube, Boss GT10 has better and more effects. I haven't tried the GT10 in person, but to me, quality of RP1000 effects is excellent. I doubt I am missing much (except the Harmonizer of course) (3.5 Stars)
Amp Modeling: This is where this unit shines. I have the GNX4 with the MFX Supermodels CD which is excellent. But I think the quality of the modeling is better in the RP1000. The models are more responsive to touch and sound great to excellent. I went through almost all the amp models. I can really hear the difference between a Fender, Marshall, Vox AC, Mesa etc. Really hard to fault. However, for all you tube amp fanatics out there, I don't think this will satisfy your ears 100%. Also, Boss COSM modeling is not that great compared to RP1000 modeling (4 stars)
Switching system: I have to give kudos to Digitech folks here. They have REALLY done their homework on this one. The 4CM method is pretty useful and allows you to integrate this unit in your existing setup. The stomp loop capability is great. I wonder why Digitech didn't put the amp channel change capability (like GT10)? That would have made this unit a God-send for me. I don't like the fact that if I want to use different channels on my amp, I have to use a different foot switch. Also, having 10 foot switches is way more convenient: 5 for Stompboxes, 5 for presents. Patch changes are quick (slight delay, not too noticeable) and stomp box on/off is instant. Boss GT10 switching system has the same features, but its just not as well laid-out/organized as the RP1000(4 stars if you use 4CM method, 5 stars otherwise)
Ease of use: I have been using the GNX4 for a few years and that was somewhat daunting in the beginning. With that experience, RP1000 is actually easier for me use. I think Digitech took out some of the complexities from the GNX4 and made it lot more user friendly and easily tweak-able in a live situation. I really like how easily you can bypass amp modeling, add in stomp loop, modify effects etc. on the go. X-edit is a decent piece of software as well, but you really don't need it as much as you did for GNX4. RP1000 is a lot easier to use in person. Overall, very well done indeed. Boss GT 10 seems very complicated to me, but again, for folks who have used GT-8 in the past might not be too concerned with that. For someone starting out fresh, you cant beat RP1000 for ease-of-use (5 stars)
Overall: 4.5 Stars. If you are in the market for a Multi-effects/Amp-Modeler unit, just close your eyes and get the RP1000. I don't think you can buy anything better at this price point. Sure, every one is raving about the Axe-FX, but I don't wanna spend 1.5k on an amp modeler. Besides, I like floor unit, not the rack mountable ones. Also, do your homework. Definitely check out Boss GT 10 and then make up your mind.


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Your sound is king. The control of your sound is imperative. The RP1000 gives you added control to express yourself the way you want – No longer will the lack of control stand in the way of your expressionYour rig. The RP1000 integrates into your amp and with your stompboxes, not the other way around. Featuring exclusive Stompbox and Amp loops, the RP1000 doesn\'t get in the way of your tone and switches external stompboxes in and out of the signal path like large pro rigs. No longer will you have to do the pedal tap dance, just select your preset and your tone is engaged, just the way you like it.Your Amp. In conjunction with the external Amp Loop, the RP1000 also features an Amp/Cabinet bypass switch that allows you to turn off the RP1000\'s internal amplifiers and cabinets so your amp\'s tone stands alone. Simplicity of a Stompbox. Popular on the RP500, the RP1000 also features the Pedalboard option that turns footswitches 6 through 10 into stompbox style effect on/off controls. 100 Different Pedalboards. When the Amp/Cabinet Bypass is used in conjunction with the Pedalboard mode, the RP1000 turns into 100 different pedalboards. You get instant access to both preset changes and stompbox on/off control, truly the best of both worlds.Phrase Looper. The RP1000\'s built-in Phrase Looper lets you create on the fly performance loops for practicing, composing, and performing.With 20 seconds of record time and controls for Stop, Play,and Overdub, you can layer different guitar parts and tones seamlessly into cool song ideas or one-man jams. The RP1000 is built like a tank from a cast metal chassis to the 14 heavy-duty switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy\' and other parameters.No matter how you get your tone, the RP1000 works with your gear and gives you the control you need when playing live.

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9/22/2011

DigiTech SC-2 HardWire Valve-Distortion Extreme-Performance Pedal Review

DigiTech SC-2 HardWire Valve-Distortion Extreme-Performance Pedal
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I've discovered the best distortion pedal. Built like a tank. Only drawback is it is a little larger than the BOSS pedals. Combined this pedal with the Hardwire CM-2 overdrive pedal and you've got everything from classic to crunch to heavy metal tones. Very clean, fat, smooth, not harsh and tinny IMO. Best pedals I've purchased yet. Probably will buy the DL-8 and RV-7 also as both sound very nice. You can check video reviews from [...] on youtube and judge for yourself. They've got some very nice demos. The only pedal i didn't like is the TL-2. Too digital sounding and not to my taste. Digitech has a winner in the Hardwire series. Best pedals they make.

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Superior Technology \' Meticulous Craftsmanship \' True InnovationTrue Bypass. HardWire pedals modify your guitar tone only when you want. HardWire pedals add pure effects when they\'re on and don\'t add noise when they\'re off—truly the best of both worlds. And if you happen to lose power to HardWire pedals in the middle of a performance, you can keep playing because HardWire pedals switch to True Bypass mode until power is restored. Higher Voltage . HardWire pedals preserve guitar tone because they operate at a significantly higher voltage than your standard pedals. HardWire pedals get the most out of hot guitar pickups and perform flawlessly in the high voltage environment of an amplifier effects loop.Constant Voltage. HardWire pedals guarantee constant effects performance throughout the life of the battery and prevent tone loss because they operate at a steady voltage—independent of decaying battery voltage.Tourworthy. HardWire pedals are designed for the touring musician. Unique Stomplock\' guards prevent controls from being kicked and your tone from being changed. Each HardWire pedal includes custom-cut Velcro pads to fasten it to a pedalboard and green gaffer tape for the actuator label and see the pedal in the most adverse stage lighting conditions.

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9/21/2011

DigiTech DL-8 HardWire Delay/Looper Extreme-Performance Pedal Review

DigiTech DL-8 HardWire Delay/Looper Extreme-Performance Pedal
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Great for somebody who is getting their first pedal. The looper will help you improve, and the delay effects are fun too. The power supply is worth considering, because this thing eats batteries like crazy. No problems yet.

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HardWire DL8 Delay Looper Pedal; Add a delay to enhance your over-all live performance. The DL8 is an 8 second true stereo delay with 11 delay settings ranging from analog tape, reverse and modulated delays to a 20 second looper. The DL8 features a 3 color LED indicator that shows pedal status in the looper mode. The delay tails can be retained when switching the pedal to bypass by setting the Tails on/off switch. Powered by 9 volt battery or optional DOD PS200R Power Supply. Hardwire DL8 Delay Looper Features Several Delay Types including Digital Reverse Modulated - chorused delay Analog - vintage bucket brigade analog delay Slapback - 80 ms to 150 ms LoFi - low-fidelity delay with limited bandwidth Tape - classic tube tape echo Loop - create infinite stereo loops up to 20 seconds Tap Tempo True Stereo I/O True Bypass circuitry preserves your tone in bypass Constant High-Voltage operation for uncompromised signal quality Includes Stomplock knob guard, Pedal Switch Glow Sticker and Custom-cut Hook and Loop Pedalboard Pad Digital Delay Settings Include 0.5 Seconds - 15 ms to 500 ms (milliseconds) 1 Second - 500 ms to 1 sec 2 Seconds - 1 sec to 2 sec 8 Seconds - 2 sec to 8 sec Accessories Overview Stomplock knob guard locks your tone in place and prevent tampering or accidental knob adjustments onstage. Pedal Switch Glow Sticker helps you locate the pedal in adverse stage lighting. Custom-cut Hook and Loop Pedalboard Pad attaches and locks your pedal to your pedalboard.

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