Showing posts with label musical instruments. Show all posts
Showing posts with label musical instruments. Show all posts

4/11/2012

Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge Review

Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge
Average Reviews:

(More customer reviews)
I recently opened a Professional Music Recording Studio and purchased one of these mixer boards for one of the Main mixers. My Lead Engineer and I were so pleased with the performance and reflexibility of the SX4882 that I purchased another one and also a smaller version of it. Now all of my Studio is Behringer equipped with amps, effects, and All. I wouldn't even think of paying all that extra money for a Mackie when the SX4882 does everything the Mackie does and more, and even Better. Behringer is OUT-Performing all the competition, and once again on the Rise Up!

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Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with XENYX Mic Preamplifiers, British EQs and Integrated Meterbridge

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2/03/2012

DigiTech RP250 Multi Effect Pedal Review

DigiTech RP250 Multi Effect Pedal
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(More customer reviews)
Lots of effects can be had with this versatile pedal, which is also easy on the budget. I'm still checking the features out. I find the settings are pushing me to play in certain directions hitherto unexplored. Very cool. The drum beats also try hard to provide variety, and yet, they remain mechanical, acting almost like a pendulum, keeping me on the beat. Good stuff for practice and for working leads around the rhythm. I still have a long way to go before the novelty of this nice piece of engineering wears off.

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Accessing superbly detailed new amp models has never been easier than with the Diti Tech RP250 Modeling Guitar Pedal! There are three easy steps to dial in the perfect sound with Digi Tech's Tone and Effects library knobs1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on. You may never go any deeper into the infinitely - tweakable RP interface. Digitech's RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations that fit your playing style. It's a modeling guitar pedal with the raw power for real players and tone that deserves to be heard on stage and in the studio.

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1/25/2012

SWITCHCRAFT® PANEL JACK STEREO Review

SWITCHCRAFT® PANEL JACK STEREO
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I was able to save a lot of money buy buying the part online and installing it myself. I recommend it to anyone who has a clue of how to install it.

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Switchcraft® The name says it all. Suppliers for all top quality guitars for over 50 years. This is their long, stereo panel jack with switching capabilities. Accept nothing less

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1/09/2012

Alesis DM6 Kit Performance Electronic Drumset Review

Alesis DM6 Kit Performance Electronic Drumset
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I've had my Alesis DM6 drumset up and running for a couple days and I must say I am pleasantly surprised. Up until now any electronic drumset in the $500 range was nothing more than a toy. Because I know that Alesis knows how to make great electronic drumsets I was hoping that their experience making higher end kits would trickle down to this brand new DM6 line. It did. This drumset is fabulous when you consider the price point and, in fact, has no real competition that I could find.
Pros:
- Everything is included. I've looked at a lot of drumsets and many don't include everything you need like bass drum pedals and more. This has everything you need to play right our of the box, even a pair of drum sticks. OK, a couple things not included you will need and that's a set of headphones and a throne (chair) to sit on.
- Sturdy, well made components. The natural rubber drum heads are quiet but have a very good feel and rebound to them. The rubber cymbals are not as quiet as the drum heads but do what they are supposed to do very nicely. All metal hi-hat and bass pedals. Wide diameter aluminum frame rails and compoents.
- Very realistic sounding drum samples.
- Dual zone snare. You can make the snare sound like a rimshot when you hit the rim. Or program it for a cowbell when you play "Don't Fear the Reaper". Or make it sound like any of the other drum sounds included.
- Ability to interface with your computer via USB. This opens up a world of options including MIDI and recording your performances on your favorite recording software. I don't know of any sub $500 kit of this quality that does that.
- MY FAVORITE THING is I just plug in my iPod into the DM6 module and I can play right along to my favorite songs.
- You can buy an ION Drum Rocker module (I was able to get one on eBay, not sold by Alesis) and use this kit for your Rockband drumset. You'll need 8 new cables too, so while there is extra expense, it's possible
Cons:
- Some kits, including mine, were delivered with firmware that was less than perfect. I, and others I have heard, would sometimes have problems with the snare drum triggering properly. I had to hit it harder than I thought I should to get it to trigger. A quick and easy firmware update totally fixed this problem but I know some people have problems updating thgings like this.
The Botton Line:
- Everything I've said in this review is under the caviat, "...for the price." If you are new to drumming this would be a great first set. But if you are and experienced drummer on a tight budget you will not be disappointed as long as you aren't expecting the DM6 to be a Roland Pro high end drum kit. The bottom line is this is the best $500 (street price) electronic drumset ever made.


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An excellent choice in electronic drum sets for price-conscious drummers and aspiring players, this Alesis DM6 Kit combines the compact DM6 drum-sound module with an electronic drum set with extremely realistic playing surfaces and rugged rack system. The DM6 drum module features a completely new sound-set with 108 quality drum, cymbal, and percussion instruments as well as a sequencer with play-along tracks, metronome, recorder, mix-in jack for playing along with your iPod, and more.


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9/28/2011

G-System Integrated Guitar Effects & Controller Review

G-System Integrated Guitar Effects and Controller
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(More customer reviews)
If you're looking for professional guitar effects, look no further! The TC Electronic G-System provides the best of TC's digital effects and adds ease of use and functionality all in one package.
There's a LOT that this processor can do. Here's how I use it, and that's just one of many ways you can configure your G-System:
I Have the G-System split into the rack and controller. I plug my guitar into the G-System, and use the G-System insert loop for my preamp. then plug the output of the G-System into my power amp. Then, there's only one cable going to the controller from the G-System rack. It's a clean and quick setup for gigs or rehearsal.
As far as the effects that are included, I haven't even begun to tap into all of them, but I have used quite a few. Currently, I'm using the Advanced Chorus, Advanced Flanger, Single Delay, Dynamic Delay, Pitch Shifter and the Boost function. There's a bunch more effects like the basic versions of the Chorus and Flanger, Wah-wah effects, whammy, a compressor, filter, phaser, and each of those effects is super configurable. The G-System also does relay switching. For instance, if you want to change the channel of your amplifier from Clean to Dirty, all it takes is the right cable for the job whether it's a MIDI cable, or a 1/4" plug. There are loops that you can put your favorite distortion boxes into and play with your analog effects also.
For the price, you're getting WAY more than you could by piecing together all sorts of MIDI and rack gear to do the same thing.
This is a superb product and I recommend it for ANY pro or semi-pro guitarist.

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G-System delivers an uncompromised package of effects, loops, amp switching, floor control, and rig integration. Itâs equipped with 2 DSP sections that provide the very highest-quality effects on the market. Choose between a rack and a floor-based setup, decide how the effects are routed, tailor the footswitch layout, and select from more than 25 different onboard effects. And itâs all built into a rock-solid roadworthy case with 18 giant chrome switches. Extras include 3-band EQ, a smooth noise gate, MIDI implementation, and a USB port for software updates.

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6/24/2011

ART USB Dual Pre 2 Channel Preamp Review

ART USB Dual Pre 2 Channel Preamp
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I finally got a chance to use this little beauty for two recent live recording sessions, and I am extremely satisfied with it.
I recorded two live vocalists using Shure SM-58 microphones. The only musical accompaniment was a "harmonium", an Indian classical instrument that's like a keyboard driven by a hand-operated bellows like an accordion.
Both the sessions were unplanned and spontaneous, recorded in a normal living room, and that's exactly the kind of situation I had in mind when I bought this unit. Earlier, I would miss out on recording such sessions because of the hassle and time required for setting up my Peavey PV-10-USB mixer, which is not exactly portable nor light-weight. OK, I do miss out on having a couple of extra mics for a background singer and the harmonium, but the compromise is well worth it in terms of sheer ease of setup, and most important, WITHOUT any compromise in sound quality.
The setup with this unit is extremely simple. here are the steps I followed:
1. Plug the mics into the XLR input jacks on the front
2. Conenct the unit to your PC with the USB cable - if you have Windows Vista or Windows 7 it is recognized immediately as a USB device
3. Select "USB audio codec" as your default recording device in Windows by right-clicking on the speakers icon in the taskbar
4. Choose he recording properties that you want (I picked stereo / 16-bit / 48 kHz) and save this selection by clicking OK
5. Fire up your recording software ( I use Sony Sound Forge)
6. Set the levels of each channel using the hardware gain control knobs on the device
7. You are ready to record
All the above steps took me less than 5 minutes. My PC runs Windows 7 and it worked without a hitch (Windows 7 rocks, by the way!)
Note that I do not monitor the recorded sound from my laptop while recording - I simply use headphones plugged into the socket at the back of this unit for real-time monitoring.
Sound quality:
I essentially purchased this unit to get around the limitations of my PC sound card - I wanted the A-D conversion taking place outside the PC, and that's exactly what this device does very well. It is capable of 16-bit digitization at a maximum sampling rate of 48 kHz, i.e., better than audio CD quality.
Each channel's sound was crystal clear, capturing the highs and lows with zero audible distortion. I had set the gain control knobs about halfway (between 8 and 14 db on the dial) such that the levels on my recording software did not exceed -4 db on average and -1 db at peak. I could NOT tell the difference between the sound quality recorded with this device and the sound I recorded with my Peavey mixer (using the same microphones and the same singers). I don't believe that the unit itself adds any significant distortion to the sound, and you will essentially be limited only by the quality of your microphones.
Caveats:
1. Vocals obviously have a limited frequency range, so I cannot say what the sound quality will be for extreme highs and lows. But in the range I recorded (approx 800 Hz to 3 kHz), it was flawless.
2. All my recording is in casual settings, i.e., NOT in a studio. There is a fair bit of background noise, so again, maybe there are subtle differences which may become noticeable in a studio environment using professional condenser mics.
Dislikes: Just two minor cribs:
1. I cannot control the degree of left-right separation in the recording mix. This is because each channel has its own gain control knobs, instead of a master gain level knob with a left/right balance. So if I have only one singer singing a particular passage, I have almost zero signal in the other channel. A master gain control with L/R balance would have been a nice thoughtful touch. So I've taken off half a star for that.
2. (a) The choice of colours for letters/numbers makes them slightly hard to read - I need to squint hard to read them. (b) USB cable not included. Another half star gone.
Likes:
1. Very compact and yet very solid build quality
2. Needs no external power - draws USB power from the PC
3. Extremely simple and flawless setup - I didn't even need to read the instructions
4. Can handle condenser mics as it has a 48V phantom power supply
5. Universal mic input jacks - XLR and 1/4"
6. Headphone monitoring with its own level control - very helpful
Overall:
A strong "buy" recommendation, if you want to make quick and easy CD-quality live recordings with extreme portability. Absolutely amazing value for money - there is nothing in the market at this quality and price point that I am aware of.


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The USB Dual Pre is designed to work over a wide variety of applications from remote field recording to desktop/studio tracking. Each of the two low noise input channels has up to 48dB of clean gain. Inputs can be either XLR balanced or 1/4-inch TRS. Each of the 1/4-inch TRS outputs is buffered low impedance balanced. The USB Dual Pre can be externally powered from the mains via a supplied 12 Volt DC adapter, or from an internal 9 Volt battery, or from the USB bus itself, or any combination of these power sources. When running off of the battery alone, you should get in excess of 50 hours of operation when phantom power is off. Battery life drops to around 20 hours (depending on microphone) when phantom powering from the battery alone (still enough time to get through a session). The built-in low noise +48 Volt phantom power supply allows you to power up to 2 microphones as well as the preamplifier when running from any power sources including the USB bus. For monitoring, an 1/8-inch TRS mini headphone jack with level and monitor mix controls on the rear allow for latency-free local monitoring of the inputs while recording as well as playback monitoring of the USB bus. The monitor mix is also routed to the 1/4-inch TRS balanced outputs. This lets you use the 1/4-inch outputs as either a preamplifier out or as the monitor feed to your powered monitors. The USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support. No special drivers are needed.

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5/24/2011

DigiTech RP90 Guitar Multi-Effects Processor Review

DigiTech RP90 Guitar Multi-Effects Processor
Average Reviews:

(More customer reviews)
I ordered this pedal expecting something better than what I recieved. Im using a Fender Frontman 65R, and playing this pedal through this amp sounds very digital and shrill.. Maybe Im just a fan for low end growl, but I felt like in any setting you put this pedal on, it is missing something..
I was able to get a couple of decent sounds out of it, but as I stated before, it still leaves something to be desired.
The interface is a pain to work with untill you get used to it and the settings are confusing unless you are sitting with the instruction manual in your hands..
I was hoping to use this pedal to save me from dumping more money into my musical gear by buying a bunch of different pedals.. But, you get what you pay for.. Overall, I was a little disappointed with this pedal. It is better to classify this pedal as a toy, rather than a serious guitar pedal.
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UPDATE
So Ive been playing with this pedal for the past few months. Ive decided that I like all of the effects it has to offer EXCEPT for most of the distortions on the pedal (This may also be influenced by my amp, a Fender Frontman 65R). If you play clean, all the effects (tremelo, chorus, delay, etc.) are actually pretty good.. Distortion sounds coming from the pedal do seem digital and are overall horrible (at least on my amp). This pedal actually replaced ALL of my stomp boxes. I find it easier to hook up this one pedal rather than make a whole chain of stomp boxes.
It grows on you..

Click Here to see more reviews about: DigiTech RP90 Guitar Multi-Effects Processor

Hot Rod Your ToneIntroducing the new RP90 from DigiTech! This guitar modeling processor is hot-rodded from the engine out. Powered by the new AudioDNA2\' processor, the RP90 features your favorite boutique models including wah, stompboxes, amplifiers, cabinets, modulation effects, delays, reverbs, and special effects like DigiTech\'s Whammy\'. Aside from an arsenal of models to choose from, the RP90 features tone and effect libraries allowing you to quickly program sounds with ease. Completing the RP90 are 100 aggressive sounding presets that appeal to today\'s modern players.

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