Showing posts with label reverb. Show all posts
Showing posts with label reverb. Show all posts

3/17/2012

Electro-Harmonix Holy Grail Nano Reverb Pedal Review

Electro-Harmonix Holy Grail Nano Reverb Pedal
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Love the price, love the simulated spring reverb. Nuf said. Who needs flerb or hall? Not me but it's nice to have options. I bought this in lieu of getting a real spring reverb. I love the nano grail because it fits nicely on my mini pedalboard and sounds great! I use it during live jam sessions. I'd consider using it for recording but chances are I'd record dry and add reverb later.
I recommend it!

Click Here to see more reviews about: Electro-Harmonix Holy Grail Nano Reverb Pedal

Divine reverb for mere mortals. Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "how did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.

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3/13/2012

Eagletone Distortion Pedal Review

Eagletone Distortion Pedal
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As a guitarist that was used to using the on board volume to bust open the floodgates of power from my amplifiers, I wanted to find a pedal that gave me options so that I could shape my sound at a lower volume and then raise the volume as need be. I was initially pretty thrilled with the pedal and believed it would have a place in my pedal board...then, I had some reservations...
Short and to the point, Eagletone (Biyang) do not make an adapter for their pedals. (Personally, I thought this rather odd.) A regular 9 volt adapter will not work with this pedal either. Thankfully, Danelectro has the D-1 9 volt adapter which is rated at 9.6 volts and it works great. If you buy this pedal or any other pedal made by this company, get a Danaelectro D-1 adapter.
This pedal has options (Normal/Max/Turbo) on a mini toggle switch. IMHO, Max had more of an edge than Turbo, but knowing that in advance, it's easy to adjust and use. Basically, it's three Rat distortion clones in a box...
I do like it and I can see that given time to tweak it and find the sweet spot for each position of the toggle, I will use it.
Had the company made their own power adapters or at least made the use of something more universal possible, I'd have given it 4 stars...
Had the audible difference in positions on the toggle switch been consistant, it's a 5 star pedal.

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The Eagletone "Mouse" Distortion Pedal. Famous classic circuitry was used to create a round, thick tone with lots of clarity and sustain. Equipped with 3 modes, Normal, Max and Turbo offering the player a multitude of unique types of distortion. There's a distortion knob which allows you to add or decrease the amount of drive for a heavy metal sound or just a nice crunch! Also a Filter knob has been added for more additional tone! The metal chassis is built to take a stomping and backed with a full 5 year warranty. It runs on a 9 volt battery or any 9v AC Adaptor (not included). The Eagletone "Mouse" Distortion Pedal will really make your guitar tone stand out!

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1/14/2012

Fender Mustang III 100-watt open back combo amp w/ 1x12"?Celestion Speaker Review

Fender Mustang III 100-watt open back combo amp w/ 1x12Celestion Speaker
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Construction
This Amp certainly looks sharp. It is not nearly as heavy as I would expect a 100W amp to be, but seems well put together.
Controls
The III comes with a 2 button Foot Pedal which feels very solid and works perfectly. (You can expand to add an optional 4 button switch that Fender sells separately and also includes in the IV and V.)
On the amp, you have separate EQ knobs (Treble, Mids and Low) you have a gain, a volume, a Master Volume and a Reverb. Along with these, you also have an LCD screen that tells you which amp model you are using with witch pedals, presets, delays and reverbs. You also have separate buttons for changing Amp models, reverb, delays and modulation effects. The large knob on the top actually scrolls through presets, and once you press it, you can go into deep editing of the amp models, effects and presets.
The controls are intuitive and easy to use. It is a great mix of visual digital feedback as well as tactile knobs.
Comparing to other amps:
The Fender GDEC 3 does not have as much deep editing available on the amp itself. You need to use your computer to edit and download settings properly. But on the Mustang III, you do not feel that you are missing out on editing functionality by not keeping it plugged into a computer.
I don't know of another amp that has controls that are both as intuitive and as powerful.
The Sound (Most important)
Let me first compare this amp to what Line 6, Vox, and Peavy have offered in the past. All of the companies that have gone heavy into the amp modeling offer endless numbers of sounds and effects... BUT... How many of those sounds are useful for guitarists who are learning and trying to create sounds based on music that has inspired them? Line 6 offers tons of sounds... most of them are what I would call "niche" sounds that are only useful when recording a weird intro, or some crazy effects laden sound. What I find with Line 6 is that their vintage tones are very digital sounding and sound over processed. They don't sound overdriven, they just sound distorted. Also, Line 6 offers oodles of sounds for progressive rock, metal, and maybe even some weird jazz fusion. These sounds are unique and interesting, but the vast majority are of no use to someone like me who is learning to play the songs that I love and looking for useful rock, blues, and metal tones.
What I can say about the Mustang III is that the tones do not sound digital or overly processed. The Vintage amps have some great overdriven types of sounds. These are very passable sounds and fantastic models of the Real Thing. You can find the actual base amp models in memory banks 88-99. By playing these sounds you get a real feel of what you can do to the amps. A few of the sounds that are simply amazing to me are:
'57 Champ This amp model sounds so convincingly cool just like a little 8 inch Champ. Tons of character and tone. You can get some really cool vintage type blues sounds through this amp model. Think the Jimi Blues cd. The presets that use this amp that Fender created are all really fun and sound amazing.
Fender Bassman Wow! You can get some great bold rock sounds out of this amp model. It has the recognizable tone of the Bassman modeled really well. Big Bold bottom end with some singing highs.
'65 Deluxe is a fantastic all purpose amp model. Throw an overdrive pedal on there and play some great classic rock/blues. Or leave it alone for a beautiful clean tone.
The British Amps are all good models of Vox and Marshall type amps. They are all bold and in your face. Just play one ACDC riff into the 70's amp and you'll recognize the sound.
As far as the Vintage tones go...I dare you to find anything that models vintage tones this well anywhere. If you play rock, blues, Country, hard rock or Jazz, you have so many great choices. People who play in churches will love the variety of clean tones for your lighter stuff and good overdriven rock tones for faster paced songs.
What surprises me is that Fender has strongly marketed this amp for people who play heavy music. I was worried that the heavier amp models would not be nearly as good.
I was wrong. The 90's stack can get nice and grungy or crunchy as you like it. I'm pretty sure that this is a Mesa Boogie type of model. This is certainly your Metallica amp.
The 2000 metal is for all of your nu metal needs and can be pulled back a little to play some cool thrash sounds too.
The BIG bonus for heavy guitarists in my opinion though is the SuperSonic. This amp has a lot of great character and you can make it bluesy or really make it heavy and bold to play metal, thrash or whatever. If you overdrive it with a built in pedal, you can get some great raw and heavy tones out of this. I play some metal and hard rock as well as the classic and blues stuff that I like. I personally will play all of my heavy stuff on this SuperSonic amp.
The fact that you can take any of these basic amps and layer effects and pedals on them gives you absolutely infinite combinations of tones. You can have one guy who sets all 100 presets with vintage tones, and another guy who has all of the presets filled with metal and thrash. It is limitless.
I would, without a doubt choose this amp over ANY modeling amp out there for practice and fun.
I own a pimped out MIM Strat, and a off-the-rack Classic Vibe Strat and Tele as well as a Les Paul style guitar. They ALL sound very cool on this amp. The Classic Vibe 60's Strat really impresses me through this amp. So versatile with so many great sounds and such a high quality sound. I am really loving it!
This amp can play really really loud with it's 100 Watts, but you can also play it with great tone at very low volumes. (I have 4 kids and practice at night, and this amp is perfect.)
Fender Fuse and Ableton Software
I have to admit that I really don't feel a lot of need to dive too much deeper into sound editing than what I can do manually on the amp. However, You'll find amazing tones all over the Fender Fuse. The system is super easy to use and store on your amp. As with any open online forum, you will have to wade through tones that you don't love and aren't described well. But you will find some gems too.
I have not had time to dive into the ableton recording software yet, so I will have to save that review for later.
The FINAL WORD
I am a Father of 4 who needs an amp that sounds great at low volumes. I like Vintage tones as much as Heavy stuff, so I like a variety of tones. I hate overprocessed guitar tones. This amp is perfect for me. Perfect. The amp models are great, and the factory installed presets are a great variety of usable sounds. It comes with a built in tuner, tap tempo effects, a two button footswitch, an effects loop, a digital interface, deep editing computer software, a headphone jack, a usb port, recording software, and more
At $299 This amp costs less than effects pedals that friends of mine have purchased. I have a $300 strat that I love that sounds beautiful through it. After buying it, I have listed a Tube amp and several effects pedals that I have loved because I no longer will play it.
There is no better modeling amp for my needs!

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1/04/2012

Eventide Pitch Factor Harmonizer, Pitch+Delay Stompbox Review

Eventide Pitch Factor Harmonizer,  Pitch+Delay Stompbox
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The argument arises every once in a while that there are no new effects made for guitarists. Most argue that the new effects are reissues or slight modifications to the 5 or 6 staples we may have on the floor beneath us already.
Eventide has changed all of this by taking a step back and a leap forward in the arena of on floor guitar processing. The PitchFactor's huge spectrum of sonic finishes for your guitar varies from subtle thickening of your tone to out of this world synthesizer effects.
The factory presets sound like a who's who of Eventide users over the years. You can dial up some Jimmy Page or Frank Zappa instantly out of the box. Steve Vai's sought after Eventide H3000 tones are not so subtly called "Wyld Stallions Solo" a little nod to Bill & Ted and VaiBallerina. The "Heavy Lead" presets also have a Vaiesque sound to them with the addition of a Boss DS-1 and some yanking on my tremelo bar.
This stomp box at first blush seems to have all of the processing power of the sought after Eventide Eclipse V4 Harmonizer and H3000 at a fraction of the price. The $579.00 price tag is modest considering 10 of Eventide's signature pitch and delay effects are built into one unit.
The PitchFactor delivers up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay This allows me to clear a few boxes off of my pedal board. With the addition of a plug and play expression pedal I am also able to put my Digitech Whammy in mothballs. There is also an easily accessible built in tuner freeing yet another spot on my over crowded pedal board.
I love the three button design of the box. This allows you to have two presets per bank an awesome feature for live performances. The option to use guitar or line level inputs and outputs also make this a great addition to any home studio. The studio quality sound can be used in the mix on bass, keys or even vocals.
Eventide has done a phenomenal job with their website supporting this pedal and all of their stomp box line. There is an interactive webpage where you can hear some of the preset effects. The demo page also gives you a feel for some of the button functionality. The demo will inspire you to get off your butt and to go to your local music store to hear this pedal. When you do pack a lunch you are going to be there a long time.
In anticipation of the demo unit arriving at my office I tried the pedal first at my local music shop. I got about 2 minutes with the pedal alone as a crowd started to slowly form. After about 15 minutes the store manager bumped me from the pedal and started fiddling with it himself. A line of guitarists soon formed each waiting their turn to try out this sonic monster.
The PitchFactor is all upside. There is nothing negative I can say about this pedal. The sound is a perfect 10, it is easy to use with a low learning curve. This is a pedal that a novice can get a whole lot out of as can an experienced guitar geek with a solid knowledge of music theory and intervals. Bottom-line is the PitchFactor is a great tool that will help any electronic musician (not just guitarists) define their style and tone.


Click Here to see more reviews about: Eventide Pitch Factor Harmonizer, Pitch+Delay Stompbox

Top recording studios worldwide use Eventide effects on hit after hit. PitchFactor includes Eventide's bestpitch-changing effects from the past 39 years without compromising quality OR flexibility. Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.Easy to upgrade; download new software from the Internet and install via USB.10 of Eventide\'s signature stereo or mono pitch+delay effects:Diatonic PitchFlex™ Quadravox™ Octaver™ HarModulator™ Crystals™ MicroPitch HarPeggiator™ H910 / H949 Synthonizer™Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay Studio quality sound Guitar or bass compatible Built-in Tuner Software upgradeable via USB 2.0 MIDI control via USB or MIDI in, out/thru Instant program change Real-time control with 10 knobs, MIDI, or expression pedal Tap tempo and MIDI clock sync 100 factory presets, unlimited through MIDI True analog bypass Rugged cast metal construction Reliable metal footswitches for instant preset access Mono or stereo operation Guitar or line level inputs and outputs

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11/24/2011

DigiTech RV-7 HardWire Stereo Reverb Extreme-Performance Pedal Review

DigiTech RV-7 HardWire Stereo Reverb Extreme-Performance Pedal
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I'm new to playing electric guitar, but I'm a big fan of surf music. Naturally, after I got a few lessons under my belt, I wanted to try my own hand at playing it. Step one - get some reverb! (Actually, step one is "learn how to play", but I am still working on that.)
I listened to a lot of online demos and eventually settled on a certain pedal which shall remain nameless. I was very disappointed and sent it back within a few days. I then did some more research and came across this unit (thanks, surfguitar101.com). The Digitech Reverb unit is great, but this Hardwire version takes it up a few notches. I fell in love right away! Not only does it do as much twangy spring reverb as you'd ever want (and then some), it has a wide variety of reverb styles that all sound fantastic.
The construction quality is also top-notch. A very solid (heavy!) pedal which exudes robustness and durability.
I highly recommend this pedal to anyone who wants a great all-around reverb pedal that can handle anything you throw at it.

Click Here to see more reviews about: DigiTech RV-7 HardWire Stereo Reverb Extreme-Performance Pedal

HardWire RV7 Stereo Reverb Pedal; Lexicon reverb to fill out your guitar tone! The RV7 features seven lush Lexicon reverbs including Hall, Studio, Plate and Spring. The reverb tails can also be retained when switching the pedal into the bypass position by setting the Tails on/off switch. Powered by 9 volt battery or optional DOD PS200R Power Supply.

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11/19/2011

Johnson FX-300 Analog Delay Pedal Review

Johnson FX-300 Analog Delay Pedal
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I'd be very wary of the two previous reviews, if you are like me you look around and read reviews from all over. ( you really should) then you will notice there are sites with these very SAME reviews word for word and at various different vendors sites.. now lets just think about this.. how freakin much would you have to LOVE a product to take the time to go to all the vendors all over the net, and COPY AND PASTE your "heartfelt" and "it's so obvious" review on all these different sites. nah that's not happening .. NO ONE is doing that.. UNLESS THEY ARE GETTING PAID or own the freakin company. disregard the above reviews and go see if you can try one out at a store near you.. OR wait until you can read some real reviews. After seeing this obviously questionable practice I'd really read that warranty card and make sure you can get a refund too.

Click Here to see more reviews about: Johnson FX-300 Analog Delay Pedal

This pedal features 800ms of analog delay. The quality knob allows you to specify how much natural distortion occurs with each repeat, allowing you to duplicate vintage tape delays.

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9/21/2011

DigiTech DL-8 HardWire Delay/Looper Extreme-Performance Pedal Review

DigiTech DL-8 HardWire Delay/Looper Extreme-Performance Pedal
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Great for somebody who is getting their first pedal. The looper will help you improve, and the delay effects are fun too. The power supply is worth considering, because this thing eats batteries like crazy. No problems yet.

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HardWire DL8 Delay Looper Pedal; Add a delay to enhance your over-all live performance. The DL8 is an 8 second true stereo delay with 11 delay settings ranging from analog tape, reverse and modulated delays to a 20 second looper. The DL8 features a 3 color LED indicator that shows pedal status in the looper mode. The delay tails can be retained when switching the pedal to bypass by setting the Tails on/off switch. Powered by 9 volt battery or optional DOD PS200R Power Supply. Hardwire DL8 Delay Looper Features Several Delay Types including Digital Reverse Modulated - chorused delay Analog - vintage bucket brigade analog delay Slapback - 80 ms to 150 ms LoFi - low-fidelity delay with limited bandwidth Tape - classic tube tape echo Loop - create infinite stereo loops up to 20 seconds Tap Tempo True Stereo I/O True Bypass circuitry preserves your tone in bypass Constant High-Voltage operation for uncompromised signal quality Includes Stomplock knob guard, Pedal Switch Glow Sticker and Custom-cut Hook and Loop Pedalboard Pad Digital Delay Settings Include 0.5 Seconds - 15 ms to 500 ms (milliseconds) 1 Second - 500 ms to 1 sec 2 Seconds - 1 sec to 2 sec 8 Seconds - 2 sec to 8 sec Accessories Overview Stomplock knob guard locks your tone in place and prevent tampering or accidental knob adjustments onstage. Pedal Switch Glow Sticker helps you locate the pedal in adverse stage lighting. Custom-cut Hook and Loop Pedalboard Pad attaches and locks your pedal to your pedalboard.

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8/20/2011

Line 6 M13 Stompbox Modeler Review

Line 6 M13 Stompbox Modeler
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The M13 is an outstanding piece of gear. I've never really loved Line 6's amp/cab modeling stuff. I had the HD147 and liked it for a couple years. But I could never get the tone I wanted. Then I bought a tube amp. A Crate Palomino V32. But lost all the versatility with effects. So then I bought the POD X3L. It had no depth and took all the character out of the amp. So I went the all pedal route. Boss DD-20, L6 Verbzilla, Seymour Duncan Twin Tube Classic overdrive pedal. Blackstar HT-Dual OD/Dist, etc. I was really happy!!
Then I saw the M13. I was totally floored by how many different effects that were in there and the versatility of routing the "pedals" in order of one another. ITS SO VERSATILE!! The effect quality is right up there with their 4 button stomps (DL4, MM4, DM4, and FM4) after all it was designed to encompass all of those pedals into one package that has a footprint that is just a couple inches bigger than 2 of the 4 button stomps.
The tone of my amp stays the same, and I have all of the delays, reverbs, mods that I could ever use!! You can still use any of your analog pedals (I still have my Blackstar) because there is an onboard effects loop and you can route your existing effects before, after, or anywhere in the middle of the M13. Its incredible!!
I'm so happy I bought this pedal, and it was worth every single penny!! Try one out for yourself and you'll be pleasantly surprised with it!! If you don't like Line 6 gear because you're a tube junkie, forget all of what you thought you knew about Line 6 and try this pedal as soon as you can. I think Line 6 may have taken a new turn with their products and this is definitely an awesome new direction for the company. This pedal rocks!!!

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The Essential all-in-one pedal board experience, Line 6 M13 Stompbox Modeler! Featuring a comprehensive collection of the most sought-after stompbox sounds, a full-featured looper and super-heavy-duty all-metal construction, without complicated menus or presets. Line 6 M13 Stompbox Modeler channels the soul and ease of a stompbox. Free Version 2.0 Update from Line6.com! Providing Additional Models, Presets and Features! Version 2.0 The M13 Stompbox modeler with Version 2.0 Update has extra models and features to make your M13 rock even harder. Over 20 new FX Models, including Smart Harmony, Pitch Glide, 6 Mod FX, Bass Octaver, 5 EQs and 8 Wah Models 4 folders of 12 scenes each (total of 48 scenes) Also accessible via Midi Copy from Scene to Scene M13 only. Control the Looper via midi without the M13 going into looper mode Dim OFF Models added with Version 2.0 Bass Octaver 5 EQs and 8 Wahs Smart Harmony Pitch Glide Particle Verb - Line 6 original Pattern Tremolo Script Phaser AC Flanger Bucket Brigade chip modeled 80A Flanger same Frequency Shifter Line 6 original Important Information: Version 2.0 update can be downloaded at line6.com Boasting over 75 immortal stompbox effect

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8/13/2011

Line 6 Verbzilla Review

Line 6 Verbzilla
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Some pedals don't have to be Botique to do great job, and the Verbzilla is one of them. Very articululte, expressive, and the Octoverb setting is haunting! You can also interchange the modules with other Line 6 pedals which makes this a very flexible tool. No...it's not a Lexicon, but it will fool the listener in a live or studio setting, with it's lush pre-sets (11 of them), and you can individually adjust the Mix, Decay, Time and Tone, to really tweak your sound. And the BEST part of this pedal is the Trails switch; when you go from a soaring verb soaked lead, and switch back to a rhythm part, the verb from the lead line decays natrually, even while your playing a complete different guitar part. Great value, pro sounds and flexibility...all you can ask for in a pedal! Line 6 Verbzilla

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The new ToneCore Verbzilla pedal brings luscious, studio-grade algorithms to your pedalboard.Verbzilla delivers everything from classic guitar amp-style spring reverb to dreamy, high-end studio favorites.Features include Tone, Mix, Decay, and Time controls, and a Trails on/off switch that allows the reverb to decay or cut off once you hit bypass.Verbzilla has an amazing selection of reverb models that include '63 Spring, Spring, Plate, Room, Hall, Chamber, Ducking, (Line 6 exclusive) Octo, Cave, Tile, and Echo. Verbzilla can be powered by a standard 9 Volt battery, or the optional DC-1 power supply.

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8/12/2011

Line 6 Echo Park Review

Line 6 Echo Park
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The echo park is a joy to use, the settings are very accessible and it doesn't take a rocket scientist to figure this pedal out. It is on the heavy side though, feels like a brick in my hands. No noise issues experienced so far with a regular daisy-chain power adaptor.

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Echo Park is based on Line 6's award-winning DL4 Delay Modeler. Echo Park is loaded with unbelievable sounding models including analog, tape, and digital delay, all easily adjusted with the Tap Tempo feature.Different delay patterns such as slap, ping pong, swell, and sweep can be adjusted with the twist of a knob, and the Mod dial can be tweaked for even more variations.Echo Park also features stereo ins and outs.

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7/24/2011

TC Electronic NR-1 Nova Reverb Guitar Pedal Review

TC Electronic NR-1 Nova Reverb Guitar Pedal
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Anyone aware of T.C Electronics knows that they do quality effects units. Reverb is one of the most predominantly employed effects, yet is largely overlooked and underrated against more obvious effect units. For me, this reverb is far more lush and sweet sounding than many of the other competitors (including the holy grails)... but really stands out due to its immense versatility. From the subtle to the insane. The Dyna Mix controls, when used properly, can see reverb used in totally new and exciting ways.... and this pedal, in conjunction with other effects units, is magic. Highly recommended. One of my favorite pedals


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Built upon the legacy and knowledge of TC Electronic\'s legendary reverb processors, Nova Reverb raises the bar for guitar effect pedals and redefines what it means to be \'state-of-the-art". The NR-1 Nova Reverb offers uncompromised studio quality digital effects in a compact floor-based design.

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7/22/2011

Electro-Harmonic Riddle: Q-Balls for Guitar Envelope Filter Review

Electro-Harmonic Riddle: Q-Balls for Guitar Envelope Filter
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I bought this based on the excellent YouTube video that shows the dude recording a song with it. Great range of sounds, makes the funky rhythm guitar work all the easier. Very stable and solid construction as is typical for ElectroHarmonix gear.

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The Electro-Harmonix Riddle is a powerful and precise envelope filter fine-tuned for guitar frequency response. Sculpt your envelope to reveal a truly expressive tone, with a defined and unique signature. Riddle will deliver tight and smooth control over the complete 80 Hz to 5 kHz range, with a consistent and even sweetness. Need some edge?Engage Riddle's analog distortion and dial in anything from subtle bite to dominating crush. Riddle: a mysteriously musical envelope filter for guitar.

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7/20/2011

Lexicon MX400 Dual Stereo/Surround Reverb/Effects Processor Review

Lexicon MX400 Dual Stereo/Surround Reverb/Effects Processor
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mx400 is clean sounding with no noise and no coloration effects processor in effect there are two stereo processors in one with a mp3player styled menu controlling the 4 ins and 4 outs (dual stereo-to-4 mono processors)routing.I owned some Alesis reverbs that colored the sound so much as I didnt know a clean no colored sound until now at home ... the compressor thats built in actualy works nicely as well... some neat effects that can be tweeked to be used...great for a computer studio used as a vst/usb sends and receives with the right sound card. Dont think im kidding, this is a clean sounding reverb, chorus flanger compresion echo pong processor unit as well as noise free 109db s/n ratio!!!!

Click Here to see more reviews about: Lexicon MX400 Dual Stereo/Surround Reverb/Effects Processor

You want the rich, luscious sound that's defined studio reverb for 3 decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW. Now you can have it all with the MX400 Dual Stereo/Surround Reverb Processor. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any VST or Audio Units compatible DAW. Just link your computer to the MX400 with a USB cable and control all automation and recall parameters exactly as you would with any software plug-in. You get the instant control of a plug-in effect, and the warm, complex depth that only a dedicated Lexicon processor can provide.Equally at home for live applications, the MX400 supplies the live sound engineer intuitive front panel control with a backlit LCD screen to display parameters. Once a program has been selected, you have instant access to three parameter knobs — instead of having to page through extra menus. You can program a whole night of presets, and dial them up quickly with the dedicated program select knob. A single rack space, 4-input / 4-output processor, the MX400 offers unprecedented connectivity through ¼" TRS balanced I/O.The MX400 boasts a full arsenal of voice and instrument-enhancing effects including 17 Lexicon reverbs, 7 delays, genuine dbx compression and de-essing, and 8 modulated effects that will make any performance sound better. You can store and recall custom programs or pull up your choice of 223 genuine Lexicon presets including 25 dedicated Surround Programs. Two reverbs or effects can be used at once in one of 7 flexible routing configurations and you can switch effect routings automatically via the front panel controls.The Lexicon MX400 is the ideal processor equally suited for the home studio, live sound, or the ever-expanding world of surround applications. It provides versatility and sound that is unmistakably Lexicon.

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7/09/2011

Electro-Harmonix Cathedral Stereo Reverb Pedal Review

Electro-Harmonix Cathedral Stereo Reverb Pedal
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Tremendous reverb, lots of options and controls, actually will work as an echo unit. The Cathedral is not a simple, "set a couple of controls and go" deal, the more time you spend learning about how actual reverberatio works: pre-delay, how tone is affected in the reverberation field, etc. -- the better off you'll be, and the better you'll sound.
Has the ability to store and access pre-sets, which is truly useful (more than one would be nice, but then it would be a much more complex pedal) but probably the coolest thing for me is the "infinite" feature. I'm in a three-piece band, and when I start a song, I can set a nice lush reverb, play a chord or get some note(s) feeding back, then hold the infinite button down, and play over the "wash". It's quite an awesome sound; the wash just continues on and on and the un-reverberated guitar plays over it. Sweet. Goes back to normal reverb operation when you take your foot off the button.
I'd buy it again, but I need some time to work on it and "find" the pre-sets for different songs.Electro-Harmonix Cathedral Stereo Reverb Pedal

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Enter the Cathedral and surround your music with the aria of divine presence. True stereo reverbs reveal your inspirations while programmability recalls your spirit of creation. The Cathedral is the performer's mantra creating the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground.

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5/31/2011

Zoom A2.1u Acoustic Guitar Effects Pedal with USB Review

Zoom A2.1u Acoustic Guitar Effects Pedal with USB
Average Reviews:

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I have had this pedal for just 1 day. I brought it to rehearsal. After playing without the pedal for most of the rehearsal, I set it up and began going through the various effects. My acoustic guitar has a great pickup system in it already so I wasn't prepared for what happened. And what happened was this: The very good sound I was already getting got great! And I mean unbelievably great. The guitar models for the Martin D28 are amazing. I purchased the pedal for the chorus effects but now I will likely use it for its modeling features as well.
My only recommendation is that you get a footswitch with it. This makes it easier to jump from a bypass setting to a effect setting. My suggestion to Zoom is this: It would also be nice is Zoom produced some software to be able to tweak settings via USB on the computer and then store your patch libraries. These are the only reasons I gave the pedal 4 stars instead of 5 stars. The sounds are definitely 5 star.
I create and play Contemporary Christian Music in a duet called Joey and Jeanie. [ ... ]

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Zoom's A2 series processes the line signal from your acoustic guitar pickup, adding the tone and space normally associated with mic recording. Even if you're playing through an amp or PA, your guitar's natural resonance will shine through. It will also model famous acoustic sounds, and features EQ and effects for getting exactly what you're after. The A2.1u adds an expression pedal for real-time control of effects parameters, an XLR output for a balanced connection to PAs or mixers without using a direct box, and a USB port for use as an audio interface. Includes Cubase LE DAW software.

96kHz sampling brings out the true nature of acoustic guitar sound The rich, detailed tone of an acoustic guitar is created by a delicate triple harmony of strings, neck, and body. But a piezo or magnetic pickup never captures the full body resonance, often resulting in thin sound dominated by the strings. This tendency can't be fully compensated with a conventional preamp equalizer.
The A2 series incorporates 24-bit / 96 kHz sampling and sophisticated sound modeling technology to process the line signal from the pickup, adding a lush body tone and the spatial ambience that is created by mic recording. Even when playing through an amplifier or PA speaker, the resonance of the guitar body is restored, allowing the natural acoustic sound to shine through.
The new ZOOM ZFX-3 32-bit DSP chip The heart of any multi-effect device is its processor and decoder section. ZOOM has attained a new level with the ZFX-3 chip. 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration, thanks to this incredibly powerful DSP.
Select optimum characteristics to match pickup and amp model The GLOBAL module that controls settings for the entire unit combines a pair of parameters called AMP SELECT and PICKUP SELECT. These let you optimize frequency response for the type of pickup and amp that you are using. Whether recording or live on stage, you can always get just the right acoustic sound.
Six-band linear equalizer or two-band parametric equalizer provide ambience control Center frequency allocation and filter slopes of the built-in six-band EQ are optimized for acoustic guitar. Peaking type filters in the crucial middle range (320Hz, 500Hz, 1.2kHz, 6.3kHz) are augmented by shelving-type filters at the low and high end (60Hz and 12kHz). Further flexibility is offered by the possibility to switch to a two-band parametric EQ, for delivering a pin-point boost or cut. The A2 series lets you really take control.
Feedback control feature When playing an acoustic guitar on stage, acoustic feedback (howling) is often a problem--but now there is a remedy. The feedback control feature allows automatic or manual detection of the constantly changing feedback point, and an effective notch filter is then brought into action to provide the required attenuation. Auto detection can be triggered with the foot switch to allow swift reaction during a performance.
47 high-quality effects implemented with 32-bit processing Eight modules dedicated to aspects such as dynamics, filtering, modulation, and ambience offer a total of 47 effects. A limiter/compressor lets you control peaks and ensure that levels are matched. The air effect simulates the ambience in a room, the detune effect adds pitch-shifted harmony components for that fleeting 12-string guitar sound. Or emphasize a specific frequency range with the resonator. All of these effects are optimized for acoustic guitar and can be put to use right away. Other features include multi-tap delay and long delay with settings up to 5000ms, reverse delay, flanger, phaser, and various other studio-class effects.
Add body and depth with 3 types of chorus Add just the right amount of body and depth to the sound when you need it. The choice is yours: warm and mild mono chorus, clear and transparent stereo chorus, expansive and three-dimensional chorus ensemble, and more.
Enhance your acoustic sound with 9 types of reverb The A2 has nine types of reverb designed specifically for acoustic guitar including Hall, Room, Arena, Tiled Room. Many guitarists will also be familiar with Spring Reverb. The A2 also features a reverb setting called "Early Reflections" and a Slap Reverb that is a first for this class. Each reverb setting is fully adjustable so the user can make each phrase more distinct.
12 acoustic guitar/preamp sound character simulations A simulation module lets you choose among a number of very famous and popular acoustic guitar tones. The different sonic characteristics that depend on body size and shape as well as on the materials used are faithfully reproduced. What's more, a mic module simulates the sound of guitar as recorded through a microphone, with selectable positioning and mic type (dynamic / condenser).
Analog style editing knobs make it a snap to create your very own sound The three rotary knobs let you tailor three different parameters at the same time. This could be sensitivity, attack, and level for the compressor effect, or delay time, feedback, and mixing level for the delay effect. It's like having an array of stomp boxes ready for action. In play mode, the three knobs adjust the modulation effect mix level, delay/reverb mix level, and the patch level. This lets you quickly match the unit's performance to the band or the room acoustics.
40 ready to use preset patches for stage and studio The unit comes preprogrammed with recommended settings for various acoustic guitar models, settings that are modeled on the signature sound of famous guitarists, rich ambience settings using chorus and reverb, and more. Plus, a user area capable of storing another 40 patches gives you plenty of creative leeway.
World's fastest patch change speed: 8ms The annoying interval heard when switching patches on standard effects pedals has been virtually eliminated. With its record-setting speed of 0.008 seconds, the A2 series never misses a beat. For example, when changing to a lead solo during a song, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445Hz, and mute tuning without sound output is also possible. Tuning has never been easier or more convenient.
ZNR keeps playing pauses quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized performance for guitar. While minimizing any alteration of the original sound, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and many more choices.
Optional foot switch allows versatile remote operation When the optional foot switch (FS01) is connected, tap tempo input of settings such as delay time and modulation rate is possible. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Ultra low noise design with 100 dB S/N ratio With an amazing rated signal-to-noise ratio of 100dB, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the A2 series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adapter (AD-0006) can be plugged in for extended studio work, but on stage you never need to worry about AC power.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Besides adjusting the volume or the tone of a simulation effect, the pedal can be used for manual detection of feedback frequency, controlling the modulation rate, or adjusting the delay/reverb mix level.
Expression pedal adds further versatility to your guitar play The built-in expression pedal is a great way to control effect parameters in real time. Besides adjusting the volume or the tone of a simulation effect, the pedal can be used for manual detection of feedback frequency, controlling the modulation rate, or adjusting the delay/reverb mix level. The dedicated PEDAL ASSIGN key and status LED indicators make it easy and quick to select the effect to control. Effect on/off switching is also possible by pushing the pedal fully down.
XLR output allows direct connection to PA mixer for stage work Standard XLR connector lets you establish a balanced link, to ensure degradation-free, clean sound transmission also over long cable runs. There is no need to use a DI box, even when you want to directly hook the unit up to a mixing console or PA system. The pre/post switch makes it possible to get the processed sound from the main outputs and the direct sound (not routed through the A/D converter) from the XLR output.
USB port enables computer recording The USB port allows the unit to function as an audio interface for a computer. Simply connect a USB cable to utilize the high-quality sound of the A2.1u in a computer-based recording system. The superb "Cubase LE 4" DAW software comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the A2.1u itself, there are no latency problems during recording. Powering the unit from the computer via the USB bus is also supported.
What's in the Box Zoom A2.1u Multi Effects Pedal, AC Adapter, User's Manual

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