Showing posts with label compact. Show all posts
Showing posts with label compact. Show all posts

10/22/2011

Bose T1 ToneMatch Audio Engine Review

Bose T1 ToneMatch Audio Engine
Average Reviews:

(More customer reviews)
Make no mistake, this is a state of the art mixer which outputs amazing sound. However, after owning and using this for 10 months as a professional musician, it froze in a blank-blue-screen, and stayed that way. The screen and dials were lit up as if the unit was working, but it was frozen and the screen was totally blank. No amount of 're-booting' helped. I was at a gig at the time, and it was a very bad situation. (understatement) Bose, to their credit, is replacing it with a new one, but I don't think I will trust it to be my sole mixer anymore. Shame.

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The Bose ToneMatch audio engine is designed to enrich the sound of musicians using any L1 system. Its powerful features and tone-shaping tools quickly bring you closer to the true sound of your voice and instruments. This versatile audio engine helps you sound your best in live performances. It expands the input capacity of your L1 system and gives you instant access to a host of proprietary EQ presets, standard effects and processors.The ToneMatch audio engine puts Bose's largest library of customized presets at your command. These presets instantly adjust your system to match the intended natural sound of popular instruments and microphones. So you reproduce factory-specified tonal balance—precisely and at the touch of a button.Different presets can be independently assigned to the engine's four channels. For example, select Audix OM5 mic presets for channels 1 and 2, Taylor guitar for channel 3 and Lakland bass for channel 4—all at the same time. Bose engineers continually work with manufacturers to expand the ToneMatch preset library. Updates are available to you free, with easy downloading via the engine's USB port.Intelligent equalization: zEQ Fine tune your sound with greater accuracy. Bose intelligent zEQ redefines low, mid and high ranges for each ToneMatch™ preset. When you need to cut or boost specific frequency ranges for different instruments and mics, zEQ gives you the power.Suite of effects and dynamics processing Globally assign one of five different reverbs to each mic/line channel. You can also choose from 3 delay types, ten additional effects, and seven dynamics processors—and assign them independently to each channel.Custom scenes Store your customized settings for specific gigs with the "scenes" feature. The T1's engine comes with five predefined Bose scenes and ten you can define. Fast, one-touch scene recall helps you make quick work of repeat setups.Easy connections Simply link the engine to an L1 Model II system via t

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10/09/2011

Korg KDM-2 True Tone Advanced Digital Metronome Review

Korg KDM-2 True Tone Advanced Digital Metronome
Average Reviews:

(More customer reviews)
but it doesn't do much more than the less-expensive Korg MA-30. That said, I like the KDM-2 quite a bit. It's an improvement on the KDM-1 (which I like very much also - it's just a more basic metronome), and similarly designed. The KDM-2 shares these features with the MA-30: tap-in beat; subdivided beats; 12 calibrated tuning notes (you can choose the exact tuning - A=440, 441, etc); mute button. The added KDM-2 features: son clave & rumba beats (3-2, and 2-3); choice of 4 different click sounds; LCD display; LED beat indicator; loud volume (I play trumpet & have no problem hearing the metronome), and tempo selection in standard metronomic increments (60, 63, 66, etc) in addition to +/- 1 beats (60, 61, 62, etc).
You should get the KDM-2 instead of the MA-30 if you need the extra latin beats, the different click sounds (at least one of which should cut through most loud playing, or possibly small ensemble volume) or the LED indicator (the light however doesn't seem as strong as that of the KDM-1). If these extras aren't enough, the MA-30 would be an excellent choice.

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The Korg KDM-2 is an easy-to-use, electric metronome that visually marks the tempo with remarkable accuracy, and delivers a powerful sound like never before.

Improved cylindrical resonator speaker This digital electric metronome delivers even clearer and more powerful sound, and Korg's acclaimed cylindrical speaker has been further enhanced with an improved resonator structure to ensure that it is easily heard. Even loud instruments will not overpower the unmistakable, clear sound of the Korg KDM-2. And with the KDM-2 you have the choice of selecting 3 different PCM sounds (cowbell/agogo/clave) for the beat, so you can choose which sound you want to compliment the instrument you're playing. The volume can also be adjusted to the most appropriate level. Since there's a PHONE jack built in to this electric metronome, you can connect a mini-plug (1/8") earphone, perfect for private practice.
Easy-to-see, large LED The START/STOP switch located on the top panel of the Korg KDM-2 blinks in two colors--red and green--providing for unmistakable visual indication of the tempo. The START/STOP switch is a great feature if you are looking to practice with a silent metronome.
A variety of beats cover even sophisticated rhythms From basic beats to variations like son clave and rumba clave, the KDM-2 contains a total of 19 beat patterns. You can set the tempo in any one of three ways. Full Step mode lets you adjust the tempo over a range of 30 through 252 in steps of one. Pendulum Step mode lets you set the tempo using the preset tempo settings, as on a mechanical metronome. and Tap Tempo lets you set the tempo by pressing the TAP switch at the desired interval.
Use the reference pitches to tune by ear Sound Out mode outputs a reference tone that you can use as a tuning guide. You can listen to any one of the twelve pitches from C4-B4. You can also adjust the A4 frequency (calibration) in a broad range from 410 Hz-480 Hz.
Memory backup function The KDM-2 provides a memory backup function that remembers the specified tempo, beat, calibration, and reference pitch, even when the power off.
Designed for stability and ease of use The large LCD screen on this electric metronome makes it easy to view the settings. An encoder-type TEMPO/CALIB dial and a Step Select switch provide quick and direct access to settings and functions. Featuring an original design that is compact yet stable, the KDM-2 is at home on your desk, your piano, or anywhere else.
Long battery life The KDM-2 is designed for long battery life. The electric metronome will continue marking an accurate tempo for approximately 120 hours of continuous use at a tempo of 120 beats per minute.
Three-Year Warranty Korg digital and electric metronomes purchased from a Korg USA authorized dealer now have a three-year warranty.
What's in the Box KDM2 Metronome, Four AAA Batteries, User's Manual

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9/30/2011

Rockman Bass Ace Headphone Amplifier Review

Rockman Bass Ace Headphone Amplifier
Average Reviews:

(More customer reviews)
I just got the Rockman Bass Ace last week and have had a chance to play with it for several hours. In that time I'm decidedly lukewarm about recommending it too highly.
I'm 44 and I play the bass in a very progressive church with music that ranges from heavy rock to funky gospel to nice slow worship music. We have a great sound system and I use pro-quality equipment so I place a premium on high fidelity tone. I bought the Bass Ace so I can plug in my Ipod and practice along with the upcoming week's music without bothering my family.
I've owned a number of headphone amps in the past including a Boss HA-5 Play Bus (which I still have) and an original Tom Shultz Rockman Guitar model (long gone). I also sometimes use the headphone-out option on my Line 6 Pod XT Live. Incidentally, the Guitar Rockman was great as long as you wanted to sound EXACTLY like Boston. The XT Live produces the the best tone overall but it is not very portable. The Boss is easily the best portable headphone amp of the group for bass even though it's designed for guitars and it's over 20 years old. But I a bass-centric unit...
At this point you're probably familiar with the specs and basic attributes of the Dunlop Rockman Bass Ace so I'll skip to my impressions.
PRO'S
Price: Overall, the Rockman is not a bad unit for the price.
No power switch: The amp comes on when you plug the bass in and goes off when you unplug it. No switch to forget - just remember to unplug it after use each time.
Bass tone: With decent headphones (see below) and some tweaking the bass tone produced by the Rockman is not bad - definitely usable. That said, compared to the Line 6 and the Boss listed above it is clearly the worst of the three.
CONS
Auxiliary Input Tone: When I did an A/B comparison with my Ipod direct into the headphone and then through the Bass Ace, the tone through the Rockman was MUCH worse than direct. On other headphone amps I've used the AUX input was very transparent and sounded virtually identical to the direct line. The AUX input on the Rockman sounds muffled. Very disappointing. Also, the input jack is a 1/4" meaning you need to have a converter to plug in your Ipod. I suppose that is a personal preference.
Headphones: The headphones that come with this unit are virtually unusable. I have a set of mid-priced Sennheisers and in an A/B comparison the difference is incredible. The elcheapos that come with the Rockman buzz and distort at even the lowest volume. Push them a little and the tone is unbearable.
Size: This thing is HUGE compared to other headphone amps. Based on the weight (it's relatively light) it must be mostly empty space so I can only assume that the Bass Ace was purposefully made larger than necessary in order to give it gravitas. This thing is the size of a small cigar box. The result is that it feels cheap and hollow and it's too big to comfortably hang on your belt or on the guitar strap like I've done with other units.
EQ: This is a con because there is no real EQ. I never have a problem getting excellent tone out of my Warwick Thumb but I had to tweak the EQ on my bass dramatically to coax a decent tone out of the Rockman. The Bass Boost function is useless. To me it seemed like less of a boost and more of a scoop. Engaging the Bass Boost actually reduced the bottom end. The Treble Boost function improved the tone somewhat (after I rolled back the treble settings on the bass) but introduced a serious hiss. I got used to it but overall what you get is what you get with this unit. There are no effects, delays or reverb. Also, there is no Drive or Gain option. That's fine with me since I like a fat, clean tone but don't expect to be able to dial in monster tone if you bass doesn't have it already.
Name: Bass Ace? Really? That's the best they could do? C'mon Dunlop. Haven't you ever heard of a focus group?
Summary:
Overall, this is not a particularly high quality unit compared to the Tom Shultz equipment I've used before. I would imagine that he is disappointed in the unit bearing his name. That said, what can you expect for this price point.
If you want excellent headphone tone out of the box or if you want a unit that serves double duty as a pre-amp to run direct into a PA, keep looking. This lo-fi amp is not going to make the cut.
If you need a cheap, portable, easy to use headphone amp to practice with then you might be happy with the Rockman Bass Ace as long as you pick up a good set of headphones to go with it. NOTE TO DUNLOP: Get Tom in with the guys at R&D and design a serious bass DI with a headphone out option with the following features:
>XLR Line Out
>1/4" Line Out Dry
>1/4" Line Out Blended
>1/8" Headphone Out (Blended Only)
>Gain (Punch)
>Treble (Top)
>Bass (Bottom)
>Presence (Attitude)
>Blend (wet vs. dry signal)
>Output Level (also controls headphone volume)
>Ground Lift Switch
>Active/Passive Switch
Put in a metal box in a color other than black and work up a better name. Price it at $199 and offer it as a DI/Headphone amp combo that sounds better than a C Tech and offers more options than a Sansamp. You'll rack up.
IMHO

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The Rockman Ace line lets you hear your instrument's dynamic range and clarity to inspire you to "pick up your guitar and play". These high-quality, low-priced headphone amps offer built in compression, volume control and auxiliary stereo input/output.

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