Showing posts with label dunlop. Show all posts
Showing posts with label dunlop. Show all posts

10/23/2011

Way Huge Electronics WHE401 Swollen Pickle mkII Jumbo Fuzz Guitar Effects Pedal Review

Way Huge Electronics WHE401 Swollen Pickle mkII Jumbo Fuzz Guitar Effects Pedal
Average Reviews:

(More customer reviews)
This pedal is versatile and sound like a million bucks. I'm able to get a "fuzz face" sound out of it as well as more modern, "fizzy" type fuzzs as well. It interacts well with my other pedals, a wah and over drive box, without any problems. The internal trim pots make this a pedal that most anyone who wants to use fuzz instead of distortion can use to get their own particular sound. I typically run it with a low power over drive pedal "on" as well, which makes for a nicely compressed Eric Johnson type of sound. I'm running it into the front end of a 65 Deluxe Reverb RI amp and it interacts well with it. The construction on it are top-notch and I fully expect this pedal to keep running for a decade or more. One caveat, I'm not a gigging musician, so it hasn't had to survive the rigors of constant travel for me.

Click Here to see more reviews about: Way Huge Electronics WHE401 Swollen Pickle mkII Jumbo Fuzz Guitar Effects Pedal

The most sought after corpulent Way Huge pedal is back with new features... and it still has "more fuzz than a moldy peach!"With added controls the Swollen Pickle MkII surrenders super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it. With a twist of the SUSTAIN control you're taken from mild crunch to Armageddon! The FILTER control retains its trademark insane range of heavily band-pass-filtered tones distinguished by remarkable girth and sizzle and the LOUDNESS puts out enough volume to clobber any amp!Newly added features include a tone stack SCOOP control that elicits classic Swollen Pickle mid-scoop or flat mid-frequency sweep and a CRUNCH knob to adjust the compression intensity of the fuzz. Finally under the hood the Swollen Pickle MkII has two internal mini voice controls: VOICE sets the intensity of the external SCOOP control from light to heavy mid cut and CLIP varies between two sets of clipping diodes for smooth or opened fuzz sustain.Technical InfoInternal ControlsThese controls are for fine-tuning to your guitar and amp rig: Voice - sets the intensity of the external scoop control Clip -varies between smooth or opened fuzz sustain Controls LOUDNESS - generates enough volume to clobber any amp FILTER - adjusts the range of heavily band-pass-filtered tones SUSTAIN - releases masses of heavy violent fuzz SCOOP - sweeps between mid-scoop to flat mid-frequency CRUNCH - alters the compression intensity of the sustain

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9/30/2011

Rockman Bass Ace Headphone Amplifier Review

Rockman Bass Ace Headphone Amplifier
Average Reviews:

(More customer reviews)
I just got the Rockman Bass Ace last week and have had a chance to play with it for several hours. In that time I'm decidedly lukewarm about recommending it too highly.
I'm 44 and I play the bass in a very progressive church with music that ranges from heavy rock to funky gospel to nice slow worship music. We have a great sound system and I use pro-quality equipment so I place a premium on high fidelity tone. I bought the Bass Ace so I can plug in my Ipod and practice along with the upcoming week's music without bothering my family.
I've owned a number of headphone amps in the past including a Boss HA-5 Play Bus (which I still have) and an original Tom Shultz Rockman Guitar model (long gone). I also sometimes use the headphone-out option on my Line 6 Pod XT Live. Incidentally, the Guitar Rockman was great as long as you wanted to sound EXACTLY like Boston. The XT Live produces the the best tone overall but it is not very portable. The Boss is easily the best portable headphone amp of the group for bass even though it's designed for guitars and it's over 20 years old. But I a bass-centric unit...
At this point you're probably familiar with the specs and basic attributes of the Dunlop Rockman Bass Ace so I'll skip to my impressions.
PRO'S
Price: Overall, the Rockman is not a bad unit for the price.
No power switch: The amp comes on when you plug the bass in and goes off when you unplug it. No switch to forget - just remember to unplug it after use each time.
Bass tone: With decent headphones (see below) and some tweaking the bass tone produced by the Rockman is not bad - definitely usable. That said, compared to the Line 6 and the Boss listed above it is clearly the worst of the three.
CONS
Auxiliary Input Tone: When I did an A/B comparison with my Ipod direct into the headphone and then through the Bass Ace, the tone through the Rockman was MUCH worse than direct. On other headphone amps I've used the AUX input was very transparent and sounded virtually identical to the direct line. The AUX input on the Rockman sounds muffled. Very disappointing. Also, the input jack is a 1/4" meaning you need to have a converter to plug in your Ipod. I suppose that is a personal preference.
Headphones: The headphones that come with this unit are virtually unusable. I have a set of mid-priced Sennheisers and in an A/B comparison the difference is incredible. The elcheapos that come with the Rockman buzz and distort at even the lowest volume. Push them a little and the tone is unbearable.
Size: This thing is HUGE compared to other headphone amps. Based on the weight (it's relatively light) it must be mostly empty space so I can only assume that the Bass Ace was purposefully made larger than necessary in order to give it gravitas. This thing is the size of a small cigar box. The result is that it feels cheap and hollow and it's too big to comfortably hang on your belt or on the guitar strap like I've done with other units.
EQ: This is a con because there is no real EQ. I never have a problem getting excellent tone out of my Warwick Thumb but I had to tweak the EQ on my bass dramatically to coax a decent tone out of the Rockman. The Bass Boost function is useless. To me it seemed like less of a boost and more of a scoop. Engaging the Bass Boost actually reduced the bottom end. The Treble Boost function improved the tone somewhat (after I rolled back the treble settings on the bass) but introduced a serious hiss. I got used to it but overall what you get is what you get with this unit. There are no effects, delays or reverb. Also, there is no Drive or Gain option. That's fine with me since I like a fat, clean tone but don't expect to be able to dial in monster tone if you bass doesn't have it already.
Name: Bass Ace? Really? That's the best they could do? C'mon Dunlop. Haven't you ever heard of a focus group?
Summary:
Overall, this is not a particularly high quality unit compared to the Tom Shultz equipment I've used before. I would imagine that he is disappointed in the unit bearing his name. That said, what can you expect for this price point.
If you want excellent headphone tone out of the box or if you want a unit that serves double duty as a pre-amp to run direct into a PA, keep looking. This lo-fi amp is not going to make the cut.
If you need a cheap, portable, easy to use headphone amp to practice with then you might be happy with the Rockman Bass Ace as long as you pick up a good set of headphones to go with it. NOTE TO DUNLOP: Get Tom in with the guys at R&D and design a serious bass DI with a headphone out option with the following features:
>XLR Line Out
>1/4" Line Out Dry
>1/4" Line Out Blended
>1/8" Headphone Out (Blended Only)
>Gain (Punch)
>Treble (Top)
>Bass (Bottom)
>Presence (Attitude)
>Blend (wet vs. dry signal)
>Output Level (also controls headphone volume)
>Ground Lift Switch
>Active/Passive Switch
Put in a metal box in a color other than black and work up a better name. Price it at $199 and offer it as a DI/Headphone amp combo that sounds better than a C Tech and offers more options than a Sansamp. You'll rack up.
IMHO

Click Here to see more reviews about: Rockman Bass Ace Headphone Amplifier

The Rockman Ace line lets you hear your instrument's dynamic range and clarity to inspire you to "pick up your guitar and play". These high-quality, low-priced headphone amps offer built in compression, volume control and auxiliary stereo input/output.

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7/28/2011

Ernie Ball 2221 Regular Slinky Guitar Strings (12 Sets) Review

Ernie Ball 2221 Regular Slinky Guitar Strings (12 Sets)
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These are just good strings. The new packaging makes them even better. Sure there are "better" strings made from other materials or by a different process but these are a standard for the industry. I have three stratocasters and a les paul. I put these strings on all of them. To my ears they make the guitars sound exactly like they are supposed to. They also are a good value.

Click Here to see more reviews about: Ernie Ball 2221 Regular Slinky Guitar Strings (12 Sets)

Gauges 10-13-17-26-36-46.Ernie Ball 2221 Slinky Electric Guitar Strings feature nickel-plated steel wire wrapped around tin-plated, hex-shaped, steel core wire. Slinkys provide vibrant, bright, lasting tone and reduce fret wear. This weight balances maximum response from your pickups with playability and bendability. Ernie Ball replacement strings are precision manufactured to the highest standards and most exacting specs to assure consistency, optimum performance, and long life. Jimmy Page, Eric Clapton, Steve Vai, and Slash are among the long list of Ernie Ball Slinky players.

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7/26/2011

Dunlop 535Q Multi-Wah Crybaby Pedal Review

Dunlop 535Q Multi-Wah Crybaby Pedal
Average Reviews:

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The ability to quickly change the range and sensitivity has made it easy to dial in the exact sound you want to hear. It's built like a tank and has worked flawlessly in the time I've had it. Since I normally power it with a wall wart, I don't have much of an opinion about battery life.
Bottom Line: It costs a bit more than the standard Dunlop wah pedals, it's worth it.

Click Here to see more reviews about: Dunlop 535Q Multi-Wah Crybaby Pedal

The Crybaby 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. This is the wah pedal of choice for guitar master Joe Satriani.

Wah Range Selector The Wah Range Selector knob is located on the side of the 535Q pedal. It allows you to select a tonal range that is best suited for your expression needs. Turn the knob clockwise for the lower register ranges and counter-clockwise for the higher ranges.
Volume Control By turning the Volume Control knob located on the left side of the pedal, you control the amount of gain. Turning the knob clockwise will increase your gain to up to 16dB. Turning the knob counter-clockwise will decrease your gain to 0dB, or normal throughput.
Variable Q The "Q" adjustment is also located on the left side of the pedal; you can control the sharpness of the bandpass with this adjustment. High Q is a very selective bandpass filter, low Q is a very broad bandpass filter approaching an almost volume-like control. The lower Q settings have more musical quality and don't effect tone as much as the high Q settings.
Solid Construction The CRYBABY 535Q features a heavy, die-cast construction, for a road-ready wah pedal that'll provide years of reliability.
Powering Options Power the CRYBABY with a 9-volt battery, or grab an optional Dunlop ECB-003 AC Adapter for powering via outlet.
One-Year Warranty Dunlop provides extra peace of mind by offering a one-year warranty from date of purchase.
What's in the Box Dunlop 535Q Multi-Wah Crybaby Pedal, User's Manual

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7/14/2011

Dunlop The Original Crybaby Pedal Review

Dunlop The Original Crybaby Pedal
Average Reviews:

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This is the standard wah. This thing sounds great! There are a lot of wah pedals with a wider range out there but if you are looking for the traditional wah sound, this is the way to go. No other company has sucessfully replicated THIS sound. Other wahs are cool because of additional features and for their own affect (yes that is the spelling I intended). I gave this a 4 for the lack of features. If you buy this, a try adjusting the pot (read the instructions). Most people do not know about this feature but you can really change the voicing of this wah wah.

Click Here to see more reviews about: Dunlop The Original Crybaby Pedal

When people talk about wah pedals, they're talking about the Crybaby. This is the original--the one that created some of the most timeless sounds in rock.

The Original Wah The CRYBABY has been a standard in the world of music since its introduction in the late 1960's. Its rugged construction and efficient design have graced the foot of Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other guitar greats.
Wah Versatility By rocking your foot back and forth on the pedal, you can change the effect that the CRYBABY has on the tone of your instrument instantaneously. Toe down will give you more treble, heel down will give you more bass. The speed and amount of effect you use depends on your style of playing.
When placing the pedal in one position, you will hear a boost in that particular frequency. This boost can be used to add sustain and create feedback of a desired overtone.
Solid Construction The CRYBABY features a heavy, die-cast construction, for a road-ready wah pedal that'll provide years of reliability.
Hot Potz Potentiometer The original CRYBABY boasts a 100K ohm Hot Potz potentiometer, built to last and providing you with a quick, abrupt wah sound.
Powering Options Power the CRYBABY with a 9-volt battery, or grab an optional Dunlop ECB-003 AC Adapter for powering via outlet.
One-Year Warranty Dunlop provides extra peace of mind by offering a one-year warranty from date of purchase.
What's in the Box Dunlop Original Crybaby Wah, User's Manual

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