Showing posts with label headphone amps. Show all posts
Showing posts with label headphone amps. Show all posts

3/24/2012

Behringer HA4700 High-Power 4-Channel Headphones Amplifier Review

Behringer HA4700 High-Power 4-Channel Headphones Amplifier
Average Reviews:

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Behringer does it again with this great headphone distribution station. I was using a Rolls and found it could not handle even half of it's capacity. The HA4700 is amazing. Very versatile and clean sounding. Every studio should have one.

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Professional High-Power 4-Channel Headphone Amplifier System

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11/28/2011

Bellari HA 540 Class A Tube Headphone Amp Review

Bellari HA 540 Class A Tube Headphone Amp
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(More customer reviews)
Though I'm the satisfied owner of a Fiio E9 headphone amp, I own Ultrasone PRO750 headphones which are much like Grados only with more robust bass. The Ultrasones sound dry on some recordings, so when I found the Bellari HA540 Class A tube headphone amp at a steep discount, I purchased it. Since my integrated amp has two tape loops, I can connect the Fiio and the Bellari simultaneously.
The Bellari is manufactured in the USA by a division of Rolls. Readers might be familiar with Rolls through their HA43PRO headphone amp, which is often used to connect to the RCA outs of a TV. The Bellari uses one tube, a 12AX7, which is very common and easily sourced. Rather than use the stock tube, I purchased a Mullard. I'll only use the stock tube to fill in when I need to get another.
The Bellari is a Class A amp, but is barely warm to the touch. It's an OTL design: there's no output transformer. In practical terms, that means your headphones are providing the load on the tube. Headphones with too low an impedance could overdrive the amp. A headphone amp is the perfect application for an OTL design because headphones rarely have impedances as low as loudspeakers, which are mostly in the 4 to 8 ohm range.
The lowest impedance headphones I own are the Denon AH-D2000 at 25 Ohms, and the Bellari can handle it--but that's about as low an impedance as I'd want. The Ultrasone PRO 750 isn't very efficient, but the Bellari has lots of gain--it can drive the Ultrasones into pain territory without trying. It has two gain settings: a low setting for iPods, and a high setting for typical line out devices like CD players or the tape loop of a preamp, integrated amp, or receiver. The low and high designations refer to the input voltage, iPods having lower output than CD players or tape loops.
My expectations for the Bellari were more than met: it adds liquidity to the Ultrasones. I'm not into tubes per se, but it's a synergistic combination. This isn't a fuzzy warm tube sound--the Bellari has some real kick, with subterranean bass. The OTL design has a very clear, open sound, and if you've never heard an amp like this, your first impression will be how different it sounds from solid-state designs.
My only criticism of the Bellari is that the headphone out jack is located on the rear of the amp, but you can reach it easily, so it's not a problem. If you want to experiment with a tube amp, you may find the Bellari HA540 a perfect introduction.

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The Bellari HA540 is a audiophile grade headphone amplifier. The all class A signal path ensures smooth clean analog audio. The 0 feedback design means smooth natural analog response. It features 2 input paths and high gain for MP3 players, ipod, etc and a low gain path from audio selectors, mixers, satellite receivers, etc.. It also features direct into the tube grid coupling for no loss or distortion. The unit is included with a universal powersupply for use most anywhere in the world.

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11/24/2011

Orange Amplifiers Micro Crush PiX 3 Watt Amp Review

Orange Amplifiers Micro Crush PiX 3 Watt Amp
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I bought this with pretty low expectations and I must honestly say, I am BLOWN AWAY! This little amp makes a big sound! The distortion on this little sucker shreds. I cranked it up last night and was playing a little Children of the grave, it was amazing. Without the headphones, it is not too loud but still sounds awesome for a portable, battery powered amplifier. I highly recommend you purchase this if you are looking for a great, portable practice amp. Orange has done a great job with this little box. If I lost this, I would certainly buy another right away.

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The Orange Micro Crush PiX Series CR3 amplifier has all the cool looks of its bigger brothers. But it's not just cool looking. Plug into the little Orange Micro Crush amp, and you'll soon realize it is Orange through and through. Orange gives the Micro Crush amp the brand's signature Orange Tolex cover and woven speaker grille and, of course, Orange's picture-frame edge style.

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11/06/2011

Samson S Phone 4 Channel Headphone Amplifier 12 Outputs Review

Samson S Phone 4 Channel Headphone Amplifier  12 Outputs
Average Reviews:

(More customer reviews)
good amp...excellent build qauliy, no noise or humm which is the most importane to me, the eq is good and the sound is fair. well, a high end headphone amp will sound much better but for the price, you can't get better than this one.

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The Samson S-Phone 4-Channel Studio Headphone Amp is loaded with advanced features that provide tremendous power and flexibility for monitor and cue mixing. Each of S-Phone's four channels include: three headphone outputs (one front/two rear) to drive up to 12 sets of headphones, a channel volume control with individual Channel Level Meter, a 2-band Equalizer (with Flat detent), a stereo Auxiliary Input, and a Balance Control to adjust the ratio of Main and Auxiliary signals or left and right balance (based on the setting of the Stereo/2 Channel switch). The Master section features an input level control, a stereo input LED meter, and a master Stereo Aux input for inserting a second signal to all headphones. Best of all, each channel of the S-Phone has been designed to operate safely down to 8 ohms when used with multiple headphones.The S phone is a versatile single rack space four channel headphone amplifier, loaded with advanced features that provide tremendous flexibility for monitor and cue mixing. The Master Input features an input level and LED meter to control and display the overall stereo input.Each of S phone's four channels includes three Headphone Outputs with an overall Volume control and individual Level meters. A convenient Stereo Auxiliary input is available on each channel so that individual line signals from direct or buss outputs can be mixed with the main stereo input. The Balance control adjusts the ratio of the Main and Auxiliary signal or the left to right balance (based on the setting of the ST/2CH switch) so that each headphone mix can be further tailored for a particular listener's individual needs (More Me). For greater sonic control, S phone also features a 2-band equalizer on each of the four channels. A master Stereo Aux input on the front panel is also supplied for inserting a second signal to all headphones.

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