Showing posts with label guitar distortion. Show all posts
Showing posts with label guitar distortion. Show all posts

12/25/2011

Source Audio Soundblox Multiwave Distortion Effects Pedal Review

Source Audio Soundblox Multiwave Distortion Effects Pedal
Average Reviews:

(More customer reviews)
There are 21 different sounds in this product. Most of them are new but really sound great. I note 3 highlights:
1) The Multiwave processing allows complex cords to be played with unual clarity.
2) The Octave settings do not use pitch detection and are easy to play.
3) The Foldback settings create some really interesting harmonics as notes decay.
All n all a very fun and affordable new distortion pedal.

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The Multiwave Distortion features 21 distinctive and modern effects not found on typical distortion pedals. Based on new proprietary algorithms, these range from basic overdrive sounds to aggressive synth-like, octave heavy and extreme foldback settings that go far beyond emulations of typical 'classic' distortions. The Multiwave Distortion's unique Multi-Band mode divides the input signal into several frequency bands, which are distorted separately before being re-combined. Guitarists can play complex distorted chords and each note can be heard with absolute clarity. Several notes can feed back or drone simultaneously while a separate melody is played on top without the typical loss of volume associated with most of other types of distortion. The Multiwave Distortion is also compatible with the Hot Hand® motion sensor. When connected, Hot Hand® controls the amount of gain.

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9/21/2011

Source Audio Soundblox Pro Classic Distortion Effects Pedal Review

Source Audio Soundblox Pro Classic Distortion Effects Pedal
Average Reviews:

(More customer reviews)
Being a pedal junkie I have relied on a variety of stompboxes over the years to get "my' tone. Thou my sound and style have changed over the years there are a couple of boxes that have been under my feet for decades.
My MXR Distortion+ has been on my board since the early eighties. Many pedals have sat next to it, my Chandler Tube Driver, DOD 250 Overdrive, a BBE Freq Boost, a BOSS Mega Distortion and most recently a Systech Harmonic Energizer clone.
It has been a headache switching and swapping out those pedals on my board depending on the application, until now.
Source Audio's Soundblox Pro Classic Distortion is the answer for most of my tonal demands and frees up valuble pedal board real estate.
At first I thought this was yet another amp modeler. Most DSP modelers have a thin and sterile sound to my ear. My other concern was if the Classic Distortion could capture my modern and nu metal distortion tones, usually delivered via my BOSS Mega Distortion.
Five minutes with Source Audio's Soundblox Pro Classic Distortion and all of my concerns were put to rest. The Fuzz settings are natural, warm and gritty. I can dial in Jack White, Blue Cheer or Hendrix with ease. Names like Big Pi and Fuzz Facade are clear indications of my tonal starting point. There is also a midrange control on the box for quick live tweaks and the ability to adjust the distortion pre and post midrange boost/cut.
The built in EQ is a dream come true allowing me to add a little bottom to my Tony Iommi Laney Amp tones or add midrange scoops to create Scholz SR&D Rockman like tones.
The Metal setting on this pedal is no joke. It is a paint peeling aural assault. I can easily punch up a bit of Dimebag or Kerry King with ease. The built in noise gate allows me to push the distortion to the limit with absolutely no line noise. This box delivers warm, powerful Marshall/Mesa Boogie like heat.
This guitar pedal is a must buy for any tweaker. Studio musicians and cover band guitars will find this to be indispensable. Those of you guitar players that tend to stick to one distortion tone will also get a lot of use out of the box. The EQ and Midrange controls will help any guitarist cut through the mix.


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The Soundblox Pro Classic Distortion packs 4 tube amp and 8 fuzz box overdrive tones, plus a Clean Boost/EQ mode into one highly tweakable and programmable pedal. The onboard 7-band graphic equalizer and dual drive controls provide virtually endless tone manipulation possibilities. Save your customized tones in 6 programmable user preset stations, available for speedy recall via three footswitches. An expression pedal input allows for seamless morphing from one user preset to another.The Pro Classic also includes a MIDI input allowing external access to presets and parameters, and is Hot Hand® ready for even more expressive capabilities.

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7/24/2011

Boss MT-2 Metal Zone Review

Boss MT-2 Metal Zone
Average Reviews:

(More customer reviews)
I've had my Boss Metal Zone for about 15 years and have never had any issues with it. It's an incredibly versatile distortion pedal (whether you're playing Thrash-metal or Brit-pop). I've used other (cheaper) fuzz-boxes etc, but I always come back to the Boss. Well worth the money.

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Equipped with a dual gain circuit, the MT-2 provides super-long sustain and heavy mids and lows like a stack of overdriven amps. With 3-band EQ, a wide range of distortion textures is at your command.

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7/17/2011

Line 6 Uber Metal Review

Line 6 Uber Metal
Average Reviews:

(More customer reviews)
This is the only Line6 product I have ever purchased and probably ever will. I have never been impressed by Line6 pedals or amps or anything else they make. This distortion pedal, however, is the best of all the distortion pedals I've tested. (DOD death metal, digitech metal master, metal muff w/top boost, boss metal zone, ibanez sm7, digitech gnx/rp series, boss gt 6, line6 podxt live)
Six knobs may seem like it's overdone, but they all have an important part. Three-band eq, scoop on the mid range (you can get SICK tones) gain setting and level. It also has a switch with three different distortion tones. The metal is more of an 80's hair/glam metal sound, it's pretty thin and flat, sounds about like Sonata Arctica.
The pulverize setting is what I mainly use. It's your standard heavy thrash sound, like dragging a concrete block across broken glass. This is where you get your Metallica, Lamb of God, Rammstein, Megadeth, etc. You know, whatever is heavy and sounds like bones breaking.
The insane tone is similar except it takes all the extra high end that's not really adding anything to the sound and sticks it on the bottom. It's extra thick and warm and heavy. I use it for some things but with my setup (ibanez rg1550 prestige w/emg's all around through an old twin triode crate with celestions) it's got too much low end boom to shred. It's fine just for slower Bloody Kisses style elegy type music but not so much Cradle of Filth or Dimmu Borgir thrash.
The general tone is not so much a Line6 tone, it's the tone of your guitar being distorted and then sent through your amp. If you like the tone of your guitar and the tone of your amp you should be fine because the pedal does not override either of them, it just adds on.
Another feature that is very nice is the built-in noise gate. You can turn it off and get all that raw hiss static or you can put it on setting one which takes about half of the extra noise out and quiets it down and the second setting which effectively eliminates all unwanted noise and makes it a little tighter and slightly compressed. Turning the gate all the way on does take off sustain and makes harmonics not as audible, but how long do you need to sustain 8th and 16th notes?
As far as the construction goes, it's solid. It probably weighs about three pounds. I've had mine for a couple years now and I have never had any trouble with the jacks, the switches, or the foot switch. The knobs are a little on the delicate side, they sometimes are a bit loose and wiggly but they haven't broken off or stopped functioning in any way. The battery compartment is under the switch as normal but it's not so bad, you just gotta pinch in the circle deals on either side to get it open. I've got a PSU so I never need to go in there anyway.
I have yet to find a pedal that sounds as good or better (or an amp with on-board distortion for that matter) than this one. There are more out there I haven't tried, I'd really like to try some of the tube distortions and others I've heard of -- Rocktron Metal Planet, Guyatone MM-X Metal Monster, Nady TD-1 Tube Distortion, BBE Crusher High Gain Distortion Pedal, Rocktron Silver Dragon Tube Distortion Pedal, Pigtronix OFO Disnortion -- to see if they've got more of what I want like the Line6 does (or better).

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So much gain, so little time.The high-gain model in the ToneCore pedal line, Uber Metal brings you massive amounts of gain in one tiny, tough package.You can chose from some of the best Line 6 high-gain tones including Metal, Pulverize, and Insane.Also included with the Uber Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring.

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6/13/2011

Digitech DDM Death Metal Analog Distortion Pedal Review

Digitech DDM Death Metal Analog Distortion Pedal
Average Reviews:

(More customer reviews)
Ok I have been playing guitar for about 5 years. Electric Guitar for almost 2. I kinda got bored of not having a loud heavy distortion. Using any amp you can get heavy distortion by turning up the preamp high and the postamp down, but then the sound is barely audible. So when I got this I immeadiatly fell in love with it. The sound at first gave me too much feed back. So what you have to do is you have put your amp on clean. If you want to use your amp distortion for the entire song and then this pedal for the solo then you have to be playing from the moment you turn the distortion on til the moment you turn it off or else it screechs. The sugested settings (death scoop, smooth, knifes edge, and rectified) are good for getting used to the pedal, but after awhile you need to find your own settings. I love this pedal. I compared it to such pedals as the Metal Zone and The Boss Death Metal (digitech bought out Boss so they are the same, just the digitech has more crunch) and the Digitech Grunge.
My set up is a Washburn Dime 332 with light gauge strings and the factory pick-ups. My amp is a Peavey Rage 158. It's a 10 watt, but with this pedal it sounds like a 30. It's amazing. All those reviews you read that said you can't get softer sounds are wrong. You just need to use the volume setting on your guitar. If you turn it down low, you can get a blues tone out of it.
Now this thing is built like a rock, I have a good size dent in my floor now from when I dropped it, but the thing still sings. It is a mini tank. Even though you get good battery life I would suggest you still get the AC adaptor.
This pedal is perfect for any metal head! Don't waste you time on the other pedals. This one is the best you can get, and it's cheap too!
Review:
-Makes small amps sound huge, and huge amps sound... well just sound bigger.
-Can get soft sounds out of it
-Less expensive yet still as good
-Built like a tank!
-Gives you sounds of all good Metal Bands (Iron Maiden, Judas Priest, Slayer, Metallica... etc.)
-Excellent beginner/intermediate/advanced pedal.

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Death Metal\'The legendary Death Metal pedal is by far the most extreme distortion you will ever hear. Simply put, we have turned the gain up to \'eleven" and ripped the knob off. Level, Low, Mid, and High tone controls provide flexible tone shaping, so even though this distortion is over the top, your guitar is guaranteed to cut through.

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