Showing posts with label equalizers. Show all posts
Showing posts with label equalizers. Show all posts

4/20/2012

Line 6 Tone Port UX1 Review

Line 6 Tone Port UX1
Average Reviews:

(More customer reviews)
Great product with near zero latency. For anyone else who needs info on Mac compatibility check here. http://www.line6.com/toneportux1/

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TonePort is the first line of USB recording and modeling interfaces, bringing world-class Line 6 guitar, bass, and vocal tone to the world of desktop recording.TonePort UX1 hardware interface is USB-powered and come with Line 6 GearBox modeling software, which provides a must-have collection of 16 guitar and 5 bass amp/cab models, 24 stompbox and studio effects (up to 10 at once), and 6 models of high-end studio microphone preamps.TonePort UX1 features a high-quality microphone input with preamp, a guitar/bass instrument input, stereo line inputs and outputs, stereo headphone jack, and an analog merge monitoring input.TonePort UX1 ships with Ableton Live Lite � Line 6 Edition recording software for a complete recording experience right out of the box.TonePort hardware and software is compatible with the most popular Mac and Windows recording programs.

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3/19/2012

ART HQ231 Dual 31 Band Graphic Equalizer with Feedback Finder Review

ART HQ231 Dual 31 Band Graphic Equalizer with Feedback Finder
Average Reviews:

(More customer reviews)
I use the EQ in my bands PA system. It is very quiet and the feedback circuit makes ringing out the room very easy. Definitely worth the price.

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The 2 channel ART HQ231 delivers the precision accuracy of 1/3-octave EQ with the convenience of ART's Feedback Detection Circuit. During operation, various EQ band LEDs will illuminate as the HQ-231 processes a signal. The loudest band will correspond with the brightest LED. When feedback occurs, FDC (and its brightest LED) shows you exactly where to adjust - it's that simple! You'll also know you have properly set the signal as the LED reduces its illumination. Features include Constant-Q filtering with ISO centers, switchable +/-6 or 12dB Boost/Cut, and independent Level & Bypass controls. XLR, 1/4' (TRS) and RCA inputs and outputs are provided for easy integration into ANY audio system. HQ SERIES: with FDCTM Feedback Detection Circuit. The ART HQ SERIES of professional graphic equalizers represents our commitment to producing high-quality equalizers. Our HQ SERIES has proprietary features that help you keep live sound under control. They are incredibly powerful tools for front-of-house and monitor mixes alike. FDCTM instantly illuminates the EQ band with the hottest signal to identify feedback, for quick correction. Use FDCTM to observe peak frequencies or to quickly locate dominant room frequencies during system setup. The HQ-231, HQ-31 and HQ-15 can handily double as simple spectrum analyzers. Make your live mixes sound their best with HQ SERIES EQs from ART. Applications for the ART HQ-231 include Live Sound Systems/PA, Permanent or Fixed Installations, Church, Club and Practice PA Systems, DJ Sound Systems, Home and Project Recording Systems, and Monitor Systems. AmericanMusical.com is an authorized dealer of ART products.

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2/22/2012

DBX 215 Dual 15 Band Graphic Equalizer Review

DBX 215 Dual 15 Band Graphic Equalizer
Average Reviews:

(More customer reviews)
Simply excellent. The sound is crystal clear. Best value for the money spent. No need to look around to get something better. My DVDs and Blue Rays started to sound by far better than before. Love it. Buy it and you won't regret. Send me a check for good review too.

Click Here to see more reviews about: DBX 215 Dual 15 Band Graphic Equalizer

The dbx 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls. The 215 not only provides standard features like dual channels, 15 2/3 octave bands, ISO frequency meters, +/- 12dB input gain range, and switchable 50Hz/12dB octave low-cut filters, but also includes other thoughtful features. These features include: 20 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments; XLR, and 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 2-Series has been pursued to make your job easier.The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range, internal toroidal transformer, the 2-Series offers out of this world specifications wit a own to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in tHe lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

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10/29/2011

ART 341 Dual 15 Band Graphic Equalizer Review

ART 341 Dual 15 Band Graphic Equalizer
Average Reviews:

(More customer reviews)
The equaliser, once a basic component of an analogue stereo chain, and still in wide use by audio pros, is all but gone from the consumer market. (A question of fashion, not utility.) As a result, the consumer has very little choice; few products are available, and -- judging from reviews on Amazon -- the quality is rather poor.
An alternative is pro audio equipment, which is usually built to better quality standards. Below are my comments on EQ341, after using it for several weeks in a home stereo chain.
Pros
(1) Price. Same price range as consumer equalisers, such as those from AudioSource.
(2) Unbalanced ins/outs. Most pro audio equalisers are provided with balanced in/outs, while home equipment is standardised on unbalanced RCA ins/outs. (This is not a mere question of different plugs and jacks!) EQ341 is equipped with both balanced (XLR and 1/4 TRS) and unbalanced (RCA) connections, and hence it is easy to integrate in a home system.
(3) Range. Commonly, home eqs offer 7 or 10 bands per channel, with a range of +/-10 dB. At 15 bands/channel and max range of +/-12 dB, the EQ341 is noticeably better.
(4) Build. I have not compared it directly with currently available consumer equalisers, but, judging by Amazon reviews, EQ341 is more sturdily built; it is certainly more solid and rugged than my old Nikko equaliser.
(5) Sound quality. Sound quality is close to what I expected, and matches the published specs.
Cons
(1) Rack mounting. EQ341 is designed for a standard 19in equipment rack. Some manufacturers of rack-mounted equipment provide rubber feet and detachable face-plates for desktop applications; such is not the case with ART -- you will need to buy some self-adhesive rubber feet or spacers to use it in your home system. Additionally, it is less deep than most home equipment, so don't count on easily stacking other component(s) on top of it. Also, don't count on it blending in aesthetically with your non-rack-mountable equipment.
(2) Poor RCA connectors. RCA connectors are of poor quality (they are very slightly smaller than standard, so most RCA plugs will be too loose) and they are coded according in ART's idiosyncratic scheme (white for in and red for out, instead of the usual white for L and red for R).
(3) No tape in/outs. Consumer equalisers usually have additional in/outs, for connecting a tape recorder or other recording device. EQ341 lacks this feature.
(4) Bypass issue. Like all equalisers, EQ341 is provided with a bypass mode; when activated, the unit should be in hard-wire bypass, the input signal being routed directly to the output. However, I measured a 0.4V drop in peak-to-peak voltage with the unit powered on and in bypass mode relative to the unit powered off. This should not happen.
(5) Captive power cord. The power cord is permanently attached; an IEC C14 connector (commonly used in other pro equipment, as well as in computers) would have been more convenient.
(6) Quality concerns. In addition to poor RCA connectors, there are other quality issues. For instance, the face plate is slightly misaligned with the rest of the body. In itself, it's not a big deal, but it does indicate problems with the quality assurance at ART's Chinese plant.
Overall, if I didn't have some concerns about its manufacturing quality, I'd recommend the EQ341 with few, if any, reservations. However, the poor quality of the RCA connectors is a significant shortcoming. ART definitely needs to improve its quality assurance process.


Click Here to see more reviews about: ART 341 Dual 15 Band Graphic Equalizer

ART's EQs offer clean frequency control in space-saving 1 rack space chassis. Their full compliment of XLR, 1/4' TRS and RCA inputs & outputs lets you put them to work in any audio enviroment. They offer a switchable boost & cut range of 6dB or 12dB, with 20mm center detent sliders. The ART 341 is a dual 15-band EQ for use in any stereo application, and it's great on instrument inserts, especially since you can handle two channels from one rack space. The ART 351 is a single channel 31-band EQ with adjustable high and low pass filters. ART's 341 Dual Channel 15-band 2/3-octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, variable input level control, clip level indicators, ground lift switch, internal power supply and selectable line voltage switch. A range control switch is provided allowing you to set the maximum boost or cut for each band of equalization to either 6dB or 12dB. Each channel has its own bypass switch with LED indicator. The rugged, all-steel constructed chassis occupies 1U rack space and is intended for installation in standard 19' equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1/4' TRS connectors use active balanced, low noise circuitry. XLR connections are: Pin 1 = ground, Pin 2 = Hot (+) and Pin 3 = Cold (-) The 1/4' TRS connections are: Tip = Hot (+) Ring = Cold (-) and Sleeve = ground. Both the XLR and 1/4' connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The 341 is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. A clip LED will light when a signal level of 5dB before clipping occurs. The 341 may be used in a variety of applications

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6/28/2011

Line 6 Floor Board Review

Line 6 Floor Board
Average Reviews:

(More customer reviews)
I bought this as a christmas gift for my son, he has a Line 6 SpiderI, so it was difficult to find a footswitch for it. The amp sounds great but until we purchased the floorboard he wasn't able to switch channels easily.
When he opened it there was one page of easy-to-follow instructions that had him up and running in a few minutes.

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Designed for use with Line 6's POD 2.0 (as well as the original generation of Line 6 amps), the Floor Board has two main modes of operation: Channel Select and Effect On/Off. Effect On/Off gives you instant direct access to your Digital Guitar Amplifier System's effects, while Channel Select gives you seamless switching between all of your Digital Guitar Amplifier System's Channels. Volume and Wah Pedals, Tap Tempo and a Digital Chromatic Guitar Tuner round out the features in this must-have accessory for the first era of Line 6 modeling products.

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