Behringer PMP3000 1,200-Watt 16-Channel Powered Mixer Review

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(More customer reviews)We bought this powered mixer to replace a defective one at our church. Our sanctuary can seat 900 people and so it is a fairly large auditorium. The mixer has more power than the previous powered mixer and many more features. I especially like the individual channel mute buttons so we can kill a mic without having to move the gain adjustments. The only thing I did not like about this mixer is there was no block working diagram available. So we had to construct one for ourselves. To a trained eye, by using a block schematic diagram, it is easier to know how to set up the mixer for different applications and to troubleshoot a problem.
The actual steady state power output is more like 200 watts (each of the two stereo outputs)for our 8 ohm speaker system but still is greater that the old powered mixer. That is a total of 400 watts as compared to the (at first glance) advertised 1200 watts. We do not have to use the maximum gain on any channel so the output is fine for our use. There is also a headset output that follows the actual powered signal which can give you a better idea of mixed signal that is sent to the speakers and to our DVD and CD recorders.
The people at Behringer were able to answer all my questions without any problems so tech support was great. We did have a little difficulty in figuring out how to use the FX special effects (reverb, etc) generator but once we did figure it out, using it was just as advertised. You can probably guess that the instruction manual is not extensively done. But with a limited budget for an emergency purchase of a powered mixer, we are thoroughly satisfied with the quality and price.
The price is exceptional and caused a few doubting comments about how could we get what we needed for such a small price. We have been using the unit for two months now with absolutely no problems.
My suggestion is that before you purchase this unit, download the instruction manual from the Behringer site. You will see the output connection is not a 1/4 jack. If that is what you have, you will have to buy an adapter or convert the present cable connection to the new type. The adapters or connectors are not very expensive (Neutrik NA4LJX Speakon To 1/4" Mono Jack Adapter)and cost under $11 including shipping. You can optionally by the Speakon connectors and convert the speaker cable to the new connector type.

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If you need superior stereo sound for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, the 16-channel PMP3000 can deliver. This 1,200- Watt mixer has built-in mic preamps and an FX processor, as well as enough power to drive mains and monitors, thanks to dual onboard 600-Watt power amps.

Massive Mono or Stunning Stereo The PMP3000 gives you the choice of 2 x 600-Watt stereo, 2 x 600-Watt dual mono or 1,200-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP3000 can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Eight built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP3000.
Built-in Digital Effects Processor The PMP3000 is also equipped with a 24-bit FX processor, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you're pulling double duty as sound engineer and performer, the FX processor features a footswitch jack for remote on/off.
Changing the Channels The PMP3000 gives you excellent flexibility to accommodate whatever a performance requires. Channels 1-8 are for mics, guitars and other mono instruments. Stereo channels 9-16 are ideal for keyboards. All mono channels have 3-band EQ, switchable Low Cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
The Ins and Outs Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for karaoke applications.
CD/TAPE RCA outputs send line-level signals from the mixer to a recording device. Left and right output 1/4" connectors are there in case you need to connect more power amps. Connect your monitor power amps or active monitor speakers to the MON SEND output.
A STANDBY switch mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint which frequencies to adjust for optimized sound, without the feedback.
Speaking of Optimized Output The PMP3000's POWER AMP switch toggles between three operating modes: MAIN, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). Dual mono mode allows you to use Output A for mono Mains and Output B for monitors. This clever functionality powers both your mains and monitors without the need for an additional power amp.
What's in the Box Behringer PMP3000 Powered Mixer, Power Cable, User's Manual

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Nady Small Diaphram Condenser Microphone Review

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(More customer reviews)I am a drummer with a home studio. I was looking for a small condensor to place over my ride cymbal to gain a tad more control aside from the stereo over heads I am already using. This mic was my choice because of my past experience with Nady products and the price. It has a full clear sound with very high gain. What I actually ended up doing was using it as my Hi Hat mic and using the AKG i had over the ride with fantastic results. The only thing I can say is the mic does not have a low end roll off switch which would make it it top notch, but that was easy to remedy by just using a parametric EQ to gain the results I wanted. 2 thumbs up for the Nady condensor. Just the price alone makes it worth buying

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The DM Series Drum/Percussion/Instrument Dynamic Microphones are equipped to handle extremely high sound pressure levels without distortion. The DM Series microphones are ideal for live and studio closemiking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields. The CM-90 is a Classic small diaphragm (20mm) condenser mic. Perfect for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano, and horns. High sensitivity, extended smooth, full frequency response and very high SPL capability Transformerless design for minimal self-noise and increased dynamic range Rugged, turned-brass housing internal sub-assembly shockmount, and engraved markings Requires 48V phantom powerSpecifications:Type: True condenser pressure-gradient microphone with 0.79 inch(20mm) diaphragm and FET Polar pattern:Cardioid Open circuit sensitiity: 14mV/Pa=-37dBV (0dBV=1V/Pa)Frequency range: 40 to 16000HzRated output impedance: < 200 OhmsRecommend load Impedance: -1000 OhmsMax. SPL (1% THD @1000Hz): 131dBEquivalent noise level to DIN 45405(CCIR 468-2): 28DB Max.SPL (1% THD @1000Hz): 131dBPower requirement: +48VDC phantom powerEquivalent noise level to DIN 45405(CCIR 468-2): 28DBIEC 268-4(A weighted): 19dB-AS/N ratio re 1Pa: 75dBCurrent cons

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Alesis MultiMix 4 USB Four-Channel USB Mixer Review

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(More customer reviews)In general, I like it, but it has warts. The biggest issue, which was mentioned differently in other reviews was the hum & noise when you're monitoring a live recording through headphones. The weird thing is that this noise doesn't appear on the finished digital file. Since I'm not taking this into the field, I'll live with this odd behavior because the other features be the heck out of all of the other USB mixers in this price range (here's a hint: there aren't any, or at least their weren't any when I bought this). Before I got my cushy desk job, I moonlighted as an A2 so part of me wants to cringe at the noise in my headset; however, in an earlier life I worked with the old Hitachi HR100 1" VTRs, and they had the same problem except for about 100 times more money. I can live with this, and it gets a 3 only because of the monitoring issue...otherwise this little baby excellent.


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Perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups, the Alesis MultiMix 4 USB outputs not only line-level analog audio but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection.
The MultiMix 4 USB mixer has four input channels, all of which can accept a 1/4-inch line input. You can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input.
Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three and four are configured as a stereo pair at the level and pan controls.
Key Features
Four-channel mixer with USB stereo input and output
Low-noise digital 16-bit, 44.1 kHz signal on USB for easy computer interface
Four 1/4-inch line-level inputs plus RCA tape in/out
Two XLR mic inputs with gains, high-pass filters, and switchable 48V phantom power
High-impedance guitar input
Dual-band EQ on mic inputs
Multicolor LED metering
Main and headphone outputs with independent level controls

Specifications

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Behringer 1622FX 16-Input 2/2 Bus Mixer with Effects and USB Review

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(More customer reviews)I have been looking for a mixer for my home studio. I use it to produce audio programming for a radio station.
I checked several others along with this. I heard good reviews on Mackie products. I have seen them in action and I believe they are quite good. However, after a comparison, the Behringer is of equal quality with more features for a lower price. I would highly recommend this to anyone needing to mix several aux sources along with microphones.

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The X1622USB features four XENYX-fueled mic inputs with channel Inserts, "one knob" compressors and 3-band British-style EQs with a sweepable, semi-parametric mid frequency band. The four stereo line-level channels offer enhanced fine-tuning via 4-band EQ, which is extremely handy for adjusting critical keyboard midrange frequencies. Aux 1 Sends are switchable (pre- or post-fader) and individual channels can be assigned to two subgroups for mixing flexibility.

XENYX USB Series Mixers XENYX USB Series mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixers come with all the recording and editing software you'll need to turn your computer system into a complete, high-performance home recording studio.
Sonically Superior Mic Preamps All XENYX mixers have one thing in common--great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology--and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, XENYX mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren't looking.
Sublimely Musical British EQ The British consoles of the 1960s and '70s changed the sound of rock and roll--without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
One-Knob Compression Ask professional sound engineers what their favorite piece of external processing gear is and the majority response will be virtually unanimous--dynamic compression. What is compression? We're glad you asked. Compression essentially limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds, to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate, sound techs have great difficulty mastering. Our "one-knob" compression is available on all mono channels and is easy to operate, even for entry-level users. With this one knob, you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. This is indeed a rare feature for products in this class--but standard on all XENYX USB mixers.
Effective FX All XENYX USB Series mixers (except the 1204USB) feature our new 24-bit dual engine FX processor, with 16 editable, studio-grade presets including reverb, chorus, flanger, delay, pitch shifter and multi-effects. Complete with a highly accurate input meter, these effects can be altered to your personal taste via the Parameter control. Time-based functions can be entered manually by pressing the Tap button in tempo with the music.
Recording Bliss There was a time when the recording process called for lots and lots of expensive gear, which meant the average musician had to buy time at a recording studio--and that time was pricey indeed. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. How do you get all that music flying around your brain into your computer? That's where XENYX USB mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect any of these mixers directly to your PC or Mac computer via a single USB cable. Now any signal source you connect to the mixer can be recorded directly to your hard drive.
Software Included Because you'll want to take full advantage of the XENYX USB Series mixers' recording and podcasting potential, Behringer has thrown in a massive software package that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac computer right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio from input to output.
energyXT2.5 Compact BEHRINGER Edition Included When you're ready to take your recording projects to the next level, XT Software's energyXT is just the trick. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or Web-ready recordings. energyXT includes its own multi-FX processor, plus a built-in synthesizer/sampler and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S) or programmed in step-write mode.
What's in the Box Behringer 1622FX Mixer, Power Cable, User's Manual, Software CDs, Rack Mount Brackets

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Behringer UB502 Eurorack UB502 Mixer (5 Inputs) Review

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(More customer reviews)I've wanted a mixer for a long time now, and I finally got this one. At first I wanted the next biggest one, the UB802, I think. When I was thinking about when it when it would come. When it did, I was almost unsure what it was when I saw the box! It's so tiny- I thought it would be much bigger (Guess I didn't look very hard at the product description!)
It's amazing the sound you can get with this and even a cheap pair of speakers and a microphone (I use a Behringer mic, also. Ultravoice.)
I'm quite happy with this and if you're looking for a mixer on a budget, this one will be amazing for a small home studio. However, if you want to make something bigger, you'll want to get one of the bigger models in this series (Behringer UB).
I'm thrilled!

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The Behringer UB502 may be small, but it features the same state-of-the-art Invisible Mic Preamp (IMP) and the same Ultra low-noise (ULN) design for highest possible headroom as its larger brethren. The UB502 has one mono channel plus 2 stereo channels with a 2-band EQ on the mono channel so it's ideal for use with fixed audio installations as well as keyboards, samplers and computer application. Hobby musicians and video makers will also find use for the ultra-compact Behringer UB502. The UB Stereo mixers are the Fab Four of Behringer compact mixers, featuring the same design, the same quality, and lots of the same features as their most expensive brothers & sisters. From the Invisible Mic Preamps to the carefully designed faders, knobs and even equalizers, these mixers provide the super clean, high headroom sound quality that you demand for pro live sound reinforcement jobs and even high-quality digital recording. All of these models feature at least one Aux send for effects. Other features include balanced 1/4" main outs, RCA tape in & out and Ctrl Room output.

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Rode NTK Tube Condenser Microphone Review

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(More customer reviews)Great mic - excellent sound. I have been a pro voiceover artist for over 30 years and have dealt with a variety of studio mics. In building my own studio I really wanted a front end that had a clear and smooth full-range sound. The R0de NTK was recommended to me by another "big voice" artist, and completely lives up to the recommendation. Everyone I have talked to says it's about the best value out there. If you have cash to blow, you can get a "noyyyyyymannnnn" (raise eyebrows here), or you can enjoy the sound of this mic and take the extra $3200 and spend it on more gear. The hard plastic padded case for the mic and power supply are a nice touch. Don't forget to buy a shock mount for it!
Enjoy -

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The RODE NTK sets the standard for value in professional microphones. This is a tube mic designed exclusively for recording professionals who want what only the best can offer. The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos. It includes a power supply, 30 foot cable, stand adapter and case. RODE NTK Features Large 1 inch capsule with gold plated diaphragm Class A valve circuitry Ultra low noise Wide dynamic range Hand-selected and graded 6922 twin-triode valve Dedicated Power Supply High strength heat-treated steel mesh head Durable satin nickel finish Internal capsule shock mounting High level of RF rejection When professional performance counts use only a Rode NTK tube microphone. AmericanMusical.com is an authorized dealer of Rode products.

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Nady PCM-100 Professional Classic-style Condenser Microphone Review

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(More customer reviews)I bought this mic to record acoustic and classical guitar as well as vocals in my modest home recording set up. It performs ok, better than the Shure SM58 I used before. It sounds way more crisp and ambient, picking up a lot more details and clearer highs. It is not a professional studio mic, but it definately adds some semi-pro quality to my recordings. For miking-up electric guitar, placing it in front of my guitar amp, I still prefer the SM58 though. All in all a good price/performance ratio.


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The Nady PCM-100 Classic Condenser Mic is perfect for broadcasting and stage vocal use. It is versatile in the studio, too. The Nady PCM-100 mic features a high-quality electret condenser element, cardioid polar pattern, and a smooth frequency response tailored for vivid vocal reproduction with a perfectly positioned presence peak. Switchable low-cut filter. Integral mic holder mount. Comes with foam-padded plastic carrying case. Requires phantom power.

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Shure Beta 52A Instrument and Bass Drum Microphone Review

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(More customer reviews)I actually used this Mic while on tour with The Wallflowers. I loved the great low-end response!

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Designed specifically for kick drums and other bass instruments, the Shure Beta 52A high-output dynamic microphone provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. A successor to the popular Beta 52, the 52A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Key Features
Frequency response shaped specifically for kick drums and bass instruments
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal-to-noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability

Specifications
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz): Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL: 174 dB at 1000 Hz (calculated)
Connector: Three-pin professional audio connector (male XLR type)
Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8"-27 thread
Weight: 21.6 ounces

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Crown PZM-185 PZM Mic Battery/Phantom Review

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(More customer reviews)Specialized! Great for purchasers who understand this type of microphone. This type of microphone must be placed on a flat, hard surface for best results. A table, a sheet of suspended plexiglass, a desktop are examples of flat, hard surfaces. This type of microphone picks up all sound that reaches the boundary -- or surface -- on which the microphone rests. The plastic paddle features two (2), tiny and fragile "posts." You can either attach the paddle or remove it using these posts, which squeeze and insert into holes on the bottom of the microphone casing. The paddle isn't required if you want to mount the microphone on some other type of flat surface. I am a distance learning audio technician who works with far more expensive ceiling-mounted Tandberg "AudioScience" microphones (around $1,500). Believe it or not, this Crown PZM-185 is almost as good when mounted on suspended plexiglass! They call this a "PZM" or "pressure zone microphone." The pickup pattern is shaped like a half-sphere. So, if you put it on a table, then everything above the table will be heard to a distance of at least nine (9) feet. This model uses either batteries or, if you plug it into a mixer, you can use the mixer's "phantom" power to power the microphone. Amazing device for the money. Crown has better, more expensive models too. As I understand it, Crown's PZM line of microphones is now being marketed by AKG... a Harman company.

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An inexpensive version of the PZM-30 and PZM6 with XLR output, can be phantom or battery powered.The Crown® PZM®-185 Pressure Zone Microphone® is a microphone designed for general-purpose use. Ideal for applications such as conferences, group discussions, interviews, broadcast, home video production, lectures, and recordings. The mic can be placed on a large surface such as a table, floor, wall, or lectern. The PZM-185 is powered either by an internal AAA 1.5V battery or 12-48V phantom power. The boundary "paddle" can be detached so the mic will fit in your pocket. Attached to the mic is an 8-foot (2.438-m) cable leading to a tubular power module. The microphone’s low-profile design reduces "mic fright" and minimizes clutter. It is nearly invisible on camera. The PZM-185 minimizes pickup of vibration and handling noise. Its electret condenser capsule provides a wide, smooth frequency response from 50 Hz to 16 kHz. The mic’s hemispherical polar pattern allows clear pickup of everyone surrounding the microphone. The PZM-185 is protected against static and RFI. The output is balanced, low impedance, which allows long cable runs without hum pickup or high-frequency loss.Like other Pressure Zone Microphones, the PZM- 185 uses a miniature mic capsule mounted very near a sound-reflecting plate or boundary in the Pressure Zone. In this zone, direct sound from the sound source combines in phase at all frequencies with reflected sound off the boundary.

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Behringer Xenyx X1222USB Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors Review

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(More customer reviews)I bought this board to do music and voice tracks for a documentary on the Anasazi. I came up with the initial themes on my old Steinway, and ended up using Finale's PrintMusic to input and arrange them for flute, piano, bass and drums.
I used an EV RE20 microphone with the board to record voice tracks and send them to a computer running energyXT 2.5 Compact, the DAW software that comes with the board. I added mild reverb to the voice with the board, and used it to monitor punch-in edits and the overall mix. It worked seamlessly with energyXT, making the recording process much easier than it used to be when I was working with 16 tracks on 1 inch tape.
The final documentary used stock bird and environmental sounds and 15 years of photographs from Anasazi ruins to show what happened at Chaco Canyon, Aztec Ruins, Salmon, and other sites across the Southwest. While I didn't end up using the board to live-record keyboard parts and synthesized drum tracks, it and the included DAW software made "Tracking the Anasazi - How Great Houses and Stripped Resources Led To Abandonment" very successful with audiences.
Within the two-channel stereo transmission limitation of the barefoot board, I highly recommend it. It and hardware like it have radically changed the face of recording from my last studio time in 1986. It made this project very easy.

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The X1222USB is a step up from the X1204USB with six mono mic inputs. These two additional channels can also be used for stereo line-level devices, such as keyboards or sound modules. The X1222USB also comes equipped with channel Inserts for inputs 1-4, a stereo 7-band graphic EQ, which can be assigned to the main or monitor buses, and our proprietary FBQ Feedback Detection System. Other features include full-sized faders for MON and FX SENDs, our XPQ 3D stereo surround effect (creates a broader, enhanced stereo image), and a handy Voice Canceller function for removing vocals from pre-recorded tapes and CDs for \'instant-karaoke" applications.

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Behringer 1002B Xenyx Premium 10-Input 2-Bus Mixer with Xenyx Preamps, British Eqs And Optional Battery Operation Review

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(More customer reviews)This Mixer is Epic...I'm a podcaster, I used to record all my hosts on Skype and with the recorder it would degrade the quality, with this mixer I can record Me/Skype and a bunch more stuff and keep the quality. This has just the right ammount of inputs for a podcaster like me, the AUX sends are useful, although I wish they were both Pre Fader, or you could choose, so I can use them off-air, with the skype I can put that on AUX 1 and do a Mix-Minus to give my Skype caller(s) a good experience without an echo, and the AUX 2 to my VoIP phone, and give him a good experience, once again without echo, it has a ton of outputs and this is Awesome, BEST Mixer for a podcaster who doesn't need a ton of inputs - Battery Powered and Compact! Awesome BEHRINGER.

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Like the 1002, Behringer's XENYX 1002B is a premium, 10-Input, 2-bus mixer with XENYX preamps, "British" three-band EQs, stereo inputs, and quality build at an affordable price. The 1002B adds the option of powering with 9-volt batteries, perfect for field work where power may be hard to come by.

Preeminent PreampsThe XENYX 1002B represents a significant milestone in the development of mixer technology. Equipped with our premium XENYX mic preamps, it can easily hold its own against the most expensive stand-alone mic preamps, both in terms of sound quality and available headroom. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. XENYX mic pres provide such transparent, crystal-clear performance you just might think someone upgraded your mics.
State-of-the-Art Goes PortableWhether you plug it into the wall or power it via 9V batteries, the XENYX 1002B comes equipped with many of the features you've come to expect from our larger mixers, including XENYX mic preamps for amazing sound quality, phantom power for use with professional-grade condenser mics, 2-Track inputs and outputs, and 60 mm faders. The four stereo channels accept left/right or mono 1/4" TRS/TR inputs, and three of them also accommodate microphones (with separate Trim controls). The compact XENYX 1002B mixer also features our highly musical 3-band British EQ, plus an FX and monitor send for each channel, making it a must-have for any audio toolkit.
Sublimely musical British EQThe British consoles of the 1960s and '70s changed the sound of rock and roll—without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band EQ on the XENYX 1002B mixer is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Applications and valueDon't let the small footprint fool you—the XENYX 1002B is built to the same exacting standards as our larger format XENYX mixers and is housed in an equally rugged steel chassis. It is the ideal choice for keyboardists who need to mix down multiple instruments or sound modules for live or recording applications. Singers who perform with backing tracks, as well as instrumentalist/singers (acoustic guitar or piano bar, for example) find the XENYX 1002B indispensable for patching into \'house" systems.
Field OperationIts compact size and flexible input scheme also make it the natural choice of sports announcers for calling play-by-play game action. Likewise, radio and TV reporters especially like the XENYX 1002B for its ease-of-use, remarkable fidelity and rugged reliability. And the 9 V battery option allows newscasters and correspondents to use the 1002B in remote locations where power is hard to come by. (Two 9 V alkaline batteries are required for normal operation, three for phantom power).
1002B Features
Premium ultra-low noise analog mixer with optional battery operation
2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Neo-classic ''British'' 3-band EQs for warm and musical sound
4 balanced, high-headroom stereo inputs with 3 additional mic inputs
One post-fader FX send and one pre-fader MON send per channel for external FX devices and monitor applications
Clip LEDs on all channels and dedicated inserts on all mono channels
Main output plus separate Phones and CD/Tape outputs
Switchable phantom power for condenser microphones
Long-wearing 60-mm logarithmic-taper master fader and sealed rotary controls
External power supply for noise-free audio and superior transient response
High-quality components and exceptionally rugged construction ensure long life

What's in the BoxBehringer XENYX 1002B Mixer, Power Supply, User's Manual, Quick Start Guide

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Behringer B-1 Single Diaphragm Condenser Microphone Review

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(More customer reviews)WOW. this mic exceeded all my expectations. I upgraded from a dynamic mic for recording vocals with same preamp and audio interface, but it picks up details and warms up the voice so much. I could not believe how good I can sound.

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Single-Diaphragm Studio Condenser Microphone

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Shure SM27-LC Cardioid Side-Address Condenser Microphone, includes Zipper Pouch and Stand Adapter Review

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(More customer reviews)I bought this mic to record/amp my sax and other wood winds when I am on stage and in the studio. I liked this mic because it is built tougher than others which were meant for only studio work. I like a mic that can come with me on stage and still give me great sound. This mic has excellent noise rejection and allows me to move around as I play and still get good coverage. As a horn player it is hard get positioned around a mic this one lets you just stand naturally and it will pick you up. It is not super sensitive so when I recorded my flute, it sounds good, but it is pretty quite. Probably not great for a vocal condenser, but makes a great amp or instrument mic.

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Cardioid Side-Address Condenser Microphone, includes zipper pouch and stand adapter. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio.
Uniform cardioid pattern for superior off axis rejection
Superior transient response from a low-mass large Mylar® diaphragm
Flat, neutral frequency response for natural reproduction on stage or in the studio
3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-end
Durable metal construction.
Three separate mesh layers reduces wind and breath noise.
15dB pad for performance consistency across a wider range of high SPL sources

Cartridge TypeExternally Biased Condenser

Frequency Response20 to 20,000 Hz



Directional Polar PatternCardioid

Output ImpedanceEIA Rated at 150 ohms (140 ohms actual)

Attenuation Switch0 or 15 dB attenuation

Low Frequency response switchFlat-6 db/octave below 115 Hz-18 dB/octave below 80 Hz

Phantom Power48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3

Current Drain5.4 mA typical at 48 Vdc

Common Mode Rejection>50 dB, 20 Hz to 20 kHz

PolarityPositive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3

Dimensions and Weight53.0 mm (2.08 in.) maximum body diameter156.2 mm (6.15 in.) long;642 grams (22.6 oz.)

Sensitivity (typical, at 1000 Hz; 1Pa = 94 dB SPL)-37 dBV/Pa

Self­noise (typical, equivalent SPL; A­weighted, IEC 651)9.5 dB

Maximum SPL (1000 Hz at 1% THD)2500 ohm load (Attenuator on): 138 (153) dB1000 ohm load (Attenuator off): 133 (148) dB

Output Clipping Level*2500 ohm load: 7 dBV1000 ohm load: 1 dBV

Dynamic Range2500 ohm load: 128 dB1000 ohm load: 123 dB

Signal to Noise ratio**84.5 dB

*20 Hz to 20 kHz; THD < 1%. THD of the microphone preamplifier when applied input signal is equivalent to the cartridge output at specified SPL.**S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.

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Rode Podcaster USB Dynamic Microphone Review

Average Reviews:

(More customer reviews)For recording my voice (baritone), it does a great job. For extra warmth that means close-miking, which in turn means not popping your p's, etc. If you hold it close to your mouth but don't directly face it end-on, that's easily done (or get a pop filter). [...].
The microphone electronics are extremely quiet - the audio is sampled at 18 bits.
It comes with a warranty which is easily extended to 10 years for free.
The real-time headphone monitoring is a great idea and works well.
It's a bit heavy (part of being built like a tank), and you need to think a little about how you're going to mount it, since some cheap desktop stands can barely manage it.
Some things to keep in mind are:
1) It likes close-miking (at least for male voices)
2) It is USB-only
3) It is a on the bit large and heavy side.
If those don't bother you, and the price is in your range, then you will probably like it a lot.

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The Rode Podcaster is the easiest way to record high quality vocals or audio on your computer and upload them to the world. Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable. The Podcaster offers an end-address configuration, the clarity of RØDE's tailored-for-voice frequency response, an ON L.E.D, a direct headphone amp, and of course very low self noise. The Podcaster opens up possibilities for anyone who records audio - from podcasters, journalists and students to business people adding audio files to websites and multimedia presentations. RODE Podcaster Features Broadcast sound quality 28mm dynamic capsule 18-Bit Resolution, 8 -48 kHz sampling Windows and Mac compatible Tight Cardioid pattern for superior off axis soundrejection Powered from USB Bus Internal capsule shock mounting 3.5mm stereo headphone output with volume control built into the body Includes a 10 foot USB cable and stand mount AmericanMusical.com is an authorized dealer of Rode products.

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Studio Projects C1 Large Diaphragm Condenser Microphone Review

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(More customer reviews)This microphone is terrific. I'm a classically trained vocalist, and I recently recorded an entire demo album using the C1 (with the Edirol UA-5 as a preamp). The microphone captured a warm, true, and vibrant sound right out of the box, and its dynamic response was excellent. In fact, I was so pleased with the raw sound that I left it entirely untouched in the mixing process. While this unit's price is extremely reasonable, this is not a great microphone "for the price"; it's simply a great microphone that happens to be priced affordably.

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The Studio Projects C1 Large Diaphragm Condenser Microphone is a versatile, well-proven and award winning tool, designed to deliver the finest quality vocal and instrumental recordings. It will enhance any professional or project studio at an unbelievably low price. This large diaphragm, fixed-cardioid condenser microphone employs a 1.06 inch (27mm) capsule, high quality, low noise amplifier and balanced, transformerless output circuitry. The C1 also features a pad that is switchable at -10dB and -20dB as well as a 6dB high pass filter adjustable at 75Hz and 150Hz for added control in various recording applications and a clear, full response expected from a large capsule microphone design. As a result of uncompromising dedication and advanced production capabilities, Studio Projects will continue to broaden the range of quality pro audio microphones & electronics for today's recording environment. Studio Projects C1 Features Pressure-Gradient Transducer: 1.06 inch (27mm) 6um mylar diaphragm High Pass Filter (75Hz and 150Hz) Pad (-10dB and -20dB) Applications Designed for the professional and home project studio A do-all, general purpose recording Mic Great for close miking amplifiers with high sound pressure levels Production, broadcast, and voice-over work A quality vocal mic suitable for most vocal styles Included Accessories Shockmount Foam wind screen Case AmericanMusical.com is an authorized dealer of Studio Projects products.

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Behringer 1202 12-Input Mixer Review

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(More customer reviews)I own the Behringer Xenyx 1202FX, which is essentially this model but costs about 20 dollars more for the FX (it comes with 100 set effects). I have been doing home recording with Cubase and Logic, using a Presonus Firebox audio interface, with both MIDI, vocals and instruments, and didn't use a mixing board, but eventually decided to try one out given that (a) they are making them at very reasonable prices and (b) I had more inputs and outputs than the Firebox could easily handle.
This mixing board didn't look that impressive to me when I first checked it out, but having set it up and used it, it operates very well and cleanly. The fact that it comes with four mic inputs and preamps is a plus. The fact that it does not have an on/off switch is a minus. But basically it works well, the EQ is useful, and it has a large number of inputs and outputs for such a small mixer. Behringer makes a range of models with less/more inputs to suit one's needs, so this is great. Also, having a dedicated mixer makes it easier for me, as I can leave all my inputs connected and just adjust things on the mixer depending on what I want to record. Another small thing that is mixing is a button that cuts out the line altogether -- you have to turn it down to zero. And, there are no faders (except the main); instead it uses knobs for everything. Well, I would have liked some of these things, but then I would have to pay more, and what I really wanted was functionality at a good price, and that is what the Behringer Xenyx has delivered thus far.
By the way, I am running the following through the mixer: an AT3035 audiotechnica condenser mic, an Alesis QS8.1, guitar via line-in (or mic'd), two KRK RP5 studio monitors, Presonus Firebox. Everything's been working and sounding great thus far. Since I'm using Logic, the effects are basically unnecessary, but if I ever want to use the board for live use, which I may do, they could come in handy. I'd say the effects are just so-so.

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The XENYX 1202 is built to give an intimate performance the tone it needs to sound great in the audience as well as on record. Lend optimum sound quality to small-scale performances easily and affordably. The XENYX 1202 provides incredible versatility at a price other mixers in this class simply cannot touch.

Perfect for Small-Scale Applications The 12-input, 2-bus XENYX 1202 has four XENYX mic preamps with +48 V phantom power, making it possible to use four dynamic or condenser microphones. The three-band British EQ ensures warm, musical sound every time. Simple, high-quality controls make it possible to create beautiful mixes with minimal technical expertise.
Play music between sets via the RCA CD/tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.
XENYX Preamps The microphone channels feature high-end XENYX preamps that compare well with costly outboard preamps in terms of sound quality and dynamics, and boast the following features:
130 dB dynamic range for plenty of headroom
A bandwidth ranging from below 10 Hz to over 200 kHz for nuanced reproduction
Low-noise, distortion-free circuitry for a transparent signal
Perfect for most any mic, with up to 60 dB of gain and a +48 volt phantom power supply

"British EQ" The equalizers used for the XENYX series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their warm and musical sound character. Even with extreme gain settings, these equalizers provide outstanding audio.
FX Send Add some outboard digital magic to your sound using the FX SEND. Simply connect an outboard device to apply effects such as reverb or delay.
Each channel features a post-fader send for determining effect amount, and the FX to control room function helps you monitor effect signal via headphones and control room outputs.
Little Wonder Weighing in at just 3 pounds (1.35 kg), the XENYX 1202 is the sleek, smart way to make a small performance with multiple vocalists sound like a high-budget affair. Keep it simple, or use your outboard effects collection to take it to another dimension. The XENYX 1202 is with you all the way.
Built to Last The 1202's long-wearing 60-mm logarithmic-taper master fader and sealed rotary controls are great examples of Behringer's high-quality components. Rugged construction means you'll get a long life out of your board.
What's in the Box Behringer 1202 12-Input Mixer, Power Supply, User's Manual

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Blue Microphones Snowball USB Microphone Bundle (with Ringer Shock Mount) Review

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(More customer reviews)This WAS my third attempt at purchasing a microphone for some Web Based Multimedia Training that I am developing. The other two manufactures that I purchased were junk. They hissed and popped and just plain sucked! I was at my witts end. However, this Microphone by Blue Mic was an excellent investment. IT WORKS GREAT! I plugged it in and away we went. I use the Adobe products it worked out of the box with both Captivate and Presenter. I highly recommend this microphone.

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The Blue Mics Snowball USB Microphone is the world's first professional USB mic! The Snowball finally provides you with a USB mic that's not only easy to use, but sounds as good on your desktop as it does in a professional recording studio. Whether you're recording a guitar at your kitchen table or a complete band in the studio, the Snowball can capture it with detail unheard of before in a USB mic. The Snowball is a direct plug n' play mic that connects to either a Mac or PC - no additional software is needed. With its dual capsule design and unique three-pattern switch (cardioid, cardioid with -10dB pad and omni), the Snowball can handle everything from soft vocals to the loudest garage band - and it's ideal for podcasting. Check it out and you'll see why it's the coolest mic in town. Blue Mics Snowball Features Plug and play design - no software required! Professional studio quality performance - record both vocals and instruments Mac and PC compatible Blue's renowned circuit and unique two-capsule design Switchable mic patterns for a variety of recording applications Great for podcasting Includes custom mic stand and USB cable Add The Ringer for a few coins more! Designed for Blue's complete line of spherical microphones, The Ringer is a vintage-style suspension mount designed to isolate the microphone body from low-frequency energy when mounted on a mic stand. The Ringer also accommodates virtually any microphone with a standard thread mount.

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