Nady Small Diaphram Condenser Microphone Review

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(More customer reviews)I am a drummer with a home studio. I was looking for a small condensor to place over my ride cymbal to gain a tad more control aside from the stereo over heads I am already using. This mic was my choice because of my past experience with Nady products and the price. It has a full clear sound with very high gain. What I actually ended up doing was using it as my Hi Hat mic and using the AKG i had over the ride with fantastic results. The only thing I can say is the mic does not have a low end roll off switch which would make it it top notch, but that was easy to remedy by just using a parametric EQ to gain the results I wanted. 2 thumbs up for the Nady condensor. Just the price alone makes it worth buying

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The DM Series Drum/Percussion/Instrument Dynamic Microphones are equipped to handle extremely high sound pressure levels without distortion. The DM Series microphones are ideal for live and studio closemiking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields. The CM-90 is a Classic small diaphragm (20mm) condenser mic. Perfect for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano, and horns. High sensitivity, extended smooth, full frequency response and very high SPL capability Transformerless design for minimal self-noise and increased dynamic range Rugged, turned-brass housing internal sub-assembly shockmount, and engraved markings Requires 48V phantom powerSpecifications:Type: True condenser pressure-gradient microphone with 0.79 inch(20mm) diaphragm and FET Polar pattern:Cardioid Open circuit sensitiity: 14mV/Pa=-37dBV (0dBV=1V/Pa)Frequency range: 40 to 16000HzRated output impedance: < 200 OhmsRecommend load Impedance: -1000 OhmsMax. SPL (1% THD @1000Hz): 131dBEquivalent noise level to DIN 45405(CCIR 468-2): 28DB Max.SPL (1% THD @1000Hz): 131dBPower requirement: +48VDC phantom powerEquivalent noise level to DIN 45405(CCIR 468-2): 28DBIEC 268-4(A weighted): 19dB-AS/N ratio re 1Pa: 75dBCurrent cons

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Rode NTK Tube Condenser Microphone Review

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(More customer reviews)Great mic - excellent sound. I have been a pro voiceover artist for over 30 years and have dealt with a variety of studio mics. In building my own studio I really wanted a front end that had a clear and smooth full-range sound. The R0de NTK was recommended to me by another "big voice" artist, and completely lives up to the recommendation. Everyone I have talked to says it's about the best value out there. If you have cash to blow, you can get a "noyyyyyymannnnn" (raise eyebrows here), or you can enjoy the sound of this mic and take the extra $3200 and spend it on more gear. The hard plastic padded case for the mic and power supply are a nice touch. Don't forget to buy a shock mount for it!
Enjoy -

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The RODE NTK sets the standard for value in professional microphones. This is a tube mic designed exclusively for recording professionals who want what only the best can offer. The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos. It includes a power supply, 30 foot cable, stand adapter and case. RODE NTK Features Large 1 inch capsule with gold plated diaphragm Class A valve circuitry Ultra low noise Wide dynamic range Hand-selected and graded 6922 twin-triode valve Dedicated Power Supply High strength heat-treated steel mesh head Durable satin nickel finish Internal capsule shock mounting High level of RF rejection When professional performance counts use only a Rode NTK tube microphone. AmericanMusical.com is an authorized dealer of Rode products.

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MXL V63M Condenser Studio Microphone Review

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(More customer reviews)This mic has excellent sound for my podcasts. I was going to feed the mic into a mixer but went direct with an Art Tube mic preamp feeding this in to my Macinotsh dual G5 2.0 Ghz. The setup work flawlessly and the audio quality is top notch. I don't think you can go wrong with this microphone. I'm using top quality Monster cables and a Nady pop screen filter which is also excellent and highly recommended.

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The MXL V63M Condenser Studio Microphone has a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. With balanced, transformerless output for low noise. Encased in a heavy-duty brass enclosure. The MXL V63M has a cardioid pickup pattern and a frequency response of 30Hz- 20kHz. 48V phantom power required.

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Apex Electronics 460 Tube Microphone Review

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(More customer reviews)I FOUND THE APEX 460 TUBE MIC TO BE COMPARABLE TO MUCH MORE EXPENSIVE STUDIO MICS.
I HAVE ONLY USED IT FOR VOCALS SO FAR AND I WAS VERY IMPRESSED WITH THE SWEAT
SOUND.THE MIC IS VERY QUIET WITH VERY LITTLE OR NO NOISE AT ALL.
THIS MIC IS A KEEPER AND I AM VERY IMPRESSED WITH MINE.

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One unique feature of this microphone is the nine different selectable polar patterns easily available from the selector switch on the front panel of the external power supply. Rather than limiting the user to the three popular patterns most commonly available, the APEX460 has three gradient stages between each pattern. This allows the studio engineer or home recordist far more versatility. In vocal applications where an omnidirectional pattern isn't quite 'fat' enough, but cardioid is too narrow, you now have three additional steps to find the right subtle mix between the two standard patterns. There are also three additional steps between cardioid and figure-8 pattern.Improved quality in affordable recording equipment has brought serious power to the home studio enthusiast or small project studio. The microphone is the first, and often most important link in the signal chain. The APEX460 is high performance, yet truly affordable large diaphragm condenser microphone. They are an outstanding choice for the main microphone for any professional studio, home studio, or any of the computer based direct to hard drive recording systems now available.Due to their rugged construction, high SPL handling capability and affordable price, the APEX460 is also an outstanding choice for live sound reinforcement or live recording. They have proven themselves as overhead mics for drum kits, for guitar or bass cabinets where superior sound quality and high sound pressure handling is required, or as the mic of choice for saxophones, flutes, acoustic guitars or acoustic bass where subtlety and clarity is paramount.Vocalists can use the proximity effect to their advantage, adding fullness and more "bottom end" to the voice. Experienced vocalists can easily incorporate it part of their overall microphone technique. Again, experimentation with mic placement during the recording process is the key. The omnidirectional polar pattern does not exhibit this effect.

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Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I. Review

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(More customer reviews)This preamp is cleanish warm and can be nice and warm when stacked on tracks...Its a pro preamp and never think its not, The DI is very handy and can actualy be used for stereo recording with the preamp and di input.(input another preamp out to DI input to the optional a-d out)outs are now stereo...
Two recordings at the same time is a big deal if you have the a-d card, it has 2 xlr outs or the a/d card stereo outs with preamp and another input....again these preamps are used on professional recordings the isa 110's which this is a single version....
This unit does not include the a-d digital card, they run around $399 but are pro quality as well, not at all like Focusrite's cheaper pres a/d or the Behringer's a-d mess....

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Focusrite is dedicated to bringing you the tools you need to enhance the way you work. Our products are made with pride and principle by engineers who themselves are musicians and understand the part our products play in your process. The ‘ISA One\' microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. The pre-amp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.\'d guitar signal with a mic\'d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.ISA One also features an insert point, for extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia. Independent input metering for both channels is provided by a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up. ISA One\'s headphone output features a dedicated volume control to deliver an external stereo cue mix fed to the headphones via two TRS jack inputs on the rear of the unit. At Focusrite our focus on quality is all-consuming. All of our products are easy to use, logically designed, and give years of class-leading, top-notch performance.

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Rode NT2000 Vocal Condenser Microphone Review

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(More customer reviews)Everyone should have a multi-pattern mic around for utility purposes and this is the one I chose after demoing a half-dozen of interest (I had particularly high hopes for the Blue Mics). Aside from one super-expensive, and unnamed mic, the Rode NT2000 was actually my favorite by quite a margin. As I regard this type of mic as a utility piece, I was looking for a mic that was fairly neutral on voice/cardioid and without too heavy a proximity effect, airy and crisp on omni, and had to have an attentuation switch.
The NT2000 has all that, plus a rugged build. I've been very pleased since purchase, having used it for voice, acoustic guitar (could probably use a warmer mic here), cab miking on electric, bagpipes, recording ambience, and percussion. I'm especially pleased with the mic's ability to capture detail in high sound pressure conditions.
The NT2000 has continuously variable patterns, not a fixed selection of patterns. It has a variable pad, not a simple cut type attentuation switch, which really helps in nailing the sound without having to compromise the mic's position. Finally, the high-pass filter is also continuously variable. All go a long way in making this a HIGHLY adaptable mic.
After my demos, I went in to buy one mic, got an offer I couldn't refuse on two, and walked away poorer but happier! You won't be able to equal that price, as it was something of a favor, but the price here is good.
Although I love NT2000's sound and capabilities, I'm not wild about the controls (pattern, etc.). These aren't knobs you grab and turn - they're thin and flat. They have an edge pattern, but I can't turn them reliably by trying to grab the edges. I have to put my thumb on the knob surface and rotate it that way. It works and the knobs won't get accidently moved, but it's not exactly the height of convenience.
Great multipurpose mics.

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The World's First Fully Variable Control Microphone! The RØDE NT2000 is the latest brainchild from Australian master microphone designer Peter Freedman. Never before has this much control and versatility been available in a superlative class large capsule recording microphone. You have totally variable polar pattern, filter and pad all located on the body of the microphone! The NT2000's state of the art surface-mount electronics combined with the new Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity. The NT2000 includes a hard case and a shockmount. Rode NT2000 Features Large 1 inch HF1 gold sputtered capsule Continuously variable polar pattern, from omnidirectional to cardioid to figure 8 controlled on the microphone Continuously variable pad and high-pass filter Ultra low noise, transformerless surface mount circuitry Wide dynamic range High strength welded and heat treated steel mesh head Internal capsule shock mounting 'I could go on to share the thousands of hours that went in to the research and development of this microphone, instead I am prepared to put my reputation on the line. I am saying without fear of contradiction, the NT2000 is the best sounding and most versatile 1' FET studio microphoneon the world market today, regardless of cost.' Peter Freedman, President RØDE Microphones AmericanMusical.com is an authorized dealer of Rode products.

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Behringer B-1 Single Diaphragm Condenser Microphone Review

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(More customer reviews)WOW. this mic exceeded all my expectations. I upgraded from a dynamic mic for recording vocals with same preamp and audio interface, but it picks up details and warms up the voice so much. I could not believe how good I can sound.

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Single-Diaphragm Studio Condenser Microphone

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Audio Technica AT4050 Condenser Microphone Review

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(More customer reviews)I've been using this microphone for years. I have two of them, actually. I didn't buy them as a matched pair, so one is a bit brighter sounding than the other. That can be an advantage, as I use the darker mic for overly bright sound sources, and vice-versa. I've used these mics with good results in my project studio, on vocals, guitars, and hand percussion, and actually earned a major film festival award for music I created in that studio. I think the mics sound particularly good on female voices (as a number of reviewers have noted). The figure-of-eight pattern offers the flattest response curve, and I almost always use that for vocals. (The cardioid and omni pattern give more treble/upper mids boost--useful for some applications, but a little harsh on my voice.)
Bottom line: This is a well-made, versatile microphone that will do pretty much anything you ask of it.

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The Audio Technica AT4050 multi-pattern condenser microphone is like getting three completely different microphones for the price of one! Meet the studio condenser that captures every nuance. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. Ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more. Audio Technica AT4050 Features Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest quality Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of use Three switchable polar patterns: omni, cardioid, figure-of-eight Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards Switchable 80 Hz hi-pass filter and 10 dB pad Custom shock mount provides superior isolation AmericanMusical.com is an authorized dealer of Audio-Technica products.

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CAD Audio KBM412 Dynamic Microphone, Cardioid Review

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(More customer reviews)Good mic, nice pickup. The mount is a little shaky here and there, but thats mainly because of it being right at the back of the mic. Use a nice weighted stand to keep it steady, and on position, and youre away.

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KBM 412 Cardioid Dynamic Microphone. Perfect for \'Kick" drum, Bass cabinets and rack/floor toms.

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Marshall Electronics MXL604 Dual Capsule Instrument Miking System Stereo Pair Review

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(More customer reviews)Nice mics -- nothing all that special, but sound good at a decent price. I like the interchangable capsules to switch from cardoid to omni -- very handy.

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Building upon its predecessor, the MXL 603, the new MXL 604 delivers a wide dynamic range making this new microphone suitable for the most demanding instrument miking applications according to the company.A cardioid condenser pressure gradient microphone with an interchangeable omni-directional capsule, the MXL 604 features a -10 dB attenuation switch that enables the microphone to better handle high sound pressure levels, along with selectable low frequency roll-off capability to compensate for proximity effect or to eliminate wind noise during outdoor recording. This combination of features makes the microphone the perfect choice for recording acoustic guitar, as well as ambient and overhead drum miking.

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CAD M179 Variable-Pattern Condenser Microphone Review

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(More customer reviews)I bought this microphone just or one purpose: Tom miking.
Prehistory:
After having read raving critics about the CAD - mainly from US engineers at Gearslutz - I couldn't resist any longer and wanted
to make my own picture.
Since I'm located in Germany, having done a search for shopping resources over here quickly revealed: Nothing.
No CAD M179 was available in Germany at that time, which seems to be strange because CAD produces in China.
Anyway, I finally found it on Amazon.com in the U.S.
Buying experience:
Although I've always been a bit skeptical about customs, delays and whatever else can go wrong with oversea transports, I ordered the price reduced bundle of 3 units.
To my greatest surprise, the package arrived quite fast (10 days, 2 of them in the customs), was safely packed and 100 % as described.
Import tax was very low by the way, only 2.5% of the microphone price plus shipping (tax for Germany, other countries in the EU may vary).
Packaging:
The CAD comes in a very large, cube-like package, printed with the-more-the-better zillions of colors, mainly in purple, red and blue.
One could say the carton design looks cheap, but as always, taste is a personal thing and in the end it's the content that counts, isn't it?
Although not my piece of cake, I must admit that the microphone seems to be well protected by this giant package.
Construction:
The microphone is sturdy built, with a anodized metal surface while being surprisingly heavy.
The capsule is placed safe inside the solid metal windscreen.
Part of delivery is a ring clamp plus a professional shock mount - highly recommended to reduce vibrations when miking drums.
The overall construction is very good, in my opinion even exceptional for the given price.
The CAD M179 offers a pad switch, which is a must for drum miking or the capsule could tend to distort.
Both, variable pattern wheel as well as the pad switch, are easy accessible in front of the mike.
Overall impression: No bells and whistles, but a solid workhorse, built for pro's.
Sound:
The CAD offers a warm, natural sound, that perfectly fits for Toms, but also for clean Guitars and even background vocals.
I personally wouldn't use it for Lead vocals, but what can you expect for the price.
Of course, the CAD wasn't built to be a concurrence to Neumann and other high end brands. But it does its job extremely well.
The main purpose for me was Tom-miking, so the following research is covering only my experience with Toms.
Set to cardioid, surrounding sounds from back and side are successfully suppressed, quite important when dealing with bleeding HiHats or cymbals.
The Toms immediately sounded really big, not to say huge, without messy crash sounds coming through.
Although having used Sennheiser MKH-40 for Toms before (one costs 10 times the $$ of a M179 ...), the results were doubtless significantly better then ever!
You can turn up the Tom tracks in your mix, really push them in breaks and the like, and at the same time your mix won't suffer of the typical cymbal bleeding as known from other microphones (like the MKH-40 or MD421).
Amazing.
In Short:
Pros:
* very good and sturdy crafted
* exceptional good sounding results, specially with Toms
* low price
Cons:
* heavy weight that demands for mic stands
* typical microphone clamps will place the CAD more over the center of Toms, not at side, due to it's size.
I can live with that, although your setup will be cluttered even more when using stands.
Conclusion:
I love this microphone! My dream of a perfect drum sound has become more true, day in and out.
A clear recommendation: Buy it!

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Travel the space-tone continuum with the touch of a dial. The figure-of-eight is rich and intimate. The omni is spacious and articulate. Experience all the variations in between. We combine the large-diaphragm capsule with algebraic phasing and high-power transformerless drive to create an indispensable acoustical window. Additional features include hi-pass filter and attenuator. Swivel mount, elastic shock mount and carrying case are included. P24 (24V) or P48 (48V) phantom power is required.

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Studio Projects B1 v2 Condenser Microphone Review

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(More customer reviews)I'm so happy with this mic. After going through two other condensers (an MXL990 and a Shure KSM27) which I got rid of, I'm finally content. The best thing is that the price is outstanding. This mic is priced far lower than what it should be.
The Studio Projects B1 has a wonderfully warm low end to it that still has detail. I have a midrange voice, and it fits me very well. The highs are not so overly "essy", as many other cheaper mics are. They are clear and just right. I barely feel a need to add much for EQ.
My previous experience with an MXL 990 was not a good one. I returned it in a day, due to the muddy lows and weird high end. I also had a Shure KSM27, which is probably better suited for high-pressure sound applications than VO's. I didn't care for its boxy highs sound, and sold that off.
The Studio Projects B1 is just incredible for the price. You can actually hear it if you do a web search on transom dot org mic shootout. It sounds better than mics costing thousands.
Really, an outstanding product. People say the C1 is better, but I just can't imagine myself needing it -- I'm so thrilled with this B1 for VO work.
The only con I'd say is the rather cheap basket holder. It comes with a free windscreen, though, which is a nice touch.
Remember, v2 of his mic has the extra -10 and -20 pad switch, as well as a two low-cut modes at -75, and I believe -150. Both work fairly well.
Get it!

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The Studio Projects B1 v2 Condenser Microphone will enhance any professional or project studio application, and it will do it at an ultra low price! As a result of uncompromising dedication and today's advanced production abilities, Studio Projects has broken the barrier of quality vs price for today's recording studio environment. The B1 is a large diaphragm cardioid microphone in a pressure-gradient transducer employing high quality transformerless design and extremely low noise. Being versatile is the key in the recording arena, and the Studio Projects B1 is no exception. Equipped with a true 1-inch 3 um gold sputtered large diaphragm in a pressure gradient transducer capsule, the B1 will deliver the finest quality of vocal and instrumentation recordings in a wide variety of applications while offering a natural extended transparent high end, yet offer the thick bodied low end expected from a quality microphone. The new version of the B1 also offers a sleek new look along with a pad adjustment at both 10dB and 20dB and a 6dB high pass filter that is adjustable at 75Hz and 150Hz making the Studio Projects B1 more versatile than ever! Applications A do-all general purpose recording Mic Great for close miking amplifiers, wind instruments, strings and percussion with high sound pressure levels Great for production, broadcast, and voice over work Perfect for the professional and home project studio A quality vocal mic suitable for all vocal styles Included Accessories Foam wind screen Zippered Bag Shockmount AmericanMusical.com is an authorized dealer of Studio Projects products.

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AKG PERCEPTION 170 Professional Instrumental Microphone with small diaphragm-true condenser transducer, package includes a stand adapter. Review

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(More customer reviews)This is the first time I am writing a review for a product. At first, I was kind of afraid to order the microphones for such a price comparing to the standard prices, but after I got them, no regret. I bought two, and have used them only for one week to record guitars in stereo and drums as well. In acoustic guitars, They sound great, they pickup every single sound, though some resonance in the low end. In my drums, they work excellent, amazing. They grab every single sound from the drum kit, and even though i thought they wouldnt grab the kick drum sound too good, in fact, they pick up that sound really good. They pickup exactly the whole image of the drumset, and the kick drum amazingly. I just hope these mics last for a long time.

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AKG\'s Perception microphones have built a strong following among musicians and engineers, proving to be among the best high-value true condenser microphones on the market today. The AKG Perception Series includes the P 120, P 170, P 220, P 420 and also the new Perception 820 Tube – each offering a switchable 20 dB attenuation pad and a low cut switch for an even wider range of miking capabilities including vocals, acoustic instruments, classical music, electric guitar amps and drums across multiple applications of studio recording, live sound and broadcast. The Perception line offers AKG\'s signature \'up-front" sound quality captured in a rugged precision-tooled zinc/aluminium alloy body with dent-resistant stainless steel grille screens.

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Audio-Technica Side Address Condenser Instrument Microphone Review

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(More customer reviews)I was looking for a microphone that would work well to pick up the barrel of a clarinet. Studied lots of microphones and pickup patterns, microphone types on line. I decided on this microphone because it has a cardoid pickup pattern, and what seems to be an adequate amount of sensitivity to pick up the barrel of the clarinet from about 4 to 5 inches away from the instrument. I probably could use a little more sensitivity, but am concerned about feedback problems, being in an extrememly lively sound stage situation. I tried it at home with an amplifier and small speaker, but have not given it the acid test, which is on stage. Wish me luck!---------Gary

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The ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. Audio Technica ATM450 also features a switchable 10 dB pad that lowers the microphone\'s sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The condenser microphone\'s extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Requires phantom power.

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Behringer C-4 Single Diaphragm Condenser Microphones 2 Matched Single Diaphragm Condenser Microphones (Price Per Pair, Only Sold In Pairs) Review

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(More customer reviews)This is an excellent liitle set of matched mics.The kit comes with all the extra's to make using them a snap.I have already recorded with them and the sound quality is fantastic.Zero feedback from these little gems makes them a pleasure to use.

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2 Matched Single Diaphragm Condenser Microphones (price per pair, only sold in pairs)

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MXL 4000 Multi-Pattern FET Studio Condenser Microphone Review

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(More customer reviews)It's sad that MXL discontinued the 4000 because it's an absolutely fantastic mic and the price is amazing for the quality you get. Get one while they're still around and you will never be disappointed with it.
The get right to the point, this mic sounds excellent and is extremely cool-looking, and the 3 polar patterns, bass rolloff, and -10dB pad switches make it as versatile a mic as you can get. It's extremely sensitive yet quiet and has terrific resistance to handling noise and vibrations and is ruggedly constructed. The mic comes with a large windscreen, a very sturdy shockmount, and a really nice-looking storage box. It is a professional mic both in appearance and sound quality.
This large diaphragm condenser mic has excellent frequency response and sounds great on everything I've tried, and vocals sound superb; extremely rich and smooth with precise clairty and never harsh or muddy. The sound quality of the 4000 easily beats other microphones much more expensive and the looks are just ultra-cool with a funky vintage vibe. The different pickup patterns function perfectly and add much versatility.
I research everything thoroughly before I make purchases, and this mic not only looks great on paper, it performs like an absolute champ, and most definitely beats anything else at that price. Usually I don't bother to write reviews, but I feel strongly about how great a deal the MXL 4000 is. It's just a darn neat mic!

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The MXL 4000 Multi-Pattern is a condenser microphone designed around a Class-A discrete FET mic amp specially chosen to match its large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand selected internal components create a sound that enhances both vocal and instrument performances. Using the polar patterns To take advantage of the versatility of the MXL 4000's polar patterns, here are some miking tricks of the pros. Figure-8 Figure-8 mics pick up sound equally well from front and rear. So, if you're looking for a rich vocal sound with the added ambience of room tone to add depth and spaciousness, use the figure-8 pattern and have your vocalist sing into one side while the other picks up the reflections of the room. Only do this if you have a good-sounding room. You can also use the figure-8 pattern for isolation from other instruments. For example, if you're miking drums and want to give the hi-hat it's own track, position the MXL 4000 so that the side of the figure-8, where rejection is greatest, is pointing towards the snare while the front or rear of the mix faces the hat. Do the same if you're recording a singer-guitarist who's playing an acoustic while singing. You need two figure-8 mics for this one. Position the vocal mic so that the side is facing the guitar, and the guitar mic so that the side of the figure-8 points towards the singer's mouth. Now both singer and guitar are isolated. Again, make sure you do this in a room that sounds good, because the back side of the mic will be picking up the room. Omni In many cases, the least used, but best-sounding of all the polar patterns. Omni has very little off-axis coloration, which means that sounds entering the sides of the mic sound just as good as sounds entering the front. If you have a great-sounding room, by all means, try omni before anything else. Omni gives your recordings the impression

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MXL 604 Condenser Instrument Microphone Includes a Cardioid and an Omni Directional Capsule Review

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(More customer reviews)Nice clean, strong pick up with minimal background noise. Glad to have the 10db pad. Pretty little thing in its blue velvet lined box. Very good for this price.

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The MXL 604 is the latest in quality instrument microphones. Using transformer-less FET circuitry and a 20mm gold diaphragm capsule design, The 604 delivers the dynamic range required in the most demanding instrument miking applications. It features; -10dB switchable attenuation; selectable low-frequency roll-off; and an interchangeable omni-directional capsule making the the 604 perfect for acoustic guitar, ambient and overhead drum miking. The 604 exhibits low noise characteristics with a wide dynamic range.


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