Nady Small Diaphram Condenser Microphone Review

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(More customer reviews)I am a drummer with a home studio. I was looking for a small condensor to place over my ride cymbal to gain a tad more control aside from the stereo over heads I am already using. This mic was my choice because of my past experience with Nady products and the price. It has a full clear sound with very high gain. What I actually ended up doing was using it as my Hi Hat mic and using the AKG i had over the ride with fantastic results. The only thing I can say is the mic does not have a low end roll off switch which would make it it top notch, but that was easy to remedy by just using a parametric EQ to gain the results I wanted. 2 thumbs up for the Nady condensor. Just the price alone makes it worth buying

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The DM Series Drum/Percussion/Instrument Dynamic Microphones are equipped to handle extremely high sound pressure levels without distortion. The DM Series microphones are ideal for live and studio closemiking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields. The CM-90 is a Classic small diaphragm (20mm) condenser mic. Perfect for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano, and horns. High sensitivity, extended smooth, full frequency response and very high SPL capability Transformerless design for minimal self-noise and increased dynamic range Rugged, turned-brass housing internal sub-assembly shockmount, and engraved markings Requires 48V phantom powerSpecifications:Type: True condenser pressure-gradient microphone with 0.79 inch(20mm) diaphragm and FET Polar pattern:Cardioid Open circuit sensitiity: 14mV/Pa=-37dBV (0dBV=1V/Pa)Frequency range: 40 to 16000HzRated output impedance: < 200 OhmsRecommend load Impedance: -1000 OhmsMax. SPL (1% THD @1000Hz): 131dBEquivalent noise level to DIN 45405(CCIR 468-2): 28DB Max.SPL (1% THD @1000Hz): 131dBPower requirement: +48VDC phantom powerEquivalent noise level to DIN 45405(CCIR 468-2): 28DBIEC 268-4(A weighted): 19dB-AS/N ratio re 1Pa: 75dBCurrent cons

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Rode NTK Tube Condenser Microphone Review

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(More customer reviews)Great mic - excellent sound. I have been a pro voiceover artist for over 30 years and have dealt with a variety of studio mics. In building my own studio I really wanted a front end that had a clear and smooth full-range sound. The R0de NTK was recommended to me by another "big voice" artist, and completely lives up to the recommendation. Everyone I have talked to says it's about the best value out there. If you have cash to blow, you can get a "noyyyyyymannnnn" (raise eyebrows here), or you can enjoy the sound of this mic and take the extra $3200 and spend it on more gear. The hard plastic padded case for the mic and power supply are a nice touch. Don't forget to buy a shock mount for it!
Enjoy -

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The RODE NTK sets the standard for value in professional microphones. This is a tube mic designed exclusively for recording professionals who want what only the best can offer. The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos. It includes a power supply, 30 foot cable, stand adapter and case. RODE NTK Features Large 1 inch capsule with gold plated diaphragm Class A valve circuitry Ultra low noise Wide dynamic range Hand-selected and graded 6922 twin-triode valve Dedicated Power Supply High strength heat-treated steel mesh head Durable satin nickel finish Internal capsule shock mounting High level of RF rejection When professional performance counts use only a Rode NTK tube microphone. AmericanMusical.com is an authorized dealer of Rode products.

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Nady PCM-100 Professional Classic-style Condenser Microphone Review

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(More customer reviews)I bought this mic to record acoustic and classical guitar as well as vocals in my modest home recording set up. It performs ok, better than the Shure SM58 I used before. It sounds way more crisp and ambient, picking up a lot more details and clearer highs. It is not a professional studio mic, but it definately adds some semi-pro quality to my recordings. For miking-up electric guitar, placing it in front of my guitar amp, I still prefer the SM58 though. All in all a good price/performance ratio.


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The Nady PCM-100 Classic Condenser Mic is perfect for broadcasting and stage vocal use. It is versatile in the studio, too. The Nady PCM-100 mic features a high-quality electret condenser element, cardioid polar pattern, and a smooth frequency response tailored for vivid vocal reproduction with a perfectly positioned presence peak. Switchable low-cut filter. Integral mic holder mount. Comes with foam-padded plastic carrying case. Requires phantom power.

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MXL V63M Condenser Studio Microphone Review

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(More customer reviews)This mic has excellent sound for my podcasts. I was going to feed the mic into a mixer but went direct with an Art Tube mic preamp feeding this in to my Macinotsh dual G5 2.0 Ghz. The setup work flawlessly and the audio quality is top notch. I don't think you can go wrong with this microphone. I'm using top quality Monster cables and a Nady pop screen filter which is also excellent and highly recommended.

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The MXL V63M Condenser Studio Microphone has a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. With balanced, transformerless output for low noise. Encased in a heavy-duty brass enclosure. The MXL V63M has a cardioid pickup pattern and a frequency response of 30Hz- 20kHz. 48V phantom power required.

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Mini Cardioid Lavalier Microph Review

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(More customer reviews)For me this was an upgrade from the cheap ATR lapel mic. I heard these mics when helping another guy with his setup. I was blown away at how clear the voice is. I put them on my agenda to purchase as soon as the funds became available. I recently used these at an airshow with WW2 planes in the background. A very loud background. They worked perfectly to isolate the subject and reject the planes. In fact, I prepared for that and recorded a second audio source so that I could blend in the perfect level of engine noise to the background. I didnt want it too quiet with only the subjects being heard. I needed to have the viewer feel they were at the airport.
These mics are outstanding. Its not really a drawback but it is extra time to hook everything up. And you will have to have a method of getting an xlr source into your video camera. However you get that done will be worth it. These mics are worth every penny. The next step is around 800 and is not necessary for the semi-pro.
I just cant over how rich these sound. They are not tinty at all and have great bass. They are just a great step up from the cheap lavs that everyone starts out with. Combined with an HD vid cam, my videos are now completely professional sounding and looking.

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For years this condenser microphone has been one of the top choicesin the industry for lavalier microphones and can be found installed inmany of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features:Clip-on lavalier mic also excels in acoustic guitar applicationsProvides crisp, full-sounding voice and instrument pickupOperates on battery or phantom power6' (1.8 m) cable permanently attached between microphone and power module Specifications:Element: CondenserPolar Pattern: CardioidFrequency Response: 40 - 20,000 HzOpen Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 PaImpedance: PHANTOM: 200 ohms; BATTERY: 270 ohmsMaximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D.Signal to Noise Rati 65 dB, 1 kHz at 1 PaDynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPLPhantom Power Requirements: 9 - 52V, 2 mA typicalBattery T...

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CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

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(More customer reviews)I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

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Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response:

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AKG Perception 200 Large Diaphragm True Condenser Microphone Review

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(More customer reviews)After trying progressively better microphones, I decided to get serious about buying a good microphone. The intended use of the microphone is for narrative vocal recording, as opposed to musical vocal recording, with the possibility of recording acoustic guitar and conga drum as well. I could not be more pleased with my choice.
Several other microphones were considered, including the Perception 100. The primary difference between the two models is the 200 features two switches allowing the microphone to be used in very high volume level situations and to reduce bass input. In retrospect, while these are not gimmicks, I question how much my particular need for these features will be. The difference in price was reasonable, so my dissatisfaction is minimal. The real rating should be four point eight (4.8) points out of five.
The sound quality offered by the Perception 200 more than makes up for any dissatisfaction over spending a little more than I needed to. Where I work, we have a broadcast quality microphone in a sound isolated environment. That microphone cost 3 to 5 times what I spent on the Perception 200. Digital recordings produced by both microphones on the same equipment show very little difference in sound capture. In informal blind listening, through the same playback equipment, most people agreed the Perception recordings sounded slightly warmer, but the vocal range was identical and the Perception captured subtle vocal nuances as well as the more expensive studio microphone.
According to AKG, except for the aforementioned attenuation switches, the Perception 100 is supposed to deliver the same response as the Perception 200. Only because of the differ4ence in cost, I'd slightly downgrade the overall value of the 200. The performance is outstanding at any price. I highly recommend this microphone to serious home recorders or studio operators wanting quality on a tight budget.

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Ground-breaking, high-quality AKG large-diaphragm recording microphones have defined the international studio standard for decades. The new Perception 100 and Perception 200 microphones are based on AKG's nearly 6 decades of experience and from input provided by sound engineers around the world that use AKG products every day.

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Audio Technica Pro Series Cardioid Condenser Lavalier/Instrument Microphone Review

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(More customer reviews)Make sure you're buying the one that includes the battery power pack. I have included an audio sample from the store, which I recorded with my Zoom H4. There was some loud music playing on the speakers, so it'll give you a good idea of how it might sound under such circumstances. The Pro70 battery pack was powering the mic (not Zoom H4's phantom power). I was impressed with the sound of this mic, and the overall quality. It doesn't have the dynamic range of the next model up in the series (the 831b, which I own) but when you switch on the low-cut of the 831b, it and the Pro-70 sound virtually identical. I like this mic, and feel it's a good value for someone looking for a professional XLR mic that has good sound. Again, I find I generall prefer to swich on the "low cut" switch with my 831b anyway, so there's little reason to spend more than this if you're, say, a podcaster or wedding video place looking for excellent audio quality and bang for the buck. By the way, if it sounds a bit overdriven, that's my fault -- not the mic. I had my levels too high.

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This miniature condenser microphone achieves full-sounding pickup and is known for outstanding consistency and dependable performance. Supplied with both a clothing clip and guitar mount, it provides natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar.

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Audio Technica AE5400 Handheld Condenser Microphone Review

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(More customer reviews)I purchased this microphone as a gift to a very talented Vocalist. I looked at many brands and models. After giving this microphone, I received several demo tapes on which it was used. Amazing! What a difference over the 58 wired and wireless he was using. One big attraction is the ability to use the microphone in either flat or low roll off modes. This extends the utility dramatically. I'm glad I went this way.

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The Audio Technica AE5400 Handheld Condenser Microphone delivers pristine sound quality demanded by the most discriminating microphone user. With its superb sonic design, this true condenser features superior anti-shock engineering for low handling noise and quiet performance. Featuring the same element as the classic AT4050 studio mic, its large-diaphragm capsule assures an accurate, natural response. It handles high SPL's and offers protection against plosives/sibilance without compromising high-frequency performance and clarity. Audio Technica AE5400 Features The ultimate vocal performance instrument Pristine sound quality demanded by the most discriminating microphone user Same large-diaphragm element as the renowned AT4050 studio microphone; true condenser design Superior anti-shock engineering ensures low handling noise and quiet performance High-quality double-sided PCB uses surface-mount components. Extensive grounding plane and attention to best-practice grounding methods minimize electrical noise Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Custom transformer improves performance specifications by isolating against noise and RF interference, and providing excellent saturation characteristics that contribute to smooth linear sound quality Robust design for enduring dependability on the road Quiet-Flex stand clamp provides silent, flexible microphone positioning Integral 80 Hz HPF switch and 10 dB pad AmericanMusical.com is an authorized dealer of Audio-Technica products.

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Apex Electronics 460 Tube Microphone Review

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(More customer reviews)I FOUND THE APEX 460 TUBE MIC TO BE COMPARABLE TO MUCH MORE EXPENSIVE STUDIO MICS.
I HAVE ONLY USED IT FOR VOCALS SO FAR AND I WAS VERY IMPRESSED WITH THE SWEAT
SOUND.THE MIC IS VERY QUIET WITH VERY LITTLE OR NO NOISE AT ALL.
THIS MIC IS A KEEPER AND I AM VERY IMPRESSED WITH MINE.

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One unique feature of this microphone is the nine different selectable polar patterns easily available from the selector switch on the front panel of the external power supply. Rather than limiting the user to the three popular patterns most commonly available, the APEX460 has three gradient stages between each pattern. This allows the studio engineer or home recordist far more versatility. In vocal applications where an omnidirectional pattern isn't quite 'fat' enough, but cardioid is too narrow, you now have three additional steps to find the right subtle mix between the two standard patterns. There are also three additional steps between cardioid and figure-8 pattern.Improved quality in affordable recording equipment has brought serious power to the home studio enthusiast or small project studio. The microphone is the first, and often most important link in the signal chain. The APEX460 is high performance, yet truly affordable large diaphragm condenser microphone. They are an outstanding choice for the main microphone for any professional studio, home studio, or any of the computer based direct to hard drive recording systems now available.Due to their rugged construction, high SPL handling capability and affordable price, the APEX460 is also an outstanding choice for live sound reinforcement or live recording. They have proven themselves as overhead mics for drum kits, for guitar or bass cabinets where superior sound quality and high sound pressure handling is required, or as the mic of choice for saxophones, flutes, acoustic guitars or acoustic bass where subtlety and clarity is paramount.Vocalists can use the proximity effect to their advantage, adding fullness and more "bottom end" to the voice. Experienced vocalists can easily incorporate it part of their overall microphone technique. Again, experimentation with mic placement during the recording process is the key. The omnidirectional polar pattern does not exhibit this effect.

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Shure SM93 Lavalier Microphone Review

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(More customer reviews)Just bought this for presentation recordings and hooked it up via audio mixer via USB to Laptop, sound is crisp after a few minutes of practice placing it on a jacket/shirt and really helps isolate your voice during instructional scenes. Phantom powered (total novice but read up and worked it out) so needs a mixer/power source for it to work. Great build qulaity, preamp is heavy and sturdy (clippable in back pocket)
Hope this helps enjoy!
MR

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Providing a full, clear sound comparable to that of much larger microphones, the Shure SM93 omnidirectional miniature lavalier condenser microphone is ideal for body-worn applications in TV broadcasting, theater, and sound reinforcement. Its frequency response is tailored to body-worn applications, with low-end rolloff and presence rise.
Intended for wired applications, the SM93 is powered by phantom power supplied by broadcast, sound reinforcement or recording equipment, or an external phantom supply, and it includes a preamplifier assembly for connection to three-pin professional (XLR) audio connectors.
The SM93 is supplied with a sew-on mounting bracket, a mounting block with attached tie bar, and an acoustic windscreen to minimize wind noise in outdoor applications. It is also supplied with a dual mounting block with attached tie bar.

Key Features
Subminiature lavalier design; ideal size for theater, television broadcasting, video, film, and sound reinforcement
Small, inconspicuous mounting hardware
Full, clear sound comparable to larger microphones
Smooth extended frequency response with presence rise specially tailored for chest-worn microphone operation
Controlled low-frequency rolloff reduces low-frequency clothing and room noise
Low distortion, wide dynamic range
Versatile mounting accessories allow a variety of low-visibility applications
Preamplifier assembly can be pocketed, strapped to the body, or clipped to belt or waistband
Omnidirectional condenser

Mounting the Microphone The tie clips and mounting bracket provided with the SM93 allow the user to wear the microphone in a variety of ways. To achieve optimum pickup, attach the microphone to the user's chest. You can also obtain high-quality sound when the microphone is worn in the hair, sewn into clothing, or attached to an acoustic instrument such as a guitar.
Tie Clip. A spring-loaded clasp attaches easily to a necktie, lapel, blouse, or shirt. Snap the microphone into the clip's mounting bracket and attach the clip to an article of clothing. The dual tie clip supplied with the SM93 provides simultaneous mounting of two microphones.
Sew-On Bracket. Sew the supplied sew-on mounting bracket directly to a garment (Figure 1). Use dark or light thread as necessary to match the color of the bracket.

Specifications
Type: Condenser (electret bias)
Frequency Response: 80 to 20,000 Hz, 12 dB/octave rolloff below 100 Hz
Polar Pattern: Omnidirectional, uniform with frequency
Output Impedance: Rated at 150 ohms (90 ohms actual) Recommended minimum load impedance: 800 ohms (may be used with loads as low as 150 with reduced clipping level)
Output Level (1 Pascal = 94 dB SPL):
Open Circuit Voltage: -43 dBV/Pa (7.0 mV)

Output Clipping Level (at 1,000 Hz): -18 dBV (0.13 V) minimum
Total Harmonic Distortion: Less than 1% at 120 dB
Maximum SPL: 120 dB
Dynamic Range (maximum SPL to A-weighted noise level): 98 dB
Output Noise (equivalent SPL): 22 dB typical, A-weighted; 26 dB, weighted per DIN 45 405
Hum Pickup (electromagnetic): -4 dB equivalent SPL in a 1 mOe field (60 Hz)
Signal-to-Noise Ratio: 72 dB at 94 dB SPL (IEC 651)
Polarity: Positive pressure on microphone diaphragm produces positive voltage on pin 2 relative to pin 3 of preamplifier output cable connector
Current Drain: 0.33 mA
Cable: Black, 4.17 feet, attached, two-conductor, shielded, terminated by miniature connector type (TA4F)
Case:
Microphone: Black ABS thermoplastic case with stainless-steel-mesh grille
Preamplifier: Steel case with non-reflective black finish, black-chrome belt clip

Weight:
Microphone: 0.57 ounces
Preamplifier: 4.17 ounces

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Focusrite ISA One Classic Single-channel Mic Pre-Amplifier with Independent D.I. Review

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(More customer reviews)This preamp is cleanish warm and can be nice and warm when stacked on tracks...Its a pro preamp and never think its not, The DI is very handy and can actualy be used for stereo recording with the preamp and di input.(input another preamp out to DI input to the optional a-d out)outs are now stereo...
Two recordings at the same time is a big deal if you have the a-d card, it has 2 xlr outs or the a/d card stereo outs with preamp and another input....again these preamps are used on professional recordings the isa 110's which this is a single version....
This unit does not include the a-d digital card, they run around $399 but are pro quality as well, not at all like Focusrite's cheaper pres a/d or the Behringer's a-d mess....

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Focusrite is dedicated to bringing you the tools you need to enhance the way you work. Our products are made with pride and principle by engineers who themselves are musicians and understand the part our products play in your process. The ‘ISA One\' microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. The pre-amp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.\'d guitar signal with a mic\'d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.ISA One also features an insert point, for extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia. Independent input metering for both channels is provided by a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up. ISA One\'s headphone output features a dedicated volume control to deliver an external stereo cue mix fed to the headphones via two TRS jack inputs on the rear of the unit. At Focusrite our focus on quality is all-consuming. All of our products are easy to use, logically designed, and give years of class-leading, top-notch performance.

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RODE NT1A Cardioid Condenser Microphone Review

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(More customer reviews)If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

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The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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Shure Beta 52A Instrument and Bass Drum Microphone Review

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(More customer reviews)I actually used this Mic while on tour with The Wallflowers. I loved the great low-end response!

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Designed specifically for kick drums and other bass instruments, the Shure Beta 52A high-output dynamic microphone provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. A successor to the popular Beta 52, the 52A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Key Features
Frequency response shaped specifically for kick drums and bass instruments
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal-to-noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability

Specifications
Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz): Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL
Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL: 174 dB at 1000 Hz (calculated)
Connector: Three-pin professional audio connector (male XLR type)
Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8"-27 thread
Weight: 21.6 ounces

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Crown PZM-185 PZM Mic Battery/Phantom Review

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(More customer reviews)Specialized! Great for purchasers who understand this type of microphone. This type of microphone must be placed on a flat, hard surface for best results. A table, a sheet of suspended plexiglass, a desktop are examples of flat, hard surfaces. This type of microphone picks up all sound that reaches the boundary -- or surface -- on which the microphone rests. The plastic paddle features two (2), tiny and fragile "posts." You can either attach the paddle or remove it using these posts, which squeeze and insert into holes on the bottom of the microphone casing. The paddle isn't required if you want to mount the microphone on some other type of flat surface. I am a distance learning audio technician who works with far more expensive ceiling-mounted Tandberg "AudioScience" microphones (around $1,500). Believe it or not, this Crown PZM-185 is almost as good when mounted on suspended plexiglass! They call this a "PZM" or "pressure zone microphone." The pickup pattern is shaped like a half-sphere. So, if you put it on a table, then everything above the table will be heard to a distance of at least nine (9) feet. This model uses either batteries or, if you plug it into a mixer, you can use the mixer's "phantom" power to power the microphone. Amazing device for the money. Crown has better, more expensive models too. As I understand it, Crown's PZM line of microphones is now being marketed by AKG... a Harman company.

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An inexpensive version of the PZM-30 and PZM6 with XLR output, can be phantom or battery powered.The Crown® PZM®-185 Pressure Zone Microphone® is a microphone designed for general-purpose use. Ideal for applications such as conferences, group discussions, interviews, broadcast, home video production, lectures, and recordings. The mic can be placed on a large surface such as a table, floor, wall, or lectern. The PZM-185 is powered either by an internal AAA 1.5V battery or 12-48V phantom power. The boundary "paddle" can be detached so the mic will fit in your pocket. Attached to the mic is an 8-foot (2.438-m) cable leading to a tubular power module. The microphone’s low-profile design reduces "mic fright" and minimizes clutter. It is nearly invisible on camera. The PZM-185 minimizes pickup of vibration and handling noise. Its electret condenser capsule provides a wide, smooth frequency response from 50 Hz to 16 kHz. The mic’s hemispherical polar pattern allows clear pickup of everyone surrounding the microphone. The PZM-185 is protected against static and RFI. The output is balanced, low impedance, which allows long cable runs without hum pickup or high-frequency loss.Like other Pressure Zone Microphones, the PZM- 185 uses a miniature mic capsule mounted very near a sound-reflecting plate or boundary in the Pressure Zone. In this zone, direct sound from the sound source combines in phase at all frequencies with reflected sound off the boundary.

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Shure SM57 Microphone Review

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(More customer reviews)Everyone has heard of this microphone... and anyone who has recorded has purchased one. It's a perfect microphone for instrument recording; however, I've heard notice of a new microphone that is giving it a run for its money! Check out the ES-57 model, it's about 1/3 the price! I'm actually ordering a 3 pack right now to check them out, will review when all set up!

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The Shure SM57 is a fixture in the music business. You see it everywhere. In small clubs and 100,000 seat stadiums. This renowned mic is used by legendary performers and the latest up-and-comers.What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world. In fact, you'll probably find it in more studios than any other mic.Not surprising. The unidirectional dynamic SM57 has set the industry standard by defining the way instruments should sound. Which is why it's used by any serious musician or recording professional. Its warm, clean sound along with its carefully contoured presence rise make it ideal for a wide range of instrument miking applications, particularly guitar amplifiers and drums.The SM57 features a uniform cardioid pick-up pattern that isolates the main sound source and minimizes background noise.

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Whirlwind LowZ Microphone Cable (20 Foot) Review

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(More customer reviews)At this price with free shipping I thought these were disposable cables. They are anything but. They may not be for SERIOUS bands/singers , but for our living room jams they are perfect. I just ordered 2 more and if you are hesitating, then stop. Get these before the price goes up, and we all know it will.

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The Whirlwind MC20 Microphone Cable was designed to deliver Whirlwind quality in an economical package. This imported microphone cable is built to Whirlwind's own specifications. AmericanMusical.com is an authorized dealer of Whirlwind products.

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