Showing posts with label quiet. Show all posts
Showing posts with label quiet. Show all posts

2/12/2012

Marshall Electronics MXL604 Dual Capsule Instrument Miking System Stereo Pair Review

Marshall Electronics MXL604 Dual Capsule Instrument Miking System Stereo Pair
Average Reviews:

(More customer reviews)
Nice mics -- nothing all that special, but sound good at a decent price. I like the interchangable capsules to switch from cardoid to omni -- very handy.

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Building upon its predecessor, the MXL 603, the new MXL 604 delivers a wide dynamic range making this new microphone suitable for the most demanding instrument miking applications according to the company.A cardioid condenser pressure gradient microphone with an interchangeable omni-directional capsule, the MXL 604 features a -10 dB attenuation switch that enables the microphone to better handle high sound pressure levels, along with selectable low frequency roll-off capability to compensate for proximity effect or to eliminate wind noise during outdoor recording. This combination of features makes the microphone the perfect choice for recording acoustic guitar, as well as ambient and overhead drum miking.

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12/25/2011

MXL 604 Condenser Instrument Microphone Includes a Cardioid and an Omni Directional Capsule Review

MXL 604 Condenser Instrument Microphone Includes a Cardioid and an Omni Directional Capsule
Average Reviews:

(More customer reviews)
Nice clean, strong pick up with minimal background noise. Glad to have the 10db pad. Pretty little thing in its blue velvet lined box. Very good for this price.

Click Here to see more reviews about: MXL 604 Condenser Instrument Microphone Includes a Cardioid and an Omni Directional Capsule


The MXL 604 is the latest in quality instrument microphones. Using transformer-less FET circuitry and a 20mm gold diaphragm capsule design, The 604 delivers the dynamic range required in the most demanding instrument miking applications. It features; -10dB switchable attenuation; selectable low-frequency roll-off; and an interchangeable omni-directional capsule making the the 604 perfect for acoustic guitar, ambient and overhead drum miking. The 604 exhibits low noise characteristics with a wide dynamic range.


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11/12/2011

CAD GXL1200 Cardioid Condenser Microphone Review

CAD GXL1200 Cardioid Condenser Microphone
Average Reviews:

(More customer reviews)
I like to review good products and let everyone know what is worth buying.
These mics ARE NOT!
The only reason I am reviewing this mic is because I read a lot of reviews
that talk about these mics are as good as the upper end mics. THAT IS NOT
TRUE!
I tried recording with these in my studio in several applications and in all
instances they fail, BIG TIME!
I used them for drum overheads, for cymbals, vocals, and guitar. Not one app
did I get even a decent sound.
Yeah they are cheap, but unless you are looking for a cheap sound SAVE YOUR MONEY!

Click Here to see more reviews about: CAD GXL1200 Cardioid Condenser Microphone

Point-source transduction, field-effect detection, and pure high voltage. Capture your instrumentation with exacting detail. Proximity effect is inversely proportional to distance. Play it right this time. Mic clip and protective pouch are included. P48 (48V) phantom power is required.

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9/18/2011

Behringer C2 Condenser Microphone Cardioid Review

Behringer C2 Condenser Microphone Cardioid
Average Reviews:

(More customer reviews)
Normally I'm not a big fan of Behringer products. They tend to be less expensive, often cheap, copies (or very near copies) of much better equipment. They and Mackie had quite a number of shootouts over the years.
However, when it came time to get a bunch of choir microphones for outdoor PA venues, I just couldn't bring myself to plop $150 or more per mic. I only use these things 4 times a year generally and couldn't justify the $$.
So I picked up a set of these C-2s to test at my local retail music store. I was very impressed, to say the least. They're well made, have standard built-in flat/base-roll-off/-10db cut switch on the side. Very handy in gazebos and the like where the base is a big problem due to natural reverb and feedback.
I ended up getting 4 boxes (8 mics) initially and used them for the concerts with excellent results. I just put them up overhead about 7'-8', aim them outward from each other at about 45 degrees, and run each to a channel on the board. That way, I keep track easily of where each is and, when a horn player or such stands to play a solo, I can jump the correct channel easily and pump them up as needed.
This purchase is to up the ante to 12 mics since the bands turned into 60 or more piece orchestras this year. It just helps to have more coverage sometimes.
Again, for the price, these cannot be beat. I dare anyone to discern a 5x or more improvement in sound between these and the more expensive mics. Of course, if it's studio use you're interested in, you can definitely hear a difference but it's still questionable that the difference is important enough to warrant the extra $$. After all, >90% of all recorded material these days is listened to on iPods or the like and the digitizing and compression encoding technology damages the quality of recording much more than the tiny differences between these mics and the $$ ones.
Get 'em - you'll like 'em.

Click Here to see more reviews about: Behringer C2 Condenser Microphone Cardioid

2 Matched True Condenser Microphones (price per pair, only sold in pairs)

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