7/27/2011
DigiTech BP200 Bass Multi-Effects Processor with Expression Pedal Review
Average Reviews:
(More customer reviews)Within it's class and price range, I'm giving it a five.
You'll end up paying a good 500-600$ to find anything better.
This has to be the quietest multi-fx I've ever used. Even the fuzz-wah doesn't give background hiss cranked up on my system. Except the buttons, it's all metal and pretty solid.
You can't edit effect parameters with the computer.
The pedal distance is pretty short and there's almost no resistance to it.
As has been said elsewhere, the fretless has quite a lag to it. Not useless, just a lag to get used to.
For the money, no hiss, metal body, a good selection of flavors, basic (and effortless to get going) drums and a pedal that can be assigned to about every parameter I can find.
It's the best unit in this price range, period.
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Bass Modeling Processor The BP200 is a revolutionary Amp Modeling/Multi-effects processor designed specifically for bass guitar. Under the hood of the BP200 is the powerful AudioDNA\' DSP processor, providing 16 bass amp and stompbox models and a host of other effects (22 total) for creating your own signature sound. The built-in expression pedal can be assigned to control your choice of parameters in real time. Each effect includes up to 3 adjustable parameters giving you the flexibility to create the exact sound you are looking for. The 6 character alpha-numeric display and 3 knob matrix based user interface provide simple, straight forward editing functions. The Rhythm Trainer is a great tool for polishing up your timing with your choice of different patterns, tempo, and adjustable volume level. A chromatic tuner lets you quickly check or tune your instrument to one of 4 different tuning references. The BP200 comes ready to use with 40 great Factory Presets, and includes 40 User Presets for your own custom creations. The rear panel features a single 1/4" input, a 1/4" TRS stereo output, 1/8" stereo headphone output and a 1/8" stereo Jam-A-Long\' input.
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