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(More customer reviews)I purchased this guitar from a local retailer. I sat down and played EVERY high end acoustic guitar in the store, and quite a few lower models. This guitar is absolutely hands down the winner! The neck plays like a dream, set up perfectly at the factory. The action was set kind of low, but there was zero fret buzz! The sound that came out of this thing blew me away, a beautiful combination of high end and low end with a projection that made every note absolutely clear and concise. This guitar has enough natural volume that it could be mistaken for being plugged in when it is not! Whether you play finger style or pick style you will fall in love with this guitar. The only other guitar that compares in sound with this one is a high end Martin, but that is where it ends, the Martins are borderline unplayable compared to the Taylor. If you ever played a Martin you know what I am talking about, beautiful sound, play like crap. This Taylor rules the roost. Plug in to your amp with this and you get a super clear sounding angels from heaven sound.I have owned many acoustics over the last twenty five years, Gibson, Fender, Takamine, Seagull, Ovation. All those guitars always left me chasing a sound I could not find. I have had this Taylor for almost two years now, and I have nothing bad to say about this guitar. Go play one yourself, and compare. I guarantee you will agree.
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Taylor Guitars 614ce Grand Auditorium Acoustic Electric GuitarA signature quality of Big Leaf maple--besides its crisp, bright tone--is its ability to cut through on stage. As a result, you'll find many of Taylor's 600 Series guitars in live performances easily holding their own with the rest of the band. The bold sounds of Big Leaf maple and Sitka spruce are further enhanced by the 614ce Grand Auditorium body design in this acoustic/electric standout.
Taylor's Grand Auditorium ShapeThe Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitars tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removed mass from the width of the GAs braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.
A Venetian cutaway in the 614ce Grand Auditorium body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.
Solid sitka spruce top is joined with big leaf maple sides and back for a crisp, bright tone able to hold its own in live performances.
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