Average Reviews:
(More customer reviews)I love this pedal!!- it's LOADED with cool effects, has some REAL modulation, twists & bends the signal to the point of harmonic overload!!
Of all the pedals in my collection, I thought I wouldn't have room for one more-but I did & I'm glad for it!!!
Digi Tech has taken the best sound passages from their classic boxes &
integrated them in to the expression factory.
Effects are clear, analog voiced, defined and true to the originals with all parameters adjustable. Placing other effects before (and/or) after the EX7 will undoubtedly assist you in carving out "your own" sounds!!
Knobs, pots & jacks are industry standard quality!
Just the ADA Flanger & Space Station effects- are to die for!!!
All these wonderful effects wrapped in a bulletproof, simulated carbon fiber housing-to boot!!
Hmmm-I wonder what TWO EX7 Expression Factory pedals, in line, would sound like...............?
Thanks to- AMAZON for selling a diversity of products!!
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The DigiTech Expression Factory was inspired by 7 of the world's classic expression pedals. Introducing Expression Factory, the pedal that lets you metatarsally modulate a whole pedal board of classic expression pedals. From Wah and Whammy to rare, sought-after pedals like the A/DA Flanger and DigiTech's own highly collectable Space Station Synth Swell. Thanks to two-in-one concentric controls, you can tweak three key controls of each expression effect and season them with your choice of seven classic distortion stompbox models piped in from the DigiTech DF-7 Distortion Factory. Add Flexible Output Mode (lets you connect to your amps or a mixer in stereo, or in mono to both!), a cast metal treadle and a sleek carbon fiber finish and you have an industrial-strength tool for anyone who likes to tread a treadle. DigiTech EX7 Expression Factory Models are Based On: Dunlop Cry Baby Wah Vox Clyde McCoy Wah DigiTech XP300 Space Station DigiTech Whammy Unicord Univibe Leslie 145 Rotary Speaker ADA Flanger Expression Factory Model Details Dunlop Cry Baby One of the most popular iterations of the Wah pedal with a slightly thicker tone than a Vox, reminiscent of late '60s and early 70's Guitar Gods. Vox Clyde McCoy Wah The 1966 original. Though it was designed for the guitar, it was initially aimed at trumpet players, which is why horn player Clyde McCoy's name graces the pedal today. DigiTech XP300 Space Station/Synth Swell The most popular tone from a very rare pedal, Synth Swell packs an entire outer-space string orchestra into your
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