Average Reviews:
(More customer reviews)Some history on this device: The Alesis SR-16 has been in production since 1991 and has gone through only slight revisions to the hardware since its original release. The 16-bit drum samples are still the same today as they were on this unit over 15 years ago. It is regarded as a break-through piece of studio gear and regarded by many studio engineers as the first rhythm machine capable of producing a convincing enough drum track capable of replacing a real drummer in studio recordings for rock applications. (Prior to the SR-16, rhythm machines were commonly used in pop music in the 80's, but it was always clear to trained ears that a rhythm machine was used, the SR-16 successfully blurred the line and made it possible to use rhythm machines in genres that generally frowned upon electronic drums such as: rock, country and blues) You'll hear the SR-16 on many professional tracks by top name recording artist from the early to mid-90's.
Today the SR-16 can still be found in many professional and home recording studios. With the emergence of Pro Tools and other PC based Digital Audio Workstations, stand alone rhythm machines have become much less popular today in pro recording, but they are still very popular in home studios and for performing solo musicians around the world.
Comparing the SR-16 to newer products: Rhythm machines produced by Roland/BOSS, Yamaha and ZOOM are the SR-16's primary competition, with Roland and Alesis often cited as leaders and innovators in pro electronic percussion (these companies also produce the best quality electronic kits and the same samples are used in their rhythm machine products). Some of the features common to newer rhythm machines not found on the SR-16 include: 24-bit samples, more memory, bass guitar sequencer ability to store MIDI files on device.
Ease of use: Aside from its convincing sound quality, perhaps the reason the SR-16 has remained in production and a favorite among musicians is its ease of use. The SR-16 was designed with the non-drummer solo musician in mind and is considered one of the easiest rhythm machines to program. It's interface has been copied (but many would say not trumped) by BOSS, Yamaha and others. The manual, while poorly edited does more than any other rhythm machine owners guide to cater to solo musician who doesn't understand the first thing about sequencing drum tracks and it's A,FillA,B,FillB pattern foot switch configuration makes it easier to improvise with... In short, you don't get much customization with the SR-16, but what you do get feature was is going to be the most popular setup which makes the device much more approachable than many modern rhythm machines and sequencer options. Has a full MIDI in/out through implementation so the SR-16 can be patched in and controlled from DAW's (Pro Tools, Cubase, Live, etc...)
Comparing generations: If you're buying previously owned model be aware that some features have changed over the years. First generation SR-16 models (1991-circa 2001) had about 1/2 of the user memory than that of the current production SR-16. Also, the first generation units did not have a headphone jack. In the early 2000's Alesis updated all the preset patterns creating a market for "vintage" SR-16 machines. Also, over the years the price has dropped significantly. The SR-16 was originally marketed as a high-end studio product with a price tag around $400. While the quality of the unit has only improved, the price has dropped as computer parts have become less expensive (also newer units are mass produced in Asia).
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One of the most popular drum machines ever made, the Alesis SR16 Drum Machine has been used by everyone from songwriters to live performers to remix engineers as their drum machine of choice. It features a great selection of over 200 realistic, natural drum sounds, offered both in dry form and sampled with our quality digital reverbs. And Alesis' exclusive Dynamic Articulation feature enables a drum sound to change its tonal content as it's played harder--just like an acoustic drum--for truly realistic performances.
The SR-16 features 50 preset patterns that were actually played in by top studio drummers, not just programmed and quantized. The SR-16 also provides complete MIDI implementation, a footswitch input, flexible programming and editing features and velocity-sensitive pad buttons. It's easy to use so you'll be up and composing in minutes.
Dynamic Articulation Discerning ears will notice that each sound is actually a series of different samples; multiple dynamic-level samples and articulations are all built in so as you play harder and softer, the drum or cymbal changes its timbre, not just its volume. This engineered realism is known as Dynamic Articulation, an Alesis exclusive.
This results in sounds that respond accurately not only to dynamic changes, but also with the appropriate timbral and color changes you'd expect from their acoustic counterparts. You can play with or without reverb for different room sounds and enjoy a wide variety of rimshots, rim clicks and different stick-placement sounds on the cymbals. The Random Sample feature also ensures you don't get the same sound twice for further creative realism.
Specifications
Audio Outputs: 4 (2 stereo pairs)
Pads: 12 velocity sensitive (w/Dynamic Articulation)
Sample/DAC Bit Resolution: 16/18
Sounds: 233
Sounds Accessible via Pads: 12
Sounds Accessible via MIDI: 120
Polyphony: 16 voice
Panning: 7-position user programmable
Velocity Response: 8 loudness levels via pads, 127 via MIDI
Timing Resolution: 96 ppq
Time Signature Range: 1-128 beats per pattern
Tempo Range: 20-255 bpm
Notes/Patterns/Songs: 12,000/400 (200 user, 200 preset)/100
Kits: 50 user, 50 preset
MIDI Program Change Response: Kit
Sync: MIDI Clock/Song Position Pointer
Footswitch Jacks/Functions: 2; start/stop, count/A/B/fill
Other Features: Sound stacking, step editing, stereo samples with reverb and ambience
Dynamic Articulation: Modulates tone
Power: 9 VAC External Transformer, UL and CSA Approved
Dimensions: 9.25 x 1.5 x 6.5 inches (WxHxD)
Weight: 2.5 pounds
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